Home > Arrested Development

The One Where Michael Leaves

[narrator] NOW THE STORY

OF A WEALTHY FAMILY WHO LOST EVERYTHING...

AND THE ONE SON WHO HAD NO CHOICE...

BUT TO KEEP THEM ALL TOGETHER.

IT'S ARRESTED DEVELOPMENT.

[narrator] THIS IS MICHAEL BLUTH.

RIGHT NOW HE'S TAKING HIS SON, GEORGE MICHAEL,

TO START A NEW LIFE IN ARIZONA.

- PHOENIX, ARIZONA, HUH? THIS IS IT, BOY.

WE ARE FREE.

WE'RE GONNA FOLLOW OUR DREAMS, YOU KNOW?

AND THE BEST PART OF IT?

NOT WORKIN' FOR THE FAMILY ANYMORE.

- YEAH, BUT DON'T-- DON'T YOU ALWAYS SAY "FAMILY FIRST"?

- YES, I DO.

BUT THAT IS NOT A FAMILY, OKAY?

THEY'RE A BUNCH OF GREEDY, SELFISH PEOPLE

WHO HAVE OUR NOSE.

AND AUNT LINDSAY. - SHE'S NOT MY REAL AUNT?

- NOT A REAL NOSE.

GOT A PICTURE OF HER WHEN SHE'S 14 IN A SWIMMING CAP.

SHE LOOKS LIKE A FALCON.

SPENT AN ENTIRE YEAR LIVING IN THAT STUPID MODEL HOME

WITH THOSE PEOPLE,

AND ALL THEY DID WAS LIE TO US.

[narrator] THE MOST RECENT LIE WAS

MICHAEL'S FATHER HAD HAD A HEART ATTACK WHILE IN PRISON.

- WE LOST HIM. [sobbing]

[narrator] WHAT THE DOCTOR MEANT TO SAY

WAS THAT GEORGE SR. HAD ESCAPED,

A FEAT HE'D ACCOMPLISHED

BY USING THE FAMILY'S PORTABLE STAIRWAY VEHICLE.

- I'D LOVE TO SEE THE LOOK ON THEIR FACES RIGHT NOW.

[chuckles]

"WHERE'D HE GO?"

- OR THEY-- THEY THINK WE'RE JUST HEADED HOME.

ACTUALLY, YOU KNOW, THAT'S KIND OF WHAT I THOUGHT...

UNTIL I HEARD ABOUT ALL THAT PHOENIX STUFF.

[narrator] MICHAEL WAS CONCERNED THAT THE

FULL IMPACT OF HIS DEPARTURE..

MIGHT HAVE BEEN LOST ON HIS FAMILY.

[phone beeping]

- HELLO. WHO IS THIS? - YES, THIS IS DR. BLUMEN.

I'M CALLING REGARDING MICHAEL BLUTH.

- MICHAEL! PHONE! [beeps]

- THEY THINK WE'RE STILL THERE.

WE'RE GOIN' BACK.

[phone line beeping] HEY, MOM. ANY MESSAGES?

- NONE.

[recorded voice, indistinct]

- NO, THERE WAS A MESSAGE.

IT WAS ABOUT MY HEALTH, BUT IT DOESN'T MATTER.

MY SON AND I-- [horn blasts]

- BUSTER, WHAT ARE YOU DOING WITH MOTHER'S RAPE HORN?

YES, I HAVE A RAPE HORN, MICHAEL, BECAUSE YOU

TOOK AWAY MY MACE.

- YEAH, LIKE ANYONE WOULD WANT TO "R" HER.

- THIS IS WHAT I'M TALKING ABOUT, MICHAEL.

NOW THAT YOUR FATHER HAS DESERTED US, BUSTER'S BECOME

IMPOSSIBLE TO CONTROL.

SUDDENLY HE'S TOO MUCH OF A BIG SHOT

TO BRUSH MOTHER'S HAIR.

- WELL, I'M NOT HE--

I'M NOT HELPING YOU WITH BUSTER ANYMORE.

I'M NOT HELPING ANYONE WITH ANYTHING.

I CAME HERE TO TELL YOU THAT MY SON AND I--

[blender whirring]

[narrator] GEORGE MICHAEL, MEANWHILE, WAS

APPROACHED BY HIS COUSIN MAEBY.

- SO, YOU'RE REALLY LEAVIN', HUH?

HAVE YOU TOLD YOUR GIRLFRIEND, BLAND?

I MEAN, ANN.

- SHE'S NOT MY GIRLFRIEND, AND SHE'S NOT BLAND.

- REALLY?

BECAUSE, I MEAN, UNDER HER SCHOOL PICTURE

IT SAID "NOT PICTURED."

- OKAY, THEY PRINTED A RETRACTION

IN THE SPRING SUPPLEMENT.

AND, YEAH, SHE WAS REALLY LOOKIN' FORWARD TO SEEING ME

IN MY UNCLE SAM OUTFIT...

IN THAT GET OUT THE VOTE ASSEMBLY TOMORROW.

- WASN'T THAT SUPPOSED TO BE BEFORE THE ELECTION?

- THEY HAD TO POSTPONE IT WHEN THAT FOREIGN EXCHANGE STUDENT

PARKED TOO CLOSE TO THE GYM.

- I DO IT. I PLAY UNCLE SAM.

BETTER THAN PART I HAVE NOW--

GUY WHO ORDERS STRIKE ON PEARL HARBOR.

- I DON'T KNOW WHY YOU'RE NOT TAKING THIS

"I'M OUT OF HERE" SERIOUSLY,

BUT I AM OUT OF HERE, SERIOUSLY.

- LET'S FACE IT, MICHAEL. YOU'VE MADE THIS THREAT BEFORE.

- TELL ME. WHEN?

- THAT'S IT. I'M OUT OF HERE.

TA-DA!

I'M OUT OF HERE.

- [man on radio] WE GOT THE ATTACKING

ANIMAL DOWN.

- I'M OUT OF THIS FAMILY, SERIOUSLY.

THIS TIME WE'RE GONNA BE SO FAR AWAY, YOU'LL NEVER

BE ABLE TO FIND US.

- WE'RE GOIN' TO PHOENIX. - DON'T TELL 'EM WHERE.

- I-I JUST THOUGHT-- - IT DOESN'T MATTER WHY.

- MICHAEL, MAYBE THE REASON WHY YOU ALWAYS COME BACK...

IS BECAUSE YOU NEED US MORE THAN WE NEED YOU.

- [scoffs] OH, THAT'S RICH.

HUH. I NEED YOU. ALL RIGHT, I'LL TELL YOU WHAT.

MOM, YOU'RE ALWAYS ASKING ME TO HELP YOU LOOK AFTER BUSTER.

YOU CAN FIND SOMEBODY ELSE. I HOPE SHE DOESN'T KILL YOU.

- I'LL KILL HER FIRST.

- AND GOOD LUCK TRYING TO

FIND SOMEONE ELSE TO RUN THE BUSINESS, BY THE WAY.

GOB, INSTEAD OF ALWAYS COMING TO ME

ASKING ME FOR MONEY,

SAYING, "I'VE MADE A HUGE MISTAKE,"

YOU CAN BAIL YOURSELF OUT NEXT TIME.

- I'VE NEVER ADMITTED TO A MISTAKE.

WHAT WOULD I HAVE MADE A MISTAKE ABOUT?

- LINDSAY, INSTEAD OF SLEEPING IN TWIN BEDS, YOU AND YOUR

HUSBAND TAKE THE MASTER BEDROOM.

IT'S NOT LIKE YOU'VE NEVER COME TO ME

WITH YOUR MARITAL PROBLEMS,

SAYING, "OH, HELP ME, MICHAEL.

I THINK MY HUSBAND MIGHT BE A--"

[horn blasts]

- OHH! [laughing]

WELL-- IT'S--

[groans] - HERE WE GO.

[narrator] AND SO, ONCE AGAIN,

THE GUYS WERE ON THEIR WAY TO PHOENIX, NEVER TO LOOK BACK.

- [low voice] IT'S JUST THE LAB CALLING.

WE'LL GIVE HIM THE BAD NEWS IN PHOENIX.

THEY KNOW WE'RE GONE. - GREAT.

YOU DID SAY PHOENIX AGAIN, BUT WHAT DO WE CARE?

- SORRY.

- NOW, DO YOU WANT TO STEER, OR ARE YOU TOO OLD TO SIT

ON YOUR POP'S LAP AND DRIVE?

- I THINK I MIGHT BE.

- OKAY.

[siren winding down]

- CAR'S REGISTERED TO GEORGE BLUTH,

SO WE HAD TO CHECK.

BUT HE'S BEEN CAUGHT, SO YOU'RE FREE TO GO.

- HE'S BEEN CAUGHT?

[narrator] MICHAEL KNEW IF HE WENT BACK

TO SEE HIS FATHER,

HE WOULD ONLY END UP SAYING SOMETHING HURTFUL.

- WE'RE GOIN' BACK.

[narrator] IN FACT, THE POLICE ONLY THOUGHT

THEY'D ARRESTED GEORGE SR.

- DO YOU HAVE ANY COOKIES WITH NO PRESERVATIVES?

[narrator] BUT HAD GOTTEN HIS TWIN

BROTHER, OSCAR, INSTEAD.

- OSCAR! A TALL TEA FOR OSCAR!

- YEAH!

- OH, GOOD GRIEF. IT'S OSCAR.

- OH, THANK GOD YOU'VE COME. [sighs]

[narrator] LUCILLE HAD A RELATIONSHIP

WITH OSCAR YEARS EARLIER,

WHICH SHE WAS NOT EAGER TO REKINDLE.

- WHAT IS WRONG WITH YOU?

THE BOY IS HERE. - OH.

THEY SAID MY FATHER WAS HERE. - DID THEY?

- LET'S GET OUT OF HERE. - WHAT-WHAT ABOUT OSCAR?

- YES. THEY IMPOUNDED MY, UH-- MY HUMBLE TRAILER.

- YOU'LL STAY WITH US. - NO, HE WON'T.

- YOU'RE THE ONE WHO SAYS I NEED A FATHER FIGURE.

- YES. A FATHER FIGURE.

- FINE. BUT YOU'RE NOT SLEEPING IN MY BED.

- OKAY. - OKAY. YEAH.

[narrator] SOON, MICHAEL ARRIVED

TO CLAIM HIS FATHER...

AND WAS MET BY THE FAMILY ATTORNEY, BARRY ZUCKERKORN.

- HMM.

- NO, I KNOW, I KNOW, I KNOW.

EVERYBODY SAYS LEAVE IT ALONE, LEAVE IT ALONE.

DOES THIS LOOK CONTAGIOUS TO YOU?

HEY, KIDDO.

ALL RIGHT. IT WASN'T YOUR FATHER.

IT WAS YOUR UNCLE.

I RAN INTO THEM AS THEY WERE LEAVING.

- THERE HE IS! - GOT YA!

- OH, FOR GOD'S SAKE. - [grunts] YEAH!

- I ONLY CAME BACK TO TELL HIM I WAS LEAVING, SO I GUESS

IT'S TIME TO GO, SON.

- WHERE YOU GOING? - WE CAN'T TELL YOU.

- NO, NO. WE CAN TELL BARRY. WE'RE GOING TO PHOENIX.

- OH, I WISH YOU HADN'T HAVE SAID THAT.

AS YOUR LAWYER, I HAVE TO INFORM YOU

YOU CANNOT LEAVE THE STATE.

WITH YOUR FATHER GONE, THEY WANT TO HOLD YOU.

- M-ME?

- THEY'RE GOING TO INDICT YOU TOMORROW.

ALL YOU HAVE TO DO IS COME UP WITH THE BAIL.

TAKE IT OUT OF THE BUSINESS.

- BUT I-- I CAN'T. I QUIT.

I DON'T WANT TO FOLLOW IN MY FATHER'S FOOTSTEPS.

- THEN YOU MIGHT WIND UP ON HIS COT.

OH, MAN, I WISH YOU HADN'T SAID PHOENIX.

WOW.

[narrator] MICHAEL HAD JUST FOUND OUT

HE COULDN'T LEAVE THE STATE...

UNLESS HE CAME UP WITH BAIL.

- OKAY, LISTEN. I'M GONNA GET

THE COMPANY CHECKBOOK AND DON'T TELL THE FAMILY.

WE CAN'T GIVE THEM THE SATISFACTION OF TELLING THEM

THAT I NEED MONEY, OKAY?

DO YOU REMEMBER WHAT WE SAY ABOUT THE FAMILY?

- IT'S NOT AUNT LINDSAY'S NOSE.

- YES, BUT NO.

DON'T-- DON'T TELL THEM THAT WE WERE GOIN' TO--

- WE SAY WE DON'T NEED THEM. HMM?

- OH. YEAH. OKAY.

THE NEW ONE. I DIDN'T--

[tv: woman] IT COMES FROM KNOWING

YOU'RE TONED AND FIT.

- WHAT ARE YOU DOING? - I'M EXERCISING, MICHAEL.

I SEE YOU FOUND AN EXERCISE TAPE MADE FOR PEOPLE

AS LAZY AS YOU ARE.

- I DO HAVE A LOVE LIFE. - TIGHTEN, ONE, TWO, THREE.

- OKAY, THIS IS GOING OFF.

ONE NIGHT IN THE MASTER BEDROOM,

AND YOU GOT YOURSELF A LOVE LIFE AGAIN?

- WELL, I'LL BE HONEST. AT FIRST, IT WAS AWKWARD.

[tv: woman] TOGETHER, TWO, THREE, FOUR.

RELEASE, TWO, THREE, FOUR. - OH, LINDSAY.

[tv off]

UH, WELL, THIS IS EXCITING.

- FINALLY WE CAN BE A NORMAL COUPLE.

- NICE TO BE BACK IN A QUEEN.

IT'S TOO MUCH PRESSURE. - I CAN'T DO THIS.

[narrator] SO LINDSAY AND TOBIAS

FINALLY TOOK A HARD LOOK AT THEIR RELATIONSHIP.

- YOU KNOW, LINDSAY,

AS A THERAPIST, I HAVE ADVISED A NUMBER OF COUPLES...

TO EXPLORE AN OPEN RELATIONSHIP...

WHERE-WHERE THE COUPLE REMAINS EMOTIONALLY COMMITTED,

BUT FREE TO EXPLORE EXTRAMARITAL ENCOUNTERS.

- DID IT WORK FOR THOSE PEOPLE?

- NO. IT NEVER DOES.

THESE PEOPLE SOMEHOW DELUDE THEMSELVES INTO

THINKING IT MIGHT, BUT--

BUT IT MIGHT WORK FOR US.

- WELL, WE COULD GIVE IT A SHOT.

- GREAT. WE'LL HAMMER OUT THE DETAILS LATER.

RIGHT NOW WE'VE GOT A DAUGHTER TO TELL.

MAEBY, WE'RE HAVING A FAMILY MEETING!

[narrator] ON HER WAY

TO THE FAMILY MEETING, - FAMILY MEETING!

[narrator] LINDSAY HAD

AN UNEXPECTED ENCOUNTER.

- HELLO.

- OH, HI. GOB TOLD ME TO COME BY.

- WELL, UH, I DON'T THINK HE'S HERE.

- WELL, TELL HIM I LIKE WHAT I SEE.

- AND WE PROBABLY WON'T EVEN ACT ON IT.

WE'RE NOT GONNA GET A DIVORCE.

IF ANYTHING, IT'LL BRING MOMMY AND DADDY

CLOSER TOGETHER.

- I MET SOMEONE. I'VE GOT A DATE.

I'M DATING SOMEONE.

- WELL, LET THE GREAT EXPERIMENT BEGIN!

- YOU'RE NOT USING MY MASTER BEDROOM FOR THAT.

- I BELIEVE YOU LEFT.

OR DID YOU REALIZE HOW MUCH YOU NEED US AFTER ALL?

- ACTUALLY, I CAME BACK BECAUSE I NEED SOMETHING.

- HMM.

- SOME THINGS.

LIKE THE CHECKBOOK. WHERE'S THE CORPORATE CHECKBOOK?

- GOB MUST'VE TAKEN IT TO THE OFFICE.

MOM PUT HIM IN CHARGE.

THAT'S RIGHT, MICHAEL. HE'S GOT YOUR OLD JOB.

- WELL, I BETTER GET OVER THERE

BEFORE HE BRINGS THE WHOLE COMPANY DOWN.

- IT'S ONLY BEEN THREE HOURS.

HOW MUCH DAMAGE COULD HE REALLY DO?

AND RELEASE.

[narrator] IN THREE HOURS, GOB HAD

DONE $45,000 IN DAMAGE.

- IN THERE, PLEASE.

- HEY, WHERE'S MY DESK?

- OH, I THINK IT'S THE MASSAGE TABLE

IN THE BREAK ROOM NOW.

TAKE THE WINDOW. - NO, HOLD IT.

GOB, MOM MAY THINK THAT SHE'S GIVEN YOU MY JOB,

BUT THE BOARD STILL HAS TO APPROVE THAT DECISION.

- ACTUALLY, THEY ALREADY HAVE. - WHY SHOULD WE BELIEVE IN YOU?

- FOR THE SAME REASON YOU SHOULD BELIEVE THAT

A HUNDRED-DOLLAR BILL...

IS NO MORE THAN A HUNDRED PENNIES.

[gasping]

THEY APPROVED ME UNANIMOUSLY.

- WHY WOULDN'T THEY?

YOU'VE ONLY LOST THEM $99 SO FAR.

- I'VE ALREADY BEEN PRETTY SUCCESSFUL.

SHOWING THE MODEL HOUSE AGAIN.

SENT A REALTOR OVER THERE YESTERDAY.

[narrator] IT WAS THIS REALTOR

WHO'D RUN INTO LINDSAY, THINKING SHE WAS

LOOKING FOR A HOME.

- I HAVE AN OPEN THING GOIN' ON TOO.

I'LL GIVE YOU THE ADDRESS, AND YOU CAN COME BY.

AND I THINK YOU'LL REALLY LIKE THE NEIGHBORS.

- OKAY.

- SO WHAT BRINGS YOU HERE, MICHAEL?

I HOPE IT'S NOT FOR A HANDOUT.

I RUN A PRETTY TIGHT SHIP AROUND HERE.

- WITH A POOL TABLE? - IT'S A GAMING SHIP.

- I'M HERE BECAUSE I THOUGHT YOU MIGHT NEED ME.

- I NEED YOU? - THAT'S RIGHT.

- OH, BOY, THAT'S GOOD.

CAN'T WAIT TO CALL THE GUYS IN TO HEAR THIS ONE.

LISTEN-- HOW DO YOU INTERCOM ON THIS?

- STAR TWO.

- YEAH. AT THE SAME TIME?

- YEAH, JUST-- NO, THE STAR IN THE CORNER.

THE STAR.

- SO IF I DO IT LIKE THAT--

- NO, TURN IT AROUND THE OTHER WAY. STAR.

- OH, THAT STAR.

- LET'S JUST HANG IT UP. THERE WE GO.

I-I THOUGHT THAT YOU MIGHT NEED ME TO HELP YOU WITH THE BOOKS.

YOU KNOW, THE CORPORATE CHECKBOOK.

WHERE IS IT?

- ACTUALLY, MOM'S GOT IT.

SHE WASN'T COMFORTABLE WITH ME--

[narrator] MICHAEL NOW HAD

THE DISTASTEFUL CHOICE...

OF EITHER ASKING HIS MOTHER FOR MONEY OR GOING TO JAIL.

- MAYBE BUSTER KILLED HER ALREADY.

[narrator] TOBIAS WAS ALSO

HAVING A BAD DAY.

LINDSAY HAD MET SOMEONE, AND HE HADN'T.

AND THAT'S WHEN HE FOUND WHAT

HE THOUGHT WAS A SUPPORT GROUP FOR DEPRESSED MEN.

- WELL, IF IT ISN'T THE BOY WHO CRIED "PHOENIX."

- OHH! NO, I WAS JUST, UH-- JUST WORRIED ABOUT BUSTER.

I THOUGHT MAYBE I SHOULD GIVE HIM A LITTLE GUIDANCE.

WRITE HIM A CHECK.

BE A ROLE MODEL. WHERE'S THE COMPANY CHECKBOOK?

- I ALREADY HAVE A NEW ROLE MODEL, MICHAEL.

- HIS UNCLE OSCAR IS LIVING HERE NOW.

- WOW.

YOU GUYS HAVE ACCOMPLISHED A LOT IN THE LAST THREE HOURS.

WHERE IS HE?

- I SENT HIM OUT FOR A NEW AIR HORN.

[bell dings] [men grunting]

[ horn blasts ] - YEAH!

- WE'VE GOT IT ALL UNDER CONTROL.

- GREAT.

I'M JUST WORRIED THAT IT'S ONLY GONNA BE

A MATTER OF TIME...

BEFORE THE MEDIA STARTS PUTTING TOGETHER ALL THE PIECES

OF THIS IRAQ STORY.

[narrator] MICHAEL HAD RECENTLY FOUND OUT

THAT THE MODEL HOME...

HE AND HIS SON CURRENTLY LIVED IN...

WAS VERY SIMILAR TO SOME HIS FATHER MAY HAVE ILLEGALLY

BEEN BUILDING IN IRAQ.

- THEY HAVEN'T YET.

AND FRANKLY, IT'S A VERY DIFFICULT CHARGE TO PROVE.

- MAN, THAT JURY'S GONNA FALL IN LOVE WITH YOU.

- WHAT DO YOU NEED, MICHAEL?

- I DON'T NEED ANYTHING.

I'M GREAT, 'CAUSE EVERYONE ELSE IS GREAT.

I CAN'T TELL YOU HOW NICE IT IS

TO NOT BE NEEDED ANYMORE.

- I WANT YOU.

- OKAY, THE JURY MIGHT ACTUALLY LIKE THAT.

[narrator] IT WAS AT THAT MOMENT

THAT GOB FOUND SOMETHING THE JURY MIGHT NOT LIKE.

- HAMMER. OOPS.

[narrator] AND LINDSAY ARRIVED AT WHAT

SHE THOUGHT WAS A DATE.

- HEY! YOU FOUND IT.

SO, SHALL WE START IN THE KITCHEN?

- I THOUGHT THE BEDROOM. - SURE.

I'LL MEET YOU UP THERE.

I GOTTA MAKE THIS PLACE SMELL LIKE COOKIES.

AND YOU SHOULD KNOW,

I AM ANTICIPATING MULTIPLES ON THIS.

- WELL, I WOULDN'T BE DOING THIS IF I DIDN'T THINK

THAT WAS A POSSIBILITY.

[narrator] LINDSAY WAS NERVOUS

AND TOOK A SHOWER TO RELAX.

- I CAN'T DO THIS. I'M NOT READY FOR THIS.

[screams]

- COME ON, KIDS.

WE'LL GO DOWNSTAIRS AND HAVE SOME COOKIES.

[narrator] THE KIDS WERE IN

FOR SOME BAD NEWS TOO.

TOBIAS, MEANWHILE, DISCOVERED THAT WHAT HE THOUGT

WAS A SUPPORT GROUP...

TURNED OUT TO BE A TEAM OF BALD MEN PAINTED BLUE.

EVEN LUCILLE WAS ABOUT TO FIND HERSELF IN TROUBLE.

- OH, YOU'VE DONE THIS BEFORE.

- [chuckling]

- YOU KNOW, YOU SHOULD LET YOUR HAIR GROW LONG.

- YEAH? I'VE THOUGHT ABOUT IT. I GUESS I'D LOOK LIKE YOU.

[chuckling] - MORE THAN YOU'LL EVER KNOW.

- ARE YOU LIVING IN ONE OF SADDAM'S MANY PALACES?

THEY MAY HAVE BEEN BUILT BY THE SAME DEVELOPER.

AND A SEAL ATTACK.

MEET ONE SURPRISED BATHER, COMING UP.

- [giggling]

[narrator] SEVEN MINUTES HAD PASSED SINCE

GOB HAD DISCOVERED THE DOCUMENT.

[intercom: woman] GOB, YOUR MOTHER ON LINE ONE.

- I'M COMING OVER. DON'T TALK TO ANYONE.

[narrator] IT WAS AT THAT MOMENT

THAT LUCILLE WAS STOPPED BY A DOCUMENTARY FILMMAKER.

- UH, YOUR COMPANY'S BEING ACCUSED OF PROFITING OFF

THE BUILDING OF HOUSES IN IRAQ.

- THAT'S CRAZY. WE'RE ALL LOYAL AMERICANS.

- OH, YEAH.

WOULD YOU ENLIST YOUR SON OR DAUGHTER IN THE ARMY?

- YES.

[narrator] MICHAEL WAS OUT OF OPTIONS...

AND, KNOWING THAT HIS FATHER HAD A PENCHANT FOR HIDING

VALUABLE THINGS IN WALLS,

CONSIDERED ONE LAST DESPERATE GAMBIT.

- THIS IS CRAZY.

WHAT AM I DOING? USING A HAMMER TO TRY TO--

- [yells] - [screams]

ARE YOU CRAZY? - ARE YOU BLUE?

- ONLY IN COLOR, MICHAEL. ONLY IN COLOR.

IT SEEMS I MIGHT HAVE STUMBLED UPON

AN ACTING OPPORTUNITY.

- AS A MEMBER OF THE BLUE MAN GROUP?

- OH, NO, YOU'RE THINKING OF THE SUPPORT GROUP.

I MADE THAT SAME MISTAKE MYSELF.

THEY'RE CALLED THE BLUE MAN GROUP.

BUT IT'S FUNNY.

IF I HADN'T SOUGHT OUT A SUPPORT GROUP,

I NEVER WOULD'VE GOTTEN THIS GIG AS AN UNDERSTUDY

FOR A PERFORMANCE ART GROUP.

[clatter on floor]

YOU KNOW, THE UNIVERSE WORKS IN MYSTERIOUS WAYS, MICHAEL.

YOU NEVER KNOW WHERE HELP IS GOING TO COME FROM

UNTIL YOU LOOK FOR IT.

- WHY DOES EVERYBODY THINK THAT I NEED HELP?

- [chuckles] MICHAEL, LOOK AT YOU.

I MEAN, YOU'RE HOLDING A SLEDGEHAMMER, YOUR SHIRT

IS COV-- OH, I DID THAT.

UM, HERE, LET ME, UH-- WELL--

[narrator] AND MICHAEL REALIZED THAT

HE, TOO, HAD BEEN TOO PROUD.

- I NEED MONEY. - I CAN'T HELP YOU.

- I KNOW.

IT DID BOTHER ME THAT THEY DID SO WELL WITHOUT ME.

BUT I-I DO HAVE TO ASK THEM FOR HELP.

- AND I HAVE TO ASK FOR AN AUDITION.

- YOU HAVEN'T AUDITIONED YET?

- OH, NO, NO. I'M NOT IN THE GROUP YET.

NO, I'M AFRAID I JUST "BLUE" MYSELF.

- THERE'S GOTTA BE A BETTER WAY TO SAY THAT.

[narrator] TOBIAS RUSHED TO THE THEATER,

HOPING TO BE SEEN.

UNFORTUNATELY, IT WAS DUSK, AND HE COULDN'T BE SEEN.

[thumping] - WHAT THE HELL WAS THAT?

[narrator] SO, FOR THE SECOND

TIME IN TWO DAYS, THE FAMILY GATHERED AT THE HOSPITAL.

- EVERYTHING'S GONNA BE OKAY. I'M SURE HE'S GONNA BE FINE.

I'M SO SORRY THAT THIS HAPPENED. I SPOKE TO HIM JUST BEFORE

HE LEFT THE HOUSE.

- OH, REALLY?

WHAT WAS THE LAST THING HE SAID?

- I JUST "BLUE" MYSELF.

- HE SAID SOME WONDERFUL THINGS,

INCLUDING THE FACT THAT SOMETIMES PEOPLE...

ARE TOO PROUD TO ASK FOR HELP WHEN THEY NEED IT.

- OH, GOD! FINE. I NEED YOU! - I NEED YOU, OKAY, MICHAEL?

- NO, I-I DIDN'T MEAN FOR--

- HE WAS A REALTOR, MICHAEL.

NOW MY HUSBAND'S IN THE HOSPITAL.

- MOM VOLUNTEERED ME FOR THE ARMY JUST BECAUSE

THE FAT MAN DARED HER TO.

- WE CAN'T LET THEM TAKE BUSTER.

- I LOST MY WIG, MY UNCLE SAM WIG.

- MICHAEL, I AM SITTING ON SOME VERY HOT INFORMATION HERE.

I KNOW TOO MUCH. I'VE GOT THE THINGY.

HALF IN ENGLISH, HALF IN SCRIBBLY.

- MICHAEL, PLEASE, WE NEED YOU!

- WELL, I HATE TO CANCEL MY MEDICAL FOLLOW-UP IN PHOENIX,

BUT YOU GIVE ME THE CORPORATE CHECKBOOK,

I'LL SEE WHAT I CAN DO.

- EXCUSE ME. MRS. FUNKE

- OH, THIS GUY AGAIN. - HOW IS HE, DOCTOR?

- IT, UH, LOOKS LIKE HE'S DEAD.

- OH, MY GOD!

- OH, LITTLE GUY!

THE TEARS AREN'T COMING! THE TEARS JUST AREN'T COMING!

- OKAY, OKAY.

- UH, JUST TO BE CLEAR--

LOOKS LIKE HE'S DEAD, OR HE IS DEAD?

- IT JUST LOOKS LIKE HE'S DEAD.

HE'S GOT, LIKE, BLUE PAINT ON HIM OR SOMETHING,

BUT HE'S GOING TO BE FINE.

- WHAT IS WRONG WITH YOU?

- WHAT A-- [bleep] DOCTOR!

- I'LL LET YOU CELEBRATE PRIVATELY.

- HEY, WE WANT THIS COMPED!

- WELL, I'M GONNA-- I'M JUST GONNA HEAD OUT.

YOU DON'T NEED SOME, UH, PIECE OF-- [bleep]

UNCLE HANGING AROUND.

- HEY, HEY! THAT'S NOT MY DAD.

THAT'S NOT THE GUY YOU WANT. IF YOU WANT ANYBODY, IT'S ME.

- WHAT? - MICHAEL?

- YEAH.

I GOTTA TURN MYSELF IN OR MAKE BAIL,

UH, MAYBE BY, LIKE, 8:00.

HEY, HEY, HEY. THAT'S ENOUGH.

WHOA, HEY.

YOU MIGHT WANT TO HAVE THAT LOOKED AT.

- THANKS, MIKEY. [kisses]

- THEY THINK I'M INVOLVED IN THIS IRAQ THING,

AND I CAN'T PROVE THAT I'M NOT WITH DAD NOT AROUND,

SO I NEED YOUR HELP OR I'M GONNA GO TO JAIL.

- WE'VE GOT THE PROOF, MICHAEL.

DAD'S SIGNED CONTRACT WITH SADDAM.

- [whispers] HUSSEIN.

- USE IT.

IF IT MAKES YOUR FATHER LOOK BAD, THEN SO BE IT.

HE'S LONG GONE NOW.

- HEY, UH, WHERE'S THE BRIEFCASE?

- OSCAR HAS IT.

- HEY, I'M AWFULLY SORRY I'M LATE.

I GOT HERE AS FAST AS I-- OH, HOW IS HE?

- DID YOU JUST CHANGE YOUR CLOTHES?

- HEY, LOOK WHAT I FOUND ON WINDOWSILL.

JUST HAT. SOMEONE TAKE WIG.

[narrator] IN FACT, IT WAS GEORGE SR.

WHO TOOK WIG...

- HIT IT!

AND WAS FLEEING THE COUNTRY WITH THE EVIDENCE...

MICHAEL SO BADLY NEEDED.

- YOU MADE A HUGE MISTAKE.

[narrator] ON THE NEXT

ARRESTED DEVELOPMENT.

LINDSAY ALMOST STUMBLES UPON A DATING OPPORTUNITY.

- YOU LOOK REALLY HOT.

[narrator] BUT INSTEAD,

IS ADMITTED TO THE HOSPITAL WITH A FEVER OF 104.

MICHAEL FINALLY GETS THE CORPORATE CHECKBOOK,

ONLY TO FIND THAT THE FAMILY HAS GOTTEN TO IT FIRST.

AND BARRY LANDS IN JAIL.

- YOU'RE GLAD TOBIAS IS PRESSING CHARGES?

- I AM HAVING THE TIME OF MY LIFE.

- HEY. - HEY, DR. HATE.

- [guard] NO TOUCHING!

- [exhales]