Home > Arrested Development

iAmigos!

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male narrator: NOW THE STORY OF A WEALTHY FAMILY

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WHO LOST EVERYTHING

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AND THE ONE SON WHO HAD NO CHOICE

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BUT TO KEEP THEM ALL TOGETHER.

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IT'S "ARRESTED DEVELOPMENT."

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MICHAEL BLUTH ARRIVED AT WORK

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TO FIND HIS BROTHER ADJUSTING TO HIS NEW JOB AS PRESIDENT.

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- WHAT HAVE YOU GOT THERE?

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"DON'T BE AFRAID TO MAKE A MI--"

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- I'M NOT GONNA BEAT MYSELF UP OVER THAT.

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- OH. IT WORKS.

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SO, I WROTE YOUR "MESSAGE FROM THE PRESIDENT"

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ON THE SHAREHOLDERS' STATEMENT.

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STARLA'S MAKING COPIES.

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- DID I TELL YOU THAT SHE'D MAKE A GREAT SECRETARY?

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- YEAH, I'M NOT SO SURE THAT HIRING HER WASN'T A MISTAKE.

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- AND I'M NOT AFRAID TO MAKE MISTAKES.

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OR HAVE YOU FORGOTTEN THIS LITTLE--

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DAMN IT!

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MY LEGS ARE SO POWERFUL.

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- UH, SO I THOUGHT YOU MIGHT WANT TO READ IT,

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SEEING AS HOW YOU ARE THE PRESIDENT NOW,

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EVEN THOUGH IT'S JUST A TITLE.

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- UH, RIGHT. YES.

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WELL, WE SHOULD "CIRCUMVRENT" UNION PENALTIES.

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"CIRCUMVERATE."

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- CIRCUMVENT. MEANS TO GO AROUND.

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- THE OLD REACH AROUND.

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- TRUST ME.

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THIS MAKES YOU LOOK LIKE A LEADER, OKAY?

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- I DON'T THINK THAT I NEED ANY HELP WITH THAT.

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[bleep] IT. JUST LEAVE IT WHERE IT IS.

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- NOW, IF YOU JUST FLIP-- - HERE ARE THE COPIES.

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- OH, HEY, THESE ARE-- THESE ARE VERY SMALL.

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- WHEN YOU SAID YOU WANTED PHOTOCOPIES,

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I THOUGHT THAT YOU MEANT YOU WANTED THEM ON A PHOTO PRINTER.

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- TELL YOU WHAT.

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FROM NOW ON, WE'RE GONNA USE JUST THE BIG PRINTER.

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- OKAY. YOU'RE A PERFECTIONIST.

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FLASHES OF QUINCY. narrator: STARLA CLAIMED TO HAVE HAD A RELATIONSHIP

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WITH MUSIC LEGEND QUINCY JONES.

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- MR. PRESIDENT, I'M GONNA GO LOOK INTO

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SOME LEGOLAND TICKETS FOR THE WEEKEND.

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- COOL. LET'S DO IT.

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- ACTUALLY, I JUST MEANT ME AND MY SON.

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- ISN'T HE A LITTLE OLD FOR THAT?

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- NO.

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SORRY, I'VE BEEN LOOKING TO GET SOME ALONE TIME WITH HIM,

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AND IT JUST HASN'T SEEMED TO WORK OUT LATELY.

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- NO PROBLEM.

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I'LL JUST CALL UP SOME OF MY FRIENDS.

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- [chuckles]

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- WHAT? - WHAT FRIENDS?

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- I'VE GOT FRIENDS, MICHAEL.

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I JUST DON'T TALK TO THEM BECAUSE

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I WORK ALL THE TIME.

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I THINK THE PLANT LADY'S WEARING A THONG.

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- MICHAEL, THIS IS YOUR OFFICE NOW?

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- YEAH. WELL, IT'S TEMPORARY.

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WE'VE GOT TO MAKE SURE GOB LOOKS LIKE HE'S IN CHARGE.

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- OH, PLEASE, ALLOW ME. I'LL JUST "CIRCUMVRENT" YOU.

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- LET'S MAKE SURE WE DON'T GIVE HIM ANY REAL POWER.

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- MMM.

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- SO, I GOT A CALL TODAY FROM GENE PARMESAN, OUR PRIVATE EYE.

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- HE SAID HE FOUND SOMETHING BIG.

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- WE HAVE A PRIVATE EYE, HUH?

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- OH, I HIRED HIM A HUNDRED YEARS AGO

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TO FIND OUT IF YOUR FATHER WAS CHEATING ON ME.

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HE NEVER DID FIND ANYTHING.

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- WELL, HE CAN'T BE VERY GOOD, THEN.

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UH, WHAT DID HE FIND?

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- HE SAID HE WANTED TO TELL US IN PERSON.

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- [in an Italian accent] DON'T GET UP.

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I JUST A-FIND-A THE SUPPLIES BECAUSE I'M A--

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[drops accent] PRIVATE DETECTIVE.

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GENE PARMESAN. HOW ARE YOU DOING?

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- [shrieks] GENE! OH, GENE!

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ISN'T HE THE BEST? narrator: GENE WAS FAR FROM THE BEST.

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- THAT'S VERY IMPRESSIVE. - THANK YOU.

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- WHAT DID YOU FIND? - OH, NOTHING.

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JUST YOUR FATHER'S GETAWAY CAR.

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- YOU'RE KIDDING. narrator: MICHAEL'S FATHER HAD USED

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THE FAMILY STAIRWAY VEHICLE TO ESCAPE FROM PRISON.

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- IF I COULD FIND DAD, I'D BE OFF THE HOOK.

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I COULD BE PRESIDENT AGAIN.

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WHERE IS IT? - MEXICO.

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YOU GET THE COUNTRY FOR FREE. THE CITY--THAT'S GONNA COST YOU.

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[fire alarm beeping]

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- IT'S A $200 FINE. - OH!

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- I FEEL LIKE SUCH AN-- [bleep]

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THE CAR IS IN A TOWN CALLED ENCANTA.

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IF YOU THINK THAT'S WORTH MORE THAN $200,

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THEN I'D REALLY APPRECIATE IT.

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- ALL RIGHT, HERE.

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- I'M NOT EVEN GONNA COUNT IT.

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- YOU CAN LEAVE TOMORROW

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AFTER MY GOING-AWAY PARTY FOR BUSTER.

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I STILL CAN'T BELIEVE HE'S GOING INTO THE ARMY.

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YOU KNOW, HE'S DOING IT JUST TO SPITE ME.

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- THEN WHY ARE YOU THROWING HIM A PARTY?

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- JUST TO SPITE HIM.

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- YOU GUYS HAVE SUCH A HEALTHY THING GOING.

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OKAY, I'LL GO TO YOUR PARTY, AND THEN I'LL GO TO MEXICO.

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I GUESS THAT'LL BE MY QUALITY TIME WITH MY SON.

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- MEXICO?

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- YEAH, MOM'S P.I. FOUND THE STAIR CAR DOWN THERE.

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- GENE PARMESAN?

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- RIGHT HERE.

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- [shrieks]

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- I COUNTED IT. COME ON. narrator: AND THAT'S WHEN GOB BECAME SUSPICIOUS

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THAT MICHAEL HAD ONLY MADE HIM PRESIDENT

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TO STICK HIM WITH THE FAILING BUSINESS,

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WHILE MICHAEL HIMSELF ESCAPED TO MEXICO

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TO BE WITH HIS FATHER.

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SO, INSPIRED BY HIS MOTHER'S PRIVATE DETECTIVE...

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- "ICE." narrator: HE DECIDED TO HIRE SOMEONE

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TO KEEP AN EYE ON HIS BROTHER.

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- I THINK I MIGHT HAVE SOMEONE

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WHO'S GOING TO "CIRSUMVRENT" THE LAW. narrator: AND MICHAEL RETURNED HOME

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EAGER TO TELL HIS SON OF THEIR TRIP.

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- GEORGE MICHAEL, WHAT DO YOU SAY YOU AND I

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TAKE A LITTLE ROAD TRIP DOWN TO MEXICO TOMORROW

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RIGHT AFTER BUSTER'S PARTY?

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- OH, I CAN'T. I'M MEETING ANN.

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- WHO? - ANN.

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HERE, YOU TOOK THIS PICTURE OF US

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IN FRONT OF THAT BAGEL PLACE BEFORE IT WAS BURNED DOWN.

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- I GUESS I THOUGHT SHE WAS WITH ANOTHER FAMILY.

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- SHE'S KIND OF MY GIRLFRIEND.

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- HER? - DO YOU NOT LIKE HER?

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- I DON'T KNOW HER. YOU KNOW?

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IT'S LIKE YOU SPEND ALL YOUR TIME WITH HER.

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IT'S LIKE YOU'RE HOGGIN' HER-- LIKE YOU'RE A LITTLE ANN HOG.

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OKAY? DON'T BE SUCH AN ANN HOG.

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BUT WE'RE GONNA GO TO MEXICO.

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TRY TO FIND POP-POP. IT'LL BE AN ADVENTURE.

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- WELL.

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- AND 8:01. CURTAIN HAS RISEN.

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[chuckles]

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- HEY, TOBIAS, I WAS WONDERING

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IF YOU WERE AVAILABLE TOMORROW TO GO DOWN TO MEXICO.

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I NEED TWO DRIVERS.

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- ALAS, I HAVE TWO SHOWS TOMORROW

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WHERE I'M ON STANDBY FOR THE BLUE MAN GROUP.

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MIGHT AS WELL KEEP THIS MAKEUP ON

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SINCE IT TAKES SO [bleep] LONG TO GET OFF.

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- HMM. LINDSAY, WHAT ABOUT YOU?

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- UH, CAN'T. I HAVE A BIG DATE TOMORROW.

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- YOU KNOW, THIS OPEN MARRIAGE IS RIDICULOUS.

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SOMEBODY'S GONNA GET HURT.

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- THE IMPORTANT THING IS

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THAT YOU GUYS DON'T LOSE FOCUS ON YOURSELVES.

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- YOU KNOW, FIRST OF ALL, WE ARE DOING THIS FOR HER.

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OKAY?

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BECAUSE NEITHER ONE OF US WANTS TO GET DIVORCED.

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AND "SECOND-OF-LY,"

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I KNOW YOU'RE THE BIG MARRIAGE EXPERT--

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OH, I'M SORRY. I FORGOT.

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YOUR WIFE IS DEAD. [chuckles]

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I'M SORRY, THAT WAS 100% INAPPROPRIATE,

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AND I DO APOLOGIZE PROFUSELY.

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I'M--OH.

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- OKAY, LOOK. I DON'T HAVE A DATE TOMORROW.

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BUT WHY CAN'T YOU ASK GOB TO GO WITH YOU? narrator: MICHAEL AND GOB HAD BEEN TO MEXICO ONCE BEFORE.

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- CHICLET? CHICLET?

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- YOU'RE THE CHICLET! NOT ME!

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[clucking] narrator: UNFORTUNATELY, IN MEXICAN CULTURE,

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THIS WAS A MUCH MORE INFLAMMATORY GESTURE.

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- [clucking] - HEY, HEY.

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I JUST THINK YOU AND I WOULD HAVE A LOT MORE FUN.

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PLUS, YOU CAN BRING MAEBY.

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- YOU KNOW, I'VE SENSED HER FEELING

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A LITTLE LEFT OUT LATELY. narrator: AND THE NEXT MORNING,

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THE FAMILY MET AT BUSTER'S SEND-OFF PARTY,

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WHERE LUCILLE WAS NOT KEEPING HER FEELINGS HIDDEN.

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- A CAMCORDER.

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- THAT'S SO YOU CAN VIDEOTAPE IT

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WHEN THEY PUT YOU IN A NAKED PYRAMID

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AND POINT TO YOUR CHARLIE BROWNS.

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- I OUGHT TO POINT TO UNCLE OSCAR'S CHARLIE BROWNS

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NEXT TIME YOU'RE ON TOP OF HIM, MOTHER.

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- HE'S MOVING OUT. YOU SEE HOW HE TREATS ME?

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JUST BECAUSE HE THINKS I'M HAVING AN AFFAIR

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WITH THE BOY'S UNCLE.

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- YES, AND SHE'S NOT HAVING AN AFFAIR

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WITH THE BOY'S...UNCLE.

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- IT'S TOO LATE FOR APOLOGIES. I'M GOING TO THE ARMY.

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GET ME OUT. YOU'VE GOT TO GET ME OUT.

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- WELL, YOU KNOW, I'M HEADED DOWN TO MEXICO

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TO TRY TO FIND DAD,

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BUT WHEN I GET BACK, MAYBE WE'LL TRY TO FIGURE SOMETHING OUT. narrator: AND THAT'S WHEN BUSTER DECIDED

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TO SNEAK INTO MEXICO TO AVOID THE SERVICE.

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- NO, NO, I THINK IT'LL BE WORKED OUT BY THEN.

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[giggles]

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- WHAT WAS THAT ALL ABOUT?

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- I THINK BUSTER'S GONNA ESCAPE TO MEXICO.

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DID THE SECRETARY NOT GIVE YOU THE PICTURE FOR DAD?

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I NEED THAT TO SHOW THE PEOPLE DOWN THERE.

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- UH, YEAH, SHE BROUGHT THAT OVER.

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- WELL, THIS, UH, IS A BLUEPRINT...

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OF DAD'S FACE.

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SHE USED THE BIG PRINTER. I'LL GIVE HER THAT.

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LET'S GO. - NOT SO FAST.

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GOB, WHO IS THAT MAN ON THE COUCH?

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- OH, THAT GUY?

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HE'S MY FRIEND.

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- YOU DON'T HAVE ANY FRIENDS.

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- I HAVE LOTS OF FRIENDS, LINDSAY. narrator: IN FACT, THE MAN WAS ICE, A BOUNTY HUNTER

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THAT GOB HIRED TO FOLLOW MICHAEL.

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- ICE MAY BE MY BEST FRIEND. - GEORGE MICHAEL.

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- HE'S MOVING.

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- HE'S MOVING.

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- FUN PARTY, HUH? - NO, NO, IT ISN'T.

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LET'S GO DOWN TO MEXICO.

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- ALL RIGHT. LET ME GRAB ANN REAL QUICK.

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- WHAT--ANN'S HERE? - YEAH, I INVITED HER.

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YOU--YOU SAID YOU WANTED TO SPEND SOME TIME WITH HER.

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YOU SAID I WAS BEING AN ANN HOG.

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- ANN HOG'S COMING? I MEAN, I THOUGHT IT WAS JUST...

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- IT'S JUST ANN. - GONNA BE, LIKE, THE TWO OF US.

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ALL RIGHT, WELL, JUST LOAD HER UP IN THE CAR.

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- ALL RIGHT.

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- LUPE, THAT SWEATER'S NOT A TAKE-HOME.

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MICHAEL, GIVE HER A RIDE HOME.

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- I'M GONNA HAVE TO START PUTTING PEOPLE IN THE TRUNK. narrator: IN FACT, AT THAT MOMENT,

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BUSTER WAS CLIMBING INTO THE TRUNK.

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- MOTHER, WHEN YOU SEE THIS VIDEOTAPE,

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YOU'LL KNOW THAT I LEFT.

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NOT OUT OF COWARDICE, BUT OUT OF--

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[yawns] OH, MAN. IT'S TIRING IN HERE.

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OH. narrator: SIX MINUTES LATER,

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MICHAEL DROPPED OFF HIS MOTHER'S HOUSEKEEPER.

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- MEXICO. narrator: IN FACT, HE WAS IN SANTA ANA,

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A TOWN SIX MINUTES INLAND FROM HIS OWN.

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BUT THE COMBINATION OF LOSING HIS GLASSES

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AND BREATHING CARBON MONOXIDE

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HAD IMPAIRED BUSTER'S JUDGMENT.

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- OH, THIS SHALL KEEP ME SAFE FROM THE HOT MEXICAN SUN.

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- EXCUSE ME. WHAT ARE YOU DOING?

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- [in a Mexican accent] I'M TRYING TO FIND A PLACE TO LIVE.

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- AY. [speaking Spanish] narrator: MICHAEL WAS HEADING DOWN TO MEXICO

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TO FIND HIS FUGITIVE FATHER.

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- CAN YOU BELIEVE THIS?

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THIS IS MY TRIP WITH MY SON, AND HE'S TOO BUSY

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WHISPERING SECRETS TO ANN TO SAY ONE WORD TO ME.

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- WHAT'S THAT? - NOTHING.

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WE'RE NOT WHISPERING SECRETS UP HERE.

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- HEY, CHECK OUT WHO'S ON THAT HOG

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IN THE REARVIEW MIRROR.

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- GEORGE MICHAEL! - WHAT?

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- TWENTY MILES TO LEGOLAND.

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[rings]

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- THE ICE.

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WHAT HAVE YOU GOT?

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- STILL ON HIS TAIL, ABOUT 20 MILES FROM LEGOLAND.

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- GO GET HIM, FRIEND.

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- YOU'RE NOT MY FRIEND. YOU'RE A CLIENT. narrator: GOB REALIZED

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THAT PERHAPS HE REALLY DIDN'T HAVE ANY FRIENDS.

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- AND LUCILLE SENT HERS AWAY.

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BUSTER, OSCAR'S LEAVING. YOU WIN.

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- BUSTER GET IN TRUNK OF CAR.

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- SO HE'S NOT GOING TO THE ARMY.

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HE MUST HAVE HAD MICHAEL SNEAK HIM INTO MEXICO.

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OH, THANK GOD.

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- IT'S BETTER THIS WAY. both: MMM.

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[smooching]

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- I'LL GO UNPACK.

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- HERE'S SOME MONEY. GO SEE A STAR WAR.

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[knocking]

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WHO IS IT? - UH, YOUR SON.

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- WHAT? - I WAS LOOKING FOR BUSTER.

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- HE'S NOT HERE. - UH, WHAT ARE YOU DOING?

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I MEAN, DO YOU WANT TO GO OUT?

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- WHY ARE YOU TRYING TO GET ME OUT OF THE HOUSE?

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- I JUST THOUGHT THAT WE COULD HANG OUT.

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[door creaking] narrator: LUCILLE WAS SUSPICIOUS

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THAT GOB WAS UP TO SOME SORT OF POWER GRAB.

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- GENE PARMESAN? LUCILLE BLUTH.

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MY SON IS TRYING TO GET ME OUT OF MY HOUSE.

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I THINK HE MAY BE UP TO SOMETHING.

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[knocking]

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OH, HOLD ON. THAT'S PROBABLY HIM.

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GENE?

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IT'S JUST SOME IDIOT WITH BALLOONS.

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- OH, IS IT?

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- [shrieks] I KNEW IT!

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I WANT YOU TO KEEP AN EYE ON MY SON GOB. narrator: AND BUSTER WAS FINDING HIMSELF RIGHT AT HOME.

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- OH, MY GOD, I USED TO HAVE A SHIRT JUST LIKE THAT. narrator: IT WAS BUSTER'S OLD SHIRT.

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LUCILLE HAD GIVEN IT TO LUPE.

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- AND THE HAND CHAIR.

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I HAD ONE IN MY ROOM. I WONDER WHERE THAT WENT. narrator: IT WENT RIGHT THERE.

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- I NEVER THOUGHT I'D MISS A HAND SO MUCH.

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YOU PEOPLE ARE JUST LIKE ME. [chuckles] narrator: MEANWHILE, IN THE REAL MEXICO,

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MICHAEL HAD FOUND THE STAIR CAR.

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- YEP, THERE IT IS. narrator: AND MICHAEL SET ABOUT FINDING HIS FATHER.

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- OH, YEAH, SURE, SENOR. NO PROBLEM.

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WHEN DO YOU WANT US TO START BUILDING?

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- THANK YOU. GRACIAS.

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- HEY, DAD, DAD. - YEAH.

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- SO WHAT DO YOU THINK OF ANN SO FAR?

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- OH, ANN?

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I-I JUST-- YOU KNOW, I-I BARELY KNOW HER.

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YOU KNOW? NEITHER OF US DO.

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SHE'S JUST REALLY SOME GIRL AS FAR AS WE'RE CONCERNED.

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RIGHT?

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I-I-I'M DETERMINED TO GET TO KNOW HER, THOUGH.

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- YEAH. - OKAY?

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- OKAY, I HAVE AN IDEA.

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WHEN WE GO BACK,

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WHY DON'T JUST THE TWO OF YOU GO BACK IN THE STAIR CAR TOGETHER?

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- WELL, THAT'S NO FUN.

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FOR YOU.

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YOU KNOW, YOU GUYS-- YOU GUYS SHOULD BE TOGETHER.

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- OH-- - OR MAYBE JUST YOU AND ME.

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IF YOU'D RATHER. - YEAH.

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- OR ME AND ANN-- - GREAT, YES, OKAY.

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I'LL TELL MAEBY THAT I'LL BE GOING BACK

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WITH HER AND AUNT LINDSAY-- GREAT.

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- NO, NO, NO, WAIT.

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LET'S--LET'S KEEP LOOKING FOR POP-POP.

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YOU KNOW? - OH, OKAY.

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- MAYBE SOMEBODY IN THE CHURCH WILL KNOW SOMETHING. narrator: IN FACT, GEORGE SR. WAS IN THE CHURCH,

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WHERE HE WAS MOURNED BY HIS LONGTIME ASSISTANT

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AND ACCOMPLICE TO HIS ESCAPE, KITTY,

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AS ONLY A FEW DAYS EARLIER, HE'D BEEN DECLARED DEAD.

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[gunshot]

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BUT BEFORE MICHAEL COULD GO INSIDE THE CHURCH--

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- [yelling]

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- HEY, WAIT A MINUTE. WAIT A MINUTE.

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I KNOW YOU. YOU'RE GOB'S FRIEND.

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- NOT FRIEND. BOUNTY HUNTER.

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- GENE?

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THERE'S NO WAY YOU'RE THAT GOOD.

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- NAME'S ICE.

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GOB HIRED ME TO STOP YOU FROM FLEEING THE COUNTRY.

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- COME--WHAT? ARE YOU KIDDING ME?

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I'M NOT FLEEING THE COUNTRY. I'M HERE LOOKING FOR MY FATHER.

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BUT YOU'RE OBVIOUSLY BETTER AT THIS KIND OF THING,

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SO I'LL TELL YOU WHAT.

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I'M GONNA CONTINUE PAYING YOU TO FIND MY FATHER.

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YOU CAN ALSO COLLECT THE REAL BOUNTY ON HIS HEAD.

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- NICE DECK. IS THIS WHERE YOU SAW HIM LAST?

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- NO, THIS-- THAT'S ACTUALLY HIM.

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HE'S JUST--HE'S MUCH SMALLER IN REAL LIFE.

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- I CAN SEE THAT'S A MAN.

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I'LL FIND HIM.

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- LUCKY.

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- WHAT DID HE SAY? DID HE ASK ABOUT ME?

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I-I CAN'T BELIEVE HE FOLLOWED US ALL THE WAY TO MEXICO.

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- UH, THAT'S A BOUNTY HUNTER,

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AND, UH, HE'S ON THE CASE, SO WE CAN ALL HEAD HOME.

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- SO HE'S NOT INTERESTED IN ME?

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- NOT UNLESS YOU KNOW WHERE DAD IS.

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GEORGE MICHAEL.

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- OH, HI, DAD. YEAH.

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THEY THINK YOU'RE IN MEXICO. I'LL SEE YOU WHEN I GET HOME.

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YE--OH, YES. THANK YOU.

00:13:56

NO, I FOUND MY BIRTH CONTROL PILLS.

00:13:58

THANKS FOR ASKING, DAD. narrator: MAEBY HAD HAD ENOUGH OF HER MOTHER

00:14:02

AND DECIDED TO GO BACK WITH MICHAEL.

00:14:04

- I'M SO SICK OF HER. THE LAME FLIRTING. narrator: MICHAEL, OF COURSE,

00:14:08

THOUGHT MAEBY WAS REFERRING TO ANN.

00:14:10

- YOU KNOW, I THINK HE'S GONNA GET SICK OF HER

00:14:12

BEFORE IT GOES TOO FAR.

00:14:13

- OF COURSE HE WILL. SHE'S A CHILD.

00:14:15

- WELL, THAT--THAT PART'S NOT REALLY HER FAULT.

00:14:17

I-I JUST HATE TO SEE HIM WASTING HIS TIME, YOU KNOW?

00:14:20

- LET'S JUST GO. I'LL BE IN YOUR CAR.

00:14:21

- WELL, IS GEORGE MICHAEL OKAY WITH THAT?

00:14:23

- IT'S FINE. JUST DRIVE. narrator: AT NO POINT WERE MICHAEL AND MAEBY

00:14:26

TALKING ABOUT THE SAME PERSON.

00:14:28

AND THERE WERE ONLY FOUR PEOPLE IN THEIR GROUP.

00:14:30

- AND IT'S NOT A RACE THING.

00:14:32

- YEAH, WHOEVER GETS THERE FIRST. narrator: AND SO MICHAEL LEFT WITH HIS NIECE,

00:14:38

FOLLOWED BY HIS SISTER AND HIS SON,

00:14:41

FOLLOWED BY THE BOUNTY HUNTER.

00:14:43

UNFORTUNATELY, THIS LEFT THE GIRL

00:14:45

MICHAEL WAS DETERMIND TO GET TO KNOW ALONE IN MEXICO.

00:14:49

MEANWHILE, BUSTER WAS ADAPTING TO LIFE

00:14:51

IN WHAT HE THOUGHT WAS MEXICO, BUT WAS IN FACT

00:14:54

A TOWN SO CLOSE TO HOME THAT THEY SHARED A PAPERBOY.

00:14:56

- I KNOW THAT GUY. HEY, WHERE'S YOUR MOTHER?

00:14:59

- OH, I LOVE THIS WAY OF LIFE. THIS IS WHERE I BELONG.

00:15:02

I LOVE BEING MEXICAN.

00:15:05

- WE MUST WORK NOW, AMIGO. ADIOS.

00:15:06

- OH, NO, NO. I'M GOING WITH YOU.

00:15:08

[in a Mexican accent] I AM ONE OF YOU NOW, SI? narrator: AND MICHAEL, ON HIS WAY BACK HOME,

00:15:13

BONDED WITH MAEBY.

00:15:14

- I MEAN, WHY DOES EVERYONE HAVE TO DATE ANYWAYS?

00:15:17

- RIGHT, I MEAN, ISN'T FAMILY ENOUGH FOR PEOPLE?

00:15:20

AND, YOU KNOW, NOT TO FEEL SORRY FOR MYSELF,

00:15:22

BUT IT'S LIKE I'M BEING FORGOTTEN HERE. narrator: AND SOON THEY ALL ARRIVED AT HOME.

00:15:30

- HEY, YOU'RE HERE ALREADY. - YEAH, WE WON.

00:15:32

- SO, UH, YOU GUYS HAVE A GOOD TALK?

00:15:34

- YEAH. GREAT TALK.

00:15:35

THAT COUSIN OF YOURS IS A HELL OF A GIRL.

00:15:37

IT'S TOO BAD YOU CAN'T DATE HER.

00:15:38

- NO. I MEANT--

00:15:40

WAIT, YOU WOULDN'T HAVE A PROBLEM WITH THAT?

00:15:43

NOTHING.

00:15:44

NO, I WAS TALKING ABOUT ANN.

00:15:46

WHAT DID YOU THINK OF HER? narrator: MICHAEL HAD JUST DISCOVERED

00:16:02

HE'D LEFT HIS SON'S GIRLFRIEND IN MEXICO.

00:16:04

- SHE'S GONNA BE FINE. WE JUST GOT TO BEAT THE SUN.

00:16:09

- HEY, YOU THINK I'M HAPPY ABOUT THIS?

00:16:12

BUT, HEY, WE ARE GETTING THAT TRIP TOGETHER

00:16:14

WE WANTED, THOUGH, HUH?

00:16:15

AND LOOK. TWO EXITS TO LEGOLAND.

00:16:17

- I JUST WANT TO FIND ANN.

00:16:19

- THAT'S MY WHOLE THING TOO. narrator: AND GOB WAS STILL SEARCHING FOR A FRIEND.

00:16:24

- SHOW TONIGHT?

00:16:26

- WELL, I WON'T KNOW OFFICIALLY UNTIL 8:01,

00:16:29

BUT I FIGURED IF I BLUE MYSELF EARLY,

00:16:33

I'D BE NICE AND RELAXED FOR A 9:00 DINNER RESERVATION.

00:16:36

[chuckles]

00:16:37

AND IF YOU'D LIKE, I CAN MAKE THAT RESERVATION FOR--

00:16:40

- LOOKING FOR SOME COMPANY OR--

00:16:41

- I SURE AM.

00:16:45

WHAT ARE YOU DOING? YOU'RE GONNA SCARE AWAY THE ICE.

00:16:47

- ICE? ICE IS OUT THERE?

00:16:50

WHERE'S MICHAEL?

00:16:51

- HE WENT BACK TO MEXICO.

00:16:54

- HMM, I KNEW HE WAS TRYING TO FLEE.

00:16:56

- WHERE THE HELL DID HE GO?

00:16:58

- [yells] - WHOA!

00:17:00

- ICE, WHAT ARE YOU DOING?

00:17:01

- GEORGE BLUTH, YOU'RE COMING WITH ME.

00:17:03

- THAT'S NOT MY FATHER.

00:17:04

- WELL, ACCORDING TO MY PHOTOGRAPH, IT IS.

00:17:07

- [laughs] IT'S AN HONEST MISTAKE.

00:17:09

ALSO, I THINK YOUR KNEE IS ON MY HEART.

00:17:12

- HE'S MY HUSBAND.

00:17:13

MY FATHER IS PROBABLY STILL IN MEXICO.

00:17:15

I WAS JUST HOPING TO HAVE SEX WITH YOU.

00:17:17

- WHY AM I NOT BLACKING OUT?

00:17:19

- HE SET ME UP. MICHAEL SET ME UP.

00:17:22

- HEY, WHO WANTS TO GO TO THE HOSPITAL? narrator: AND BUSTER WENT TO HIS JOB AS A DISHWASHER.

00:17:28

- THIS IS GREAT. WE'RE LIKE SLAVE BUDDIES.

00:17:30

[chuckles]

00:17:31

OH. narrator: SOON, THE GUYS ARRIVED IN MEXICO

00:17:35

AND SPLIT UP TO FIND ANN.

00:17:37

- ANN? ANN?

00:17:38

OH, THANK GOD, YOU'RE ALL RIGHT.

00:17:40

- MR. BLUTH?

00:17:41

ANN, OH, THANK GOD, YOU'RE ALL RIGHT.

00:17:44

UH, YOU ARE ANN, RIGHT?

00:17:46

YES, OF COURSE YOU ARE.

00:17:48

- ANN, OH, MY-- - IT IS--WE GOT HER.

00:17:50

OKAY, LET'S GO AHEAD AND LOAD UP IN THE TRUCK.

00:17:52

I THINK WE'RE CRASHING SOME POOR GUY'S WAKE.

00:17:56

- MICHAEL, MICHAEL, MICHAEL!

00:17:58

- GOB? WHAT ARE YOU DOING?

00:17:59

- FLEEING THE COUNTRY? YOU BASTARD.

00:18:00

- NO. I'M STILL NOT FLEEING, OKAY?

00:18:04

I'M JUST HERE TO PICK UP MY SON'S GIRLFRIEND.

00:18:06

SHE RAN OFF THE LAST TIME WE WERE LEAVING.

00:18:08

- ACTUALLY, I WAS SITTING RIGHT THERE THE WHOLE TIME.

00:18:10

- YEAH? WAY TO PLANT, ANN.

00:18:11

- GEORGE MICHAEL, UH, LISTEN.

00:18:13

WHY DON'T YOU AND PLANT JUST WAIT IN THE STAIR CAR.

00:18:15

I'M GONNA FINISH UP HERE WITH GOB.

00:18:16

- WHAT A SCARE.

00:18:17

- WHAT IS THAT? THAT'S HIS GIRLFRIEND?

00:18:18

- YEAH.

00:18:19

- WHAT, IS SHE FUNNY OR SOMETHING?

00:18:20

- DON'T--DON'T WORRY ABOUT IT.

00:18:22

WHY DO YOU KEEP THINKING THAT I'M RUNNING AWAY?

00:18:23

- I MEAN, IT IS KIND OF SUSPICIOUS

00:18:25

YOU DIDN'T EVEN ASK ME TO DRIVE DOWN HERE WITH YOU.

00:18:27

- WELL, THE ONLY REASON I DIDN'T ASK YOU TO COME WITH US

00:18:29

IS BECAUSE OF YOUR CHICKEN IMPRESSION.

00:18:31

- YEAH, WE SURE DID GET IN A LOT OF TROUBLE FOR THAT LAST TIME.

00:18:32

DIDN'T WE? - OH, YEAH.

00:18:33

- I WAS ALL-- [clucking]

00:18:35

- HEY, NO. YOU'RE DOING IT AGAIN.

00:18:36

- [yelling]

00:18:38

- GET OFF HIM. HE DOESN'T KNOW WHAT HE'S DOING.

00:18:39

HE'S AMERICAN.

00:18:40

- AMERICANO, EH? JUST LIKE ME.

00:18:43

GENE PARMESAN. HOW YOU DOING?

00:18:45

- GENE! WHAT THE HELL ARE YOU DOING?

00:18:47

- WELL, YOUR MOTHER SENT ME TO FIND YOU.

00:18:49

SHE WAS WORRIED YOU WERE UP TO SOMETHING.

00:18:51

- I WAS JUST LOOKING FOR A FRIEND.

00:18:53

- WHAT? - YEAH, THAT'S RIGHT, MICHAEL.

00:18:55

I WENT TO OUR MOTHER BECAUSE I DON'T HAVE ANY FRIENDS.

00:18:58

- OH, THAT'S FUNNY. - THANK YOU.

00:19:01

GENE, CAN I JUST HAVE A PRIVATE MOMENT, PLEASE?

00:19:02

- OKAY. YOU'RE ON THE CLOCK.

00:19:03

- THANK YOU.

00:19:05

GOB, WHAT ARE YOU TALKING ABOUT?

00:19:06

IF ANYBODY NEEDS A FRIEND RIGHT NOW, IT'S ME.

00:19:08

I MEAN, YOU KNOW, MY SON'S FURIOUS AT ME,

00:19:09

AND HE SPENDS ALL OF HIS FREE TIME WITH THIS GIRL

00:19:12

THAT, FRANKLY, I'M NOT THAT CRAZY ABOUT.

00:19:13

- NOT CRAZY ABOUT?

00:19:15

OR NOT CRAZY ABOUT YOUR SON GROWING UP?

00:19:18

- UH--MAYBE--MAYBE YOU'RE RIGHT ABOUT THAT.

00:19:21

AND I REALLY HAVEN'T GOTTEN TO KNOW HER.

00:19:24

I'VE BEEN A LITTLE SELFISH, SO--

00:19:26

SEE? YOU ARE A FRIEND.

00:19:28

YOU KNOW, I'M--I'M ALWAYS GONNA LOOK OUT FOR YOU.

00:19:30

ALL RIGHT?

00:19:31

AND YOU'RE ALWAYS GONNA LOOK OUT FOR ME.

00:19:34

- [yells]

00:19:38

- SORRY. I DID SEE HIM COMING.

00:19:40

IT'S JUST, I KIND OF WANTED TO SEE

00:19:42

WHERE YOU WERE GOING WITH THAT.

00:19:47

- WHERE'S UNCLE GOB?

00:19:49

- WELL, I GAVE THE BOUNTY HUNTER AND THE P.I.

00:19:52

A FEW EXTRA BUCKS

00:19:53

TO BE HIS FRIENDS FOR THE WEEKEND--

00:19:55

WHILE THE THREE OF THEM ARE LOOKING FOR MY FATHER.

00:19:57

AND I WANT TO GET TO KNOW A NEW FRIEND TOO.

00:19:59

ANN, WHY DON'T YOU TELL ME A LITTLE BIT ABOUT YOURSELF?

00:20:03

[engine turns over] narrator: THE NEXT DAY, BUSTER WAS HAPPY.

00:20:10

AND HE DECIDED TO NEVER GO HOME AGAIN.

00:20:13

- [humming]

00:20:14

DELIVERY FROM THE KITCHEN. narrator: BUT UNFORTUNATELY, HE WAS ALREADY THERE.

00:20:17

- [gasps] MOTHER!

00:20:18

- BUSTER!

00:20:19

I THOUGHT YOU WERE IN MEXICO.

00:20:21

- SO DID I!

00:20:23

- OH!

00:20:24

- narrator: AND THE NEXT DAY, MICHAEL RETURNED TO WORK,

00:20:26

KNOWING A LITTLE MORE ABOUT HIS SON'S GIRLFRIEND.

00:20:28

- YOU TELL ANN TO MAKE SURE SHE STUDIES

00:20:29

FOR MR. MASON'S ALGEBRA II TEST TOMORROW,

00:20:31

AND TELL HER TO MAKE SURE

00:20:32

THAT KIM CHO DOESN'T CHEAT OFF HER THIS TIME.

00:20:37

- WOW. YOU REALLY GOT TO KNOW HER.

00:20:39

- WELL, WE DID SPEND THREE HOURS TOGETHER IN THAT CAR RIDE.

00:20:41

- SO, WHAT'D YOU THINK? - I DON'T LIKE HER. narrator: ON THE NEXT "ARRESTED DEVELOPMENT."

00:20:47

BUSTER RECLAIMS HIS FAVORITE CHAIR.

00:20:52

- [gasps]

00:20:53

- BUT THE VICTORY IS SHORT-LIVED.

00:20:54

- MAKE LOVE IN YOUR OWN HAND, MOTHER! narrator: AND TOBIAS GETS MEDICAL ATTENTION.

00:21:00

- OH, THANK GOD! A NEW DOCTOR.

00:21:01

FINALLY WE CAN GET A STRAIGHT ANSWER IN THIS PLACE.

00:21:03

- UH, I'VE GOT SOME BAD NEWS.

00:21:06

I'M GENE PARMESAN. HOW YOU DOIN'?

00:21:08

- [shrieks] HE GOT ME AGAIN! [laughs]

00:21:11

- BUT I DID OVERHEAR THAT HE'S BLEEDING INTERNALLY.