Home > Arrested Development

Sad Sack

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[narrator] NOW THE STORY

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OF A WEALTHY FAMILY WHO LOST EVERYTHING...

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AND THE ONE SON WHO HAD NO CHOICE...

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BUT TO KEEP THEM ALL TOGETHER.

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IT'S ARRESTED DEVELOPMENT.

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[narrator] IT WAS MONDAY MORNING,

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AND MICHAEL BLUTH WAS NERVOUS ABOUT MEETING...

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WITH THE NEW PROSECUTOR OF HIS FATHER'S CRIMINAL CASE.

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- I DON'T KNOW WHAT YOU'RE SO NERVOUS ABOUT, MICHAEL.

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IT'S A NEW PROSECUTOR. IT'S A WHOLE NEW BEGINNING,

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A NEW DAY, A NEW CASE, A WHOLE NEW SET OF LIES.

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- I'M NOT LYING ANYMORE, MOM.

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[narrator] MICHAEL WAS LYING.

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HE FOUND HIS FUGITIVE FATHER EARLIER IN THE WEEK,

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AND HE WAS HIDING HIM IN THE ATTIC...

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WHERE GEORGE SR. WAS CURRENTLY WAITING

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FOR HIS BREAKFAST.

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- ABOUT THE BUSINESS, JUST FOR THE RECORD,

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I WAS NOT INVOLVED WITH DAD BUILDING HOUSES IN IRAQ.

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THAT'S EXACTLY WHAT I'M GONNA TELL THEM.

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- IS THAT FOR LINDSAY?

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BECAUSE SHE'S NOT SCARED TO EAT IN FRONT OF ME ANYMORE.

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THOSE ARE THE WHITES ONLY, YES?

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- THESE AREN'T FOR LINDSAY. THESE ARE MINE.

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- ANYWAY, I'M NOT LYING ANYMORE EITHER, MICHAEL.

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I'M BEING LIED...

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ON. - [gasps]

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- WOW. NOW MORE'S GONNA COME UP THAN GO DOWN.

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- I GOTTA GET OUTTA HERE.

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- HMM?

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- I CAN'T TAKE THIS ANYMORE.

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I MEAN, SHE'S JUST SO LOVING AND AFFECTIONATE.

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I-- I-- THIS IS NOT THE WOMAN I FELL IN LOVE WITH.

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- OSCAR, PLEASE. YOU CAN'T GO. YOU GOTTA STAY, OKAY?

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THIS IS THE NICEST SHE'S BEEN SINCE SHE FOUND OUT

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ROSA COULD BREAST-FEED BUSTER.

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- OH, BUSTER, DON'T EVEN BRING THAT UP.

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HE'S WELL INTO HIS ARMY TRAINING.

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[narrator] ACTUALLY, BUSTER HAD HIT A WALL

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IN HIS ARMY TRAINING.

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- I CAN'T DO IT!

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I CAN'T MAKE MY BED, AND I CAN'T DO THIS EITHER!

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AREN'T YOU SUPPOSED TO YELL AT ME AND CALL ME "HOMO"

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AND MOTIVATE ME OVER THIS WALL?

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- WE CAN'T DO THAT ANYMORE. LAWSUIT.

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[narrator] IN FACT,

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IT WAS A RECENT RULING... PROSECUTED BY THE SAME MAN

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WHO MICHAEL WAS SOON TO MEET WITH.

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- IT'S GOING TO BE A LONG TIME BEFORE

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SERGEANT WENDELL BAKER... CALLS SOMEONE

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"PRIVATE HOMO" AGAIN.

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- GOD WILLING, HE'LL FAIL BOOT CAMP.

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- WELL, WHY WOULDN'T HE? HE ALREADY FAILED DAY CAMP.

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HEY. - HI. HEY, DAD.

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YOU READY FOR THE PROSECUTOR?

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- HI. I HOPE SO.

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HOW'D THAT MATH TEST WORK OUT? - OH, IT WAS OKAY, I GUESS.

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BUT-- I DON'T KNOW.

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IT WAS WEIRD. I STUDIED WITH ANN,

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BUT I STILL GOT A B-MINUS.

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- ANN GOT YOU A B-MINUS?

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- WELL, IT WASN'T ANN. SHE'S AN EXPERT IN MATH.

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ISN'T THAT CUTE? - IS IT?

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[narrator] MICHAEL FELT HIS SON

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WAS SETTING THE BAR TOO LOW...

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WITH HIS DATING STANDARDS.

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- NO, IT WASN'T ANN'S FAULT.

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I THINK I JUST ENDED UP THINKIN' ABOUT THE QUESTIONS TOO LONG.

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AND SO, BY THE TIME I PUT AN ANSWER DOWN,

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I WENT WITH, LIKE, MY FIFTH CHOICE

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OR SOMETHIN' LIKE THAT.

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- GEORGE MICHAEL, NEVER SETTLE FOR FIFTH CHOICE.

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SOMETHING BETTER IS GONNA COME ALONG.

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SHE JUST HAS TO.

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- I THINK MAYBE SITTING IN THE BACK OF THE CLASS

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WITH ANN IS A BAD IDEA.

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YOU KNOW, SHE'S JUST SO PRETTY.

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I GET DISTRACTED, I GUESS.

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- DO YOU?

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- I WISH I COULD DRAW HER NOSE.

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- MAYBE IT'S YOUR EYES.

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MAYBE YOU NEED GLASSES... FOR YOUR GRADES.

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DIDN'T YOU SAY YOU HAD A HARD TIME READIN' THE BOARD...

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SITTIN' IN THE BACK ROW?

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- NO, I SAID I WAS IN THE BACK OF THE CLASSROOM.

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- THAT'S WHAT I MEAN. YEAH?

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- IT'S DIFFERENT. NO. NO.

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WELL, I DON'T KNOW. MAYBE.

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- NO, DEFINITELY. I'LL CALL THE EYE DOCTOR.

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- I GUESS.

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- I'M GONNA SET YOU UP AN APPOINTMENT. OKAY?

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- HEY, GANG. - TOBIAS.

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- OH. OOH, I'M AFRAID I'LL HAVE TO TAKE THEM TO GO.

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I'M LATE FOR THE GYM.

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OH, AND ALSO, HERE'S A NUMBER...

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IN CASE THE BLUE MAN GROUP CALLS AND NEEDS AN UNDERSTUDY.

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I JUST FOUND OUT THAT MY CELLULAR TELEPHONE WAS A LEMON.

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IT DIDN'T WORK.

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- [hoarse voice] NEITHER DO YOU.

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- [scoffs]

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- PRETTY BRAVE CARD FOR YOU TO PLAY.

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- I JUST CAN'T STAND IT. TOBIAS GETTING IN SHAPE...

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[door closing]

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FOR A BUNCH OF SLUTTY GYM RATS.

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- WHAT'S WRONG WITH YOUR VOICE? - NOTHING. I'VE BEEN GOING OUT.

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[narrator] LINDSAY HAD BEEN

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FREQUENTING SINGLES CLUBS, ALSO STILL HOPING TO MAKE

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HER OPEN MARRIAGE WORK--

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- WHOO!

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[narrator] WHICH IT WON'T.

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- I DIDN'T CATCH THAT. - WHOO!

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I WONDER HOW MANY WOMEN HE'S SLEPT WITH, IF ANY.

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- LINDSAY, IT'S NOT A COMPETITION.

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- OF COURSE IT IS, MICHAEL. THAT'S WHY THEY CALL IT SCORING.

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- MAYBE IN THE '70s.

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- THAT MANY? WE'VE ONLY BEEN DOING THIS FOR A MONTH.

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- INSTEAD OF COMPETING WITH TOBIAS,

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WHY DON'T YOU TRY SPENDING...

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A LITTLE MORE TIME WITH YOUR DAUGHTER?

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- WHY? TOBIAS DOING THAT?

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[narrator] AT THAT MOMENT,

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LINDSAY'S DAUGHTER... [doorbell rings]

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WAS IN THE PROCESS OF WOOING HER OWN MAN.

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- WHO IS IT?

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- STEVE HOLT!

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[narrator] MAEBY HAD EVEN STARTED

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ORDERING UNNECESSARY ITEMS...

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JUST TO HAVE MORE OCCASIONS TO SEE HIM.

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- UH, YOU ORDERED

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A "MEMORIES OF THANKSGIVING" BASKET?

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- WOW, THAT LOOKS GREAT.

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- [hoarsely] MAEBY, WHO'S YOUR FRIEND?

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- IS THIS YOUR SISTER? - NO.

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BUT YOU JUST MADE MY DAY.

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- THANK YOU FOR THE BASKET. SEE YA.

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- [singsong] HE THINKS I'M CUTE.

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- HE'S 19. HE'S A SENIOR AT MY HIGH SCHOOL.

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[narrator] AND HAD BEEN FOR SEVERAL YEARS.

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- YOU KNOW WHAT?

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I THINK I AM GONNA SPEND MORE TIME WITH MY DAUGHTER.

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- I CAN'T PROMISE YOU I WON'T TELL THE PROSECUTOR ABOUT THAT.

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- WHERE YOU BEEN?

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- ARE YOU WEARING MY DEAD WIFE'S MATERNITY CLOTHES?

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- YEAH. IT'S THE ONLY THING I COULD FIND.

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WHERE ARE THE EGGS?

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- DOCTOR SAYS THEY'RE BAD FOR THE BABY.

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- SO, YOU READY FOR THIS NEW PROSECUTOR?

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- I WAS UNTIL YOU CAME BACK.

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- YOU'RE NOT GONNA TURN ME IN, ARE YOU?

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BECAUSE I HAD NO IDEA

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THERE WERE SANCTIONS AGAINST, UH, IRAQ.

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YOU KNOW, TH-THEY SENT ME OVER THERE.

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THEY SAID, "GO BUILD."

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UH-- UH, DO I LOOK LIKE A CRIMINAL MASTERMIND TO YOU?

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HOW DO YOU GET THIS HAM OPEN?

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I CAN'T-- I CAN'T GET THIS HAM OPEN.

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- I'M NOT GONNA TURN YOU IN.

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BUT YOU HAVE PUT ME IN A POSITION

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WHERE I'M GONNA HAVE TO LIE.

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WHY DID YOU COME BACK HERE IN THE FIRST PLACE?

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- OH, NO REASON.

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YOUR MOTHER HAPPENS TO BE SHTUPPING MY BROTHER,

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THAT'S ALL.

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I'M ONLY HERE TO FIND OUT IF I HAVE A SHOT WITH HER.

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IF SHE'S REALLY IN LOVE WITH OSCAR--

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I DON'T KNOW-- TO HELL WITH HER.

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I'LL JUST-- I'LL JUST LEAVE.

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I'LL NEVER COME BACK.

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- GREAT. SHE'S REALLY IN LOVE WITH HIM.

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- THAT'S VERY FUNNY. I NEED YOU TO FIND OUT, OKAY?

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'CAUSE EVER SINCE I-- I HEARD ABOUT THIS--

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[breathes deeply] I CAN'T SLEEP.

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I CAN'T-- I CAN'T EAT.

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OH. LOOK, IT JUST PEELS OFF. ISN'T THAT CLEVER?

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[narrator] LATER THAT DAY, GEORGE MICHAEL

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WAS HAVING HIS EYE EXAM... AND FINDING IT TO BE

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JUST AS DIFFICULT AS HIS MATH EXAM.

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- ONE OR TWO? - TWO. NO. NO, ONE.

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- OKAY. TWO OR THREE? - THREE.

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UH, UNLESS THREE IS TOO MUCH OF AN IMPROVEMENT.

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I'M SORRY, IS ONE-- IS ONE IN THE MIX STILL?

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[narrator] AND MICHAEL MET

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WITH THE NEW PROSECUTOR, WAYNE JARVIS.

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- I'M SORRY.

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I DON'T UNDERSTAND HOW THIS IS NOT A CONFLICT OF INTEREST.

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YOU ALMOST REPRESENTED US, AND NOW YOU'RE THE PROSECUTOR.

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- THE PATRIOT ACT. READ IT.

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- I-I'M NOT EVEN THE PRESIDENT ANYMORE.

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MY BROTHER GOB IS.

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- I SPOKE WITH GOB. HE APPEARS TO KNOW NOTHING.

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- YEAH, THAT'S NOT AN ACT. HE TWICE TRIED TO MICROWAVE...

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A DING DONG WHILE IT WAS STILL IN ITS FOIL.

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TWICE. - TWICE?

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- TWO TIMES.

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[narrator] IN FACT,

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GOB HAD BEEN GRILLED EARLIER.

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- I DON'T KNOW ANYTHING ABOUT THE BUSINESS!

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- WE'RE GONNA GET YOU, BLUTH.

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WE'LL GIVE YOU A FEW MINUTES TO THINK

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ABOUT WHAT YOU WANT TO DO.

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HE KNOWS LESS THAN ANYONE WE HAVE EVER QUESTIONED.

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[narrator] GOB KNEW TOO LITTLE

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TO KNOW THAT, HOWEVER,

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AND HIS CONFIDENCE HAD NEVER BEEN MORE SHAKEN.

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AND JUST WHEN HE THOUGHT HE COULDN'T HANDLE

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ANOTHER EMBARRASSMENT--

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- YOU'RE FREE TO GO.

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THINGS COULD GET VERY MESSY FOR YOU, MICHAEL, UNLESS YOU

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HAVE SOMETHING TO BARGAIN WITH,

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LIKE, SAY, A FUGITIVE.

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- I DON'T KNOW WHERE TO FIND SUCH A THING.

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- LOOK HARDER.

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THERE MIGHT BE SOMETHING IN IT FOR YOU.

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- SOMETHING TO GET ME OFF THE HOOK?

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- IF YOU COULD FIND A CERTAIN SOMEONE.

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- CAN I HAVE A MOMENT ALONE WITH MY CLIENT, PLEASE?

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DID YOU FOLLOW ANY OF THAT?

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- YEAH. HE'S HINTING THAT HE'S GONNA GRANT ME IMMUNITY,

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BUT ONLY ON THE CONDITION THAT I TURN IN MY FATHER.

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- YOU KNOW WHERE YOUR FATHER IS? NO, WAIT. DON'T TELL ME NOW.

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OKAY. IF YOU KNOW, GIVE ME A HIGH FIVE.

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MM-MMM.

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[narrator] MICHAEL HAD JUST FOUND OUT...

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HIS LEGAL PROBLEMS MIGHT GO AWAY IF HE TURNED IN HIS FATHER.

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[beeps]

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- IT'S JUST YOU AND ME NOW, HUH?

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- NO, BARRY, I-- I KNOW WHERE MY FATHER IS, OKAY?

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HE CAME BACK TO MAKE SURE THAT MY MOTHER WASN'T

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REALLY IN LOVE WITH MY UNCLE.

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HE WANTS TO KNOW IF HE'S STILL GOT A SHOT WITH HER.

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IF HE DOESN'T, HE'S LEAVING.

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- IF HE'S GOT A SHOT WITH HER,

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JUST GIVE ME A LITTLE TAP ON THE FANNY.

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- THAT'S NOT GONNA HAPPEN. - OKAY.

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THEN LOOK, JUST TELL HIM ANYTHING HE WANTS TO HEAR

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TO KEEP HIM FROM RUNNING.

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WE JUST HAVE TO KEEP HIM HERE UNTIL WE CAN HEAR...

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WHAT KIND OF DEAL THEY'RE OFFERING YOU.

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YOU JUST TRUST ME.

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I'M A LOT MORE COMPETENT THAN YOU CAN IMAGINE.

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OH, I FORGOT TO TAKE THE TINFOIL OFF TOO.

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I REALLY WANTED THAT.

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[narrator] BUSTER, MEANWHILE,

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WAS SHARING HIS FAILURE... WITH SOMEONE WHO WAS

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WELL-VERSED ON THE SUBJECT.

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- I MEAN, I COULDN'T GET OVER THE WALL.

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THEY PUT ME ON SUSPENSION UNTIL I CAN.

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- PERHAPS YOU NEED TO FIND SOMEBODY

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WHO CAN MOTIVATE YOU.

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- YEAH, BUT WHO?

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[narrator] AND THEN IT HIT HIM.

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- AH!

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[narrator] GOB HAD ALWAYS PROVEN

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A GOOD MOTIVATOR FOR BUSTER.

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- DO IT! [blow lands]

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- [groans]

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- WHEN YOU DO THIS WITHOUT GETTING PUNCHED IN THE CHEST,

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YOU'LL HAVE MORE FUN.

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- [weakly] THANKS, BROTHER.

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- HEY, BROTHER,

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HOW WOULD YOU LIKE TO GO TO THE OLD PLAYGROUND WITH ME?

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- I'M SURE AS HELL NOT GONNA GO BACK TO WORK.

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I'M NEVER GOING BACK THERE.

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- OH. WELL, THEN PERCHANCE I MIGHT BE ABLE TO BORROW

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YOUR CELLULAR TELEPHONE?

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- I'M NOT FIT TO RUN A COMPANY.

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AND I DON'T DESERVE A FANCY PHONE.

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- WELL, THE BLUE MAN GROUP MIGHT NEED ME.

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AND I DO DESERVE A FANCY PHONE.

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[narrator] THEY DIDN'T, AND HE DOESN'T.

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MICHAEL KNEW HE COULDN'T LET HIS FATHER GET AWAY.

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SO HE DECIDED TO SEE

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IF HIS MOTHER AND OSCAR REALLY WERE IN LOVE.

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- SO, COME ON.

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AREN'T YOU REALLY JUST DATING OSCAR TO GET BACK AT DAD?

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- OH, IT MAY HAVE STARTED AS THAT,

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BUT I HAVE FALLEN IN LOVE WITH OSCAR.

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AND IT'S SO NICE NOT TO HAVE TO WORRY

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ABOUT GETTING PREGNANT.

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THE DOCTOR SAID

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I COULDN'T BE A MOTHER NOW IF I TRIED.

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- AND THAT WAS WITHOUT EVEN INTERVIEWING ME.

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- HERE YOU GO. HOT TEA.

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BECAUSE THAT'S WHAT YOU ARE-- A HOTTIE.

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- STOP ME FROM POURING THIS ON MYSELF.

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I CAN'T TAKE THIS ANYMORE.

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- ALL RIGHT. NOW, LISTEN, OSCAR.

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MAYBE YOU SHOULD THINK ABOUT MOVING ON, YOU KNOW.

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THIS REALLY ISN'T YOUR SCENE,

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WITH THE SWEATERS AND THE FURNITURE.

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MAYBE YOU SHOULD TAKE A LEAP AT FREEDOM,

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LIKE MY FATHER.

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JUST RUN.

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[air horn blasts] IS THAT HER RAPE HORN?

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- IT'S MORE LIKE A STARTER'S PISTOL.

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- [whispers] RUN.

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[narrator] MEANWHILE, TOBIAS

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SET ABOUT LEARNING HOW TO

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OPERATE HIS NEW CELL PHONE.

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[Final Countdown melody] - OH!

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[narrator] AND LINDSAY TRIED

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TO SPEND MORE TIME GETTING TO KNOW HER DAUGHTER.

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- [hoarsely] HI, BABY.

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OH, STEVE. HI.

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- HI.

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- WHAT ARE YOU DOING HERE?

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- I THOUGHT I'D SPEND A LITTLE TIME WITH MY DAUGHTER.

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AFTER ALL,

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IT HASN'T BEEN THAT LONG SINCE I'VE BEEN IN HIGH SCHOOL.

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[bell rings] IS THAT A FIRE?

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- WE HAVE TO GO TO CLASS.

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- OKAY. WELL, THIS WAS FUN.

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MAYBE LATER WE CAN ALL SPEND A LITTLE MORE TIME TOGETHER.

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GO SHOPPING. GET A DRINK.

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- I'M IN SCHOOL. AND I'M 15.

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- OH. WELL, I'M MUCH, MUCH, MUCH...

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OLDER THAN 15.

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- YOU DON'T LOOK IT. - OH, STEVE.

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HE THINKS I'M YOUNG. YOU MADE MY DAY AGAIN!

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[laughing]

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- YOUR MOM'S PRETTY, UH, OUT THERE.

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- SHE'S NOT MY MOM.

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- BUT SHE SAID YOU WERE HER DAUGHTER.

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- HIS DAUGHTER. THAT'S MY DAD.

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- THAT'S A DUDE? - AND THE WORST PART IS,

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HE THINKS HE'S PASSING.

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[narrator] RIGHT OUTSIDE THE SCHOOL,

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BUSTER TRIED TO PUT HIS OWN PLAN...INTO ACTION

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BY STIRRING UP OLD MEMORIES.

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- WHAT DO YOU SAY?

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I NEED YOUR HELP TO GET OVER THE WALL. PUSH ME.

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- I'M THE PATHETIC ONE, BUSTER, NOT YOU.

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I TOTALLY FREAKED OUT IN FRONT OF THAT PROSECUTOR TODAY.

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LIKE A LITTLE GIRL IN A LITTLE DRESS--

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LITTLE SADDLE SHOES, LITTLE PIGTAILS.

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- WOW, THAT DOES SOUND LIKE A LITTLE GIRL.

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COME ON, GET MY IRE UP.

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PUSH ME! [chuckles]

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OH.

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OH, THIS IS TURNING OUT

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TO BE MUCH MORE FUN THAN I'D HOPED.

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[narrator] IT WAS FUN.

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BUT IT WASN'T MAKING HIM A BETTER SOLDIER.

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- PUSH ME HIGHER. [chuckles]

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OOH! I'LL DO IT.

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WHOO!

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[narrator] AND MICHAEL REPORTED

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TO HIS FATHER ABOUT

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HIS MEETING WITH THE PROSECUTOR.

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- PROSECUTOR OFFER YOU A DEAL? - THAT WAS NOT SAID.

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BUT, UH, MORE IMPORTANTLY, YOU SHOULD KNOW THAT IT SEEMS

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LIKE OSCAR'S ON HIS WAY OUT.

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- REALLY?

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- YEAH. SO JUST SIT TIGHT, AND EVERYTHING SHOULD BE FINE.

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- WOW. HEY, BY THE WAY, I BROKE THIS THING. I--

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WHAT THE HELL IS IT ANYWAY? - THAT'S A BREAST PUMP, DAD.

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- OH. WELL, I DID NOT USE IT FOR THAT.

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[narrator] AND SO MICHAEL WENT

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TO MEET THE PROSECUTOR.

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- I FELT OBLIGATED TO SHARE SOME PHOTOGRAPHS WITH YOU.

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I OBTAINED THESE FROM THE BLUTH COMPANY E-MAIL SERVER.

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- YOU TAPPED INTO OUR E-MAIL? THAT'S LEGAL?

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- I'M GOING FOR A HOT DING DONG.

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HOT DING DONG? YEAH?

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- MICHAEL, THIS IS A CLOSE-UP SATELLITE PHOTOGRAPH

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OF THE IRAQI COUNTRYSIDE.

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SEE THIS LITTLE SERIES OF HILLS AROUND THAT STREAM?

00:12:55

THOSE ARE BUNKERS. WE BELIEVE THAT THOSE BUNKERS...

00:12:58

CONTAIN WEAPONS OF MASS DESTRUCTION.

00:13:00

WE ALSO THINK THAT YOUR FATHER

00:13:01

WAS BUILDING ON THAT LAND TO HIDE THEM.

00:13:04

WHICH IS WHY THAT PHOTOGRAPH WAS ON HIS E-MAIL.

00:13:07

- ARE YOU SERIOUS? - ALMOST ALWAYS.

00:13:09

I WAS ONCE CALLED THE WORST AUDIENCE PARTICIPANT

00:13:11

CIRQUE DU SOLEIL EVER HAD.

00:13:13

- THIS IS A BIG ACCUSATION.

00:13:14

- I DID NOT FIND THEIR BUFFOONERY AMUSING.

00:13:16

- ABOUT MY FATHER.

00:13:18

- HE'S GUILTY, MICHAEL, OF MEDIUM TO HEAVY TREASON.

00:13:21

THAT PROVES IT. YOU CAN'T PROTECT HIM.

00:13:23

TURN HIM IN AND IMMUNITY IS YOURS.

00:13:29

[narrator] MICHAEL RETURNED HOME

00:13:30

TO CONFRONT HIS FATHER. - MICHAEL?

00:13:31

MOM WAS JUST HERE LOOKING FOR YOU.

00:13:33

SHE'S CLAIMING OSCAR'S DISAPPEARED BECAUSE

00:13:35

OF SOMETHING YOU SAID.

00:13:36

- CAN'T TALK RIGHT NOW. - REALLY?

00:13:37

WHAT'S WRONG WITH YOUR VOICE?

00:13:39

- I CAN TALK, SURE.

00:13:41

I DIDN'T SAY ANYTHING TO OSCAR.

00:13:42

ANYTHING ELSE? - NO.

00:13:44

OH. HEY, DID I TELL YOU?

00:13:45

I ACCIDENTALLY RAN INTO STEVE HOLT.

00:13:47

- WOW. EVERYTHING ABOUT YOU IS SO WOMANLY.

00:13:50

YOU'RE EVERYTHING A WOMAN SHOULD BE.

00:13:52

- [hoarsely] THANK YOU, STEVE.

00:13:55

WE ENDED UP MAKING A LUNCH DATE.

00:13:57

- I THOUGHT YOU WERE SPENDING TIME WITH MAEBY.

00:13:59

- YEAH. I'LL HAVE TO RESCHEDULE HER.

00:14:01

BUT MOM ISN'T THE ONLY ONE "FINDING LOVE" WHERE SHE

00:14:03

LEAST EXPECTS IT.

00:14:04

HER WORDS.

00:14:05

- WH-WHOA! FINDING LOVE--

00:14:06

SHE SAID THAT? WHERE, HERE?

00:14:09

- YEAH, SHE WON'T SHUT UP ABOUT HIM.

00:14:11

SHE SAID "TINGLING," LIKE, 75 TIMES.

00:14:12

- GETS ME TINGLING.

00:14:14

AND, YOU KNOW, WITH OSCAR THERE'S TINGLING.

00:14:18

- SHE SAID THOSE WORDS IN THIS HOUSE?

00:14:19

- YEAH.

00:14:22

- DAD?

00:14:24

HELLO?

00:14:30

[narrator] MICHAEL HAD JUST

00:14:32

DISCOVERED THAT HIS FATHER

00:14:33

HAD ESCAPED FROM THE ATTIC.

00:14:34

- HELLO?

00:14:36

- THIS IS GONNA SOUND LIKE A STRANGE QUESTION,

00:14:37

BUT HAVE YOU SEEN DAD?

00:14:39

- OF COURSE NOT. AND I'M NOT TALKING TO YOU.

00:14:41

YOU TRIED TO SCARE AWAY OSCAR, WHICH DIDN'T WORK.

00:14:43

HE'S BACK. - I JUST, UH--

00:14:46

I JUST WANTED TO HAVE SEX WITH YOU.

00:14:48

THAT'S-- THAT'S ALL I'M GOOD FOR.

00:14:50

- DID YOU HEAR THAT? HE SAID HE JUST WANTS TO--

00:14:52

- GOOD-BYE, MOM. - HAVE SEX WITH ME.

00:14:58

YOU SMELL LIKE A PINECONE.

00:14:59

- YEAH, THAT'S THE WEED.

00:15:01

I WENT TO MY, UH, MY-- [bleep] HOLE TRAILER,

00:15:03

AND I-- I SMOKED SOME LIKE A CIGARETTE.

00:15:06

- SHOULD WE TAKE IT INTO THE BEDROOM?

00:15:09

- ONLY IF YOU REALLY LOVE ME. - OF COURSE I DO.

00:15:15

- [inhales] OHH.

00:15:18

[muttering]

00:15:20

- WHAT'S WRONG WITH YOU? WHERE ARE YOU GOING?

00:15:22

- I'M ON MUSHROOMS!

00:15:24

I'M ON BAD MUSHROOMS!

00:15:27

[narrator] AND SOON, THE PROSECUTOR'S

00:15:28

EVIDENCE BECAME PUBLIC.

00:15:30

- WE'VE OBTAINED PHOTOGRAPHS THAT OFFICIALS CALL

00:15:33

DEFINITE PROOF OF W.M.D.'s IN IRAQ.

00:15:35

WHAT THAT MEANS FOR YOUR WEEKEND AT 10:00.

00:15:37

[narrator] IT SEEMS THAT DUE

00:15:39

TO THE NEW INFORMATION-SHARING PROVISIONS...

00:15:41

IN THE PATRIOT ACT, THE PHOTOS HAD MADE THE ROUNDS...

00:15:44

THROUGH SEVERAL BRANCHES OF GOVERNMENT...

00:15:47

AND ULTIMATELY TO THE U.S. ARMY ITSELF.

00:15:49

- I JUST CAME BACK TO TELL YOU. I CAN'T DO THAT WALL.

00:15:52

- THERE'S NO TIME FOR THAT. WE'RE SHIPPING OUT WITHOUT YOU.

00:15:54

- WHAT? - DIDN'T YOU SEE?

00:15:56

- PICK IT UP. PICK IT UP.

00:15:58

- WEAPONS OF MASS DESTRUCTION?

00:16:01

- THOSE BASTARDS. - I DID NOT SAY THAT.

00:16:03

- ARE YOU GONNA LET THAT SLIDE?

00:16:04

ARE YOU GONNA ALLOW YOUR CHILDREN,

00:16:07

AND YOUR CHILDREN'S CHILDREN,

00:16:09

AND ANY CHILDREN THAT I MIGHT HAVE OUT THERE...

00:16:11

TO LIVE IN FEAR FOR THE REST OF THEIR LIVES?

00:16:14

CLIMB THAT WALL, HOMO!

00:16:17

- CLIMB IT.

00:16:19

[narrator] AND JUST AS THE MEN THOUGHT

00:16:20

THE DAY COULD GET NO MORE SURPRISING,

00:16:22

[yelling] IT DID.

00:16:24

- OHH! OOH! [thuds]

00:16:26

[whimpering]

00:16:27

- WHEN YOU DO THIS WITHOUT GETTING PUNCHED,

00:16:29

YOU'LL HAVE MORE FUN.

00:16:30

- OH, HEY, GEORGE MICHAEL. - OH, HI.

00:16:33

- THEY FOUND W.M.D.'s IN IRAQ, SO WE GOT A HALF DAY.

00:16:35

- COOL. SO I GOT A "C" ON MY MATH TEST.

00:16:38

NOT ANTICIPATING A GOOD REACTION ON THAT.

00:16:40

- WELL, THE "B" GOT YOU GLASSES.

00:16:42

MAYBE THIS TIME YOU'LL GET A NECK BRACE.

00:16:44

ANYWAYS, HAVE YOU SEEN MY MOM?

00:16:47

- SEEMS POSSIBLE.

00:16:49

- SHE'S ON HER WAY TO MEET STEVE HOLT.

00:16:50

- I THOUGHT YOU LIKED HIM.

00:16:52

- I DO. I'M CRAZY ABOUT HIM. BUT HE'S OBSESSED WITH HER.

00:16:54

THAT'S ALL HE WANTS TO TALK ABOUT.

00:16:56

[narrator] LINDSAY FELT BAD.

00:16:58

PERHAPS SHE HAD HURT HER DAUGHTER...

00:16:59

BY PUTTING HERSELF FIRST.

00:17:01

BUT SHE WOULD HAVE FELT WORSE

00:17:02

IF SHE'D REMAINED EVEN A MOMENT LONGER.

00:17:04

- BUT IT'S ONLY BECAUSE HE THINKS SHE'S GOT A PENIS.

00:17:06

OH, I TOLD HIM SHE WAS A TRANNY.

00:17:08

[narrator] MEANWHILE, MICHAEL WAS

00:17:09

STILL UP IN THE ATTIC.

00:17:11

- DAD, WHAT'S GOIN' ON? SOMEBODY COULD SEE YOU.

00:17:13

- WHAT'S THE DIFFERENCE, MIKE?

00:17:15

YOU'RE TURNING ME IN, AREN'T YOU?

00:17:16

- THEY SAY YOU'RE INVOLVED IN SOMETHING REAL BIG, DAD.

00:17:19

THEY'VE GOT PHOTOS.

00:17:20

- NOT TRUE. BUT GO. KNOCK YOURSELF OUT. TURN ME IN.

00:17:23

I WENT AND I SAW FOR MYSELF.

00:17:25

SHE'S IN LOVE WITH HIM.

00:17:29

- THEN WHY DID YOU COME BACK?

00:17:31

WHY DIDN'T YOU JUST LEAVE FOREVER LIKE YOU SAID?

00:17:33

- AND GO WHERE?

00:17:34

[sighs]

00:17:36

MAKE A DEAL FOR YOURSELF, MIKE.

00:17:38

I GOT NO LOVE IN MY LIFE ANYMORE.

00:17:40

[narrator] AND MICHAEL REALIZED

00:17:41

FOR THE FIRST TIME...

00:17:43

THAT HIS FATHER WAS CAPABLE OF HAVING HIS HEART BROKEN.

00:17:46

LATER THAT DAY,

00:17:47

MICHAEL HAD HIS MEETING WITH THE PROSECUTOR.

00:17:49

- SO, WHERE THE HELL IS HE?

00:17:50

COME ON, BLUTH. WHAT'S IT GONNA BE?

00:17:52

YOUR FATHER OR YOUR FREEDOM?

00:17:54

[narrator] AND MICHAEL HAD TO DO

00:17:56

THE RIGHT THING.

00:17:57

- I DON'T KNOW WHAT HAPPENED TO HIM.

00:18:02

- MICHAEL, WHEN WE STARTED TALKING TO YOU,

00:18:04

WE DIDN'T HAVE ANYTHING.

00:18:05

BUT NOW... WE GOT SOMETHING.

00:18:08

AND YOU'RE GONNA DO TIME FOR IT.

00:18:10

- THOSE ARE THE PICTURES?

00:18:11

- THEY'RE ALL OVER THE NEWS.

00:18:14

- THOSE ARE BALLS. - WHAT?

00:18:16

[narrator] BARRY WAS RIGHT.

00:18:17

TOBIAS HAD INADVERTENTLY PHOTOGRAPHED HIMSELF...

00:18:19

WHILE LEARNING TO USE HIS CAMERA PHONE.

00:18:21

- SEE, UH, THIS CLOSE, THEY ALWAYS LOOK LIKE LANDSCAPE.

00:18:25

NOPE, YOU'RE LOOKIN' AT BALLS.

00:18:28

[narrator] SOON, FORENSIC SCIENTISTS

00:18:30

CONFIRMED THIS.

00:18:31

AND FOR THE SECOND TIME IN TWO DAYS,

00:18:33

THE INFORMATION-SHARING NETWORK PUT INTO PLACE

00:18:35

BY THE PATRIOT ACT...

00:18:36

WAS PUT TO USE.

00:18:38

- THEY'RE BALLS?

00:18:41

- WE'RE LOOKING AT BALLS. LET'S TURN IT AROUND.

00:18:43

- COPY ON BALLS. WE'RE TURNING.

00:18:45

[narrator] AND EVENTUALLY, THE NEWS

00:18:46

TRAVELED BACK TO THE SOURCE.

00:18:48

- WE GOT ONE WRONG, AND WE DO APOLOGIZE.

00:18:55

- I'M ON TV.

00:18:56

[narrator] AND MICHAEL RETURNED HOME

00:18:58

A FREE MAN.

00:18:59

- YOU GOT THE GLASSES.

00:19:01

NOW YOU'LL DO BETTER ON THOSE MATH EXAMS.

00:19:02

- I THINK I BLEW THE EYE EXAM TOO.

00:19:04

EVERY TIME I TAKE THESE OFF, I FEEL BETTER.

00:19:06

- LET ME SEE 'EM.

00:19:09

- I'VE SEEN THIS BEFORE.

00:19:10

[narrator] FOR A WHILE, GEORGE MICHAEL...

00:19:13

HAD SHARED A ROOM WITH HIS UNCLE TOBIAS.

00:19:15

- OH, TH-THERE'S A LADDER.

00:19:17

- [groaning] I DON'T NEED IT.

00:19:20

- YEAH, I DON'T THINK YOU NEED GLASSES, SON.

00:19:24

- WELL, IF THE COPS ARE WAITING, I'M READY TO GO.

00:19:27

I GOT NOTHIN' SINCE YOUR MOTHER DESERTED ME.

00:19:29

- YOU KNOW, YOU-- YOU DESERTED HER, DAD.

00:19:31

YOU KNOW, YOU ESCAPED, AND THEN YOU FAKED YOUR DEATH.

00:19:33

I'M NOT SO SURE SHE SEES YOU AS THAT RELIABLE.

00:19:36

BUT, LISTEN, FOR WHAT IT'S WORTH,

00:19:38

I DID NOT TURN YOU IN.

00:19:42

- YOU DIDN'T? - NO.

00:19:44

AND I DON'T KNOW WHETHER IT'S JUST

00:19:45

TRACY'S MATERNITY CLOTHES,

00:19:47

BUT IT'S VERY NICE TO SEE A SOFTER SIDE OF YOU.

00:19:50

ALTHOUGH I'M SORRY

00:19:51

THAT YOU FEEL YOU HAVE NO LOVE IN YOUR LIFE.

00:19:54

- WELL, I DON'T-- I DON'T FEEL THAT WAY ANYMORE.

00:19:59

THANKS.

00:20:01

BEEN A LONG TIME SINCE SOMEONE STOOD UP FOR ME.

00:20:07

- FOUND HER PERFUME, HUH?

00:20:08

- JUST A LITTLE LEFT IN THE BOTTLE.

00:20:09

- WELL, THAT WAS THE END OF IT.

00:20:11

- YEAH.

00:20:12

- IT'S NICE ON YOU. - THANK YOU.

00:20:14

[narrator] ON THE NEXT

00:20:15

ARRESTED DEVELOPMENT.

00:20:17

OSCAR RETURNS TO FIND A NOW-DISTANT LUCILLE.

00:20:20

- I'M BACK. BUT JUST FOR NOW.

00:20:23

'CAUSE YOU GET ON MY CASE-- SHOO--

00:20:25

- I AM OUT OF HERE. - THEN GO. WHO NEEDS YOU?

00:20:28

[narrator] WHICH WAS WHAT

00:20:30

ATTRACTED HIM TO HER... IN THE FIRST PLACE.

00:20:32

- GOD, I MISSED YOU.

00:20:33

[narrator] LINDSAY RECONCILS

00:20:34

WITH HER DAUGHTER.

00:20:36

- HEY, MOM. I GOT YOU SOMETHIN'.

00:20:37

- THAT IS SO SWEET.

00:20:38

YOU KNOW WHAT?

00:20:40

I WAS HOPING WE COULD GO TO DINNER TONIGHT.

00:20:41

- OH, I THOUGHT YOU WERE GONNA GO SEE STEVE HOLT AT SCHOOL.

00:20:44

- NO, I JUST WANTED TO CHECK HIM OUT...

00:20:46

AND MAKE SURE HE'S GOOD ENOUGH FOR MY DAUGHTER.

00:20:49

IS IT-- - IT'S A "SHEH-MA-LEE."

00:20:51

- IT'S GORGEOUS.

00:20:53

I'M WEARING IT TO DINNER.

00:20:55

[narrator] TOBIAS, TRAUMATIZED BY

00:20:57

THE PUBLIC EXPOSURE,

00:20:58

RETURNS TO AN UNFORTUNATE QUIRK.

00:21:00

- THANK GOD! MY CUTOFFS.

00:21:07

- THERE WERE CUTOFFS UP HERE?