Home > Arrested Development
Family Ties
00:00:02narrator: IT'S "ARRESTED DEVELOPMENT."
00:00:05MICHAEL BLUTH BELIEVED HE'D JUST MADE A SHOCKING DISCOVERY.
00:00:08- I MEAN, THAT MIGHT BE AN OLDER SISTER THAT WE'VE NEVER MET.
00:00:11- WOW. LOOK AT THE BEAK ON THAT BIRD. narrator: MICHAEL FOUND THE PICTURE IN A SECRET ROOM
00:00:16WHILE LOOKING FOR INCRIMINATING EVIDENCE AGAINST HIS FATHER.
00:00:19- I HAVE AN OLDER SISTER?
00:00:21DON'T YOU KIND OF REMEMBER HAVING AN OLDER SISTER?
00:00:23- NOT AT ALL. WHAT, DO YOU?
00:00:24- A LITTLE BIT.
00:00:25YOU KNOW, I MEAN, "NELLIE" DOES SOUND FAMILIAR.
00:00:27MOM AND DAD CLEARLY WERE TRYING TO KEEP THIS HIDDEN FROM US.
00:00:29- BUT THIS COULD BE ANYBODY.
00:00:30THIS COULD BE A DEFORMED NEIGHBOR OR--
00:00:32- A CHILD THAT MOM AND DAD GAVE UP FOR SOME REASON
00:00:35AND WHOSE IDENTITY
00:00:36THEY'RE NOW USING TO PIN THEIR CRIMES ON.
00:00:38THE PROSECUTOR SAID THAT THERE
00:00:39WAS THAT ACCOUNT WITH MONEY IN IT LABELED "N. BLUTH."
00:00:41HER NAME IS NELLIE.
00:00:43- MICHAEL, DO YOU REMEMBER WHEN YOU THOUGHT
00:00:45THERE WAS A MYSTERIOUS MR. "F" OUT TO GET YOU?
00:00:47- [singing] MR. "F"
00:00:48- YEAH, BUT THAT WAS RETARD-- MISGUIDED.
00:00:51THIS IS DIFFERENT. THIS IS N. BLUTH.
00:00:53- [singing] DIFFERENT
00:00:55- WELL, WHY DON'T YOU JUST GO TO DAD
00:00:56AND ASK WHO NELLIE IS, POINT BLANK?
00:00:58- SO HE CAN JUST COVER IT UP AND LIE?
00:01:00I CAN'T STAND TO HEAR ONE MORE LIE OUT OF THIS FAMILY.
00:01:03- AH, THERE'S THE WOMAN I'M SEXUALLY ATTRACTED TO.
00:01:06- OKAY. BUT THAT'S THE LAST ONE.
00:01:08- WELL, I'M OFF TO THE GYM TO PREPARE FOR OUR TRYST.
00:01:10- TRYST?
00:01:11- YES, LINDSAY AND I
00:01:12ARE PLANNING A NIGHT OF HETEROSEXUAL INTERCOURSE.
00:01:15- YOU CAN JUST SAY INTERCOURSE.
00:01:16- WE TALKED ABOUT IT LAST NIGHT. narrator: AFTER A DISAPPOINTING ATTEMPT AT LOVEMAKING.
00:01:21- AH, THIS ISN'T GOING TO HAPPEN.
00:01:22I JUST WANT YOU TO BE SATISFIED.
00:01:24- OH, T., YOU'RE ALWAYS THINKING OF OTHERS.
00:01:26- I TRIED THAT. IT DIDN'T WORK EITHER.
00:01:28- WELL, YOU KNOW, MAYBE I WOULD BE MORE ATTRACTED TO YOU
00:01:31IF YOU WERE IN BETTER SHAPE.
00:01:33YOU KNOW, IF YOU WERE JUST MORE MUSCULAR, MASCULINE.
00:01:35DOES THAT MAKE ME SHALLOW?
00:01:37- NO.
00:01:38I WAS GONNA SAY THE SAME THING TO YOU.
00:01:40MAYBE WE SHOULD TAKE A LITTLE TIME TO WORK ON OURSELVES,
00:01:43AND THEN WE'LL PLAN A SPECIAL NIGHT IN SEVEN OR EIGHT DAYS.
00:01:46- OR A COUPLE OF WEEKS.
00:01:47- LET'S SAY THREE WEEKS.
00:01:49- WE'RE GONNA GO FOR IT IN A MONTH.
00:01:50- STARTING AT THE START OF NEXT MONTH.
00:01:52- AND WE'RE GONNA CALL IT A 31-DAY MONTH.
00:01:53- EVEN THOUGH THIS PARTICULAR MONTH HAS 30 DAYS.
00:01:56- OH, YOU KNOW, I'VE ALREADY PREPARED A LIST OF "WON'TS."
00:01:58- OH, YOU'RE NOT GONNA BELIEVE THIS. MY LIST OF "CAN'TS."
00:02:01- MARITAL LOVE CAN BE SO ROMANTIC.
00:02:04- WHAT'S THAT SUPPOSED TO MEAN? - WHAT?
00:02:06- "MARITAL LOVE."
00:02:07YOU WERE LOOKING RIGHT AT ME, AND YOU SAID "MARITAL LOVE."
00:02:09WHY WOULD I-- narrator: GEORGE MICHAEL WAS INTERESTED
00:02:12BECAUSE EARLIER THAT DAY,
00:02:13HE'D DISCOVERED THAT THE RECENT MOCK WEDDING HE'D ACTED IN
00:02:16WITH HIS COUSIN MAEBY-- - WE'RE MARRIED? narrator: WAS, IN FACT, AS REAL AND BINDING AS THE RICE PUDDING
00:02:21THE DISORIENTED PATIENTS HAD THROWN AT THEM.
00:02:24- I WAS TALKING TO YOUR AUNT AND UNCLE.
00:02:26- OF COURSE.
00:02:27THEY'RE MARRIED TOO-- EACH OTHER.
00:02:30- OH, PLEASE. PITY THE FOOL
00:02:31WHO GIVES ME A BUNCH OF JIBBER-JABBER ABOUT ROMANCE.
00:02:34MY RELIGIOUS GIRLFRIEND JUST DUMPED ME
00:02:35AND FOR A SIMPLE LITTLE MISUNDERSTANDING.
00:02:37I MEAN, IF SOMEONE WAS ALWAYS ASKING YOU
00:02:38TO EMBRACE THE HOLY TRINITY, WHAT WOULD YOU THINK THEY MEANT? narrator: GOB THOUGHT IT MEANT A THREE-WAY.
00:02:43- WHAT? I THOUGHT THAT'S WHAT ALL YOU GUYS LIVED FOR.
00:02:48WHAT ABOUT YOU? YOU GAME?
00:02:49- WELL, MAYBE SHE JUST WASN'T FOR YOU.
00:02:51- WHICH ONE?
00:02:51- I REALLY WASN'T PAYING ATTENTION.
00:02:53- THE REAL PROBLEM IS
00:02:54SHE KEEPS SAYING THAT GOD IS GONNA SHOW ME A SIGN.
00:02:57THE SOMETHING OF MY WAYS. "WISDOM"?
00:03:02- IT'S PROBABLY "WISDOM."
00:03:03GOB, LISTEN, CAN I ASK YOU A QUESTION?
00:03:05DO YOU REMEMBER GROWING UP WITH A SISTER?
00:03:07- SISTER.
00:03:09UH, NO, I DON'T.
00:03:11NOT REALLY RINGIN' ANY BELLS.
00:03:14- OTHER THAN LINDSAY, OF COURSE.
00:03:15- OH, LINDSAY!
00:03:17- WELL, YOU MIGHT NOT BE THE MOST REPUTABLE SOURCE ON THIS.
00:03:19- narrator: UPSTAIRS GEORGE MICHAEL
00:03:21WAS SHARING HIS NEWS WITH HIS COUSIN.
00:03:23- YOU MEAN WE'RE MARRIED?
00:03:24- NO, IT'S JUST A PIECE OF PAPER. IT DOESN'T MEAN ANYTHING.
00:03:27- WE SHOULD SHRED IT. IT'S CREEPING ME OUT.
00:03:29- YEAH, ME--IT'S--
00:03:30BUT IF WE JUST PUT IT OVER THE DRESSER,
00:03:32LIKE WE THINK IT'S A JOKE, THEN WE WOULD ALWAYS KNOW--
00:03:34- IT IS A JOKE.
00:03:36- UNLESS WE GET IT FRAMED. narrator: AND MICHAEL WENT TO INVESTIGATE HIS MYSTERY SISTER.
00:03:42- MICHAEL! WHAT A SURPRISE.
00:03:43- REALLY? WERE YOU EXPECTING SOMEBODY ELSE?
00:03:46MAYBE, UH, ONE OF YOUR TWO DAUGHTERS?
00:03:48- OH, LINDSAY AND TOBIAS NEVER VISIT.
00:03:52[giggling] WE'RE SO BAD!
00:03:54- I-I ACTUALLY MEANT LINDSAY AND NELLIE.
00:03:57- YOU CALL HIM THAT TOO?
00:04:00OH, IT'S SO NICE TO BE ABLE TO TALK LIKE THIS.
00:04:02- WHERE'S DAD?
00:04:03WHAT'S ALL THIS?
00:04:04- COMPUTER STUFF FROM THE OFFICE.
00:04:06- OH, NO, NO, POP, YOU'RE NOT DOIN'
00:04:07ANOTHER ONE OF THOSE BLACK FRIDAYS, ARE YOU?
00:04:09YOUR MASS FIRINGS? narrator: BEFORE FIRING HIS EMPLOYEES, HOWEVER,
00:04:13GEORGE SR. HAD BEEN SURE
00:04:14TO CLEAR THE OFFICE OF ITS VALUABLES.
00:04:16- SO WHEN DO WE GET TO SEE OUR NEW, FANCY OFFICES?
00:04:18- SOON AS YOU GET YOUR NEW, FANCY JOBS.
00:04:20YOU'RE ALL FIRED. narrator: THE EMPLOYEES NEVER SAW IT COMING,
00:04:24EVEN THOUGH THEIR FIRST TASK WAS OFTEN TO UNLOAD COMPUTERS
00:04:26FROM A RENTAL TRUCK.
00:04:29- NO, IT'S NOT A BLACK FRIDAY, ALTHOUGH I DID ENJOY THOSE.
00:04:32NO, THE PROSECUTION'S
00:04:34GONNA WANT TO HAVE ACCESS TO THE HARD DRIVE,
00:04:36SO I JUST WANT TO MAKE SURE
00:04:37EVERYTHING'S NICE AND CLEAN FOR THEM.
00:04:40- WHAT THE HELL IS THAT THING?
00:04:41- AN ELECTROMAGNET.
00:04:42THINK OF IT AS A GIANT DELETE KEY.
00:04:44- WELL, I HATE TO SPOIL YOUR FUN, DAD,
00:04:46BUT I GOT BACKUPS ON ALL OF THAT STUFF, AND THIS IS ILLEGAL.
00:04:50- OH! WELL, EXCUSE ME, JUDGE REINHOLD,
00:04:52BUT I AM TRYING TO PROTECT MY FAMILY.
00:04:57- THAT'S NOT A REAL GOLD NECKLACE, IS IT?
00:04:59- WELL, IT WASN'T REALLY YOUR 50th BIRTHDAY.
00:05:02- YOU KNOW, DAD, YOU CAN'T HAVE THIS STUFF IN HERE, ALL RIGHT?
00:05:05AND WE DON'T NEED MORE TROUBLE.
00:05:07IT'S BAD ENOUGH YOU GOT BUSTER FAKING A COMA
00:05:08JUST SO HE DOESN'T HAVE TO TESTIFY.
00:05:10- I'VE BEEN TRYING TO GET HIM OUT OF THAT COMA.
00:05:13IT'S COSTING US A FORTUNE.
00:05:14HE'S SLEEPING US DRY.
00:05:15- OKAY, FAKER, I'M CUTTING THE CORD.
00:05:20I'LL SEE YA AT THE SNACK MACHINE.
00:05:24- WELL, IF HE KNOWS THAT YOU DON'T WANT HIM IN THE COMA,
00:05:26THEN WHY'S HE STILL IN IT?
00:05:27- FOR SOME REASON, HE WON'T TELL ME. narrator: HE'D FALLEN FOR HIS DAY NURSE.
00:05:31- BUSTER, YOU'RE SO DEAR. narrator: SHE'D FOUND HIS COMPLETE LACK OF PERSONALITY
00:05:35AND MOVEMENT ENCHANTING.
00:05:36- I WISH YOU COULD SAY SOMETHING.
00:05:38COURSE, IF YOU DID, EVERYTHING WOULD BE RUINED
00:05:41'CAUSE YOU WOULDN'T BE AS PURE.
00:05:43- SPEAKING OF LIVING A LIE, I DON'T SUPPOSE
00:05:46EITHER OF YOU HAVE REMEMBERED WHO THIS N. BLUTH IS.
00:05:49NOT A NICK OR A NELLIE?
00:05:51- JUST THE ONE WHO MARRIED LINDSAY.
00:05:53- [guffaws]
00:05:55OH, ISN'T IT FUN TO TALK LIKE THIS?
00:05:57[giggling] narrator: SO MICHAEL RETURNED TO THE OFFICE,
00:06:02WHERE THE ATMOSPHERE WAS PARANOID.
00:06:03- IS IT BLACK FRIDAY?
00:06:04- NO ONE'S GETTING FIRED. NO ONE'S GETTING FIRED.
00:06:06- BUT WE HAVEN'T BEEN PAID, AND THEY TOOK OUR COMPUTERS.
00:06:08- I KNOW WHO THIS LOOKS BAD, BUT IT'S JUST MY FATHER
00:06:10TRYING TO ERASE ALL THE HARD DRIVES TO AVOID CONVICTION.
00:06:12THE COMPANY IS FINE.
00:06:13THIS IS--THIS IS FUN THOUGH, ISN'T IT?
00:06:15THEY BROUGHT OUT ALL THE OLD MACHINES.
00:06:17I MEAN, THEY'VE SEEN BETTER DAYS,
00:06:18BUT I'M SURE THEY'RE ALL FUNCTIONAL, RIGHT?
00:06:20LIKE TOM HERE.
00:06:21- I'M 30.
00:06:23- YOU'RE KIDDING ME. narrator: BUT MICHAEL FOUND THE EQUIPMENT FRUSTRATING AS WELL.
00:06:29- "GOB'S PROGRAM"?
00:06:31IDIOT. narrator: AND THEN HE NOTICED SOMETHING ELSE.
00:06:38- NELLIE.
00:06:39- MICHAEL, I GOTTA TALK TO--
00:06:40- OH, WOW. K-Y PRO, HUH?
00:06:43HEY, DON'T GET ANY MOISTURE ON THESE BABES.
00:06:45[crackling] - HEY! TOBIAS.
00:06:48BUDDY, I NEEDED THAT INFORMATION.
00:06:50THIS IS THAT SISTER I'VE BEEN LOOKIN' FOR.
00:06:52WELL, JUST HIT "PRINT SCREEN."
00:06:53I'M SURE THAT WHATEVER'S ON THERE WILL COME UP.
00:06:55- OH, LOOK AT THAT.
00:06:59I KIND OF REMEMBER THESE BEING FASTER, YOU KNOW?
00:07:02- WELL, WE WERE PROBABLY ALL SO JACKED UP
00:07:03ON AMYL AND DISCO MUSIC WE DIDN'T NOTICE.
00:07:06BUT YOU KNOW WHAT, I'M GLAD ABOUT THIS PRINTER LAG
00:07:08BECAUSE I WAS HOPING TO HAVE A JAW SESSION WITH YOU.
00:07:11- WELL, WHY DON'T WE JUST SAY AS LONG AS THAT MEANS A TALK?
00:07:14- I FIND MYSELF ATTRACTED TO SOMEONE WHO'S NOT MY WIFE.
00:07:18- WHAT'S HER NAME? - MICHAEL.
00:07:20CAN YOU BELIEVE IT?
00:07:23- YOU'RE MARRIED TO MY SISTER.
00:07:24- DON'T YOU THINK I KNOW THAT?
00:07:26- I-I'M NOT INTERESTED IN YOU THAT WAY.
00:07:28- WHAT WAY?
00:07:30- PICK ONE. - NO.
00:07:32DID YOU THINK YOU WERE THE MICHAEL I WAS TALKING ABOUT? NO.
00:07:35- WHAT?
00:07:36- NO, INTERESTING THAT YOUR MIND WENT THERE THOUGH.
00:07:38OKAY. UH, NO.
00:07:39I'M AFRAID THE MICHAEL I'M TALKING ABOUT IS ALL LADY.
00:07:43SHE'S THE TRAINER AT MY GYM.
00:07:44- THIS THE TRAINER YOU STARTED WITH TODAY?
00:07:46- INDEED. CAN YOU BELIEVE SHE'S A BODYBUILDER?
00:07:48- INDEED.
00:07:50- WHAT AM I DOING? WHAT AM I DOING?
00:07:52WHAT AM I DOING? WHAT AM I DOING?
00:07:53- YOU'RE NERVOUS ABOUT BECOMING INTIMATE WITH LINDSAY AGAIN.
00:07:55- I GUESS.
00:07:56- YOU PROBABLY SHOULD NOT RUSH INTO THINGS.
00:07:58DON'T CALL THIS GIRL-MICHAEL. STAY AWAY FROM THE GYM.
00:08:00JUST LEAVE IT ALONE.
00:08:01- WISE WORDS, BOY-MICHAEL.
00:08:03I'LL TELL YOU,
00:08:04IF I WASN'T SO DRIPPING AND DISGUSTINGLY SWEATY RIGHT NOW,
00:08:07I'D HOP OVER THIS DESK AND GIVE YOU SUCH A HUG.
00:08:09HEY, COULDA, SHOULDA, WOULDA.
00:08:11- HEY, HEY. NO, NO.
00:08:13OOH, LOOK. NUMBER'S UP. LOOK AT THAT.
00:08:15AH, THAT WOULD'VE BEEN A SEVEN. narrator: LATER THAT NIGHT,
00:08:19LUCILLE VISITED BUSTER IN THE HOSPITAL.
00:08:21- WHAT THE HELL IS THIS?
00:08:22- MY NAME IS REPRESENTATIVE JOHN VAN HEUSEN.
00:08:25AND I AM HERE TO PROTECT THE DIGNITY OF THIS BOY'S LIFE.
00:08:28- DIGNITY? EASY FOR YOU TO SAY.
00:08:30I'M THE ONE WHO HAS TO LOOFAH HIS STUMP.
00:08:32- I BELIEVE DEATH IS WRONG IN ALL OF ITS FORMS,
00:08:34EXCEPT LETHAL INJECTION.
00:08:36BUT THAT'S JUST AS A DETERRENT AGAINST MORE DEATH.
00:08:38AND THIS YOUNG MAN IS ENJOYING LIFE.
00:08:42HEY! HEY! HUH? HEY, LOOK AT US, HUH?
00:08:44WE'RE HAVIN' A BLAST HERE, HUH?
00:08:46- HOW THE HELL DID YOU EVEN FIND OUT ABOUT SLEEPING BEAUTY HERE?
00:08:49- IT WAS AN ANONYMOUS TIP
00:08:50FROM SOMEONE WHO CARES ABOUT BUSTER'S LIFE.
00:08:52- IT'S NOT RINGING ANY BELLS. narrator: IN FACT, IT WAS BUSTER HIMSELF.
00:08:56- THEY'RE TRYING TO KILL BABY BUSTER.
00:08:59OH, THAT'S RIGHT-- FROM THE VIDEOS.
00:09:01- WELL, NO ONE'S KILLIN' BABY BUSTER ON MY WATCH.
00:09:04THAT IS UNLESS, OF COURSE,
00:09:06IT'S AS A PENALTY IN A THREE-STRIKES SCENARIO.
00:09:08- NO ONE'S CALLED HIM BABY BUSTER SINCE HIGH SCHOOL. narrator: MICHAEL, MEANWHILE,
00:09:14HAD CALLED ONE NUMBER AFTER ANOTHER UNTIL HE FOUND FRANK,
00:09:18A COLLEAGUE OF THE WOMAN HE KNEW AS NELLIE.
00:09:20- I'M LOOKING FOR NELLIE.
00:09:21- YEAH. WELL, SHE'S WORKIN' A SOFTWARE CONVENTION
00:09:23AT SOME HOTEL.
00:09:24I CAN SET UP A MEETING AT THE BAR, MAN.
00:09:26- APPRECIATE IT. narrator: SO MICHAEL ARRIVED AT THE BAR,
00:09:30HOPING TO SPOT SOMEONE WHO COULD BE HIS SISTER.
00:09:35- SHE GREW INTO THE NOSE.
00:09:36NELLIE? HEY! HI.
00:09:39MICHAEL. FRANK SENT ME.
00:09:41I THINK I MIGHT BE INTERESTED IN YOUR SERVICES.
00:09:43- YOU WON'T BE SORRY.
00:09:44- YEAH? I WAS HOPING THAT MAYBE WE COULD JUST TALK
00:09:46A LITTLE BIT FIRST, HUH?
00:09:47- YEAH, MOST PEOPLE WANT TO. narrator: AND THEY DID TALK.
00:09:50AND MICHAEL FELT A CONNECTION
00:09:51LIKE HE'D NEVER FELT WITH ANYONE IN HIS FAMILY.
00:09:54- I HAD A LOCKER ON THE FIRST FLOOR FRESHMAN YEAR,
00:09:56RIGHT NEXT TO THE CAFE WITH ALL THE JUNIOR LOCKERS,
00:09:58SO IT WAS CLEARLY A MISTAKE.
00:10:00BUT I DIDN'T SAY ANYTHING, RIGHT?
00:10:01- OOH, YOU'RE BAD.
00:10:03- I HAD THAT SAME LOCKER ALL THROUGHOUT SOPHOMORE YEAR.
00:10:06JUNIOR YEAR THEY HAD ME ON THE THIRD FLOOR WITH ALL THE FROSH.
00:10:08- THAT IS WILD.
00:10:09- I HAD THE SAME COMBO ALL THROUGHOUT
00:10:10'CAUSE I TRANSFERRED THE LOCK.
00:10:11LET ME TELL YOU WHY I TRANSFERRED. narrator: HEY, LET'S SEE WHAT
00:10:14SOME OF THE OTHER FOLKS ARE UP TO.
00:10:17NOTHING THERE.
00:10:20OR THERE.
00:10:22- [singing] OH, MY, OH, MY narrator: OH, MY.
00:10:26LET'S GET BACK TO MICHAEL.
00:10:28- IT WAS JOE NAMATH'S NUMBER,
00:10:29BABE RUTH'S NUMBER, THEN MY BIRTHDAY.
00:10:31- THAT IS A GREAT STORY. narrator: IT WASN'T A GREAT STORY.
00:10:35NELLIE WAS JUST A GREAT LISTENER.
00:10:36MOST PROSTITUTES ARE.
00:10:39- NELLIE, THE HELL WITH FORMALITIES.
00:10:40I THINK YOU AND I SHOULD DO BUSINESS TOGETHER.
00:10:42- ME TOO. narrator: MICHAEL HAD JUST HIRED A WOMAN
00:10:53HE'D SECRETLY BELIEVED TO BE HIS SISTER.
00:10:56- HOW DID YOU GET INTO THIS LINE OF WORK? narrator: BUT, OF COURSE,
00:10:59HE'D ALSO YET TO FIGURE OUT SHE WAS A PROSTITUTE.
00:11:01- WELL, I WAS BURIED IN LOAN DEBT FROM BUSINESS SCHOOL,
00:11:04SO I STARTED WHORING MYSELF OUT. narrator: NOT THAT THERE WEREN'T CLUES.
00:11:07- WHAT DO YOU SAY WE GO UP TO MY ROOM AND SEAL THE DEAL?
00:11:11- YOU'RE STAYIN' HERE, HUH?
00:11:12I WAS ACTUALLY HOPING TO GET INTO YOUR BUSINESS TOMORROW.
00:11:14IT WOULD GIVE YOU A CHANCE TO MEET EVERYBODY IN THE OFFICE.
00:11:16'CAUSE YOU'RE GONNA BE WORKING FOR THE WHOLE STAFF.
00:11:19YOU'RE GONNA BE FILLING THREE OPENINGS.
00:11:20- OH!
00:11:21I HEARD THERE WERE A COUPLE OF GIRLS LIKE ME
00:11:22CONSULTING OVER AT ENRON. narrator: AND SO THE NEXT DAY,
00:11:25MICHAEL INTRODUCED HIS NEW CONSULTANT TO HIS STAFF,
00:11:28WHO WEREN'T THAT PLEASED TO MEET HER.
00:11:30- YOU HIRED SOMEONE ELSE? - YES.
00:11:32- WE HAVEN'T EVEN BEEN PAID YET.
00:11:33- THAT'S EXACTLY WHY I HIRED HER--
00:11:35TO HELP OUT WITH THE FINANCES.
00:11:36SHE'S ABSOLUTELY AMAZING AT THAT STUFF. RIGHT?
00:11:38YOU DO DO FINANCES AND STUFF, RIGHT?
00:11:40- I DO ALL SORTS OF SCENES.
00:11:42- THERE YOU GO. OKAY, GUYS.
00:11:43DON'T BE AFRAID TO PUT HER IN ANY POSITION
00:11:45THAT YOU WANT, OKAY?
00:11:46DAVE, YOU GIVE HER ACCESS TO EVERYTHING, OKAY?
00:11:49I WANT YOU GUYS TO THINK OF HER AS NELLIE BLUTH, ALL RIGHT?
00:11:52IN FACT, WE SHOULD PROBABLY GET AN I.D.
00:11:54WITH THAT PRINTED ON IT, OKAY?
00:11:56[phone rings] narrator: BUT SHE DID HAVE A LIST OF "WON'TS."
00:11:58- WE'RE GONNA HAVE SOME GROUND RULES FIRST, OKAY?
00:12:00NO [bleep], [bleep]ING OR [bleep]ING
00:12:04AND NO [bleep] UNLESS YOU'RE WEARING A [bleep]
00:12:08OR YOU [bleep] BEFORE YOU [bleep] ME.
00:12:10AND IF THIS WINDS UP ON THE WEB,
00:12:11I WILL [bleep] YOU IN THE [bleep].
00:12:14[women gasping]
00:12:15- OUR COMPUTERS DON'T EVEN WORK ON THE INTERNET.
00:12:17- WHO'S FIRST? narrator: BACK AT THE MODEL HOME, GEORGE MICHAEL WAS STILL
00:12:22TRYING TO MAKE HIS ACCIDENTAL MARRIAGE WORK.
00:12:24- I THOUGHT MAYBE TONIGHT WE COULD POP IN AN [bleep]
00:12:26IN THE OLD DVD PLAYER AND SIT AND WATCH IT,
00:12:28MAYBE JUST THE TWO OF US, HUSBAND AND WIFE?
00:12:31I'M JUST KIDDING.
00:12:32I MEAN, THE STATE OF CALIFORNIA ISN'T, BUT--
00:12:34YOU KNOW, THAT'S WHAT MAKES IT FUNNY.
00:12:35- I'M WORRIED YOU'RE TAKING THIS TOO SERIOUSLY.
00:12:38- [chuckles] ARE--
00:12:39JUST THE OPPOSITE.
00:12:41[cell phone chiming "Wedding March"]
00:12:46- WHAT THE HELL IS THAT?
00:12:47- I BOUGHT YOU A WEDDING RING...TONE.
00:12:50[chuckles] OPPOSITE OF SERIOUS. narrator: AND MICHAEL WAS GETTING AN UPDATE
00:12:55ON HOW HIS NEWEST EMPLOYEE, NELLIE, WAS WORKING OUT.
00:12:58- REALLY? AND ALL THE GUYS LIKE HER, HUH? THAT IS--
00:13:00THAT IS GREAT.
00:13:01UH, YOU MEAN "AWAY" THOUGH, RIGHT?
00:13:03BECAUSE OTHERWISE IT SOUNDS A LITTLE DIFFERENT.
00:13:06BUT, UH, THAT'S, UH-- THAT'S OUTSTANDING.
00:13:09REAL GOOD. YOU FORGOT TO SAY "AWAY" AGAIN.
00:13:11BUT, UH, LISTEN, LET ME CALL YOU BACK IN A BIT, OKAY? BYE.
00:13:14[sighs] NELLIE HAS BLOWN THEM ALL AWAY.
00:13:17- YEAH, WELL, I THINK IT'S CRAZY.
00:13:19YOU'VE GIVEN HER ACCESS TO EVERYTHING--
00:13:21THE BANKING-- AND FOR WHAT?
00:13:22I MEAN, YOU'RE BASING THIS WHOLE THING ON THE FACT THAT
00:13:24SHE SHARES A NAME WITH SOMEONE YOU PLAYED WITH AS A BABY.
00:13:27- LINDSAY, I CAN TELL THAT IT'S REAL.
00:13:29IT'S LIKE THAT FEELING THAT YOU READ ABOUT TWINS HAVING.
00:13:31- WE'RE TWINS.
00:13:32YOU DIDN'T GIVE ME ACCESS TO THE BANKING.
00:13:34- NO, YOU JUST--YOU'D GO OUT
00:13:35AND YOU'D JUST WHORE IT UP, LINDSAY, YOU KNOW?
00:13:37NOW, SHE'S DIFFERENT. SHE'S A LITTLE BIT MORE LIKE ME.
00:13:40IT'S LIKE WE FINISH EACH OTHER'S--
00:13:41- SANDWICHES?
00:13:43- SENTENCES. WHY WOULD I SAY--
00:13:46- SANDWICHES?
00:13:47- THAT TIME I WAS GONNA SAY SANDWICHES.
00:13:50- SO I GUESS YOU HAVEN'T TOLD NELLIE WHAT YOU'RE THINKING.
00:13:52- NO, I HAVE NOT.
00:13:53I'VE BEEN WAITING FOR THE RIGHT TIME.
00:13:54I WANT TO MAKE SURE SHE TRUSTS ME, YOU KNOW,
00:13:56ESPECIALLY SINCE DAD IS PROBABLY SETTING HER UP.
00:13:58BUT I MIGHT WANT TO HURRY WITH THAT WHOLE OPERATION
00:14:00BECAUSE SHE'S CHARGING US A FORTUNE,
00:14:02AND SHE'S GOT THIS OLD BOSS
00:14:03THAT'S CLAIMING HE WANTS A PERCENTAGE.
00:14:05- YO, MAN, YOU OWE ME MONEY.
00:14:06I AIN'T NO DUMMY.
00:14:07AND IT BETTER BE SOON,
00:14:08OR YOU'RE GONNA FEEL MY HAND UP YOUR [bleep].
00:14:11- SO NELLIE WANTS TO MEET ME TONIGHT FOR DRINKS.
00:14:14MAYBE I'LL TELL HER THEN.
00:14:15- THAT'S FUNNY. I'M GOING OUT TONIGHT FOR DRINKS TOO--
00:14:17WITH AN EXCITING NEW MAN.
00:14:18- REALLY TRYING TO MAKE THAT MARRIAGE WORK, AREN'T YOU?
00:14:20- WELL, EXCUSE ME, JUDGE REINHOLD,
00:14:22BUT I'M FEELING A LITTLE PRESSURE HERE.
00:14:24I MEAN, IF YOU HAD TO HAVE SEX WITH TOBIAS IN FOUR MONTHS,
00:14:26YOU'D BE SHOPPING FOR A WAY OUT TOO.
00:14:27- I STAND CORRECTED AND DISGUSTED.
00:14:29- [sighs] narrator: AND MICHAEL ARRIVED FOR HIS MEETING WITH NELLIE.
00:14:33- ARE YOU MICHAEL? - YES.
00:14:34- THERE'S A NELLIE AT THE END OF THE BAR WANTS TO SEE YOU.
00:14:36- GREAT. THANK YOU.
00:14:38OH, IT'S TOBIAS.
00:14:39- MICHAEL. LOOK, THIS HAS GOT TO STOP.
00:14:42I MEAN, FLATTERED? YES. INTERESTED? NOT TONIGHT.
00:14:45- I-I THINK I-I SEE WHAT'S HAPPENING.
00:14:47YOU'RE MEETING GIRL-MICHAEL AT THE BAR?
00:14:49- IT WAS HER IDEA.
00:14:50SHE WANTED TO GET A DRINK, AND I KNOW IT'S CRAZY.
00:14:52I MEAN, I'M MARRIED. AND THE CARBS.
00:14:55- WELL, TOBIAS, SOMETIMES LIFE IS ABOUT MAKING DIFFICULT--
00:14:58- SANDWICHES. I KNOW.
00:15:00- YOU READ MY MIND. - OH, GOD. HERE SHE IS.
00:15:05- NEXT TO THAT GUY? - UH, WHAT GUY?
00:15:08- THAT GUY.
00:15:10- NO, THAT'S HER. - HIM?
00:15:13- THAT'S A GIRL.
00:15:15I-I THINK THE NAME MICHAEL IS MAKING YOU LOOK FOR A MAN.
00:15:18- THINK I'M LOOKIN' AT A MAN. - MICHAEL.
00:15:21- YES? - YES.
00:15:22- NO, I MEANT GIRL-MICHAEL.
00:15:24- I'M GONNA LEAVE YOU TWO ALONE.
00:15:25- SO NICE TO MEET YOU, GIRL-MICHAEL.
00:15:26[cell phone rings]
00:15:28- WHAT? YES? HI, NELLIE.
00:15:30I WAS THINKING THAT WE COULD MEET DOWN HERE.
00:15:33UH, ACTUALLY, I THINK I'M GONNA COME UP.
00:15:35- I REALLY NEED TO SEE YOU.
00:15:37- YEAH, I REALLY WANT TO SEE YOU TOO.
00:15:38THERE'S SOMETHING WE NEED TO TALK ABOUT.
00:15:40- I'VE ALWAYS BEEN MILDLY ATTRACTED TO YOU.
00:15:42- WHAT?
00:15:43- WELL, LET'S FACE IT.
00:15:44THERE'S NO DENYING THAT THERE'S A HEAT BETWEEN US.
00:15:46- I'D LIKE TO DENY THAT.
00:15:47- I KNOW YOU FEEL IT TOO-- THIS BURNING DESIRE.
00:15:50- I-I-I DON'T FEEL ANYTHING.
00:15:51I-I FEEL A BURNING MUTUAL RESPECT.
00:15:53- I'VE GOT AN OUTFIT
00:15:54THAT'S GONNA TURN THAT RESPECT INTO SOMETHING FUN.
00:15:56- RESPECT IS FUN, NELLIE.
00:15:59YOU'RE GONNA WANT THE RESPECT WHEN YOU HEAR WHERE I--
00:16:01WHERE IS THE LIGHT?
00:16:02- DON'T TOUCH THAT LIGHT! - WHAT?
00:16:04- THIS IS WHAT HAPPENS
00:16:05WHEN YOU STEAL FROM FRANK'S STABLE WITHOUT PAYIN'.
00:16:08YOU WANT TO BE HER PIMP, YOU GOTTA SETTLE UP WITH ME.
00:16:10- PIMP? YOU MEAN THAT SHE'S A--
00:16:12- LADY OF THE EVENING. WORKING GIRL.
00:16:14SHE TURNS ILLUSIONS FOR MONEY. narrator: AND THAT'S WHEN MICHAEL RECOGNIZED THE VOICE.
00:16:19- TRICKS. - WAIT A MINUTE.
00:16:21- DON'T YOU DO IT!
00:16:22AIN'T NOBODY GONNA SEE WHAT FRANK LOOK LIKE!
00:16:23- FRANKLIN IS FRANK?
00:16:25- [singing] MR. "F" narrator: MICHAEL HAD JUST DISCOVERED THAT HIS BROTHER
00:16:34WAS THE PIMP FOR THE WOMAN HE THOUGHT WAS HIS SISTER.
00:16:37- WHAT THE HELL IS GOING ON? NELLIE IS NOT A PROSTITUTE.
00:16:39- OF COURSE SHE IS.
00:16:41OH, BUT I CAN SEE WHAT THE MISUNDERSTANDING IS.
00:16:42YOU DIDN'T KNOW.
00:16:43MAYBE WE CAN GIVE HIM A FAMILY DISCOUNT!
00:16:45- FAMILY DISCOUNT IS RIGHT, GOB.
00:16:47THIS IS THE SISTER THAT I'VE BEEN TALKING ABOUT.
00:16:49- MAYBE I SHOULD'VE BEEN GETTING A FAMILY RATE.
00:16:51OH, MY GOD!
00:16:53- HOW DO YOU KNOW HER?
00:16:54- MET UP WITH HER AFTER A SHOW.
00:16:55- AND YOU DID THINGS WITH HER? narrator: HE DIDN'T.
00:16:57- I DID. narrator: WELL, IF YOU CONSIDER
00:17:00CRYING LIKE A GIRL DOING SOMETHING.
00:17:02- I JUST WANT MY BROTHER TO RESPECT ME, YOU KNOW.
00:17:04I MEAN, I DON'T EVEN HAVE A JOB.
00:17:06- LOOK, I COULD USE A MAN'S VOICE ON THE PHONE,
00:17:08AND I LIKE YOUR LITTLE PUPPET SHOW.
00:17:11- AIN'T SO LITTLE WHEN I TAKE MY PANTS OFF, LADY.
00:17:14I MEAN, OBVIOUSLY I'D TAKE SOME OF THE CRY OUT OF THAT.
00:17:17BUT I AM NOT A PIMP, MICHAEL.
00:17:19SHE NEEDED PROTECTION,
00:17:21SO I MAKE SOME THREATS, I WEAR THIS HAT,
00:17:24AND I COLLECT MY 10%.
00:17:26- YEAH, THAT'S A PIMP, AND OUR SISTER IS A PROSTITUTE.
00:17:30- I'M YOUR SISTER? - I THINK SO.
00:17:32I FOUND YOU IN MY DAD'S COMPUTER.
00:17:34I THOUGHT THAT MAYBE HE WAS EMBEZZLING MONEY
00:17:36AND TAKING ADVANTAGE OF YOU.
00:17:37AND THAT'S WHY I HIRED YOU TO DO YOUR WORK AT THE OFFICE.
00:17:39- OH, MY GOD.
00:17:40- WAIT A MINUTE. WHAT--WHAT KIND OF WORK DID YOU DO?
00:17:42NO WONDER THEY WERE SO HAPPY.
00:17:45- I'M SO EMBARRASSED!
00:17:47- NELLIE, HANG ON A SECOND.
00:17:48YOU KNOW, GOB, THIS MIGHT BE THAT SIGN FROM GOD
00:17:51THAT YOU SHOULD CHANGE YOUR WAYS.
00:17:53- NO, I THINK THAT'S GONNA BE SOMETHING BIG. narrator: DOWNSTAIRS, MEANWHILE,
00:17:58LINDSAY ARRIVED AT THE BAR FOR HER DATE.
00:18:00- MICHAEL.
00:18:01OH, MY GOD! MY HUSBAND!
00:18:02- OH, MY GOD! MY WIFE!
00:18:03ARE YOU TWO HERE FOR EACH OTHER?
00:18:04- IS THAT WHAT YOU'RE DOING?
00:18:06- HOW DARE YOU! - HOW DARE YOU!
00:18:08- AND WITH ANOTHER MAN! - AND WITH ANOTHER WOMAN!
00:18:11- WAIT, WAIT. YOU DIDN'T PLAN THIS TOGETHER?
00:18:13I JUST ASSUMED YOU WANTED A HOLY TRINITY.
00:18:15- ABSOLUTELY NOT!
00:18:16WE'RE A HAPPILY MARRIED COUPLE.
00:18:18- YES, WHO HAPPEN TO BE VERY MUCH IN LOVE WITH EACH OTHER.
00:18:21- WELL, YOU'RE STILL GONNA HAVE TO PAY FRANK. narrator: AND MICHAEL CONFRONTED HIS FATHER.
00:18:27- I KNOW WHO N. BLUTH IS.
00:18:28IT IS NELLIE, AND I FOUND HER.
00:18:31- THAT'S YOUR SISSY COUSIN LARRY.
00:18:33EVEN THEN WE KNEW.
00:18:34THAT'S WHY WE CALLED HIM NELLIE.
00:18:36DO YOU NOT KNOW THAT EXPRESSION, MICHAEL?
00:18:38I THOUGHT WE WERE ON THE SAME PAGE HERE.
00:18:39- IT'S A NICE TRY, POP,
00:18:40BUT IN YOUR OLD COMPUTER I FOUND A NELLIE.
00:18:41YOU'RE TRYIN' TO TELL ME THAT THAT IS NOT MY SISTER?
00:18:44- YES. IT'S PERFECTLY INNOCENT.
00:18:45SHE'S MY PROSTITUTE.
00:18:47I'M A RED-BLOODED MAN.
00:18:48I HAVE CERTAIN NEEDS THAT YOUR MOM CAN'T SATISFY. narrator: BUT SEX WASN'T ONE OF THEM.
00:18:53- [crying] I JUST WANT MY BROTHER TO HAND ME MY MONEY.
00:18:57BUT HE'S GOT THAT HAIR.
00:18:58WHY CAN'T I HAVE HAIR AND MONEY, AND HIM NOTHING?
00:19:02[crying]
00:19:03- SHE'S NOT MY SISTER. I LET HER INTO THE COMPANY.
00:19:06- YOU DIDN'T GIVE HER ACCESS TO THE CASH, DID YOU?
00:19:08- SHE SAID SHE LIKED ME.
00:19:10- SHE'S A PROSTITUTE.
00:19:11THAT'S HER JOB. OH, NO. THE N. BLUTH ACCOUNT.
00:19:15- WHAT? THE N. BLUTH ACCOUNT?
00:19:17THAT IS YOUR ACCOUNT?
00:19:18- MAYBE. BUT IT'S ONLY EMBEZZLEMENT
00:19:20IF YOU SPEND IT OUTSIDE THE COMPANY.
00:19:23[beeping]
00:19:23IT'S GONE. IT'S EMPTY.
00:19:25SHE GOT TO IT.
00:19:26- WELL, THERE GOES THE COMPANY.
00:19:28- OKAY. NOW, HOLD ON NOW.
00:19:29LET'S NOT PANIC BECAUSE I-I KNOW SOMEONE WHO CAN FIND HER.
00:19:33HIS NAME IS FRANK.
00:19:34- THAT'S GOB'S PUPPET.
00:19:37- I'M GOING TO PRISON.
00:19:39YOU HAVEN'T HEARD FROM OSCAR LATELY, HAVE YOU?
00:19:42- NO. - OKAY. narrator: AND THE NEXT DAY MICHAEL RETURNED TO THE OFFICE
00:19:46TO TELL THE EMPLOYEES THAT BLACK FRIDAY HAD INDEED ARRIVED.
00:19:49- HEY, TED. WHAT'S GOIN' ON?
00:19:51- NELLIE GOT ALL OF US OUR CHECKS
00:19:52AND THESE GREAT NEW COMPUTERS.
00:19:54- EXCUSE ME. NELLIE, YOU DID THIS?
00:19:56- I TOOK IT OUT OF THE N. BLUTH ACCOUNT.
00:19:58IF YOU SPEND IT WITHIN THE COMPANY,
00:20:00IT GIVES THE PROSECUTORS NOTHING.
00:20:01ALSO, IT WAS THE ONLY WAY
00:20:03TO GET MYSELF THE 10 GRAND THAT YOU OWED ME.
00:20:04- TEN GRAND?
00:20:05WHAT--WHAT DID YOU DO WITH THESE GUYS EXACTLY?
00:20:07- THEY MOSTLY JUST CRIED.
00:20:08YOU'VE GOT A REAL MORALE PROBLEM HERE.
00:20:10- YOU CRIED?
00:20:14LISTEN, I THOUGHT THAT YOU WERE GOING TO--
00:20:15- STEAL IT? - YES.
00:20:17- BUT I MIGHT BE YOUR SISTER, REMEMBER?
00:20:19- WELL, THE FACT THAT YOU DIDN'T STEAL IT
00:20:21MIGHT ACTUALLY BE PROOF THAT YOU'RE NOT.
00:20:23EVEN IF WE'RE NOT RELATED,
00:20:24I THINK I WOULD LIKE FOR YOU TO WORK HERE.
00:20:26YOU'RE VERY, VERY GOOD AT IT,
00:20:28AND WHAT YOU DO FOR A JOB
00:20:29IS NOT REALLY A GREAT WAY TO MAKE A LIVING, YOU KNOW?
00:20:32- I MAKE 300 GRAND A YEAR.
00:20:34- MARRY ME!
00:20:36IT'S WEIRD ON SO MANY LEVELS. narrator: ON THE NEXT "ARRESTED DEVELOPMENT."
00:20:40GOB HAS A RELIGIOUS CONVERSION.
00:20:42- I'VE SEEN A SIGN, AND I WANT TO MAKE THIS WORK.
00:20:45A COMMITTED RELATIONSHIP THAT ACTUALLY MEANS SOMETHING.
00:20:52HOW ABOUT YOU? YOU WANT TO DO JUST THE TWO OF US? narrator: AND BUSTER'S FAKE COMA IS PUT TO ITS GREATEST TEST.
00:21:02- DON'T YOU YOU DIE ON ME. DON'T YOU DIE ON ME. narrator: OH, MY.
00:21:10- [singing] WATCH US, WATCH US WATCH US, WATCH US
00:21:12WATCH US, WATCH US
00:21:14OH, MY, OH, MY PARDONNEZ-MOI
00:21:19YOU'RE GONNA MAKE ME CRY OH, MY, OH, MY
00:21:24JUST YOU AND ME
00:21:27AND ONE MORE IS THREE [chuckles]
00:21:30YOU AND YOU AND ME
00:21:33OH, MY, OH, MY PARDONNEZ-MOI