Home > Arrested Development
Locked and Loaded
00:00:16[narrator] Gob Bluth had just been told by his father
00:00:19to go to work for his younger brother.
00:00:21Thanks for the birthday card that I never got from you for the last 40 years.
00:00:29What the hell?
00:00:30And even though Michael was the one
00:00:32asked to do the favor...
00:00:33What the hell?
00:00:35...it was Gob who felt he had a cross to bear.
00:00:39I got right of way...
00:00:40In fact, the long estranged brothers
00:00:43were secretly competitive . with one another.
00:00:46No... No, no. My right of way.
00:00:48Okay.
00:00:55-Gob. -Michael.
00:00:57Still, they reunited.
00:00:59Hey, Gob.
00:01:00Michael.
00:01:01...happy to see each other...
00:01:03Gob?
00:01:04...at first.
00:01:06Michael.
00:01:09So, hear you need help moving these memorials
00:01:12-to the death of the housing market. -[jaunty tune warbles]
00:01:17That's a memorial to the death of Pete the mailman.
00:01:19I knew that.
00:01:20I brought one, too.
00:01:21Size of the man's heart.
00:01:23I've just got to figure out how to get it out of the car.
00:01:26If I could remember how I got it in.
00:01:29-That's not from your Christian magic act? -"Christian magic act"?
00:01:32If I were Muslim, would you say "Muslim magic act"?
00:01:35No.
00:01:36But it is hard to imagine any Muslim handcuffing himself to a glittery cross and living to tell about it.
00:01:42Yeah, well, the Christians aren't so [beep] hot about it either.
00:01:48Well...
00:01:49Michael could see that his brother was unhappy,
00:01:52and that his life had not worked out
00:01:53the way he had hoped.
00:01:55Things are incredible for me. I'm having an incredible year.
00:01:58I am a movie producer now, producing a movie.
00:02:01So they've got me in this enormous office.
00:02:03Told 'em I don't wanna be driving to Beverly Hills every single day, so they put me in an enormous office just over here.
00:02:11Rental.
00:02:13My personal life is off the charts.
00:02:15I met someone.
00:02:16Can't really give you any information. Kind of famous-y.
00:02:19Well, good for you. I also met someone.
00:02:21Also famous-y.
00:02:22Can't give you any information.
00:02:24In fact, Michael didn't even find out
00:02:26who she was until one night earlier.
00:02:28Oh, my God.
00:02:29I'm dating Ron Howard's girlfriend.
00:02:30Although, he did have some of the details wrong.
00:02:33She's an actress. You know her.
00:02:34She was Ron's illegitimate daughter.
00:02:37A fact unbeknownst to many.
00:02:39Well, we kind of like to keep that quiet.
00:02:42I can give you information about your airless office you're gonna be spending mornings in.
00:02:46You know what I could go for is some guac.
00:02:48-You don't live there anymore. -This heat... makes me want guac.
00:02:52Now the story of what happened
00:02:55when the one man who was
00:02:56holding his family together
00:02:58finally let go...
00:03:00and the separate journeys that eventually gave them no choice
00:03:04but to come back together.
00:03:05{\an8}It's Arrested Development: Fateful Consequences.
00:03:14{\an8}Model home? More like model tomb.
00:03:16{\an8}Am I right?
00:03:17{\an8}Michael and Gob reunited after a long time apart.
00:03:20{\an8}...meticulously maintained.
00:03:21{\an8}[beep]
00:03:23{\an8}There are some vultures.
00:03:24{\an8}I think they might still smell Pete.
00:03:28{\an8}If it wasn't for the movie thing, I'd do it myself.
00:03:30{\an8}They practically sell themselves, just got to bring the people in.
00:03:33{\an8}I'm ready to move in today.
00:03:35-No, people other than you. -I'm starving.
00:03:37{\an8}Starving? You won't find anything here.
00:03:39{\an8}They've been abandoned for...
00:03:42{\an8}Lindsay.
00:03:45{\an8}No, this...
00:03:46{\an8}Maybe Tobias?
00:03:47{\an8}It was John Beard.
00:03:49{\an8}Shall we?
00:03:50{\an8}Well, the value of these homes isn't gonna go down if we don't sell one today.
00:03:53Let's see if I can find a...
00:03:56Do you have a bottle opener?
00:03:58{\an8}Great idea.
00:03:59And after a few more drinks
00:04:01{\an8}and a little more depreciation...
00:04:03{\an8}Michael admitted he had a rival
00:04:05{\an8}for his girlfriend.
00:04:06{\an8}You don't have to worry about Ron Howard.
00:04:08{\an8}He's not competition for you.
00:04:10Really?
00:04:11{\an8}No, the guy's, like, 100 years old.
00:04:12{\an8}What's he going to do, poke you in the eyes?
00:04:14You're confused.
00:04:15Ron Howard directed Apollo 13.
00:04:17You're thinking of Mo Howard, the angry Stooge, been dead for a quarter century.
00:04:20That's good , cause the whole time I'm thinking,
00:04:22"Unless she likes a guy who's funny..."
00:04:24-Sure. -That guy is funny.
00:04:26{\an8}The whole time, you're like... "Is he gonna poke me in the eyes?"
00:04:28{\an8}Gob, I don't think that the movie...
00:04:30{\an8}It might not even happen,
00:04:31{\an8}because I don't think that I can ask my son...
00:04:33{\an8}What happened between him and me was very disappointing.
00:04:36{\an8}Don't need to tell me about disappointment and sons.
00:04:38{\an8}Let's not forget Steve Holt.
00:04:40I was talking about a son disappointing a father.
00:04:42Yeah, that does make it different.
00:04:44Show him you're a big shot, you don't need to live in your son's dorm.
00:04:47I just live in my parents' penthouse now.
00:04:50Take him to the Ealing Club.
00:04:51It's all show biz. I used to hang out there all the time.
00:04:53It's actresses and stuff like that.
00:04:55I don't know if I could pick up the phone and call him and ask him.
00:04:59You know what, Michael?
00:05:00I'll call him for you.
00:05:03You'd do that for me?
00:05:05It's the least I can do.
00:05:07You've given me a new sense of purpose.
00:05:08I don't want you to get your hopes up.
00:05:10When I said that these places sell themselves,
00:05:13I should have gone on to say, you know, that...
00:05:17No, they don't.
00:05:19I mean destroying Tony Wonder.
00:05:21I'm going to destroy his career the same way he destroyed mine.
00:05:24Gob was referring to an escape act he'd performed
00:05:27that had failed when the hidden compartment that held
00:05:29the keys to his escape hadn't opened...
00:05:32...humiliating him in front of his bride...
00:05:35He's not coming back.
00:05:36Her...
00:05:37and all of Christendom.
00:05:39Destroying Tony Wonder is your sense of purpose?
00:05:42I thought you said thanks to me...
00:05:43He's performing at a gay club tonight, and I need you as my boyfriend to help me get in.
00:05:47I'm gonna say no, thank you.
00:05:49Don't you think it's a little inappropriate?
00:05:51I am your brother.
00:05:52You sound like my son.
00:05:53{\an8}Whom Gob had spoken to earlier that day.
00:05:56Her name's Ann, by the way.
00:05:58Hey, you remembered.
00:06:01How about you and I go to a magic show together?
00:06:03I love magic, of course.
00:06:05It'd be sort of a father-son thing... at a gay club.
00:06:08Well, technically a gay night at a magic club.
00:06:11Hey, you know what'd be funny?
00:06:12If you pretended to be my boyfriend
00:06:14so I could lock this guy Tony Wonder...
00:06:16I don't know,
00:06:17I don't think this whole thing is a good idea.
00:06:19Besides, last time we tried to do something together,
00:06:22-you didn't even show up. -What about you?
00:06:24I didn't even hear from you for your entire childhood.
00:06:27Then thanks for the birthday card that I never got from you for the last 40 years.
00:06:33This was extra hard for Steve to hear
00:06:35on his actual birthday.
00:06:37So what do I owe you?
00:06:38There you go.
00:06:40That's funny, I used to date a guy named Steve Holt.
00:06:44Steve Holt!
00:06:44Yeah, that's the guy.
00:06:51Heck of a birthday this is shaping up to be.
00:06:53In fact, it was about to get worse.
00:07:00And didn't you already try locking Tony Wonder in his trick?
00:07:03Yes, but that wasn't for revenge, that was just on spec.
00:07:05And it didn't work.
00:07:07Besides, that was before I knew he had locked me in my trick.
00:07:10You still don't know that he tried to lock you in your trick.
00:07:12I do know, I have proof.
00:07:15I went in that cave and I found this.
00:07:19We both know what that stands for.
00:07:20Jesus.
00:07:21No, that would be a "J".
00:07:23This is a "T".
00:07:24Tony Wonder was there in the cave the night that I did my big illusion.
00:07:27So, when I went yesterday to the cave and I saw that this had wedged my compartment door shut,
00:07:32I knew that I'd been wronged.
00:07:33Okay.
00:07:34The only thing that we know is that you tried to lock Tony Wonder in his trick first.
00:07:39-Right? So you're even. -No, no.
00:07:41Because mine didn't work.
00:07:42He got the last laugh, which, in this case, happened to be the first laugh.
00:07:46I don't understand why you can't seem to follow me...
00:07:48You've got a chance to make a life here.
00:07:51I'm offering you a good job, selling good homes, making real good money, and I'm not asking for anything in return.
00:08:00What is this?
00:08:02I'm asking for something in return.
00:08:04This is for the movie.
00:08:05For your life rights in perpetuity, in the known universe and beyond.
00:08:09Look at this.
00:08:11What's that mean? You're not gonna sign it?
00:08:13No. I was just thinking that I should have my attorney Bob Loblaw look at this.
00:08:16-He doesn't need to. -I'm fine with it.
00:08:18It's boilerplate stuff.
00:08:20-I'm gonna be in a movie. -No, you're not.
00:08:23Okay.
00:08:29Gob was making good
00:08:31on a promise he had made to Michael...
00:08:33I need to see you tonight.
00:08:34...to talk to his son.
00:08:35It's about your father and you.
00:08:37Really, is he upset?
00:08:40Do I seem like a clown to you?
00:08:42I got it.
00:08:43Do I seem like some kind of a clown to you?
00:08:46I got it, Uncle Gob. Just tell me where.
00:08:47Meet me tonight at the Gothic Castle.
00:08:50I will. The Gothic Castle?
00:08:51No, the Gothic Asshole.
00:08:53-Yes, the Gothic Castle. -I didn't say the Gothic Asshole.
00:08:55You think they call it the Gothic Asshole?
00:08:57-I said the Gothic Castle. -It's the Gothic Castle.
00:08:59Okay.
00:09:02-I think you look amazing. -I'll take it.
00:09:05-Great. -No, no.
00:09:06The compliment, not the shirt.
00:09:09So, as Gob readied himself for a magic show...
00:09:12Tobias began work on a show of his own.
00:09:16to create the Fantastic Four musical,
00:09:18that he himself wrote and directed.
00:09:20The goal is that we all get a little outing on the Cinco de Cuatro, where we'll be performing it on a boat.
00:09:26I hope no one gets seasick.
00:09:28{\an8}Tobias had been working at Lucille Austero's rehab clinic
00:09:32as a therapist for some Hollywood notables.
00:09:34-Hi, I'm Mark. -From pop star Mark Cherry...
00:09:39But, please, first names only.
00:09:41Mark is my first name.
00:09:42Cherry's my last name.
00:09:43And Simon says, you're out.
00:09:49No. No, Mark Cherry, I was having fun.
00:09:52I have a bit of a wit.
00:09:54Well, I think we all recognize this gentleman.
00:09:59...to celebrity side-kick, Andy Richter.
00:10:01I'm not Andy fucking Richter.
00:10:04Correction...
00:10:05the identical quintuplet brother of Andy...
00:10:08I'm Emmett.
00:10:09...who has withheld the use of his likeness.
00:10:10Emmett who?
00:10:12Richter.
00:10:13Simon says, you're out.
00:10:14But most notably of all... he reconnected with a woman
00:10:18-DeBrie! -He'd loved and lost...
00:10:19How are you?
00:10:22So, you two know each other?
00:10:23Only to find out he was about to lose her again.
00:10:27...there is no way you can be her therapist.
00:10:29And so Tobias found a way...
00:10:32to be with the woman he loved.
00:10:33I could direct, we could get Mark Cherry to do the music, and we can cast it with patients.
00:10:38She was in the movie, The Fantastic Four.
00:10:40I was in The Fantasticks.
00:10:42And so it was decided.
00:10:44And this'll make my stay shorter? I'll get out of here a week sooner?
00:10:46Well, sobriety is the most important thing, but we'll see how good the music is.
00:10:51And so they set to work.
00:10:53And even though DeBrie had some trouble
00:10:56with the choreography at first...
00:10:58Tobias knew she'd blow them away
00:11:00with her show stopping number
00:11:02as the Invisible Girl.
00:11:04♪ I don't want to be invisible ♪
00:11:07♪ I don't want to be invisible ♪
00:11:10♪ I don't want to be invisible anymore ♪
00:11:15Okay, good. Get out there.
00:11:17All right. Okay.
00:11:19I like this, too...
00:11:20Where's Argyle?
00:11:22She's choreographing.
00:11:23Let's all do it too.
00:11:24It's called the thinking man's squat.
00:11:27[all moaning]
00:11:30Go with her. Go. Follow her.
00:11:32But if DeBrie was nervous...
00:11:34Am I crazy... or is this really good?
00:11:38...it was nothing compared to how George Michael felt
00:11:41when he arrived to speak with his uncle at the Gothic Castle.
00:11:44which, that night, did resemble the Gothic Asshole.
00:11:48-Uncle Gob! -Don't call me Uncle...
00:11:50Actually, that's good. That works here.
00:11:52-Is my dad upset? What's going on? -He's fine.
00:11:54You told me he was upset about something.
00:11:56I don't know.
00:11:57I do know that your daddy wants you to get your hot, little, tight, little, hot ass
00:12:01-right up there right away to see him. -You had me come all the way here to tell me my dad wants me to meet him?
00:12:07Those things are unrelated.
00:12:08I'm trying to lock this guy, Tony, into this gay magic trick.
00:12:11And I just needed believable arm candy...
00:12:14I do know that your dad is really upset with you.
00:12:17He's upset?
00:12:18I asked you that.
00:12:19That was the first thing I asked you. You're giving me these crazy...
00:12:23Mad?
00:12:24-God, what is that inky taste? -It's my stamp.
00:12:27-I'm sorry about that. -No, that's okay.
00:12:28I probably won't come back in.
00:12:30I'm gonna go see my dad.
00:12:32Yeah, because you're a good son.
00:12:37Bit my tongue...
00:12:38Now get out of here.
00:12:39I never want to sleep with you again.
00:12:41After successfully looking like he'd had a fight with his boyfriend,
00:12:46and knowing that Tony would go into the closet
00:12:49and pop out of somewhere else,
00:12:51Gob proceeded to lock everything he could find.
00:12:54and Gob settled in
00:12:55to watch his revenge play out.
00:12:57[Tony] A magician has many secrets,
00:13:00but there was one I was forced to keep,
00:13:03by society.
00:13:05"Don't talk to us," they said.
00:13:10"Keep your hands to yourself,"
00:13:12they also said.
00:13:15[man] Magic is only for straight men.
00:13:25[Tony] I don't want to look at you, son.
00:13:27Just go to work.
00:13:28Why can't you be like your brother?
00:13:40Well, I'm here...
00:13:42I'm queer,
00:13:43and now...
00:13:45I'm in a chair!
00:13:47Did somebody say Wonder?
00:13:49[narrator] Nobody actually did that time,
00:13:51but I think he got away with it.
00:13:53Didn't expect to see you here.
00:13:54Want to get a drink later?
00:13:55And believe it or not, it was this trick...
00:13:58Now everybody's gay!
00:14:00...that really brought the crowd to their feet.
00:14:02Although it was pretty easy
00:14:04to figure out how he did it.
00:14:06They started out gay.
00:14:07You missed your cue.
00:14:13Gob was having a drink with a man
00:14:15he'd twice tried to sabotage.
00:14:17Beanbag chair. I was wondering what you were gonna pop out of.
00:14:20Did somebody say "wonder"?
00:14:22...ing?
00:14:23I always try to stay one step ahead of the audience.
00:14:25¡Vamonos!
00:14:30Come on, man. Timing, right?
00:14:32Leave the mask.
00:14:34Yeah, of course, mask.
00:14:35Yeah, that makes sense.
00:14:36I use a mask myself, in my act.
00:14:39You have to tell me how you do that beanbag trick.
00:14:41I guess, since you're a magician, too. But not a word of this.
00:14:44I did use a mask.
00:14:46I put it on another guy and I was in the beanbag.
00:14:49That's why they put that sign on the beanbag. "Do not sit on this..."
00:14:54And the magicians shared the secrets
00:14:56of their ancient and mystical craft.
00:14:58And also it's very hard to get out of at the end, when I appear.
00:15:02So how have you been?
00:15:03I haven't seen you since your "wedding," when you did the Jesus gag.
00:15:07I guess you could say I was a runaway groom.
00:15:09It's okay, I know it didn't work. It made the "Woops" column in Poof.
00:15:12It's cool, though, man. I've been there.
00:15:14Your assistant probably sabotaged you.
00:15:16I don't even use one anymore.
00:15:17I resorted to using my own legs in the Saw-the-Lady-in-Half gag.
00:15:20I even shaved them. Want to feel?
00:15:22Sure.
00:15:24Wow, they are smooth.
00:15:25Like a lady's.
00:15:27I think.
00:15:31You're funny.
00:15:32Too bad we can't do this more.
00:15:33I dunno if it'd be great for my reputation to be seen with a fundamentalist Christian magician.
00:15:38And he was suspicious
00:15:39that Gob might not be gay.
00:15:42Although, the fact that he borrowed Tobias' car...
00:15:44...with the license plate ANUSTART.
00:15:46-That's me. -...alleviated some of those concerns.
00:15:48What the hell? Let's do it.
00:15:54And the next day, Tobias returned
00:15:56to the model home.
00:15:58Beard, I'm only here to pick up my car keys.
00:16:01Tobias?
00:16:03Gob?
00:16:07Good to see you, old friend. What have you been up to?
00:16:10Things are good, nothing much.
00:16:12I'm a registered sex offender, but things are good.
00:16:14Yes.
00:16:15And I'm working at Lucille Two's rehab center, the one she owns, not the one she famously went to 12 times.
00:16:20Can we finish over breakfast? I'm starving.
00:16:22Is it finishing? Okay.
00:16:24And the two friends caught up.
00:16:25If I wouldn't have gotten arrested, I wouldn't have ended up working at rehab, and I wouldn't have reconnected with my love.
00:16:31True, I can't ethically ravage her body,
00:16:33I have to leave that to time, but she's just so much fun to be with.
00:16:37I, too, am in a relationship, but mine is purely a revenge-based deal.
00:16:42I plan on making this person fall in love with me and then destroying them by breaking their heart.
00:16:46How do you make someone love you?
00:16:48Can you pass the mustard, please?
00:16:50It's easy when you've got so much in common. Last night, for instance, we both got a case of the munchies, and then we went out and we stole these pies...
00:16:57As it turns out, they did a lot more than steal pies.
00:17:01They had a raucous good time.
00:17:05And then the candy bean dish right here, we made those at Color Me Mine, and I know they're kind of cockeyed, but they remind us both of my crooked smile.
00:17:11I'll tell you who, but this person is sort of a celebrity.
00:17:16Turns out my femme fatale is a bit of a celebrity herself.
00:17:19Well, looks like life is going pretty well for both of us.
00:17:23Except that I'm broke.
00:17:24And I'm a sex offender.
00:17:25Michael expects me to sell these split-level death traps.
00:17:28And how am I supposed to do that?
00:17:29I mean, there are no schools or libraries or Internet or playgrounds within 20 miles of here.
00:17:36It's funny, I've been looking for a place to live, and that fills virtually every parole requirement I have.
00:17:43That's great. When can you move in?
00:17:45Duh! Now.
00:17:47The other sex offenders are gonna be so jealous.
00:17:49And that's when Gob went from filling one Sudden Valley house...
00:17:53You know other people with similar needs?
00:17:56I have a list of men that could fill every opening you have.
00:17:59...to filling them all.
00:18:05Let me get a shot of mustard.
00:18:07That was all cheese, but no mustard.
00:18:15Gob didn't want to look too into it...
00:18:18by calling Tony right away.
00:18:20[Tony] It's Tony... I'm not here right now
00:18:22because I'm right behind you.
00:18:25Made you look.
00:18:27But how did I know you looked?
00:18:28Because I'm right behind you!
00:18:30[narrator] Although, he did seem kind of into it.
00:18:32[Tony] Made you look again.
00:18:34Tony, it's Gob.
00:18:35Man, does anybody ever fall for that?
00:18:38Listen, I was thinking about you, what a fun night we had the other night.
00:18:42So just call me when you get a chance.
00:18:45Okay? All right.
00:18:47[cell phone chimes]
00:18:48-That was fast, you hot little... Hi. -[Lucille] It's your mother.
00:18:51You better start to build this wall, pronto.
00:18:54I tried with your father, but he can't do it.
00:18:56[narrator] The wall in question was to be built
00:18:59{\an8}between the US and Mexico.
00:19:00{\an8}but without the resources to build it...
00:19:03George Sr, had found a work around.
00:19:10There's more wall...
00:19:12And you know, it feels good
00:19:14to be protecting our borders.
00:19:18It's a heart project.
00:19:20-We love America. -Daddy!
00:19:22God, he Steamboat Willied it.
00:19:24He had.
00:19:25[Lucille] You need to make it look like major construction has begun on the wall.
00:19:28I'm busy now. I'm working with Michael.
00:19:30What are you working on?
00:19:32Dad made him give me a job.
00:19:34I see, so he thought it was a good idea to have you two together.
00:19:37Isn't that nice?
00:19:39My God, is there anyone there with half a brain that can help me with this?
00:19:43I don't know about half a brain, but Tobias is living with me right now and he's not very bright.
00:19:47[narrator] And Gob set out to find a crew.
00:19:51Who wants...
00:19:53[feedback crackles, Gob wails]
00:19:55{\an8}[Gob] Hurt my ears.
00:19:56{\an8}Who wants to help me build a wall?
00:19:59...to keep Mexicans out of America?
00:20:03All right, all right!
00:20:05Who wants to help me build a wall for no reason?
00:20:08It's a different wall.
00:20:11[bleep]
00:20:13-[bleep] Hey, thanks for-- -[feedback crackles]
00:20:16This thing is loud!
00:20:17And so he decided to head to the border ribbon
00:20:20to put in some manual labor himself.
00:20:23[Gob] I'll show everyone I'm not afraid of the sweet sting of sweat in my...
00:20:27...when he came across a local maca picker.
00:20:30You need help to make your sign stand up?
00:20:32Yes. No!
00:20:33I need to find some Mexicans to help build this wall.
00:20:36You should get the Chinese to build your wall.
00:20:38-We make great walls. -That would be great.
00:20:40-How can we make that happen? -I'm Chinese. I know all Chinese.
00:20:44-I hook you up. -Well, that's--
00:20:45-[cell phone chimes] -That'd be great.
00:20:48Would you get off my [bleep], Mother!
00:20:49Well, if I wasn't sure you were gay, I am now.
00:20:52It's Tony. Hey, Tony.
00:20:54Sorry I couldn't talk last night, but I'd really love to get together later.
00:20:58This week, or maybe Saturday. Say, five o'clock...
00:21:00-Great. -I'm thinking Little Ballroom.
00:21:03Good? You sick of Little Ballroom?
00:21:04I'll see you there. Bye.
00:21:07That was Tony. My friend Tony.
00:21:08She sounds wonderful.
00:21:11No.
00:21:12No, I'm gonna get revenge on him and destroy his life.
00:21:16Her life.
00:21:17Our... life.
00:21:20Destroy our life.
00:21:22Destroy our life.
00:21:24That doesn't matter. Who cares?
00:21:26On the next Arrested Development: Fateful Consequences...
00:21:31You're gonna have to work with our new patient, and good luck with her.
00:21:34We call her the "B" word from the "C" ward.
00:21:37Or is it the "C" word from the "B" ward?
00:21:42Tobias gets some bad news.
00:21:45Hello, Anus Tart.
00:21:46And she never even saw the license plate.
00:21:50[theme music plays]