Home > Arrested Development
Mixed Messages
00:00:15{\an8}[narrator] Previously,
00:00:16{\an8}on Arrested Development: Fateful Consequences.
00:00:19George Michael was trying to impress a cousin
00:00:22he was tutoring in math...
00:00:24Excuse me. Hello.
00:00:25[narrator] By bragging about software he was developing.
00:00:28So it's privacy software that's also anti-piracy?
00:00:31It's called Fakeblock.
00:00:33[narrator] He was lying. It was software
00:00:35that made a phone, when tapped, sound like a woodblock,
00:00:39which it kind of does, even without the software.
00:00:41And soon, he escorted her to an awards show for young Hollywood,
00:00:46eager to show her the ways in which he had become a worldly man.
00:00:49In Spain, they don't even eat dinner until after eleven p.m.
00:00:51-Wow! -You grow up very quickly in Spain.
00:00:53My God, I know this guy. Hey, man.
00:00:57He's nobody.
00:00:58[narrator] Although he made some rookie mistakes...
00:01:00He's "Justin" from Wizards of Waverly Place.
00:01:03It's on a lot in Spain.
00:01:05[narrator] He soon got himself back into
00:01:06an overtly sexual mindset.
00:01:08Gentlemen, start your engines.
00:01:10[narrator] But, of course, it was Lindsay,
00:01:12who was undercover to take down Herbert Love
00:01:15with a random act of senseless non-violence
00:01:18that involved her face-blind boyfriend Marky...
00:01:21[man] Lindsay, is that you dancing?
00:01:22[narrator] Who was squatting in a podium with a glitter bob
00:01:25waiting for Lindsay to let him out.
00:01:27But she may have spoken too soon,
00:01:29as Lindsay was soon flirting with this man,
00:01:33whom she had no idea was the man she was there to target.
00:01:37Are you trying to find out where I live?
00:01:38And your favorite kind of jewelry.
00:01:40[narrator] It was the mention of an accessory that distracted Lindsay
00:01:44from her role as Marky's accessory.
00:01:47Maeby was playing a little make believe too,
00:01:49by saying she was starting an internet company.
00:01:52Schnoodle's dead. Fakeblock is the next big thing.
00:01:55[narrator] But George Michael had lied to her about Fakeblock...
00:01:57Yes. Your privacy software.
00:01:59[narrator] Which was why he was reticent to publicize it.
00:02:02It's private.
00:02:03[narrator] When he saw how others were impressed,
00:02:05he realized it might be worth rebranding himself
00:02:07to impress Maeby.
00:02:08George Ma-- Harris.
00:02:10-Perfecto. -De nada.
00:02:12[narrator] But she seemed more impressed with someone else.
00:02:15That's my undercover cop boyfriend.
00:02:16[narrator] And discouraged that he'd lost Maeby,
00:02:18he tried to salvage his night
00:02:20by taking a picture of Gibby from iCarly,
00:02:24-which is on a lot in Spain, -[alarm blaring]
00:02:26-when the explosion went off, -[shouting]
00:02:28which to the CEO of Schnoodle, appeared to be George Maharis
00:02:33triggering an explosion.
00:02:35That geek Maharis destroyed the whole thing.
00:02:37And you know why?
00:02:38Just because he could.
00:02:39We should work together.
00:02:40-No. -Smart.
00:02:44[narrator] Lindsay was as blue as one of her men,
00:02:47when she returned to the penthouse,
00:02:50{\an8}and that's when she decided to get half in the bag.
00:02:53[sipping]
00:02:55But she was at least able to turn a man's head...
00:02:57Gentlemen, start your engines.
00:03:01-Buster. Oh! -[clattering]
00:03:03[narrator] And the next day, George Michael was bowled over as well.
00:03:06[man on TV] Here's your 15 seconds of news.
00:03:08Fakeblock's mystery man, George Maharis,
00:03:10may have just found a way to screw a cap on the Internet,
00:03:12and investors are lining up to fill the company's tank with money,
00:03:15even though he himself remains anonymous.
00:03:18That's all the news that's fit to pump. I quit.
00:03:20{\an8}[narrator] Now, the story of what happened
00:03:23{\an8}when the one man who was holding his family together
00:03:26finally let go, and the separate journeys
00:03:29that eventually gave them no choice but to come back together.
00:03:34{\an8}It's Arrested Development: Fateful Consequences.
00:03:43By the time George Michael returned to campus,
00:03:46even his roommate had heard of George Maharis' Fakeblock.
00:03:49{\an8}This George Maharis guy stole our name, but we have it registered,
00:03:52{\an8}so we can sell it to him for a fortune.
00:03:53{\an8}I am George Maharis! I'm behind the whole thing.
00:03:56{\an8}I wanted to impress Maeby,
00:03:57{\an8}so I told her that I created this privacy software.
00:04:00{\an8}Why would you do that?
00:04:02{\an8}You know, it's like the time you told that girl
00:04:03{\an8}that you were George Takei's son.
00:04:06{\an8}Well, it's too late. This thing's taking off.
00:04:07{\an8}They're saying Fakeblock knocked out Schnoodle.
00:04:10{\an8}That was a coincidence.
00:04:11It must have been a power surge.
00:04:13{\an8}We gotta do something. At least get our five grand back.
00:04:15{\an8}Well, I put in the five grand, you put in $3.
00:04:17{\an8}You may have put in the most money to Fakeblock,
00:04:20{\an8}but I put in the first $3, so that makes you a hop-on.
00:04:23{\an8}No, you're the hop-on, Paul,
00:04:24{\an8}and I know exactly who you're trying to hop on to.
00:04:27{\an8}-Maeby. -Maybe.
00:04:29{\an8}Yeah, well, you know she's dating a cop, right?
00:04:31Yeah, she likes risk takers, like the P--
00:04:33Hi.
00:04:33Huh.
00:04:35{\an8}Keep moving. Can you believe this?
00:04:38Fakeblock, it's exploded.
00:04:40I got my PR company fanning it. which wasn't cheap.
00:04:43Where'd you get the money for this?
00:04:45[narrator] She'd actually received it one night earlier.
00:04:47Here's my private number.
00:04:48-Give me a call. -I'd like that very much.
00:04:49[narrator] In an exchange she'd had with her mother...
00:04:51Are you really gonna whore yourself out like that?
00:04:53You're a whore.
00:04:54[narrator] Was overheard by Herbert Love's campaign manager.
00:04:57-Ma'am, is she yours? -Unfortunately.
00:04:59Herbert Love would like to see her.
00:05:01You can arrange that?
00:05:02Discretion is appreciated.
00:05:03[narrator] Which is how Maeby both got the seed money
00:05:06{\an8}-for her company... -I'm the discret-iest...
00:05:08Just to be clear, I want to hire her for prostitution.
00:05:10{\an8}-[narrator] And became her mother's pimp. -Yes, definitely.
00:05:13{\an8}That was clear. I'm gonna charge you for that.
00:05:14I even got it to the attention of Jim Cramer.
00:05:17This Fakeblock thing is poised to explode!
00:05:20I never do this. Hell, it's not even a stock yet.
00:05:23For all I know, it's not even real!
00:05:25But I think this might be going through the roof!
00:05:27I'm calling it my first hypothetical buy.
00:05:32And this weekend, don't forget to catch me on Gangie IV.
00:05:33Here's a taste.
00:05:35{\an8}[narrator] It seemed Cramer owed Maeby a favor.
00:05:38I'm raising the alert level from "Don't Leave the House"
00:05:40to "Board Up Your Windows!"
00:05:42[cheering]
00:05:44I think we just might want to slow down a little bit on the whole Fakeblock thing,
00:05:47'cause I'm still not 100% finished with it.
00:05:49Well, how finished are you with it?
00:05:51200%? 500%?
00:05:53I also feel like I'm not 100% finished with your math tutoring.
00:05:56[narrator] And then Maeby said something
00:05:58that made him change his mind.
00:06:00I trust you, George Michael.
00:06:01{\an8}I would not get into bed with you on this thing
00:06:03{\an8}if I didn't trust you.
00:06:04{\an8}I mean, of course you can trust me in bed.
00:06:07{\an8}No, I mean, I trust you not to take advantage of me.
00:06:10No. I wouldn't. We would just lie there.
00:06:13We'd just lie there? I mean, I'm talking about business.
00:06:15So am I.
00:06:16That's why we would just lie there.
00:06:19Or we'd sit there.
00:06:20We'd just sit there and do our business.
00:06:23Okay. 'Cause I was gonna say, when you become an Internet billionaire, you can do whatever you want with me in bed.
00:06:28[narrator] It was that. That's what made him change his mind.
00:06:31I will. [laughing]
00:06:33I will.
00:06:36[narrator] That's when George Michael got the call
00:06:38from his Uncle Gob...
00:06:39I need to see you tonight.
00:06:41[narrator] Which he was doing as a favor for George Michael's father...
00:06:45who had fallen for an actress.
00:06:46-Is it Julie Bowen? -No, it's not.
00:06:48-Is yours Julie Bowen? -Is yours Julie...
00:06:51Michael, you're seeing Julie Bowen?
00:06:53I am not seeing Julie Bowen, but if you are, you tell me right now.
00:06:56I want to hear you say the words,
00:06:57"I'm not seeing Julie Bowen."
00:06:59I have not seen Julie Bowen.
00:07:01Well, that's a funny way to phrase it.
00:07:02[narrator] This went on for some time.
00:07:04But eventually, Michael revealed
00:07:06that she was interested in him as a producer.
00:07:09But without his son's life rights,
00:07:11the movie might not even happen...
00:07:13...because I don't think that I can ask my son.
00:07:15What happened between him and me was very disappointing.
00:07:18Take him to the Ealing Club.
00:07:19It's all showbiz.
00:07:20I used to hang out there all the time.
00:07:22It's just actresses and stuff like that.
00:07:23I don't know if I could pick up the phone and call him and ask him...
00:07:27It's about your father and you.
00:07:29Really, is he upset?
00:07:31Do I seem like a clown to you?
00:07:33Do I seem like some kind of a clown to you?
00:07:36[narrator] George Michael was nervous, and he didn't even know
00:07:38that this was about to happen...
00:07:40...your hot, little, tight little, hot ass right up there right away to see him.
00:07:44[narrator] Or this...
00:07:46Ow! Bit my tongue, you little bitch.
00:07:48[man] But are we good?
00:07:50We're good.
00:07:51Okay.
00:07:52-[narrator] Maeby was nervous, too, -[knock on door]
00:07:54because she still had to trick her mother into turning a trick.
00:07:58Hi, sweetie.
00:07:59Hey. Hi.
00:08:02{\an8}[narrator] But the universe seemed to like the plan.
00:08:04Yeah, well, the bags are certainly a surprise.
00:08:06You're not thinking of moving in, are you?
00:08:08-What? No. -Yeah, because
00:08:10I don't think Dad would be cool with it.
00:08:11No, of course not.
00:08:13-Is he in? -No.
00:08:16Oh. What happened there?
00:08:19Kids or people who like kids.
00:08:22So, where's Marky?
00:08:23God, Marky will be in jail for quite a while.
00:08:27{\an8}So it turns out the glitter was shrapnel grade.
00:08:31They're upping my charges from prank bomb to non-Arab terrorism.
00:08:35This is where you letting me out of the podium would have really helped.
00:08:37Why didn't you just come out?
00:08:39I couldn't do it, someone locked me in.
00:08:41I need you to bail me out. I need you to use that check.
00:08:43Oh, I don't have that check anymore.
00:08:45-What? -You told me to rip it up.
00:08:47I thought you said you didn't believe in money.
00:08:48I didn't until I realized what it could keep me from.
00:08:51Jail's a lot like Swappigan's, except there's only one thing to swap.
00:08:54It's scary.
00:08:55-Anus tart. -Yep, that's me.
00:08:58God, that could've been me.
00:08:59Lindsay, listen to me, I'm scared.
00:09:00I'm scared, I'm scared...
00:09:02-I'm really scared. -[man] No touching!
00:09:04Actually, it's kind of nice to have a little me time.
00:09:06Oh, of course, that's why you were giving Herbert Love a little "you time" last night.
00:09:11You were flirting with him to get Marky out of jail.
00:09:14Well, yeah, that is what I should have been do--
00:09:16-What I... did, yeah, yeah. -Mm-hmm.
00:09:19That's exactly what I should have and did do.
00:09:21And it's not that bad an idea, actually.
00:09:25You can get him to do anything.
00:09:26He's probably one of those shallow guys who's only interested in looks.
00:09:28I miss that.
00:09:30Missed that.
00:09:31Yeah, you know, maybe it would be a good idea if I got in touch with him.
00:09:35I mean, he did give me his card.
00:09:38Although, I could never call him.
00:09:40I could call him for you
00:09:42Set up a meeting.
00:09:43You could even wear that wig, so nobody would think you're selling out.
00:09:46-Yeah. -And I'll tell him it has to be tonight.
00:09:48Well, the sooner the better.
00:09:50Got to get Marky out of jail.
00:09:52That's why the sooner the better.
00:09:54[narrator] Technically, she still needed to talk her mother
00:09:56into having sex with him.
00:09:58But this was a woman who once wore this to a men's prison.
00:10:02So she felt she'd be okay.
00:10:08Maeby arranged for her mother
00:10:10to meet Herbert Love at a showbiz club
00:10:12-that she was a member of. -No cameras...
00:10:14No phones...
00:10:15Thank you for being willing to meet.
00:10:17Meet, greet.
00:10:19Sure are sweet.
00:10:21What did the lamb say?
00:10:22-Bah? -Bleat. [laughing]
00:10:24Yes, of course.
00:10:25I was just wondering, is anything really bad gonna happen to that blue guy from the rally?
00:10:31Do you want to press charges?
00:10:32Who can think of Little Boy Blue, when I've got this beautiful face in front of me?
00:10:36Oh. Thanks. Haven't heard that in a long time.
00:10:39Your cheekbones are even higher than my approval rating.
00:10:42Your brain can register my cheekbones?
00:10:44I'll register them to vote.
00:10:46Your lips are like a Murphy bed.
00:10:48They don't take up much space, but they are there when you need them.
00:10:52You're wonderful.
00:10:55But I do want to talk to you about a couple of issues.
00:10:59Can we just have one night where we don't talk about politics?
00:11:03Yes, yes, just one night.
00:11:06-We deserve it. -Let's get a room.
00:11:08Yes. No. What?
00:11:11Okay.
00:11:12We can talk in a room, I guess.
00:11:18You hang tight.
00:11:19I'm gonna meet with some of my "constititutes."
00:11:23-Hello. -[Lindsay] Michael?
00:11:25Hi.
00:11:26-How are you? -I'm good.
00:11:27I almost didn't recognize you.
00:11:29-It's my hair. -That's some of it, but it's also, you're with a guy that pretty much represents everything you pretend to hate.
00:11:35Was that Herbert Love?
00:11:36Now I remember why we fell out of touch.
00:11:38No, I'm kidding. I'm so sorry.
00:11:40[narrator] And that's when Michael found a way
00:11:42to deliver on a promise to his father.
00:11:45But if you really want to blow him... away, you know the wall issue that everyone is talking about?
00:11:51The wall between Mexico and the US?
00:11:53Tell him to take it down?
00:11:54Or just not to put it up. No wall yet.
00:11:57Oh, no, there's no...
00:11:58I knew that, yeah.
00:11:59If you could get him against the wall,
00:12:02Lindsay...
00:12:04-Yeah, sure, fine. -Yeah?
00:12:06Yeah, I'll talk to him about the wall.
00:12:08-Good. -I want to change politics.
00:12:10-Great. -What's in it for me?
00:12:13So not completely change them?
00:12:16What do you want?
00:12:16I want you to talk to that warden guy about getting my boyfriend out, because I really don't think Herbert's gonna help with that.
00:12:23Well, I have a script notes call with him on Tuesday.
00:12:27-Yeah, I'll talk to Warden Gentles. -Great!
00:12:28-Thank you. -This is good.
00:12:30I'm glad we ran into each other.
00:12:31If you do something for me.
00:12:33I'm making this movie... and I need everybody's rights.
00:12:36[narrator] And that's how Lindsay agreed to give Michael her rights
00:12:39-for his movie. -Thanks.
00:12:42-That's it. -But it shouldn't have been,
00:12:44because he should have asked for help
00:12:46getting into a club he was about to discover was members only.
00:12:50I'm meeting my son up there. Maybe he's already up there.
00:12:52Could you maybe page him up there?
00:12:53I'm not getting any response.
00:12:55[narrator] And when the page proved fruitless...
00:12:57You're gonna make me look like a big shot in front of my son. Thank you.
00:13:00[narrator] Michael decided to head George Michael off
00:13:03before he could get to the club's lobby with a small lie...
00:13:07Hey, buddy, it's Dad.
00:13:08I am having real trouble getting up there.
00:13:12This traffic is unbelievable.
00:13:14[narrator] Which led to a slightly bigger lie.
00:13:17We got a light aircraft right in the middle of the freeway.
00:13:20[narrator] And then some effort to make it foolproof.
00:13:22And the kicker is that there's no news crew.
00:13:24I mean, I guess they can't get in either 'cause of the traffic, so no one's gonna be able to see this.
00:13:29[narrator] But perhaps, had Michael not have lied,
00:13:32he wouldn't have felt suspicious when, moments later,
00:13:35{\an8}he received a return call from his son...
00:13:37[George Michael] We're sitting in the same traffic. This is a mess...
00:13:40[narrator] Canceling the get-together entirely.
00:13:42[George Michael] Oh, God, they're forcing us off. Have a pleasant night.
00:13:44{\an8}[narrator] In fact, George Michael had arrived earlier to the Ealing Club.
00:13:48{\an8}As a frustrated Andy Richter
00:13:50was having trouble getting into the club he was a member of.
00:13:53He looks just like me.
00:13:55I'll just go up, I'll find him, I'll...
00:13:57-Come on. -Hey, Donnie!
00:13:59Hey, I had you for a semester at Openings.
00:14:01Yeah, okay, all right.
00:14:02Hey, come on. I'm his guest.
00:14:04Is this man your guest?
00:14:05No, no. I'm just meeting my dad here.
00:14:07Oh, screw this. I'm going in.
00:14:09Go on up, go on.
00:14:11Oh, come on! Some Openings child you are, man!
00:14:15[narrator] And George Michael girded himself
00:14:17for his first meeting with his father since he voted him out of the dorm.
00:14:21Hi. Just a sea-breeze, please. Make it a strong one.
00:14:24Put some stank on that.
00:14:26George?
00:14:28George Maharis?
00:14:30And that's when he heard the name he'd forgotten
00:14:32he'd given out as his own.
00:14:36I see you.
00:14:38Rebel Alley? We spoke three days ago.
00:14:40I know, I know. I remember.
00:14:42-Are you a member here? -No, I'm not.
00:14:44No, I just walked in past the big black security guard.
00:14:49Okay, you know what?
00:14:50I was trying to be nice, but you're just a jerk.
00:14:52You're a bigger jerk than Andy Richter over there!
00:14:54Loosen up, bitch. I'm Andy Richter!
00:14:57I probably make, like, $8,000 a day or something.
00:15:01Hey, I'm sorry.
00:15:05I'm in the middle of a whole thing with my dad right now, and I didn't mean to be... however I just came off.
00:15:11Badly.
00:15:12Well, I'm sorry. I've never met a beautiful actress before.
00:15:15Oh. So you do know who I am?
00:15:16God, of course I know who you are!
00:15:18You were in the remake of Dangerous Cousins.
00:15:20I signed up to Netflix because of that movie.
00:15:23I think I was just thrown that you were interested in who I am.
00:15:26Well, you are George Maharis.
00:15:28Everyone's talking about your software company.
00:15:31I'm sure women are just throwing themselves at your feet.
00:15:33Well, you know, I prefer a woman who aims higher.
00:15:37[laughing]
00:15:41-That was funny. -Yeah, I know.
00:15:42That was good. That was, like, smooth.
00:15:44We have the same taste in words.
00:15:46Okay, should we get a drink?
00:15:48I'm buying.
00:15:49I don't want you to think I'm after you for your money.
00:15:51[narrator] George Michael was thrown
00:15:52by what was clearly Rebel's stated interest in him.
00:15:55Which is perhaps why he ignored the page...
00:15:58-George Michael. -that he assumed was from his father.
00:16:00[man] Is George Michael here?
00:16:01Is George Michael here?
00:16:02Oh, God. Just remind me not to go in the men's room.
00:16:05[laughing]
00:16:07Would you excuse me?
00:16:09I'm just gonna use the men's room.
00:16:10[narrator] And while checking his messages,
00:16:13he got some good news.
00:16:14[Michael] We got a light aircraft right in the middle of the freeway.
00:16:18Call me back when you get this?
00:16:19{\an8}[narrator] But while Michael was leaving a second message,
00:16:22George Michael left one for him.
00:16:25Hang on, this is you.
00:16:26{\an8}I bet we're sitting in the same traffic. This is a mess.
00:16:29[narrator] Now hoping to ensure that his father
00:16:31didn't make it to their meeting.
00:16:33Oh, God, they're forcing us off.
00:16:34{\an8}Oh, God, they're forcing us off.
00:16:35{\an8}...but we can just do this another time if that works.
00:16:38Maybe that's better.
00:16:39They're closing the lanes.
00:16:41This is beautiful.
00:16:42{\an8}Same traffic.
00:16:44{\an8}Unreal.
00:16:45{\an8}Unreal.
00:16:46{\an8}Kind of looking around for you now.
00:16:48Maybe you're right near me.
00:16:50Anyhow, if you get this,
00:16:51maybe we will just meet somewhere else.
00:16:55Gonna hang up now.
00:16:56I'm gonna video this and send it in to the news.
00:16:59{\an8}Glad you're getting some footage of this,
00:17:00{\an8}'cause I can't really get a good angle myself.
00:17:02They're forcing us off here like a bunch of animals.
00:17:04You know, maybe we'll do this another time,
00:17:06'cause it's sad to say...
00:17:08{\an8}You know, maybe we'll do this another time.
00:17:10It's sad to say, but it's left me pretty shaken up.
00:17:12God, I just hope there are no kids on that plane.
00:17:15'Cause they don't have any choice in the matter.
00:17:17-[phone chimes] -Well, I tell you what.
00:17:18I feel worse for the parents, okay?
00:17:20Probably, the kids thought that they could fly the plane all by themselves.
00:17:24Bet you 500 bucks, they find a dead kid behind the stick.
00:17:28Or maybe on the dead dad's lap whose only fault was loving that kid too much and letting him fly the plane.
00:17:34Next thing he knows, he's bouncing off the top of the Sports Chalet onto the express lane of the 605.
00:17:38Bet you 500 bucks.
00:17:39One more thing, I think I accidentally had the phone flipped around.
00:17:42I recorded my face the whole time, you know?
00:17:45Smartphone, stupid man.
00:17:46Pal, why don't you loop around and film this thing?
00:17:48Someone's got to tell the story.
00:17:50[narrator] Michael hung up, feeling confident
00:17:52he'd had the last word.
00:17:53-[phone chimes] -Kidding me?
00:17:55[George Michael] Missed you again, damn.
00:17:57But, you know, I got out of my car here,
00:18:00and I'm standing here now
00:18:01with a paramedic named Tim Ridgley...
00:18:03Can I record some video?
00:18:05-No cameras allowed. -No camera-- They're being real...
00:18:07[narrator] But George Michael was proving more adept at lying
00:18:10than anyone suspected.
00:18:11Getting back in my car now.
00:18:13Thank God we weren't on that plane.
00:18:15[narrator] Which would come in handy with a woman
00:18:17who only knew him as George Maharis.
00:18:21-Hey. -Hey.
00:18:22Sorry, that was my dad.
00:18:23He can be kind of hard to get off the phone sometimes.
00:18:26Tell me about it. At least he wasn't drunk and bitching about Don Ameche not knowing his lines in Cocoon.
00:18:31He's actually great.
00:18:32If anything, I've been kind of a lousy son lately, but, you know, it's just...
00:18:37I mean, at some point, I've got to start living my life.
00:18:40[narrator] Michael was hurt and ready to do the same,
00:18:43when on his way out, he heard something that cheered him up.
00:18:46[man] The guy that was harassing Rebel, he's on his way down.
00:18:49Did you say Rebel?
00:18:50Hey, Andy Richter. Michael Bluth. How you doing, Andy?
00:18:54Yeah. I'm Andy.
00:18:56I know him.
00:18:56Can I get on your membership,
00:18:58-and can you vouch for me? -Oh, yeah, sure.
00:19:00Whatever you want, it's on Andy.
00:19:02-Thank you. -It's on this rich [bleeps] hole.
00:19:04Bye.
00:19:09[narrator] Lindsay was in Herbert Love's hotel room...
00:19:12worrying she was too quickly abandoning her principles.
00:19:15I can't do this, unless you promise to be against the wall.
00:19:19What the hell?
00:19:22It's better for my back anyway.
00:19:23Thank you. Thank you.
00:19:25[narrator] Although, technically, that was one of Michael's principles.
00:19:28{\an8}That was so not quick.
00:19:31Well, I paid for six hours.
00:19:32I want to get my money's worth.
00:19:33Imagine what would have happened if you had the room for the whole night.
00:19:37I got it for the whole month.
00:19:38You crack me up.
00:19:41God, can you believe this is happening?
00:19:43I mean, we're such opposites, and yet we're so in sync.
00:19:46-It's like we finish each other's... -Sandwiches?
00:19:48What's the point of raising funds if I'm eating sandwiches?
00:19:51I got something for you.
00:19:53Really?
00:19:55[gasps, sighs]
00:19:58This way, you'll always have a little love near your heart.
00:20:03When love is near, your heart will be happy.
00:20:06[gasps]
00:20:08-Ow! Jesus Christ! -I'm sorry.
00:20:10-Why would you do that? -I thought it was cute.
00:20:12-I saw it in a movie. Okay? -Okay, thank you.
00:20:14Oh, I feel so special.
00:20:15You are special.
00:20:17[narrator] Of course, he actually thought she was a whore...
00:20:19but he had gotten the necklace on special.
00:20:22And now, finally in the Ealing Club,
00:20:23Michael didn't find Rebel,
00:20:26but he did run into the man he believed to be her lover.
00:20:29-Ron. -Thank you.
00:20:30No, no, it's Michael.
00:20:32Michael Bluth, doing the film about my family and...
00:20:35Yeah, when are we gonna get your kid's signature, though?
00:20:37I'm working on it.
00:20:38I got a hold of him, and we're gonna meet here tonight, but I think that he's blowing me off.
00:20:42Well, kids will be kids, right?
00:20:45You know a month ago...
00:20:46I would have told you he and I were exactly the same, that we were twins.
00:20:49But now, I wouldn't even think of my son as my brother.
00:20:54You know, the thing is...
00:20:57He's busy.
00:21:06{\an8}[narrator] On the next Arrested Development:
00:21:09{\an8}Fateful Consequences.
00:21:11Lindsay gets a job opportunity.
00:21:13The only way we can see each other is if you work for my campaign.
00:21:17You are gonna be my key advisor.
00:21:20I would like that very much.
00:21:22[narrator] She would be enacting social change after all.
00:21:25She's gonna need a key to my room, and I'll advise you to use it when I call you.