Home > Arrested Development

Dire Straights

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{\an8}[narrator] Previously on Arrested Development: Fateful Consequences...

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You are gonna be my key advisor.

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[narrator] Lindsay Bluth was working for and dating the politician Herbert Love.

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Perfume?

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[narrator] Unbeknownst to her, however,

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the work she was doing was dating him...

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That's my cologne. I want you to wear it.

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That way, if my wife smells anything on me, it's me.

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[narrator] As arranged by her daughter Maeby.

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Discretion is appreciated. To be clear, I want to hire her for prostitution.

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I'm gonna charge you for that.

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[narrator] Lindsay took to her new position like a fish to water...

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-[squeaking] -advising him all over town.

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Maeby's father Tobias had also found love.

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And scene, as they say.

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[narrator] After briefly losing her...

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[chattering]

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[narrator] ...a few times

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and legal trouble when he tried to cash in on her fame from The Fantastic Four...

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-This is a cease and desist. -You're under arrest.

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[narrator] ...a few times.

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She left him entirely.

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I have a suit made of rocks.

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[narrator] But soon, he had a way to win her back.

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We shall mount a musical of The Fantastic Four.

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I love it.

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[narrator]  Although he still had some issues to address...

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[singing]

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♪ Fantastic Four ♪

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-[narrator] ...as did she. -Is she all right?

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[narrator] Michael, meanwhile,

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had show business aspirations of his own...

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I am a movie producer now, producing a movie.

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They've got me in this enormous office...

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[narrator] After falling into debt when the real estate market had collapsed.

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Although, he was mostly doing so to impress an actress...

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You seriously would be great for this part.

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I haven't been in work mode for a while, to be honest.

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I've been raising my son.

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I have a son.

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[narrator] Whom he wasn't completely honest with.

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Yours?

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Seven in July.

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-a few times. -Teen.

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Seventeen.

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Michael thought the actress was director Ron Howard's girlfriend.

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But she was actually Ron's daughter.

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I'm sure you've all got girls up here in Hollywood, huh?

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Brian's got two boys.

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[narrator] But making the movie meant getting the life rights

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from a son who wanted his privacy.

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I didn't really mean privacy from him.

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[narrator] And with whom Michael did not want to look needy.

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You want your space from me? Look...

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-Listen, hey, hey, look, look, listen. -[narrator] But a meeting was set.

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You're going to make me look like a big shot in front of my son.

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-[narrator] And then forestalled. -Hey, buddy.

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I am having real trouble getting up there.

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This traffic is unbelievable.

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[narrator] As it turns out, George Michael had arrived earlier

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and was spotted by the same actress Michael was falling for.

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George?

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[narrator] Whom he'd earlier given a fake name to.

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George Maharis?

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I see you.

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[narrator] And hoping not to be exposed as himself,

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forestalled the meeting himself...

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I just hope there are no kids on that plane.

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[narrator] ...a few times.

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I'm going to video this and send it in to the news.

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They're being real tight-assed about this camera thing.

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[narrator] Which led to this.

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-Hey. -Hey.

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Sorry, that was my dad. He's actually great.

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If anything, I've been kind of a lousy son lately, but, you know, it's just...

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I mean, at some point, I've got to start living my life.

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I know. I mean, my dad is the nicest guy in the world, but it's like he's always checking up on me.

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-Does yours do that? -Once in a while.

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You want to go in here?

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[narrator] And Michael found himself confiding

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in the man he thought was his rival.

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I wouldn't even think of my son as my brother.

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[narrator] Although this is something a Bluth brother would do.

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He's busy.

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[narrator] Things were looking up for George Michael.

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He was finally in a relationship and feeling good.

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Okay, I'm good!

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That's it for me. You guys keep playing. [laughs]

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Oh, too funny.

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{\an8}[narrator] Now the story of what happened

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when one man who was holding his family together finally let go

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and the separate journeys that eventually gave them no choice

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but to come back together.

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{\an8}It's Arrested Development: Fateful Consequences.

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Maeby decided to check in with her family...

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How's the love affair going? -...business.

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{\an8}It's okay, but he always wants to do the same old thing

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{\an8}in the same old place.

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The back of the limo.

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Well, why don't you take him out to dinner?

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You know, guys who are used to being charged...

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{\an8}I mean, in charge...

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sometimes like it when the other person takes control.

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You know what I mean?

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{\an8}Hmm. Well, maybe I will.

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{\an8}I'll have to take him to Swappigans.

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{\an8}No, no, no. How about the Balboa Yacht Club?

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-Put it on the family tab. -Of course.

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All right, have fun. I wish I could go out to dinner.

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What am I doing? This is disgusting.

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I've got money coming in.

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{\an8}[narrator] Her father, meanwhile, had no money coming in,

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{\an8}and had a production that sorely needed it.

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♪ Fantastic Four

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{\an8}Am I crazy, or is this good?

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It's really good.

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{\an8}[narrator] And then Tobias asked the question

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{\an8}that nobody was thinking.

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{\an8}How much would it cost to do this right?

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{\an8}I mean, really right.

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{\an8}Do a Broadway-level production

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{\an8}of the eight minutes we have right now?

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Ballpark.

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$700,000.

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{\an8}What if, I could raise between $50 and $100?

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{\an8}How much of the remainder could you generate?

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{\an8}Well, if my sister could call in some debts...

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{\an8}-probably all of it. -Oh.

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{\an8}But that means we'd have to use the Cinco show as a preview,

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{\an8}and she would want to know that we have the rights.

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Of course.

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{\an8}[narrator] A problem that continued to plague him.

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Who are you supposed to be?

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I'm The Thing from Fantastic Four.

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You've been served [bleeps]

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[narrator] Even after he'd lost DeBrie...

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and hit rock bottom.

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Someone should remake that movie.

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Wait a minute. You still don't have the rights?

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Well, not yet. Not yet. But I was going to ask you about that.

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Who produced the one you were in?

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I think it's Imagine Generic, Ron Howard's company.

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{\an8}[narrator] Imagine Generic was a division set up

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{\an8}to extend the rights to films that studios weren't prepared to make yet.

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{\an8}I just hope the three of us make it back.

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These quickie features

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seldom were tested on actual audiences.

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[man on screen] Houston, we're having a baby.

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I don't want to get arrested again because we don't have the rights.

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Okay, no. Don't-- all right. No. All right, settle down. Settle down.

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This has happened to every Broadway show in the history of Broadway shows.

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And I swear I shall acquire the rights.

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[narrator] And that night, since Herbert

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{\an8}couldn't officially spend money on Lindsay,

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{\an8}and Lindsay hadn't told Herbert who she really was...

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{\an8}I'll get us checked in.

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{\an8}[narrator] Lindsay had to pay for dinner the way she always had...

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Bluth, I made a reservation...

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{\an8}[narrator] By secretly putting it on her family tab.

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I'm sorry, the Bluths have been seated.

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[narrator] But she wasn't the only Bluth

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pretending to be something they weren't that night.

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Who's the cheap redhead?

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Well, hello.

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Hello... indeed.

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Look at you. What are you doing here?

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I need the membership. I'm taking my boss out to dinner.

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It's too late. I already made a deal with Dad for it.

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[narrator] When George Sr. made it a condition

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of giving Michael his movie rights.

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Can you help me, then, with Love?

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Of course I will.

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If you do something for me.

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I would like to use your membership at the Balboa Club.

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The girl I've been telling you about, she likes nice things, and if everything goes well tonight,

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I think I may want to take her out for a nice dinner.

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You really like this girl?

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-[sighs] She's Tracey. -Oh!

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Fat Tracey or thin Tracey at the end?

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I think, just on this, you owe me the membership.

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We're kind of maxed out at the club, but if you show them my card,

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I'm sure they won't turn you away at the door.

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You'd do this for me?

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I will if you...

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This is why I had to ask you for the in with Herbert Love.

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Exactly, and that's why you are leaving, and I'm going to stay because I'm the one who did the favor.

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I got Love against the wall.

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Plus I've got to impress him.

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He's making me part of his campaign.

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I'm sorry, there seems to have been a mix-up.

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A merry one. A merry one.

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I haven't been on a date in a very long time. and she's going out with Ron Howard, so I need to impress her.

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[narrator] Actually, she was his daughter, but Michael still didn't know that.

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Great to see you. And you look so good.

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So do you.

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I need to impress him too, because I finally found someone

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-who respects me for who I am. -So does mine.

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Listen, we'll share it, okay?

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Got it? Great.

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My name is Cindy Featherbottom.

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I used to be a real estate tycoon, now I'm an impressive producer. Got it?

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-Got it. -Eat light.

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This is my date. This is Rebel Alley.

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And my boss Herbert Love.

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-High-low. -High-low...

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Just like your plan to hurt the poor.

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I thought it was about neglecting the poor.

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I guess the special tonight is red snapper.

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How do you know this woman?

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She is... um...

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Look at you!

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-High school. -Brother and sister.

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We can't be brother-sister. She knows about the family.

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-We don't. -Just met.

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So let's eat.

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[narrator] And that's how Lindsay found herself

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on a very awkward double date with her brother.

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Is everybody's food as delicious as my side salad?

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[narrator] And a couple of glasses of white wine in,

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Rebel started to espouse her liberal agenda.

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It's just a little hard to sit two feet away from someone who doesn't believe in paying for a woman's contraception.

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Well, to be fair, he does pay for the room.

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Is there anything better than the great American scallop?

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Look how he changes the subject.

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Aren't you glad your teenager's not here to see this?

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You have a teenager?

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I'm a movie...

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Movie producer.

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Producing a movie right now.

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Rebel's in it, for Imagine Entertainment.

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Oh. Is that Ron Howard's company?

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-Yeah. -Yes.

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I don't want to be the one to say it, but I hate that guy.

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He's just another Hollywood liberal big shot.

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There are a lot of those Ron Howards out there that do abuse their power, but I will tell you, sir, that I do not do that.

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Don't you have to have power to abuse the power?

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I am not going to sit here and defend Ron Howard to someone who's never achieved half of what he's achieved.

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Are you saying that to him or me?

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I forgot how touchy these Hollywood people can be.

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I'm not. Are you saying that I am?

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Maybe Ron Howard is, but I mean, I don't know.

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But I'm not. And I am also not one of those Beverly Hills billionaires who can't go two minutes without putting his phone to his--

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I got to take this. Hold on one second. Hello.

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Hey, George Michael. You stuck in traffic, pal?

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I just feel terrible that we couldn't get together the other night, and I miss you, but I'm free all night if--

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Listen, I'm in the middle of a film meeting...

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It's a producer thing.

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People in politics involved, and I just...

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I can't get away this time.

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[narrator] It seemed the two men were growing less alike every day.

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And back at the table...

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Lindsay found herself torn,

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between who she was with and who she wanted to be.

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But what do I know?

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-I'm just shallow, Hollywood-- -[cell phone rings]

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God, I've got to get this.

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It could be my agent.

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Hello?

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Hi, Rebel, it's George Maharis.

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My night just freed up,

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and I was wondering if you wanted...

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I thought you were having dinner with your dad.

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You know, older guy,

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the night ends for them at eight.

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I think I could use a break from the old guys.

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And I've already got some birth control in me

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that I paid for myself,

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and I'd hate to let it go to waste.

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That's perfect, because I'm not quite ready to have children.

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That is one redhead I do not want to have sexual relations with.

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[laughing]

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Well...

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So, are we having dessert?

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-No. -No.

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Well, I don't want to be the one to say it, but if we are not going to have dessert, then I think I am going to leave.

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No.

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But we're gonna discuss those new positions tonight.

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Wasn't that the plan?

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I think the best position for me to be in tonight is with my wife, and tomorrow I'm taking my wife and children to see the beautiful American ocean.

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[crowd applauding]

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-Hey. -Hey. I have to go.

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-My son is sick, so... -Oh, no.

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I have to go.

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Rebel. Rebel, let me come.

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I'm great with kids.

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It's not about the kid. I'm not comfortable here.

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Okay. Are you off to see him?

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Listen, if you've got a problem with me seeing other people, why don't you just come out and say it?

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No, I can. What do you mean? I can handle that.

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We'll see each other a la carte.

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Like the $18 baked potato you ordered that you didn't touch.

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Yeah, you're not comfortable.

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No, listen. Rebel, Rebel.

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Fine. See you later.

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Say hi to Ron Howard for me.

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Well, hope you're happy. My girlfriend left, because she can't stand your right-wing, American scallop eating boyfriend.

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He left because your chirpy little actress couldn't keep her mouth shut.

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-That's it. You're out of the movie. -Fine.

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[narrator] And with his evening freed up,

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Michael reached out to a son he'd earlier blown off.

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-Hey, Dad. -George Michael, hey.

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I got out of it.

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I made a ton of people angry, but you know what I always say,

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"Family..."

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Well, gosh, you know, I really wanted to do that, but I had this work thing come up.

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And it's like you always say,

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"Family first, unless there's a work thing.

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And then, work first."

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-I have said that, too. -Yeah.

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So...

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I've got politics and producing stuff I can...

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Yeah, we'll do it soon.

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-All right -All right, great.

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-That'll be perfect. Bye-bye. -Another time.

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[knock on door]

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-Hey. -Hi.

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-Oh, so this is a dorm. -This is a dorm.

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Well, I suppose anything goes in a dorm.

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You got that right.

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[narrator] And while George Michael's night would soon get better...

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We should probably go inside, because they don't like us hanging out in the hallways actually.

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Yeah.

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[narrator] Michael's would only get worse.

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-Hi. -It's Michael Bluth.

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Who is this?

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This is my baby brother Argyle.

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And here's the family joke.

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I'm a tall drink of water, and he's the chaser.

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[narrator] And the chaser wanted to be a producer.

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Here's another joke.

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You owe my sister $700,000, and I'm going to chase you down until you pay up.

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And if you don't pay up by the 4th, you're gonna be washing up with the rest of the broken piñatas on the 5th.

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-[woman] Lucille! -Hello.

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Ow, ow! What is on the bottom of those shoes?

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Taps.

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And I can tap dance all over your face, if you know what I mean.

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Even if my heart won't snap back into place.

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I don't know what you meant with the last part there.

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I'll chase you down and find you, Michael.

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You can't hide in a gorilla suit from me.

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[narrator] But Argyle was wrong on that one...

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It was Buster Bluth who wore the gorilla suit.

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Tobias had no way of being around DeBrie

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without the rights to The Fantastic Four.

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And that's when he ran into an equally worried Michael.

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You okay?

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Michael. What a pleasant surprise.

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Please. Make yourself at home.

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I am. I'm home.

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This is my-- I own all the homes here, actually.

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And Gob's supposed to be selling these, so...

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Where is he? Do you know?

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Out and about.

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Me doth think he hath a lady.

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-As doth I dooth. -Oh.

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And they're both bit of a celebrities.

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Well, that is odd, because I'm also dating a celebrity.

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Perchance a double date is in our future.

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-Eh, brother-in-law? -I don't...

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Tell me about her.

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I don't think that you're the best one to talk to about my relationship difficulties.

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Fair enough.

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It's only what I do for a living, Michael.

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What I'm trained to do.

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Well, let me tell you a little bit about her.

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{\an8}So, it's a simple choice, really.

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If I keep seeing her, he'll find out and kill the movie.

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So, I either keep the girl and lose the movie, or I keep the movie, lose the girl.

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But the whole reason that I did the movie was to get the girl.

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[sighs] Michael, I appreciate your bravery.

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And I know everything seems doomed now, and believe me, I'm in a similar situation myself, but trust me.

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We are [bleeps] We are [bleeps] We're [bleeps]

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I mean, unless some sort of miracle coincidence happens.

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But, no, the best thing to do is just walk away, and we'll lick each other's wombs.

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I think I should just go tell Ron Howard that it is over.

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Yes.

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-Ron Howard's making this movie? -Yeah.

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Michael, you can't just walk away from this.

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You have to go talk to him.

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How's this?

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What I'm going to do for you, Michael, is...

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I am going to go there with you for moral support, and I will act as your assistant and maybe I'll do my famous gay character.

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I don't think you've seen that character.

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I think I have.

00:16:58

Hmm... I don't think so.

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[narrator] The next day Michael sat down

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for a one-on-one meeting with Ron Howard.

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Hi, thank you for seeing me.

00:17:10

Well, that's fine, but I should warn you, this is what I call a haircut meeting,

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-So, we probably don't have much time. -Okay.

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It would be so much better if we could just lose the baseball cap.

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We go through this every time.

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This is a hat-on haircut, so you just cut what they can see.

00:17:23

You got it, Floyd?

00:17:24

I call all my barbers Floyd. It's just easier for me.

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Okay. I'm gonna make this quick.

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[clears throat]

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Are you not going to introduce me?

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I thought you were gonn wait in the lobby.

00:17:38

Tobias Funke. I am a producer, as well.

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But I'm also an actor. That's probably what confused you.

00:17:44

I've done several inmate roles, as well as a couple of

00:17:47

"And As It Is Such, So Also As Such Is It Unto You's," but I'll get to you after.

00:17:52

Well, that's terrific.

00:17:54

Do you notice that he's already on my neck hair?

00:17:56

Yes. Last time I was in here, we talked about,

00:17:58

I wouldn't come back until I had all the release signatures.

00:18:00

-I wanted to give you an update. -Terrific.

00:18:02

You can just leave 'em on Louisa's desk.

00:18:04

But that's the update. I don't have them.

00:18:08

Done.

00:18:10

Okay, well, thanks for coming.

00:18:12

Well...

00:18:13

Don't you have something else you wanted to say?

00:18:15

If not, I'll do mine.

00:18:17

No, no, no. What? I don't--

00:18:20

[exhales] Ron, I care about someone deeply, and I think that you may also care about this person.

00:18:25

Hey, that's terrific.

00:18:28

It's Rebel. Rebel Alley.

00:18:30

And she thinks that you're gonna always be in her life.

00:18:33

I'm glad to know she thinks that.

00:18:36

Yeah.

00:18:37

Tell him how you feel about her.

00:18:38

Yeah, you know, I'm crazy about her, and I'm not going to be able to do anything about that until you let her go.

00:18:46

-She's my little num-num. -Sure.

00:18:48

-You understand what I'm saying? -Of course.

00:18:49

I've changed her. I've bathed her.

00:18:52

Now you want to bathe her.

00:18:53

Yeah, it's my time to bathe her.

00:18:56

She should be my num-num,

00:18:57

She should be my num-num, and you've got to just let her go, I think, once and for all.

00:19:03

A father doesn't really like to hear that when it comes to his daughter.

00:19:06

I haven't had a chance to talk to her father.

00:19:08

I have not yet had a chance to talk to her father, but...

00:19:12

No, no. I was saying that.

00:19:15

Because you are talking to her father.

00:19:31

Did you not know that I'm Rebel's dad?

00:19:35

I knew that part.

00:19:41

But I also...

00:19:43

I thought that you might also be... her...

00:19:51

Her lover?

00:19:55

No.

00:19:56

Well, this is hardly an episode of Happy Days.

00:19:58

I get it. I was arrested as a sex offender, but at least I knew it was my daughter I was arrested for coming on to.

00:20:06

Now, about my project, it's a family piece.

00:20:08

Does this mean our project is dead?

00:20:10

Listen, I never let personal matters interfere with business.

00:20:14

However, you should know she's dating someone else, and I'll do everything in my power to make sure she never dates you again.

00:20:20

Incredibly fair of you.

00:20:22

Well, that was a merry mix-up, eh? [laughs]

00:20:25

Now, about my project, it's based on something that you produced in '92,

00:20:29

The Fantastic Four.

00:20:31

That was a favor that I did for Fox.

00:20:33

It turns out that one of the leads, DeBrie, played Sue Storm.

00:20:37

In fact, she is the leading lady in my production of Fantastic Four: The Musical.

00:20:43

Which, with a wave of your little pink hand, you could make happen, and then I'd owe you one.

00:20:49

Thanks, but I couldn't do that.

00:20:52

It would just be so incredibly meaningful and change so many lives.

00:20:56

I can't do it.

00:20:57

But I also don't want to. [chuckles]

00:21:02

[laughing]

00:21:10

You are ruining my life, Ron Howard!

00:21:12

-You're ruining it! -[Ron shouts]

00:21:14

{\an8}[narrator] On the next Arrested Development:

00:21:17

{\an8}Fateful Consequences...

00:21:19

Tobias reassesses.

00:21:22

I'm gonna start wearing a hat when I get my haircut, too.

00:21:25

What is wrong with you?

00:21:26

You knew that Ron Howard was Rebel Alley's father?

00:21:29

Yes, everyone does.

00:21:31

I didn't realize that's who you thought the other man was, but the good news is, at least one of our projects is still going, which... by the way, I haven't signed this yet.

00:21:39

Should I?

00:21:40

Yes, absolutely. Thank you.

00:21:44

My movie rights.

00:21:46

Tobias Onyango Funke.

00:21:51

Initial down here.

00:21:52

This is exciting.

00:21:54

Thank you.

00:21:57

You're out of the movie.

00:22:00

[narrator] And after making his bed goes to lie in it.

00:22:04

He's back.

00:22:07

I got the rights.

00:22:09

We're going to make a musical.

00:22:10

[narrator] Or just lie.

00:22:11

[cheering]

00:22:19

[continue cheering]