Home > Arrested Development
Dire Straights
00:00:15{\an8}[narrator] Previously on Arrested Development: Fateful Consequences...
00:00:19You are gonna be my key advisor.
00:00:21[narrator] Lindsay Bluth was working for and dating the politician Herbert Love.
00:00:26Perfume?
00:00:27[narrator] Unbeknownst to her, however,
00:00:29the work she was doing was dating him...
00:00:31That's my cologne. I want you to wear it.
00:00:33That way, if my wife smells anything on me, it's me.
00:00:37[narrator] As arranged by her daughter Maeby.
00:00:39Discretion is appreciated. To be clear, I want to hire her for prostitution.
00:00:43I'm gonna charge you for that.
00:00:44[narrator] Lindsay took to her new position like a fish to water...
00:00:47-[squeaking] -advising him all over town.
00:00:51Maeby's father Tobias had also found love.
00:00:54And scene, as they say.
00:00:56[narrator] After briefly losing her...
00:00:57[chattering]
00:01:00[narrator] ...a few times
00:01:01and legal trouble when he tried to cash in on her fame from The Fantastic Four...
00:01:06-This is a cease and desist. -You're under arrest.
00:01:08[narrator] ...a few times.
00:01:10She left him entirely.
00:01:12I have a suit made of rocks.
00:01:14[narrator] But soon, he had a way to win her back.
00:01:16We shall mount a musical of The Fantastic Four.
00:01:19I love it.
00:01:22[narrator] Although he still had some issues to address...
00:01:24[singing]
00:01:27♪ Fantastic Four ♪
00:01:28-[narrator] ...as did she. -Is she all right?
00:01:31[narrator] Michael, meanwhile,
00:01:32had show business aspirations of his own...
00:01:34I am a movie producer now, producing a movie.
00:01:37They've got me in this enormous office...
00:01:39[narrator] After falling into debt when the real estate market had collapsed.
00:01:43Although, he was mostly doing so to impress an actress...
00:01:46You seriously would be great for this part.
00:01:48I haven't been in work mode for a while, to be honest.
00:01:50I've been raising my son.
00:01:52I have a son.
00:01:53[narrator] Whom he wasn't completely honest with.
00:01:55Yours?
00:01:56Seven in July.
00:01:58-a few times. -Teen.
00:02:00Seventeen.
00:02:01Michael thought the actress was director Ron Howard's girlfriend.
00:02:06But she was actually Ron's daughter.
00:02:08I'm sure you've all got girls up here in Hollywood, huh?
00:02:10Brian's got two boys.
00:02:12[narrator] But making the movie meant getting the life rights
00:02:15from a son who wanted his privacy.
00:02:17I didn't really mean privacy from him.
00:02:19[narrator] And with whom Michael did not want to look needy.
00:02:22You want your space from me? Look...
00:02:24-Listen, hey, hey, look, look, listen. -[narrator] But a meeting was set.
00:02:27You're going to make me look like a big shot in front of my son.
00:02:29-[narrator] And then forestalled. -Hey, buddy.
00:02:31I am having real trouble getting up there.
00:02:33This traffic is unbelievable.
00:02:36[narrator] As it turns out, George Michael had arrived earlier
00:02:38and was spotted by the same actress Michael was falling for.
00:02:42George?
00:02:43[narrator] Whom he'd earlier given a fake name to.
00:02:45George Maharis?
00:02:47I see you.
00:02:48[narrator] And hoping not to be exposed as himself,
00:02:51forestalled the meeting himself...
00:02:53I just hope there are no kids on that plane.
00:02:54[narrator] ...a few times.
00:02:55I'm going to video this and send it in to the news.
00:02:58They're being real tight-assed about this camera thing.
00:03:01[narrator] Which led to this.
00:03:02-Hey. -Hey.
00:03:03Sorry, that was my dad. He's actually great.
00:03:06If anything, I've been kind of a lousy son lately, but, you know, it's just...
00:03:11I mean, at some point, I've got to start living my life.
00:03:13I know. I mean, my dad is the nicest guy in the world, but it's like he's always checking up on me.
00:03:18-Does yours do that? -Once in a while.
00:03:19You want to go in here?
00:03:21[narrator] And Michael found himself confiding
00:03:23in the man he thought was his rival.
00:03:25I wouldn't even think of my son as my brother.
00:03:27[narrator] Although this is something a Bluth brother would do.
00:03:30He's busy.
00:03:33[narrator] Things were looking up for George Michael.
00:03:35He was finally in a relationship and feeling good.
00:03:42Okay, I'm good!
00:03:43That's it for me. You guys keep playing. [laughs]
00:03:47Oh, too funny.
00:03:51{\an8}[narrator] Now the story of what happened
00:03:53when one man who was holding his family together finally let go
00:03:58and the separate journeys that eventually gave them no choice
00:04:01but to come back together.
00:04:04{\an8}It's Arrested Development: Fateful Consequences.
00:04:13Maeby decided to check in with her family...
00:04:15How's the love affair going? -...business.
00:04:17{\an8}It's okay, but he always wants to do the same old thing
00:04:20{\an8}in the same old place.
00:04:21The back of the limo.
00:04:22Well, why don't you take him out to dinner?
00:04:25You know, guys who are used to being charged...
00:04:26{\an8}I mean, in charge...
00:04:28sometimes like it when the other person takes control.
00:04:30You know what I mean?
00:04:31{\an8}Hmm. Well, maybe I will.
00:04:34{\an8}I'll have to take him to Swappigans.
00:04:35{\an8}No, no, no. How about the Balboa Yacht Club?
00:04:39-Put it on the family tab. -Of course.
00:04:41All right, have fun. I wish I could go out to dinner.
00:04:45What am I doing? This is disgusting.
00:04:46I've got money coming in.
00:04:47{\an8}[narrator] Her father, meanwhile, had no money coming in,
00:04:51{\an8}and had a production that sorely needed it.
00:04:54♪ Fantastic Four ♪
00:04:58{\an8}Am I crazy, or is this good?
00:05:01It's really good.
00:05:02{\an8}[narrator] And then Tobias asked the question
00:05:05{\an8}that nobody was thinking.
00:05:06{\an8}How much would it cost to do this right?
00:05:09{\an8}I mean, really right.
00:05:11{\an8}Do a Broadway-level production
00:05:13{\an8}of the eight minutes we have right now?
00:05:14Ballpark.
00:05:15$700,000.
00:05:17{\an8}What if, I could raise between $50 and $100?
00:05:21{\an8}How much of the remainder could you generate?
00:05:23{\an8}Well, if my sister could call in some debts...
00:05:25{\an8}-probably all of it. -Oh.
00:05:27{\an8}But that means we'd have to use the Cinco show as a preview,
00:05:31{\an8}and she would want to know that we have the rights.
00:05:33Of course.
00:05:34{\an8}[narrator] A problem that continued to plague him.
00:05:37Who are you supposed to be?
00:05:38I'm The Thing from Fantastic Four.
00:05:42You've been served [bleeps]
00:05:43[narrator] Even after he'd lost DeBrie...
00:05:45and hit rock bottom.
00:05:48Someone should remake that movie.
00:05:49Wait a minute. You still don't have the rights?
00:05:52Well, not yet. Not yet. But I was going to ask you about that.
00:05:55Who produced the one you were in?
00:05:57I think it's Imagine Generic, Ron Howard's company.
00:06:00{\an8}[narrator] Imagine Generic was a division set up
00:06:03{\an8}to extend the rights to films that studios weren't prepared to make yet.
00:06:07{\an8}I just hope the three of us make it back.
00:06:10These quickie features
00:06:11seldom were tested on actual audiences.
00:06:14[man on screen] Houston, we're having a baby.
00:06:17I don't want to get arrested again because we don't have the rights.
00:06:20Okay, no. Don't-- all right. No. All right, settle down. Settle down.
00:06:23This has happened to every Broadway show in the history of Broadway shows.
00:06:27And I swear I shall acquire the rights.
00:06:32[narrator] And that night, since Herbert
00:06:33{\an8}couldn't officially spend money on Lindsay,
00:06:35{\an8}and Lindsay hadn't told Herbert who she really was...
00:06:38{\an8}I'll get us checked in.
00:06:40{\an8}[narrator] Lindsay had to pay for dinner the way she always had...
00:06:42Bluth, I made a reservation...
00:06:44{\an8}[narrator] By secretly putting it on her family tab.
00:06:46I'm sorry, the Bluths have been seated.
00:06:48[narrator] But she wasn't the only Bluth
00:06:50pretending to be something they weren't that night.
00:06:53Who's the cheap redhead?
00:06:59Well, hello.
00:07:01Hello... indeed.
00:07:04Look at you. What are you doing here?
00:07:06I need the membership. I'm taking my boss out to dinner.
00:07:08It's too late. I already made a deal with Dad for it.
00:07:10[narrator] When George Sr. made it a condition
00:07:12of giving Michael his movie rights.
00:07:14Can you help me, then, with Love?
00:07:16Of course I will.
00:07:20If you do something for me.
00:07:23I would like to use your membership at the Balboa Club.
00:07:26The girl I've been telling you about, she likes nice things, and if everything goes well tonight,
00:07:30I think I may want to take her out for a nice dinner.
00:07:33You really like this girl?
00:07:35-[sighs] She's Tracey. -Oh!
00:07:37Fat Tracey or thin Tracey at the end?
00:07:40I think, just on this, you owe me the membership.
00:07:43We're kind of maxed out at the club, but if you show them my card,
00:07:47I'm sure they won't turn you away at the door.
00:07:51You'd do this for me?
00:07:53I will if you...
00:07:54This is why I had to ask you for the in with Herbert Love.
00:07:56Exactly, and that's why you are leaving, and I'm going to stay because I'm the one who did the favor.
00:08:00I got Love against the wall.
00:08:01Plus I've got to impress him.
00:08:03He's making me part of his campaign.
00:08:04I'm sorry, there seems to have been a mix-up.
00:08:06A merry one. A merry one.
00:08:09I haven't been on a date in a very long time. and she's going out with Ron Howard, so I need to impress her.
00:08:14[narrator] Actually, she was his daughter, but Michael still didn't know that.
00:08:18Great to see you. And you look so good.
00:08:19So do you.
00:08:21I need to impress him too, because I finally found someone
00:08:23-who respects me for who I am. -So does mine.
00:08:25Listen, we'll share it, okay?
00:08:27Got it? Great.
00:08:28My name is Cindy Featherbottom.
00:08:31I used to be a real estate tycoon, now I'm an impressive producer. Got it?
00:08:35-Got it. -Eat light.
00:08:36This is my date. This is Rebel Alley.
00:08:39And my boss Herbert Love.
00:08:40-High-low. -High-low...
00:08:43Just like your plan to hurt the poor.
00:08:45I thought it was about neglecting the poor.
00:08:47I guess the special tonight is red snapper.
00:08:50How do you know this woman?
00:08:53She is... um...
00:09:00Look at you!
00:09:02-High school. -Brother and sister.
00:09:03We can't be brother-sister. She knows about the family.
00:09:05-We don't. -Just met.
00:09:07So let's eat.
00:09:08[narrator] And that's how Lindsay found herself
00:09:10on a very awkward double date with her brother.
00:09:13Is everybody's food as delicious as my side salad?
00:09:16[narrator] And a couple of glasses of white wine in,
00:09:19Rebel started to espouse her liberal agenda.
00:09:21It's just a little hard to sit two feet away from someone who doesn't believe in paying for a woman's contraception.
00:09:26Well, to be fair, he does pay for the room.
00:09:29Is there anything better than the great American scallop?
00:09:33Look how he changes the subject.
00:09:34Aren't you glad your teenager's not here to see this?
00:09:36You have a teenager?
00:09:39I'm a movie...
00:09:40Movie producer.
00:09:42Producing a movie right now.
00:09:43Rebel's in it, for Imagine Entertainment.
00:09:46Oh. Is that Ron Howard's company?
00:09:49-Yeah. -Yes.
00:09:50I don't want to be the one to say it, but I hate that guy.
00:09:53He's just another Hollywood liberal big shot.
00:09:56There are a lot of those Ron Howards out there that do abuse their power, but I will tell you, sir, that I do not do that.
00:10:03Don't you have to have power to abuse the power?
00:10:06I am not going to sit here and defend Ron Howard to someone who's never achieved half of what he's achieved.
00:10:13Are you saying that to him or me?
00:10:14I forgot how touchy these Hollywood people can be.
00:10:18I'm not. Are you saying that I am?
00:10:19Maybe Ron Howard is, but I mean, I don't know.
00:10:21But I'm not. And I am also not one of those Beverly Hills billionaires who can't go two minutes without putting his phone to his--
00:10:27I got to take this. Hold on one second. Hello.
00:10:31Hey, George Michael. You stuck in traffic, pal?
00:10:34I just feel terrible that we couldn't get together the other night, and I miss you, but I'm free all night if--
00:10:39Listen, I'm in the middle of a film meeting...
00:10:43It's a producer thing.
00:10:44People in politics involved, and I just...
00:10:47I can't get away this time.
00:10:49[narrator] It seemed the two men were growing less alike every day.
00:10:54And back at the table...
00:10:55Lindsay found herself torn,
00:10:57between who she was with and who she wanted to be.
00:11:01But what do I know?
00:11:02-I'm just shallow, Hollywood-- -[cell phone rings]
00:11:04God, I've got to get this.
00:11:06It could be my agent.
00:11:09Hello?
00:11:10Hi, Rebel, it's George Maharis.
00:11:12My night just freed up,
00:11:14and I was wondering if you wanted...
00:11:15I thought you were having dinner with your dad.
00:11:17You know, older guy,
00:11:18the night ends for them at eight.
00:11:19I think I could use a break from the old guys.
00:11:22And I've already got some birth control in me
00:11:23that I paid for myself,
00:11:25and I'd hate to let it go to waste.
00:11:27That's perfect, because I'm not quite ready to have children.
00:11:31That is one redhead I do not want to have sexual relations with.
00:11:35[laughing]
00:11:36Well...
00:11:37So, are we having dessert?
00:11:39-No. -No.
00:11:41Well, I don't want to be the one to say it, but if we are not going to have dessert, then I think I am going to leave.
00:11:46No.
00:11:48But we're gonna discuss those new positions tonight.
00:11:50Wasn't that the plan?
00:11:52I think the best position for me to be in tonight is with my wife, and tomorrow I'm taking my wife and children to see the beautiful American ocean.
00:12:01[crowd applauding]
00:12:02-Hey. -Hey. I have to go.
00:12:06-My son is sick, so... -Oh, no.
00:12:08I have to go.
00:12:10Rebel. Rebel, let me come.
00:12:12I'm great with kids.
00:12:13It's not about the kid. I'm not comfortable here.
00:12:15Okay. Are you off to see him?
00:12:18Listen, if you've got a problem with me seeing other people, why don't you just come out and say it?
00:12:20No, I can. What do you mean? I can handle that.
00:12:23We'll see each other a la carte.
00:12:25Like the $18 baked potato you ordered that you didn't touch.
00:12:28Yeah, you're not comfortable.
00:12:30No, listen. Rebel, Rebel.
00:12:32Fine. See you later.
00:12:33Say hi to Ron Howard for me.
00:12:36Well, hope you're happy. My girlfriend left, because she can't stand your right-wing, American scallop eating boyfriend.
00:12:41He left because your chirpy little actress couldn't keep her mouth shut.
00:12:45-That's it. You're out of the movie. -Fine.
00:12:48[narrator] And with his evening freed up,
00:12:49Michael reached out to a son he'd earlier blown off.
00:12:54-Hey, Dad. -George Michael, hey.
00:12:56I got out of it.
00:12:57I made a ton of people angry, but you know what I always say,
00:13:01"Family..."
00:13:02Well, gosh, you know, I really wanted to do that, but I had this work thing come up.
00:13:07And it's like you always say,
00:13:09"Family first, unless there's a work thing.
00:13:11And then, work first."
00:13:13-I have said that, too. -Yeah.
00:13:15So...
00:13:18I've got politics and producing stuff I can...
00:13:22Yeah, we'll do it soon.
00:13:24-All right -All right, great.
00:13:25-That'll be perfect. Bye-bye. -Another time.
00:13:29[knock on door]
00:13:30-Hey. -Hi.
00:13:32-Oh, so this is a dorm. -This is a dorm.
00:13:35Well, I suppose anything goes in a dorm.
00:13:39You got that right.
00:13:40[narrator] And while George Michael's night would soon get better...
00:13:43We should probably go inside, because they don't like us hanging out in the hallways actually.
00:13:47Yeah.
00:13:51[narrator] Michael's would only get worse.
00:13:54-Hi. -It's Michael Bluth.
00:13:55Who is this?
00:13:56This is my baby brother Argyle.
00:13:58And here's the family joke.
00:14:00I'm a tall drink of water, and he's the chaser.
00:14:04[narrator] And the chaser wanted to be a producer.
00:14:06Here's another joke.
00:14:08You owe my sister $700,000, and I'm going to chase you down until you pay up.
00:14:13And if you don't pay up by the 4th, you're gonna be washing up with the rest of the broken piñatas on the 5th.
00:14:19-[woman] Lucille! -Hello.
00:14:22Ow, ow! What is on the bottom of those shoes?
00:14:24Taps.
00:14:26And I can tap dance all over your face, if you know what I mean.
00:14:30Even if my heart won't snap back into place.
00:14:33I don't know what you meant with the last part there.
00:14:36I'll chase you down and find you, Michael.
00:14:37You can't hide in a gorilla suit from me.
00:14:43[narrator] But Argyle was wrong on that one...
00:14:46It was Buster Bluth who wore the gorilla suit.
00:14:53Tobias had no way of being around DeBrie
00:14:56without the rights to The Fantastic Four.
00:15:00And that's when he ran into an equally worried Michael.
00:15:04You okay?
00:15:05Michael. What a pleasant surprise.
00:15:08Please. Make yourself at home.
00:15:11I am. I'm home.
00:15:12This is my-- I own all the homes here, actually.
00:15:15And Gob's supposed to be selling these, so...
00:15:17Where is he? Do you know?
00:15:19Out and about.
00:15:20Me doth think he hath a lady.
00:15:22-As doth I dooth. -Oh.
00:15:24And they're both bit of a celebrities.
00:15:26Well, that is odd, because I'm also dating a celebrity.
00:15:30Perchance a double date is in our future.
00:15:32-Eh, brother-in-law? -I don't...
00:15:34Tell me about her.
00:15:36I don't think that you're the best one to talk to about my relationship difficulties.
00:15:41Fair enough.
00:15:42It's only what I do for a living, Michael.
00:15:48What I'm trained to do.
00:15:51Well, let me tell you a little bit about her.
00:15:53{\an8}So, it's a simple choice, really.
00:15:55If I keep seeing her, he'll find out and kill the movie.
00:15:58So, I either keep the girl and lose the movie, or I keep the movie, lose the girl.
00:16:03But the whole reason that I did the movie was to get the girl.
00:16:06[sighs] Michael, I appreciate your bravery.
00:16:11And I know everything seems doomed now, and believe me, I'm in a similar situation myself, but trust me.
00:16:19We are [bleeps] We are [bleeps] We're [bleeps]
00:16:23I mean, unless some sort of miracle coincidence happens.
00:16:26But, no, the best thing to do is just walk away, and we'll lick each other's wombs.
00:16:33I think I should just go tell Ron Howard that it is over.
00:16:35Yes.
00:16:36-Ron Howard's making this movie? -Yeah.
00:16:39Michael, you can't just walk away from this.
00:16:41You have to go talk to him.
00:16:42How's this?
00:16:43What I'm going to do for you, Michael, is...
00:16:46I am going to go there with you for moral support, and I will act as your assistant and maybe I'll do my famous gay character.
00:16:55I don't think you've seen that character.
00:16:56I think I have.
00:16:58Hmm... I don't think so.
00:17:03[narrator] The next day Michael sat down
00:17:05for a one-on-one meeting with Ron Howard.
00:17:08Hi, thank you for seeing me.
00:17:10Well, that's fine, but I should warn you, this is what I call a haircut meeting,
00:17:14-So, we probably don't have much time. -Okay.
00:17:16It would be so much better if we could just lose the baseball cap.
00:17:19We go through this every time.
00:17:20This is a hat-on haircut, so you just cut what they can see.
00:17:23You got it, Floyd?
00:17:24I call all my barbers Floyd. It's just easier for me.
00:17:28Okay. I'm gonna make this quick.
00:17:30[clears throat]
00:17:33Are you not going to introduce me?
00:17:35I thought you were gonn wait in the lobby.
00:17:38Tobias Funke. I am a producer, as well.
00:17:41But I'm also an actor. That's probably what confused you.
00:17:44I've done several inmate roles, as well as a couple of
00:17:47"And As It Is Such, So Also As Such Is It Unto You's," but I'll get to you after.
00:17:52Well, that's terrific.
00:17:54Do you notice that he's already on my neck hair?
00:17:56Yes. Last time I was in here, we talked about,
00:17:58I wouldn't come back until I had all the release signatures.
00:18:00-I wanted to give you an update. -Terrific.
00:18:02You can just leave 'em on Louisa's desk.
00:18:04But that's the update. I don't have them.
00:18:08Done.
00:18:10Okay, well, thanks for coming.
00:18:12Well...
00:18:13Don't you have something else you wanted to say?
00:18:15If not, I'll do mine.
00:18:17No, no, no. What? I don't--
00:18:20[exhales] Ron, I care about someone deeply, and I think that you may also care about this person.
00:18:25Hey, that's terrific.
00:18:28It's Rebel. Rebel Alley.
00:18:30And she thinks that you're gonna always be in her life.
00:18:33I'm glad to know she thinks that.
00:18:36Yeah.
00:18:37Tell him how you feel about her.
00:18:38Yeah, you know, I'm crazy about her, and I'm not going to be able to do anything about that until you let her go.
00:18:46-She's my little num-num. -Sure.
00:18:48-You understand what I'm saying? -Of course.
00:18:49I've changed her. I've bathed her.
00:18:52Now you want to bathe her.
00:18:53Yeah, it's my time to bathe her.
00:18:56She should be my num-num,
00:18:57She should be my num-num, and you've got to just let her go, I think, once and for all.
00:19:03A father doesn't really like to hear that when it comes to his daughter.
00:19:06I haven't had a chance to talk to her father.
00:19:08I have not yet had a chance to talk to her father, but...
00:19:12No, no. I was saying that.
00:19:15Because you are talking to her father.
00:19:31Did you not know that I'm Rebel's dad?
00:19:35I knew that part.
00:19:41But I also...
00:19:43I thought that you might also be... her...
00:19:51Her lover?
00:19:55No.
00:19:56Well, this is hardly an episode of Happy Days.
00:19:58I get it. I was arrested as a sex offender, but at least I knew it was my daughter I was arrested for coming on to.
00:20:06Now, about my project, it's a family piece.
00:20:08Does this mean our project is dead?
00:20:10Listen, I never let personal matters interfere with business.
00:20:14However, you should know she's dating someone else, and I'll do everything in my power to make sure she never dates you again.
00:20:20Incredibly fair of you.
00:20:22Well, that was a merry mix-up, eh? [laughs]
00:20:25Now, about my project, it's based on something that you produced in '92,
00:20:29The Fantastic Four.
00:20:31That was a favor that I did for Fox.
00:20:33It turns out that one of the leads, DeBrie, played Sue Storm.
00:20:37In fact, she is the leading lady in my production of Fantastic Four: The Musical.
00:20:43Which, with a wave of your little pink hand, you could make happen, and then I'd owe you one.
00:20:49Thanks, but I couldn't do that.
00:20:52It would just be so incredibly meaningful and change so many lives.
00:20:56I can't do it.
00:20:57But I also don't want to. [chuckles]
00:21:02[laughing]
00:21:10You are ruining my life, Ron Howard!
00:21:12-You're ruining it! -[Ron shouts]
00:21:14{\an8}[narrator] On the next Arrested Development:
00:21:17{\an8}Fateful Consequences...
00:21:19Tobias reassesses.
00:21:22I'm gonna start wearing a hat when I get my haircut, too.
00:21:25What is wrong with you?
00:21:26You knew that Ron Howard was Rebel Alley's father?
00:21:29Yes, everyone does.
00:21:31I didn't realize that's who you thought the other man was, but the good news is, at least one of our projects is still going, which... by the way, I haven't signed this yet.
00:21:39Should I?
00:21:40Yes, absolutely. Thank you.
00:21:44My movie rights.
00:21:46Tobias Onyango Funke.
00:21:51Initial down here.
00:21:52This is exciting.
00:21:54Thank you.
00:21:57You're out of the movie.
00:22:00[narrator] And after making his bed goes to lie in it.
00:22:04He's back.
00:22:07I got the rights.
00:22:09We're going to make a musical.
00:22:10[narrator] Or just lie.
00:22:11[cheering]
00:22:19[continue cheering]