Home > Arrested Development
Cinco de Cuatro II
00:00:15{\an8}[narrator] Previously on Arrested Development Fateful Consequences...
00:00:19-So it's your daughter you're here to see? -Yes.
00:00:22[narrator] After a brief appearance...
00:00:24How old is she?
00:00:25[narrator] ...on a child predator ambush show...
00:00:27Why do you put me on the spot? I want to say 19?
00:00:32[narrator] Tobias received a work release from prison to work at Lucille 2's rehab.
00:00:37♪ I'm gonna stomp all over your face ♪
00:00:41♪ Even though my heart--♪
00:00:42[narrator] ...where he was soon mounting a musical version of Fantastic Four...
00:00:48I can't do it.
00:00:49It's good, it's great. No, you're great. The problem is with you.
00:00:53[narrator] ...with the recovering addict he loved,
00:00:56who was once sort of in a movie version.
00:00:59{\an8}...and over again. I say that as your director,
00:01:02-as your therapist. -This is a cease and desist.
00:01:05[narrator] And for which Tobias didn't possess the rights.
00:01:08But acting hadn't brought out the best in DeBrie...
00:01:12-nor did Tobias' mother-in-law... -...the Fantastic Three and Lousy One.
00:01:16[narrator] ...who had her own reasons for joining the cast...
00:01:19It's on a boat?
00:01:20[narrator] ...which she thought she shared with her husband...
00:01:23-We're leaving the country. -But what about Love?
00:01:26Easy. Gene Parmesan got photos of Herbert Love with some redheaded whore.
00:01:30[narrator] Lucille was referring to a candidate they needed to persuade
00:01:34to push for a border wall they were originally hoping to build...
00:01:38I am going to put this on my wall.
00:01:40We can't afford to build it if we're not selling the land.
00:01:42[narrator] ...and now hoped to just create the appearance of building...
00:01:46We make sure Herbert Love comes out against the wall right after we get enough of it up to trigger the government payment.
00:01:52[narrator] ...which she put Gob in charge of...
00:01:54...build a wall to keep Mexicans out of America.
00:01:58You should get the Chinese to build your wall. We make great walls.
00:02:02I'm not completely following the wall story.
00:02:05[narrator] But it wasn't her husband George she was talking to...
00:02:09-The weak will become the strong. -[narrator] It was twin brother Oscar...
00:02:12Call me "Father B."
00:02:13[narrator] ...who'd become hyper-masculinized,
00:02:15while George Sr. changed in the opposite direction.
00:02:18-Oh, tender. -I feel wrong.
00:02:21And I'm becoming weak.
00:02:24[inhales] Sorry, had the old thinking cap on.
00:02:27[narrator] ...for which he sort of sought medical attention.
00:02:29Ride it to climax.
00:02:30[narrator] But not everyone was hoping to show love to Herbert Love...
00:02:34That is my husband, with a prostitute.
00:02:37[narrator] ...for Lindsay had been exploited by Herbert Love
00:02:40while trying to exploit him...
00:02:42...is with my wife. And tomorrow I'm taking my wife and children to the beautiful American ocean.
00:02:48[narrator] ...and reunited with an ex who wanted to teach Love a lesson.
00:02:52On Cinco de Cuatro, Love's boat is going to...
00:02:54-Sink-o. -go into the-- Yes, sink-o.
00:02:57[narrator] And Buster, who'd been abandoned by a mother...
00:03:01Where've you been? This is all your fault.
00:03:03-[narrator] ...and a lover... -Mom.
00:03:04Out!
00:03:06[narrator] ...soon found a new mother lover...
00:03:07He wants a second chance, and I want to give it to him.
00:03:10[narrator] ...who also abandoned him.
00:03:11Tell me this. Who is a better lover?
00:03:14-He is. -He is. Okay.
00:03:16What about son?
00:03:18{\an8}[narrator] Now the story of what happened
00:03:20{\an8}when the one man who was holding his family together
00:03:24{\an8}finally let go, and the separate journeys
00:03:27that eventually gave them no choice but to come back together.
00:03:31{\an8}It's Arrested Development: Fateful Consequences.
00:03:41{\an8}[man] On the fourth of May in the city of Newport Beach,
00:03:44{\an8}there occurs a festival called the Cinco De Cuatro,
00:03:47originally intended
00:03:48to debilitate the next day's Cinco de Mayo celebration.
00:03:51On this particular Cinco de Cuatro, however,
00:03:54each member of the Bluth family would find their lives irreversibly changed
00:03:59by the consequences of this fateful night.
00:04:07{\an8}[narrator] George Sr. was on his way to meet his doctor...
00:04:10{\an8}-...Crushed one with my car. -[narrator] when he ran into his son.
00:04:14{\an8}-Hi. -Michael, what happened?
00:04:16{\an8}Oh, the... It's a terrible week.
00:04:19{\an8}But I'm gonna fix things once and for all right now.
00:04:21{\an8}-Is this about Love? -No, it's about money, but I'm...
00:04:25{\an8}I will pay her back one way or the other.
00:04:27Who?
00:04:28{\an8}Lucille 2. I'm gonna get her against the wall.
00:04:31{\an8}No, no, no. She cannot know about this wall.
00:04:34{\an8}Fine, I'll get her up against the top of the stair car. I don't care.
00:04:36{\an8}I am talking about Herbert Love.
00:04:39{\an8}Is he going to oppose the building of the wall?
00:04:41{\an8}Yes. I took care of that.
00:04:43{\an8}He is going to announce that in his speech tonight.
00:04:45That is great news. Listen, I have to go.
00:04:48-And not a word to-- -How dare you!
00:04:51Lucille... Two...
00:04:53Did you think I wouldn't find out?
00:04:56{\an8}I was gonna cut you in. I was trying to protect you so they wouldn't link you to it,
00:05:00{\an8}but it turns out that we can't afford to build it anyway.
00:05:02-Build what? -The wall in Mexico, the high wall.
00:05:06{\an8}What were you talking about?
00:05:08{\an8}I was talking about you giving money to Herbert Love in his campaign against me!
00:05:13{\an8}Oh, no. No. That was to get Love to support the wall.
00:05:16{\an8}I tell you, I've been all over the place on this one.
00:05:18{\an8}I can't be running a company that's building a wall I campaigned against.
00:05:22{\an8}Listen to me, it's taken care of.
00:05:25{\an8}I just ran into Michael. He's got Love against the wall.
00:05:29{\an8}It's done. It's gonna be in the speech tonight. It's over.
00:05:32It better be, or I'll talk about it in my speech tonight.
00:05:36No. No. Please. No, you can't do that.
00:05:38You can't stop me.
00:05:39Now, I've got a stair car to wave from. And I can't be seen with you.
00:05:43{\an8}'Cause I'm fat. It's because I am fat. You think I'm a fat person.
00:05:49{\an8}You are such a drama queen.
00:05:52Fat arms. I don't understand this.
00:05:55[narrator] Tobias, meanwhile, was assuaging his lead actress's fears.
00:05:59-I don't think I can do this. -You can do anything I want you to do.
00:06:03And you want to do as well. I... We need this.
00:06:06I mean, this'll make all our old dreams come true.
00:06:09But maybe they're old for a reason.
00:06:11Oh, you're focusing on the wrong words.
00:06:14If we can get through tonight, DeBrie, we can get through anything.
00:06:17Don't worry about it.
00:06:18The audience will be completely drunk and if we're not perfect, they'll take it out on us, but that's why you're gonna be perfect.
00:06:25You have to be perfect.
00:06:26[narrator] Although it would soon be Tobias who couldn't do it.
00:06:30I'm a registered sex offender. All right.
00:06:33[narrator] But fortunately, he ran into his brother-in-law.
00:06:36I need your help. I've got a show to do in ten minutes, and I haven't got a "Thing" to wear this "Thing" suit.
00:06:41It's all pre-recorded.
00:06:43You're a monster, you don't have to be any good.
00:06:46I'm a monster?
00:06:47[narrator] Which perhaps is why Buster was emotionally unsettled
00:06:50when he went to deliver the evidence of Herbert Love's wrongdoing
00:06:54to Lucille 2.
00:06:55...Herbert Love with a lady of the night.
00:06:58And he's gotten himself in some pretty hot ham water this time.
00:07:01That's my wig!
00:07:03Buster, this is priceless. Why are you giving it to me?
00:07:06Because I want to hurt him.
00:07:07I've never known you to want to hurt anybody.
00:07:11Well, I hurt my mother, didn't I?
00:07:12I missed her trial, and she cut me out of her life.
00:07:15-But I'm over that! -Really?
00:07:17Then you have me to thank for that.
00:07:19-What do you mean? -Oh, Buster...
00:07:21You think missing her trial was an accident?
00:07:24[narrator] In fact, there was nothing accidental about it,
00:07:27as Lucille 2 had been laying in wait for him.
00:07:30Buster! Hello.
00:07:33[narrator] And once she'd gotten Buster into the apartment,
00:07:36she eschewed the all-natural juice
00:07:39for the kind with cartoon animals and riddles on the box.
00:07:43The type Buster had been known to have a weakness for.
00:07:47Thank you.
00:07:48{\an8}[narrator] And soon, the partying was off the hook.
00:07:51-Do me! -[groans]
00:07:54This is just like a Mother's Day Eve!
00:07:57This is brilliant!
00:07:59[narrator] Although, at one point, he did have something close to an insight.
00:08:03I mean, how do you miss a sign like that?
00:08:09I was tinkling! [laughs]
00:08:12You kept me from mother?
00:08:14You sent her to prison?
00:08:17And this whole time I thought about getting back together with you.
00:08:19Well, you're a little late, honey. I've been dating your father for weeks.
00:08:25[groaning]
00:08:32[growls]
00:08:35[narrator] George Sr. was about to get some bad news, too.
00:08:39-Excuse me, Dr. Norman? -You're mistaken!
00:08:42Dr. Norman, it's me, George Bluth.
00:08:44Oh, George. Yes, thank you for meeting me here.
00:08:49I like to do a little housecleaning on the fourth.
00:08:54Old quinceañera candles.
00:08:57I was wondering if you could tell me my test results.
00:08:59Oh, yes, yes. Well, your testosterone numbers are off the charts.
00:09:03[sighs]
00:09:04Below the charts. Under the charts. I don't know how to say that.
00:09:07You have almost no testosterone at all.
00:09:09I don't know the exact numbers, but it's somewhere in the baby range.
00:09:12On the plus side, your estrogen levels are that of a very healthy woman in the throes of her menses.
00:09:18May I see my results?
00:09:20I wish you'd asked me five minutes ago.
00:09:21I dumped it with a pot pipe and a bottle of cheetah sedative.
00:09:24Also, the people at Orange County Imaging said that you were masturbating in an MRI tube?
00:09:30-Oh, no. -But, Doctor, you told me to.
00:09:33I did no such thing. Oh, no. No. No, you can't do that.
00:09:38That sounds like something I would say when I had my thinking cap on. [laughs]
00:09:42You, sir, are a very funny lady.
00:09:46Well, that's what they always say to the unattractive one.
00:09:51[narrator] DeBrie was also at a loss.
00:09:54Feeling frightened and fragile, she tried to keep it together.
00:09:58Water...
00:10:00[narrator] Unfortunately, DeBrie, who had been in the safe harbor
00:10:04of a drug-free zone,
00:10:06found herself in the free drug zone of an unsafe harbor.
00:10:11And soon, having recast the Thing with Buster...
00:10:15No, I'm looking for a woman named DeBrie.
00:10:17[narrator] Tobias returned to check on his leading lady.
00:10:21Have you been drinking?
00:10:22No. It's pills.
00:10:26Is she drunk?
00:10:28-[Tobias] Uh, no. -It's pills.
00:10:32-Can I talk to you for a second? -Yes. Yes. Yes.
00:10:36That is unacceptable.
00:10:38Patients doing pills on a literal pile of garbage, that's not what we're about at Austerity.
00:10:44You're putting Austerity in jeopardy. You're out!
00:10:48No, don't fire me. I'm on a work-release program.
00:10:51If you fire me, I have to go back to prison. I can't.
00:10:53And you're investing in this show. What if we get killer notices?
00:10:57We'll talk about it on Monday.
00:10:59Now, get rid of her before someone sees her with their camera phone.
00:11:03You know they have those nowadays.
00:11:07So, I've got until Monday to fix this.
00:11:12[sighs, laughing]
00:11:20That red-haired lady can't throw her wad at that guy.
00:11:25Oh, DeBrie.
00:11:30[narrator] Lucille slipped away from the cast, to look for her husband.
00:11:35What are you doing here?
00:11:36What do you mean what am I doing here? We made plans to escape on the boat!
00:11:40I never made plans with you.
00:11:42We talked about it on the phone when you were trying to talk dirty to me.
00:11:46-Oh... -What is wrong with you?
00:11:47This is embarrassing. Full disclosure. That was Oscar, who may have been the one you were talking with.
00:11:53He's been filling in for me occasionally.
00:11:57You sent your brother to have sex with me?
00:11:59No, I sent him to listen to you one time, and then he found out about the wall and tried to get you talking about it, and this was his way of shutting you up.
00:12:08-He told you this? -No, you told me when I visited.
00:12:11I got in there a couple of times, too.
00:12:14So, tell me about this trip. That's interesting. Where we going?
00:12:17I'll tell you where we're going. We're going to court.
00:12:21We're getting a real divorce. You're out of the marriage.
00:12:28So I am fat.
00:12:30Boy, am I glad you're here. I need money.
00:12:32It's not for what you think, for a magic show or a bee colony.
00:12:35It's to pay the builders I hired to start building the fake wall
00:12:38-between Mexico and America. -Shh!
00:12:39What are you crazy? Lucille 2 is around here.
00:12:42Well, don't worry about Lucille 2, I'll handle her.
00:12:45It's just that I need to pay the Chinese.
00:12:47Wait, wait. You hired Chinese?
00:12:50Well, I figured, who better than the Chinese to build a wall?
00:12:54But, no. I couldn't afford them, so I hired... They're technically Mongols, I guess.
00:12:59They're the people that they built the wall to try to keep out.
00:13:03How many did you hire?
00:13:04A horde. That's the minimum. They don't come in anything less.
00:13:07So you hired a Mongol horde.
00:13:10Look, Dad, I just...
00:13:12If they don't get their money soon, they're gonna be really mad and have a major Mongolian beef with us.
00:13:17They're there.
00:13:18We don't have any money.
00:13:23Well, he says that we don't have any money.
00:13:29[narrator] As George Sr. tried to disappear,
00:13:32DeBrie was finally recognized.
00:13:34Are you in the play?
00:13:35-Yeah. -What is the play, honey?
00:13:37Fantastic Three and Lousy One, so Four.
00:13:41-Four? -Yeah.
00:13:42-And who do you play? -Sue Storm.
00:13:45Okay, Sue Storm and the Fantastic Four are both trademarked by the Marvel Entertainment LLC.
00:13:49This is a cease and desist letter.
00:13:51If you violate it, you will go to prison for a long, long time.
00:13:54Can anyone just throw one of those little Mexican guitars off the dock?
00:13:57I don't want to go to prison.
00:14:00I'm gonna do it.
00:14:02No...
00:14:03I'm gonna do it.
00:14:05Well, Lucille 2 has threatened me with prison, but it's gonna take more than one prison threat...
00:14:10Oh, you got one, too.
00:14:12Well, Universe, you seem to be putting up all sorts of walls between me and my dreams today.
00:14:17Well, if we have any chance of beating this, it's by putting on the best show possible, a real wowzer.
00:14:24I just need to find a Sue Storm.
00:14:28I guess I'll need this.
00:14:31Before I go any further with this, there's no way a hot cup of coffee and a glass of the-show-must-go-on spirit will encourage you in any way, will it?
00:14:40Let me die.
00:14:44No. You're not in any shape to go out and perform tonight.
00:14:50[narrator] And Tobias went off to search for any Sue Storm in Newport.
00:14:55While Lucille came face-to-face with the man whose face she'd just faced.
00:15:00But it was a different face. It was Oscar.
00:15:03I'm sorry. I'm sorry. You got me. I was gonna tell you.
00:15:08I was acting when I pretended to be George, but I am dead serious when I say you are the hottest woman I know.
00:15:16I'm here tonight because I wanna run away with you.
00:15:19I've got a boat waiting.
00:15:21[narrator] Although someone else soon found it.
00:15:25-Oscar... Really? -Of course.
00:15:28Do you think I'm here for the donkey punch?
00:15:30Which I do love and it's the only night you can get it, but you are the only woman for me, Lucille!
00:15:37Bring me those thin, pot-stained lips.
00:15:43-What's this? -No idea.
00:15:45[narrator] She found the latest of her things that had been claimed.
00:15:49He'd actually acquired it earlier that night
00:15:51when he was polling for Lucille 2.
00:15:54She's claimed you. Everyone I know wants to take everything away from me.
00:15:58I can't believe you were with her. She's finished.
00:16:02And the Oscar goes, too!
00:16:04To...
00:16:06Get out of my sight!
00:16:08[narrator] She was in an emotional storm and needed a therapist...
00:16:12when she ran into a therapist who needed a Storm.
00:16:16To disappear. That's what everyone wants me to do.
00:16:20Lucille!
00:16:22You are not the villain.
00:16:26[sighs] I'm so tired of being the villain.
00:16:29Well, those days are over. What you are is the Invisible Girl.
00:16:34You make it impossible for people to see you to protect yourself.
00:16:37[narrator] And somehow, in that moment, something changed for her.
00:16:41I do do that.
00:16:42And in this way, you launch sneak attacks, and you create a force field to keep people away.
00:16:46Right! I'm not a villain. I'm the Invisible Girl!
00:16:50Yes, that's what I'm saying!
00:16:52Oh, you know, it's funny... I never would have come to this if it hadn't been for you and Lucille 2's rehab,
00:16:58I need to pay her back for everything she's done to me.
00:17:03I'm going back to rehab.
00:17:05I just have to make one quick stop first.
00:17:09I don't think we have time.
00:17:11I've got to do this...
00:17:13[narrator] But he found the answer inside himself...
00:17:16Time to channel my inner Storm.
00:17:19[narrator] And because he didn't have the costume,
00:17:22he created one out of some old makeup.
00:17:27Oh, pardon the mess.
00:17:29I just blue myself for the first time in five years.
00:17:37[narrator] Buster was in a whirl.
00:17:38Confused and betrayed, he needed to punch something,
00:17:42which is why he went here...
00:17:44But it wasn't that kind of donkey punch...
00:17:47I need some juice.
00:17:50Oh!
00:17:51Perhaps uno mas, señor, to feed to the fishes?
00:17:56Gene Parmesan. This is not my real job.
00:17:59[Herbert] Okay, talk to you later.
00:18:00[narrator] That's when Buster heard his target...
00:18:04You!
00:18:06-Hey, it's the Blind Side monster. -[shouts]
00:18:09[narrator] And so he blindsided him and became one.
00:18:12[whimpers]
00:18:13[narrator] George was depressed, but hoped to hear Herbert Love oppose the wall.
00:18:18But Herbert Love was out of the picture and Lindsay stepped in...
00:18:21Can I have everyone's attention?
00:18:24[narrator] ...when it appeared the Hispanic blowback began.
00:18:27[shouting]
00:18:29-Viva Mongolia! -That's my necklace!
00:18:32They don't belong here, we belong here.
00:18:36I mean, someone should put up a wall.
00:18:39[narrator] But, of course, it wasn't the Hispanic blowback,
00:18:41it was just the latest in a lifetime of disgruntled Bluth employees.
00:18:47-And George Sr. looked to hide. -Oh, God.
00:18:50This feels right.
00:18:51[narrator] But he wasn't the only person to resort to hiding as a woman...
00:18:55as the now almost invisible Invisible Girl got on the boat
00:19:00to head to the floating stage.
00:19:02Unfortunately, and not for the first time, Tobias got on the wrong boat.
00:19:07Except this one was piloted by a man
00:19:10who not only expected a woman in disguise,
00:19:13but also had a real bad case of face blindness.
00:19:17-And Lindsay joined the Love campaign -[chanting]
00:19:20to take their message, that Marky had vowed to torpedo,
00:19:24to the sea.
00:19:25[Tobias] I think this is going to make quite a splash.
00:19:29[Marky] Oh, I know it is.
00:19:30♪ Don't want to be invisible Invisible, invisible ♪
00:19:36They're gonna be talking about this bomb for years.
00:19:41[Tobias] God, it is bad, isn't it?
00:19:43Lindsay was right to discourage me.
00:19:47-Tobias? -Marky?
00:19:49If you're not Lindsay, then where is Lindsay?
00:19:51-Isn't that her on the Love boat? -But I just put a bomb on the Love boat!
00:19:55-What? Lindsay! -Lindsay!
00:19:56-Lindsay, there's a bomb! -Lindsay!
00:20:01-You gotta get off the boat! -[narrator] Turned out to be romantic...
00:20:05There's a bomb on the Love boat!
00:20:08-[gasping] -[cheers]
00:20:10[narrator] ...that Lindsay and Tobias had matching suitcases.
00:20:15And it was then that a juiced up Buster...
00:20:19-[fireworks popping] -[whimpering]
00:20:20[narrator] ...noticed something less romantic.
00:20:34Oh, no.
00:20:35I'm in the movie.
00:20:38Oh, no!
00:20:41{\an8}On the next Arrested Development: Fateful Consequences...
00:20:46George Sr. gets more comfortable in hiding.
00:20:49Detective Smee, Orange County Police. I need to speak with you.
00:20:52Lucille Austero went missing last night.
00:20:56You mind if we ask you a few questions?
00:20:57Oh! I don't allow men in my apartment without my husband present.
00:21:01[narrator] Although it was a pretty transparent story.
00:21:05And Buster tries to cover his tracks...
00:21:09Hey, neph! New hand.
00:21:11It's cool. That's cool.
00:21:12You know that super-duper privacy software you have?
00:21:16Does that work on security cameras?
00:21:18Of course, yeah. Works on everything.
00:21:20May I borrow it?
00:21:22One second...
00:21:25Here you go, Uncle Buster. I put it on a hard drive for you.
00:21:28-Just please be careful with it. -Of course, of course.
00:21:30[shatters]
00:21:34You got one with a case?
00:21:35Hey, Carl.
00:21:37Buster!
00:21:38[narrator] Buster visits a Balboa Towers guard he'd known for many years
00:21:43for an impromptu lesson on how their footage is gathered and stored.
00:21:48May I use your phone?
00:21:49[narrator] But when Carl steps away...
00:21:51Buster goes into action and attempts to Fakeblock the footage.
00:21:58Sounds like it's working.
00:22:01[sighs]
00:22:02[grunting]
00:22:11[gasps]
00:22:12-Buster. -Hey, Carl.
00:22:15-Everything okay? -Mm-hmm.
00:22:23What she did to this boy.
00:22:25♪ It's not who we were It's not who we were ♪
00:22:29♪ It's just who we are It's just who we are ♪
00:22:33♪ I'm gonna stomp all over your face ♪
00:22:36♪ Even if my heart won't snap back Into place ♪
00:22:40♪ In your face ♪
00:22:41♪ With you, with me, I am with you ♪
00:22:47♪ Fantastic One! Fantastic One! ♪
00:22:50♪ Fantastic Two! Fantastic Two! ♪
00:22:52♪ Fantastic Three! Fantastic Three! Fantastic Four! ♪