Home > Better Call Saul

Slip

00:00:01

[HAMMERING]

00:00:22

JIMMY: Let there be light.

00:00:24

MARCO: And then there was light.

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Jeez, will you look at this.

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That's where your mom used to work.

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-Right back there doing the books. JIMMY: Yeah, whatever.

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Hey, remember when we used to ditch fourth...

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...come in the back door? Tell your folks it was a free period?

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-O'Dell's Algebra Two. -Mr. O'Dell.

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Man, that guy was a butthole.

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And your mom, I think she knew we were skipping...

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...but she'd always stop what she was doing, give me a pack of Little Debbies.

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I think all those Little Debbies put them out of business.

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How'd you get up there when you were a kid?

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JIMMY: A couple of milk crates, you know.

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Ahh.

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[RATTLES]

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All right. Ahem.

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No, no, no.

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Nope.

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Boom. Indian head penny.

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All right. That's worth about three bucks.

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We polish it up, run the coin game.

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Nice. We get 150 bucks easy.

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A hundred fifty? We got 110 for a plain vanilla half dollar.

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This, this is actually rare. I mean, you can see it, you know?

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Three hundred, easy.

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Three hundred. Me likey.

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Now you're gonna tell me what your coin collection was doing up there.

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[GROANS]

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It's a long story. Um....

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Let's get out of here.

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[POLICE SIREN WAILING]

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-All right. Now let's hit it. -No. There might be another one.

00:02:27

All right. Then give.

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What's the deal with the coins?

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Heh.

00:02:35

Well, uh--

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I was what, 12 or so. I was working the register.

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A guy comes in...

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...and buys a box of Ivory Flakes and a sixer of Old Style.

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He pays with a couple bucks and this.

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The second I see it, I know what it is.

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It's a George Washington silver.

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I tell my dad, "Pop, this quarter is rare.

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It's worth four bucks."

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I barely get the words out of my mouth, he hightails it out to give it back.

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He can't find the guy, so he tapes it to the side of the register.

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He's hoping that this guy will come back so he can return it.

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He starts talking about giving it to Father Mahoney for the poor box...

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...so I make it disappear.

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Then after that, every day after school, I'm checking the till.

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Something catches my eye, I stick it in the box, put it up there for good luck.

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So much for good luck.

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It's a crying shame he lost this place.

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He never should've bought it in the first place.

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My dad didn't have it in him.

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What do you mean?

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Your folks worked so hard.

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Yeah, they worked hard.

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They worked a lot of hours for a lot of years for nothing.

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I don't know, Jimmy. A lot of customers, everybody liked them.

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Everybody liked him because he was a soft touch, you know?

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Every deadbeat in the neighborhood owed him money.

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You come in with a sob story...

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...you leave with a pat on the back and a gallon of milk.

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He could've made it work.

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He could've sold beer and cigarettes to the kids from Mary-Margaret's...

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...but, oh, no, not him.

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He was never gonna do what he had to do.

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[POLICE SIREN WAILING]

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How'd you know there'd be another?

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Ah.

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Banquet's over.

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Those conventioneers...

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...been talking farm equipment for 10 hours straight.

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Now they want to party.

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Gonna be a big night, my friend.

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-What do you say? Time to get moving? -Let's go.

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[♪♪♪]

00:07:19

[BEEPS]

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[BEEPING]

00:08:52

Yeah, tribal police?

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Yeah, I was out on your property this afternoon.

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I found a dead body.

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Off the old post road.

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Out in the scrub. It was past the Oasis Motel billboard.

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I was out with my metal detector looking for arrowheads.

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No, I don't want to give my name. I was trespassing.

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Look, you better send someone out there to find him before the coyotes do.

00:09:40

CHUCK: Over here, I've recorded the location of the incident.

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That is, where I was physically when it began.

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This column gives approximate origin.

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And as you can see, much of the time...

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...I couldn't be sure, so I just wrote "ambient."

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And of course, I've recorded the times and dosages of the medicine.

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-This is very impressive, Charles. -And look at the trend.

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Day one: pain of seven and eight, even eight point five.

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Day three: nothing higher than five and a quarter.

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And now, it's all threes and fours.

00:10:17

Later, I'd like to give you some exercises and strategies...

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...that might help even more.

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I'm all ears.

00:10:24

How do you see your next steps?

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Well, clearly, with this kind of improvement...

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...it won't be long before I'm back to work full time with no accommodations.

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And then soon after, I'm gonna get back into court.

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I haven't argued a case in almost three years, so that's next.

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And I'm gonna get these lights turned back on.

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I want this house to be full of music.

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I wanna have a dinner party.

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Oh, hell, no. A great big celebration.

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I want 100 people in here, spilling out onto the lawn.

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I want caterers and a full bar.

00:11:01

I want to be surrounded by friends and colleagues.

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That's stirring. Those are excellent goals.

00:11:09

Doctor, I wouldn't have believed I could come so far so quickly.

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And I have to give you the lion's share of the credit.

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Well, it's remarkable.

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But Rome wasn't built in a day.

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I know rushing forward may be tempting, but it's important to give yourself time.

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You've just begun a journey that could take years.

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Well, I suppose...

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...but surely you'd admit that every case is different.

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-Of course. -Then perhaps...

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...my recovery might be speedier...

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...than your run-of-the-mill patient. Is that possible?

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I'm just cautioning you not to push yourself too hard.

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I know-- Appreciate every step forward, but modulate your expectations.

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Yes, absolutely.

00:11:56

Let's talk about the night you first called me.

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-You sounded very distressed. -I was.

00:12:01

Using a telephone must've been difficult for you.

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I had to walk 10 blocks to a payphone.

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That was extremely uncomfortable.

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Probably almost a nine.

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What made it so important to talk to me that night?

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I'd had an incident.

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A very public incident.

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Perhaps the worst experience of my life.

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It was proven to me...

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...in public and beyond the shadow of a doubt, that there was a battery...

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...a fully charged battery...

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...almost next to my skin for the better part of two hours.

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And I felt nothing.

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What does that mean to you?

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This condition....

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To me, it's as real as that chair.

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It's as real as this house. It's as real as you.

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But...

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...what if it's not?

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What if it's all in my head?

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And if that's true...

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...if it's not real...

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...then what have I done?

00:13:37

It's all in the storyboards. Get set for the master shot. Okay?

00:13:42

Looking good. We about ready?

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-Just about. -I gotta hand it to you. I--

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This is the busiest weekday we've had in the last six months.

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And are people mentioning the commercial?

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You know what? They are.

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-Excellent. -I know.

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Oh, here's your partner. Hey, get him into makeup. We can carve this turkey.

00:13:59

Okay, listen.

00:14:01

Excuse me. Not now.

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-It's fine. -Sorry.

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I just got off the phone with the station.

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-You don't even work for them. -I never said I worked for the station.

00:14:11

Ahem. Saul Goodman Productions? Remember?

00:14:13

You work with us, you don't have to deal with the bureaucrats at KWBV.

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-We take care of everything. -Okay.

00:14:19

Remind me, how much is all this gonna cost?

00:14:21

Exactly what we talked about the other day.

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The first one was gratis. That's my treat.

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Now we're moving on to the elite package.

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Seven commercials for the heavily discounted price of $6500.

00:14:33

Yeah, the station just quoted me $450 per.

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-Four hundred and fifty dollars? -That's for airtime only.

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Call the station.

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Ask them how much they charge for production...

00:14:43

...of seven top-flight TV commercials.

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Okay, but why do we need seven new ones in the first place?

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Yeah, what's to stop us....

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...from paying the station to just keep running the one we have?

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That's not what we agreed to. How about that for starters?

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-He did give us the first one for free. -Yeah, I know.

00:15:04

Okay, how about this?

00:15:06

How about we pay you 450 for the one that already aired...

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...and then we take it from there.

00:15:12

Guys, I don't wanna get technical on you.

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But that commercial, it doesn't actually belong to you.

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It's the real and intellectual property of Saul Goodman Productions.

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-I don't think so. I mean, it's our faces. -It's our store.

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And it's my commercial, and you can't run it without my permission.

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-Oh. Okay. -Okay. Wanna play it like that? Okay.

00:15:32

$450 is now off the table.

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-Yeah, and that crew of yours.... -Yeah.

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Just a bunch of UNM students.

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-We can get those. -We can get students.

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-We can get students. We could... -Yes, we can.

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-...reshoot the ad. -Yes.

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-And then run that. -Guys, guys, come on.

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You wouldn't even be thinking about a commercial if it wasn't for me.

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Okay, we are not gonna pay you $6500...

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...for something we can do ourselves, you got it?

00:15:54

Seriously?

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-Seriously. -Seriously.

00:15:56

Excuse us.

00:15:59

MAN 1: Hello there.

00:16:00

Anything we can help you with?

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-[GROUP CHATTERING] -[JIMMY SCOFFS]

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-Put that camera back up. Roll it. -It's not gonna do a damn thing.

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Don't give me any lip, okay? Just roll it. Make sure it's pointed in my direction.

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MAN 2: It's all about output. What you get out of it is what you put into it.

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-If you're gigging a lot-- MAN 1: Are you gigging a lot?

00:16:34

Hey, sorry to interrupt. I just wanna make sure there's no wiggle room here.

00:16:37

We are with customers right now. Please, all right, just go. Thank you.

00:16:42

Okay, well, best of luck in all your future endeavors.

00:16:45

MAN 1: Go. Goodbye. MAN 2: Go.

00:16:46

MAN 1: Sorry about that. MAN 2: Sorry about that.

00:16:52

Oh, my gosh. Are you okay?

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It was a drumstick. It was laying loose in the aisle.

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-Somebody call an ambulance. JIMMY: No, you don't need to.

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I don't need--

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[GROANS]

00:17:07

Yes, an ambulance. That's a good idea.

00:17:11

You guys have liability insurance, right?

00:17:17

KEVIN: To our Four Corners strategy.

00:17:19

PAIGE: Cheers to that. KIM: Cheers.

00:17:21

Mm.

00:17:23

I'm not saying this to rush you, I have a 2:45 tee time at Four Hills...

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...so don't let me get long-winded.

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I've heard the water gets tricky on the back nine there.

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You heard right. I didn't know you played.

00:17:33

Well, growing up where I did, there was nothing else to do.

00:17:36

We ought to be having this meeting out on the fairway.

00:17:39

I think Kim has a lot to cover.

00:17:42

Speaking of which, sorry, but I gotta ask.

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I got a friend, Billy Gatwood.

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He's a driller, has a small operation over near Farwell.

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Anyway, poor bastard's tangled up in some kind of...

00:17:53

...interstate wrangle between Texas and New Mexico.

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Now, I can't make heads or tails of it, and neither can he.

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His lawyer was a local guy, completely over his head.

00:18:01

So Billy's fired the guy, but he doesn't know...

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...whether to shit or wind his watch, pardon my French.

00:18:08

Anyhow, I told him about the job you're doing for us.

00:18:10

-I know he'd love to talk to you. -I suggest Big Sky.

00:18:13

It's got the beauty of Montana, but you don't have to wait in the lift lines.

00:18:17

Oh, wow, I can't tell you how flattering that is.

00:18:20

Remember, Kim's got her hands full with Utah and Colorado.

00:18:25

As far as I'm concerned, she's proven she can field whatever we throw at her.

00:18:30

Kevin, your faith in me is-- It's--

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It means a lot, but when we first started working together...

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...I promised you Mesa Verde would be my sole focus, and I meant it.

00:18:40

KEVIN: Sure, but I gotta-- HOWARD: Hey, there.

00:18:41

-I thought I saw some familiar faces. -Howard.

00:18:44

Kim, sit. I insist.

00:18:47

HOWARD: Kevin. KEVIN: Howard.

00:18:48

HOWARD: Paige. Always wonderful to see you.

00:18:51

-You too, Howard. How have you been? -Fantastic. Thank you.

00:18:54

All is well with the expansion?

00:18:56

You got that branch approved on your original timeline after all.

00:18:59

We did, thanks to Ms. Wexler here.

00:19:01

Kim's one of the best. You're lucky to have her.

00:19:04

She sure is, we sure are.

00:19:05

Seems like just yesterday, she was logging hours in doc review.

00:19:08

Heh.

00:19:09

HOWARD: Always a pleasure to see one of our protégés...

00:19:12

...spread her wings and leave the nest.

00:19:15

Well, I'll get out of your hair. Best of luck to all of you.

00:19:18

You too, Howard.

00:19:22

I appreciate we got you all to ourselves, but Billy just needs a consultation.

00:19:26

I'm so sorry, um, but, uh--

00:19:28

Would you excuse me for just a moment?

00:19:30

KEVIN: Sure.

00:19:54

I've had the salmon and filet. If you like sea scallops, they're fantastic.

00:19:57

-Kim, hello again. -Howard, sit. I insist.

00:20:00

Sorry to interrupt. I just needed to give Howard something.

00:20:05

Folks, this is Kim Wexler, a former member of our firm.

00:20:10

Kim, this is the team from O'Malley Industries.

00:20:12

Oh, of course. I remember Lauren.

00:20:14

Good to see you. This is Jack Sweet, our new CFO.

00:20:16

-Hello. -Pleasure.

00:20:17

KIM: Nice to see you too. Henry. Nick.

00:20:19

MARIE: Marie Austin. Good to meet you. KIM: Nice to meet you.

00:20:22

Good to see all of you.

00:20:25

Have a wonderful lunch, Howard.

00:20:31

-Sorry to hold things up. -Not at all.

00:20:33

Okay, Kevin, if you want to give me Mr. Gatwood's number...

00:20:36

...I'd be happy to speak to him.

00:20:38

That's great.

00:20:39

Once I understand, I'll put him with a firm that'll take very good care of him.

00:20:43

I leave it in your capable hands.

00:20:45

Great. Okay, Utah.

00:20:47

The good news is the filing requirements...

00:20:50

...are very similar to what we submitted for Arizona.

00:20:53

KEVIN: Thanks again. I'll let Billy know you'll be calling. We'll talk tee time soon.

00:20:56

KIM: Sounds good. PAIGE: See you soon.

00:20:58

KIM: Bye.

00:21:00

MAN: Here.

00:21:08

-What the hell is this? -I think it's pretty self-explanatory.

00:21:14

Look, Howard, you were very generous when I left HHM.

00:21:17

It never sat right that you covered my loans.

00:21:19

Seemed to sit right at the time.

00:21:21

I appreciate the gift, but now I'm able to afford it, I wanna pay you back.

00:21:25

-Well, you appreciate the gift. -Yes, I do.

00:21:27

You know what I'm doing in there? Take a guess.

00:21:30

I'm doing damage control.

00:21:32

I'm doing it three meals a day for the past two weeks with every client.

00:21:36

I am busting my ass trying to repair the reputation of the firm...

00:21:38

...after you and Jimmy dragged it through the mud.

00:21:41

I did everything in my power to defend my client.

00:21:43

-Is that what you're calling it? -That's the job, Howard.

00:21:47

It was very convenient for you to ignore Chuck's illness when it suited you.

00:21:51

I take you out of the mail room, put you through law school, mentor you.

00:21:55

You leave and stab me in the back, that's my fault? I'm not cashing this.

00:22:01

Kim, your debt is forgiven.

00:22:04

But anything else, that's on you.

00:22:07

All Jimmy and I did was show the situation for what it is.

00:22:10

And if you're hiding that from your clients...

00:22:12

...well, Howard, that's on you.

00:22:26

[♪♪♪]

00:23:07

♪ Cold feet ♪

00:23:16

♪ Always walking a vicious circle ♪

00:23:25

♪ Cold feet ♪

00:23:26

♪ Always walking a vicious circle ♪

00:23:43

♪ Cold feet ♪

00:23:54

♪ Always taking you nowhere ♪

00:24:02

♪ Cold feet ♪

00:24:04

♪ Always taking you nowhere ♪

00:24:14

♪ Cold feet ♪

00:24:25

♪ Always walking a vicious circle ♪

00:24:34

♪ Cold feet ♪

00:24:36

♪ Always walking a vicious circle ♪♪

00:24:49

-Nacho. -Hey, Papa.

00:24:50

[IN SPANISH] You're here early, son.

00:24:52

[IN SPANISH] Yeah, thought I'd get a jump on the invoices.

00:24:57

Nice to see you taking an interest in the business.

00:25:01

I'm gonna start on the Continental.

00:25:03

Grab some of the golden doeskin vinyl and give me a hand.

00:25:07

Yes, Papa, I'll be right there.

00:25:17

CHUCK: Blue shirt.

00:25:19

Yellow wall.

00:25:21

Silver door.

00:25:27

[GROANS THEN SIGHS]

00:25:31

White sign.

00:25:33

Red pepper.

00:25:37

Purple sweater.

00:25:39

Brown wood.

00:25:41

Black mat.

00:25:56

WOMAN [OVER PA]: Jason to the front for carryout assistance.

00:25:59

Jason to the front for carryout assistance.

00:26:12

Yellow bananas.

00:26:14

Green grapes.

00:26:15

Orange oranges.

00:26:23

Excuse me, where would I find the soy milk?

00:26:27

Over there and to the left, just past the freezer aisle.

00:26:45

[BREATHING DEEPLY]

00:26:50

A white ceiling.

00:26:51

Green basket.

00:26:53

Gray floor.

00:27:00

[♪♪♪]

00:27:21

-All set? -Yeah.

00:27:24

Courier on the way?

00:27:25

-Twenty minutes. -Great.

00:27:27

They'll need this back at Gatwood Oil by EOD.

00:27:30

[GUITAR PLAYING "SMOKE ON THE WATER"]

00:27:32

What's...?

00:27:42

Hey.

00:27:44

Hey.

00:27:51

What's up?

00:27:53

Oh, uh....

00:27:54

New guitar.

00:27:56

Check it out.

00:28:00

That is something.

00:28:02

I sold the rest of my ads.

00:28:04

-That must be a relief. -Uh-huh.

00:28:06

They loved the response they got.

00:28:08

So impressed, they threw in this baby.

00:28:10

Signed by the one and only Ritchie Blackmore.

00:28:14

And lying on the floor helps you with your fingering?

00:28:19

-I fell. -What?

00:28:21

It was during productions.

00:28:23

Crazy stuff happens.

00:28:25

Long story. But the big picture...

00:28:28

...I'm up one guitar.

00:28:30

When did this happen?

00:28:32

-Yesterday. -I saw you yesterday. You were fine.

00:28:35

That was Tuesday.

00:28:36

You picked up clean clothes. Remember?

00:28:41

Did you go to the doctor?

00:28:44

Oh, it's-- It's not as bad as it looks.

00:28:47

I just need to rest it.

00:28:48

It'll be fine.

00:28:50

Look on the desk.

00:28:51

There's something for you.

00:28:55

Yeah, that.

00:28:57

Open it.

00:29:00

That's my half.

00:29:02

It's good for the next six weeks.

00:29:05

So at least we can stop talking about that.

00:29:09

-Jimmy, I wasn't-- -Just take it so we're square, all right?

00:29:14

Okay.

00:29:16

Sorry.

00:29:18

Just, my back hurts like hell and....

00:29:22

...people suck.

00:29:30

Jimmy, you--

00:29:33

You don't have to push yourself like this.

00:29:39

You could rest.

00:29:41

Let your back heal.

00:29:43

Then go to community service and get it over with.

00:29:46

Take some time.

00:29:47

Plan your next move.

00:29:49

Meaning...?

00:29:50

I'm saying....

00:29:52

I could cover our expenses for a while.

00:29:54

-You got the cash in your hand. -I know--

00:29:56

-Why are we talking about this? -I looked at the numbers. I can carry us.

00:30:00

Not forever, but at least until you're back to 100 percent.

00:30:03

I appreciate the thought, but no.

00:30:06

I'll do what I have to do to take care of my half.

00:30:08

You do what you have to do to take care of yours. End of story.

00:30:16

Okay.

00:30:22

I mean, you believe me, right?

00:30:26

Yes.

00:30:32

Feel better, Jimmy.

00:30:53

Francesca, is it too late to get a hold of the courier?

00:30:55

I can call. Need to reschedule?

00:30:57

No, cancel it.

00:30:59

And get Billy Gatwood on the phone for me.

00:31:01

-Will do. -Thanks.

00:31:09

FRANCESCA [OVER INTERCOM]: I've got Billy Gatwood on the line.

00:31:13

Great. Put him through.

00:31:18

Mr. Gatwood? Hi, Kim Wexler.

00:31:20

Listen, I've been reviewing your documents...

00:31:23

...and I thought I might've had to refer you to a colleague...

00:31:26

...but I think I may have a solution to your problem myself.

00:31:29

Do you think you have some time this week we could sit down and talk?

00:31:36

-Chuck. -Howard.

00:31:39

-What a nice surprise. -I knocked, but there was no answer.

00:31:41

Thought you were asleep. Figured I'd wait, in case--

00:31:45

-Are those groceries? -They are.

00:31:47

I decided to go for a little walk.

00:31:50

That's great, Chuck.

00:31:51

-Why don't you come on in? -Thank you.

00:31:55

To what do I owe the pleasure?

00:31:56

I wish it was a social call, but unfortunately we have an issue...

00:31:59

-...we need to discuss. -What's that?

00:32:02

It concerns your malpractice insurance.

00:32:05

There's....

00:32:07

Well, we should sit and talk it through.

00:32:50

[CREAKING]

00:33:51

You're good.

00:33:53

Cool.

00:33:56

See you, Nacho.

00:34:01

Don Hector.

00:34:34

What?

00:34:38

This one looks funny.

00:34:44

Bring it here.

00:35:02

You see? Is it fake?

00:35:09

No, it's fine.

00:35:16

I'm so sorry, Don Hector.

00:36:15

NACHO: Carlos.

00:36:16

Nacho.

00:36:28

I'm heavy.

00:36:29

Took care of that problem over on Fifth.

00:36:32

-That crew won't bother us no more. -Do me a favor. Shut up.

00:36:42

You're good.

00:36:44

Okay.

00:36:47

See you next week.

00:36:58

[♪♪♪]

00:38:15

[SIGHS]

00:38:34

Don Hector, more espresso?

00:39:25

[FLIES BUZZING]

00:39:34

SUPERVISOR: McGill.

00:39:36

Keep it moving.

00:39:48

MAN: Sir? Sir?

00:39:49

-What's up? -Hey, uh....

00:39:52

It's my kid. Her mom just called.

00:39:54

You're not supposed to be on the phone.

00:39:56

FREDDY: I know, I know, but she's sick. She caught pneumonia at day care.

00:39:59

She's in the hospital. Please, can I go?

00:40:01

Sure. You can go. But you're not getting credit.

00:40:04

Come on, can't I just go and come right back?

00:40:06

I have to get my hours done this week.

00:40:08

Judge says so.

00:40:09

SUPERVISOR: Judge told you, huh?

00:40:11

Sounds like that's on you.

00:40:27

Hey, you wanna get out of here? How much is it worth to you?

00:40:30

What?

00:40:32

To ditch this.

00:40:33

How much?

00:40:35

Leave me alone, yo.

00:40:37

Come on, you want to get to your deal or what?

00:40:40

Hey, man, I was trying to see my sick kid.

00:40:42

No, you're trying to sell something you shouldn't have...

00:40:45

...to someone who shouldn't be buying it.

00:40:48

Hey, no judgments, all right?

00:40:50

Man's gotta make a living.

00:40:51

I'm just saying, the way you make yours rhymes with "mug mealer."

00:40:55

-What are you, a narc? -I'm the guy...

00:40:58

...who's gonna get you out and keep your hours.

00:41:00

-Yeah. How you gonna do that? -Yeah.

00:41:02

Let me worry about the how, okay?

00:41:05

Just....

00:41:07

Seven hundred bucks and you're gone.

00:41:09

I don't have 700 bucks.

00:41:11

Yeah, you got a couple grand in your sock.

00:41:18

Seven hundred bucks, and you can get me out of here?

00:41:24

All right. You can do it, you got a deal.

00:41:28

Okay.

00:41:29

Go pick up trash. Go on.

00:41:49

What the hell's this?

00:41:53

Resting. Uh, I hurt my back.

00:41:56

Get up.

00:41:57

Nope. My back's killing me.

00:42:00

Suit yourself.

00:42:02

You're not getting your hours.

00:42:03

JIMMY: I'm pretty sure you're gonna give me my hours.

00:42:06

Oh, yeah?

00:42:08

How do you figure that?

00:42:10

Because if you don't, I'm gonna sue you.

00:42:13

Hate to break it to you, smart guy, but you signed a waiver.

00:42:17

I signed a waiver with the city.

00:42:19

But I'm not suing the city.

00:42:21

I'm suing you. Personally.

00:42:27

You can't do that.

00:42:29

Buddy....

00:42:34

This is the land of the free and home of the lawsuit.

00:42:36

I sure as shooting can.

00:42:38

You know what?

00:42:39

Uh, I think I'll bring that guy in with me.

00:42:43

Make it a class action thing.

00:42:45

What's he got to do with it?

00:42:46

You knowingly prevented him from visiting his child in the hospital.

00:42:50

If that isn't intentional infliction of emotional distress, what is?

00:42:54

That's crazy.

00:42:56

Crazy hasn't even started.

00:42:58

I can also sue you for failure to approve community service hours.

00:43:01

That's a direct violation of your duties as an agent of the state of New Mexico.

00:43:06

I'm only doing my job.

00:43:07

And just for tickles, maybe I throw in failure to treat...

00:43:11

...and mitigate damages suffered by me...

00:43:13

...due to injuries sustained under your watch.

00:43:16

-Injury? -My back.

00:43:17

You're full of shit. The waiver clearly--

00:43:20

That waiver's gonna make Swiss cheese look solid.

00:43:23

And in a personal lawsuit, it's a fart in the wind.

00:43:28

You're never gonna win that.

00:43:31

Maybe. Maybe not.

00:43:33

In order to find out, we gotta do some math.

00:43:35

Let's see, a lawyer's gonna cost you about 90 bucks an hour.

00:43:38

You're looking at eight to 12 months of litigation, minimum.

00:43:43

-I'll represent myself. -Great.

00:43:45

Bring it on. You got a car?

00:43:47

You got a house? A pension?

00:43:49

Kiss it all goodbye.

00:43:51

Look, out here you might be King Douche-nozzle.

00:43:53

But in court you are little people.

00:43:58

The judge and I, we'll gladly spend the next five years in the courtroom.

00:44:01

But for you, it's expensive. It's very, very expensive.

00:44:05

It's third-mortgage expensive.

00:44:07

So...

00:44:08

...I'm offering you a simple choice.

00:44:11

You go to your wife, explain to her you're about to lose your job...

00:44:14

...your pension, whatever pinhole of a reputation...

00:44:17

...you've got at the bowling alley on Glow-ball Sundays. Or...

00:44:21

...let my friend here visit his sick daughter in the hospital...

00:44:24

...and you can let me rest my back on this sacred...

00:44:27

...now litter-free, New Mexico soil.

00:44:30

Oh, and we keep our hours.

00:44:40

Fine.

00:44:43

Asshole.

00:44:49

Well, go on.

00:44:51

Get out of here.

00:44:55

Hey, man.

00:44:57

That was some Jedi mind shit right there.

00:45:05

Best 700 I done ever spent.

00:45:13

Here you go. I'm out.

00:45:21

Yeah, yeah.

00:45:22

Yo, I'm on my way. Yeah, yeah.

00:45:37

[♪♪♪]

00:45:56

[SIGHS]

00:46:26

MIKE: I've got a problem I think you can help me with.

00:46:29

I've got cash I can't spend.

00:46:32

About $200,000.

00:46:35

If anything happens to me, my family will never see it.

00:46:41

Now, it seems to me...

00:46:43

...you opened this place to solve a similar problem.

00:46:48

And you think that solution...

00:46:51

...could be applied to you.

00:46:53

As a one-time arrangement.

00:46:58

It would be unwise for us to be publicly associated, wouldn't you agree?

00:47:04

Because of the Salamancas.

00:47:05

If they were to take notice...

00:47:08

...there would be consequences.

00:47:10

For both of us.

00:47:16

I'm thinking a paper transaction.

00:47:18

Even so.

00:47:23

Perhaps there is a way.

00:47:26

One with a degree more difficulty.

00:47:31

But one I may be able to arrange.

00:47:35

Would 20 percent overcome this difficulty?

00:47:40

I would not take money from your family.

00:48:06

[♪♪♪]