Home > BoJack Horseman

Stop the Presses

00:00:21

[groaning]

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[mumbling]

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[gagging]

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-[voices overlapping] -[groaning]

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Guys, I think we could use another phone jack over here.

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[phone ringing]

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Cabracadabra. We wanna reach out and grab you.

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-No, we're a cab company. -Can you toss me the thing?

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[grunting]

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-Sorry. The other thing. -[Todd] Okay. Watch the couch.

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Hey. Goddammit!

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-[yelling] -I apologize for... I understand.

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Mind if I put you on hold one second?

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Don't put me on hold. Do you know who I am?

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I just won a Baby's Choice Award, the winner of which has gone to take home the Oscar seven of the last 15 years.

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So, yeah, that BoJack Horseman.

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Otherwise known as the guy you keep sending your dumb newspaper to even though I never subscribed to it.

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I'm putting you on hold.

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-[muttering] -[buzzing]

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-We have a situation, sir. -Talk to me.

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{\an8}Guy's name is BoJack Horseman. He's pretty steamed.

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{\an8}I've tried everything, but we might need to bring the Closer in on this one.

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Calm down. We can sort this out without having to get the Closer involved.

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Did you offer 26 weeks at 50 percent off the newsstand price?

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I went through the entire checklist, sir. Even offered him a free tote bag.

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What kind of monster says no to a tote bag? Good work, rep.

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You've done all that could be expected of you. I'll take it from here.

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Yeah, Got it. Right. I understand. I'll take it from here.

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God help us...

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Is what I'd say if we needed God's help. Fortunately, we got one better.

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Morning. Good morning. How was your weekend? How are you?

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Good work yesterday. Get out of my way, please.

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[sighing]

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We have a situation on line two. Name's Horseman. BoJack Horseman.

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Thank you. I'll take it from here.

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Hello, good morning, and I say this with 100 percent sincerity...

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How can I help you?

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[funky electronic music]

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♪♪

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{\an8}I never subscribed to the L.A. Gazette. I do not read the L.A. Gazette.

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{\an8}I have called this number so many times to stop sending it to me.

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{\an8}Yet every morning, I open my door on a new edition of the L.A. Gazette.

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{\an8}It's like I'm in a boring episode of The Twilight Zone.

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{\an8}Sir, we are going to unravel this mystery.

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{\an8}But before we dig in, is there anything I can get you?

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{\an8}A glass of ice water perhaps?

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{\an8}Yeah, sure, I'd love a glass of ice water.

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{\an8}Fabulous. Johnny will get that to you in three, two, one...

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{\an8}-[drone whirring] -Uh... huh.

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{\an8}I see you've been receiving our paper for six months,

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{\an8}but there's no record of you ever registering a complaint.

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{\an8}From whence the hostility, counselor?

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{\an8}It wasn't a problem until recently, because up until a week ago

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{\an8}the boy who lives with me used the paper to make a giant paper-mâché Todd head.

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{\an8}-What was that? -I live with my best friend, Todd.

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{\an8}Good kid, but sometimes he gets ideas to do things.

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[groaning, screaming]

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{\an8}-Pretty scary, right? -Yes. What the hell is that?

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{\an8}Giant Todd Head, of course.

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{\an8}I've been working on him for the last six months.

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{\an8}What? Why?

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{\an8}It all started when a rustling from the kitchen

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{\an8}jostled me from tender slumber.

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{\an8}-[blinds rattling] -[panting]

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Uh...

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What was that?

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[gasping]

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If there's a ghost present, please do not scream or have a skull face or be wearing a tattered white satin gown.

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[gasping]

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Someone or something is stealing our food.

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I made a giant papier-mâché Todd head to scare it away. Think it'll work?

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If I made a giant papier-mâché me head, would you stop eating my food?

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You should take this seriously. We might have an infestation.

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We do have an infestation, of Todds. Look at that, they're getting bigger.

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And? Did the head help to ameliorate your pest peccadillo?

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No. Todd abandoned the project as soon as he started working on Cabracadabra.

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-What's Cabracadabra? -That's what I said.

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-What's Cabracadabra? -That's what I said.

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-What's Cabracadabra? -That's what we want you to say.

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If I didn't know any better, you were about to pitch an idea.

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-We are about to pitch you an idea. -I did not know better.

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Has this ever happened to you? Hey, where you headed?

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Oh, yes. That happens to me all the time.

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-We're not at the main part yet. -I'm so sorry. Please continue.

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-To the opera, good sir. -Okay.

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Am I watching to see if the whole thing has happened to me?

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-Or looking for one specific thing? -Kind of both.

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So I just keep watching until I see something that has happened to me?

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-Yes. -What if we get to the end, none of it has ever happened to me?

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Maybe just try to put yourself in Emily's shoes right now.

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Got it. Sorry for the interruption. Please continue.

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-So, is this where you live? -Yes, it is.

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-Alone or are you in a relationship? -This hardly seems appropriate.

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Driver, you're starting to make me feel uncomfortable.

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Yeah, Todd. What are you doing?

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Has a creepy driver ever given you his number or told you that you reminded him of his dead girlfriend?

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Or repeated your address slowly, like he was trying to memorize it?

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-No, never. -Unfortunately, if you are a woman all those things would happen to you every day.

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That's right, Todd. According to my own research, nine out of ten men are total dirtbag creeps, just the worst.

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But what if there was a ride-share service that could guarantee no creepy men drivers because there are no men drivers at all?

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What are you saying, robot drivers?

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What if they become sentient and try to murder us, or unionize?

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That could be a real headache.

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No, not murderous robots. Women.

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Todd, you have done it again.

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Actually, Emily and I came up with it together.

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Todd and Emily, you've done it again for the first time.

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And that's why we're setting up shop at your house.

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Why does it have to be my house?

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There's no room at Mr. Peanutbutter's house.

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It's full of spaghetti strainers.

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-Why? -Who can recall?

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I figure the longer they're there, the bigger the payoff.

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And they've been sitting there for months now.

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So you can bet the payoff's going to be pretty huge.

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[The Closer] So, why did you let them use your house?

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Hey, Todd, where do you want this...?

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[both] Uh...

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[BoJack] I felt guilty. [The Closer] About what?

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[BoJack] Todd had this old girlfriend. I met her a couple weeks back.

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-Hey. -Hey.

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-What are you still doing up? -I got thirsty.

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Then you came to the right place.

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Should we call Todd, see if he wants to join us?

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I'm tired of trying to figure out what Todd wants.

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And what do you want?

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-I'll start with a whiskey. -My kind of girl.

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-So then we had sex. -What? Why?

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I was lonely? She was there? Why does anyone have sex with anyone?

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Intimacy, affection, a deep need to connect to the world at large.

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The same reasons three million people subscribe to the L.A. Gazette.

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-What? -I'm getting ahead of myself.

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Please, continue your story.

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[exhaling]

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-You should go. -Yeah.

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That was a mistake.

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Agreed. A wonderful, sexy mistake for you and a regular mistake for me.

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No, it was a regular mistake for me, too.

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-What are we gonna tell Todd? -Nothing, obviously.

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-I don't want to hurt him. -Neither do I.

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-That's why we won't tell him. -I feel like we should tell him.

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That feeling is you selfishly trying to assuage your guilt.

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If you cared about Todd, you would keep this a secret forever.

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I'm not good at lying.

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Ask me if when I was a little girl, did I ever used to put a stuffed animal in my underpants and rock back and forth on it.

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When you were a little girl, did you ever do that thing you said?

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What? Get-- [stammers] No!

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I think it's gonna be fine. Why would it even come up?

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Not like there's any reason the three of us would ever be in a room together again.

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BoJack, you remember Emily, right?

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-I've never seen you before in my life. -No.

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-You don't remember BoJack? -Oh, yeah. BoJack.

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What... why... What are you here? Why are you doing at Todd's house?

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Todd's house? This is my house.

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It's cool if we set up shop here, right? That's not gonna be weird?

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What? Why would that be weird?

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-What are you implying? -Nothing.

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It's not weird for me either, if we're keeping track of weirdnesses.

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-Okay, what is going on here? -Why would you? I don't even--

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-Literally nothing going on. -No, something's going on.

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I've got a nose for news.

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In this case, Nu is the Greek letter representing the variable for "What Is Going On?"

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So let's solve for Nu, shall we?

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I think someone's not saying something to someone else about something.

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-That's crazy. -I know what it is.

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Cabracadabra's going to be huge.

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No one wants to say it out loud because we're afraid we'll jinx it.

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Yeah. That is exactly what it is.

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Yes. Your stupid business is gonna be very successful.

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-Yes. -Glad that's out in the open.

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We all know what everyone was thinking, we don't need to ask any more questions or do any wondering about mysteries.

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Nope.

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If you'll excuse me, I need to go watch a sport.

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Great idea.

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The worst part is things have actually been going really well with Todd.

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Our friendship is in a really good place.

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Last week he said,

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"Did you know the wiener dog is neither a wiener nor a dog?"

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Instead of saying, "Shut up, Todd," I said, "Okay."

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[The Closer] So, why did you sleep with Emily?

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Do you think that part of you was getting uncomfortable with that closeness?

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You felt like you didn't deserve Todd's friendship

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and you wanted to somehow externalize that feeling into action?

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No, man, I think I'm just a dumb asshole. Can't it just be that?

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When you do bad things, you have something you can point to when people eventually leave you.

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It's not you, you tell yourself, it's that bad thing you did.

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Do you often keep people at arm's length?

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Are you afraid of being known and knowing others?

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Yeah, you know, I think that you're definitely hitting on something real that I would love to drill down into, but I gotta go to this marketing meeting now.

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Which is so annoying because I totally want to keep talking about that thing you're talking about.

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But marketing meetings, right?

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I mean, they're so important. Can I call you back tomorrow?

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-Of course. -Great. Bye.

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-So, how was your marketing meeting? -Weird.

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-Sorry I'm late. -It's fine. We're just getting started.

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I had the worst morning.

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Hanging on every word. Don't tell us.

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So I drove here, right?

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I'm sitting at the entrance to the garage when I realize I don't have my key card.

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I gotta drive all the way home to get it.

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When I got there, I couldn't find it anywhere.

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Suddenly, I remember: I put it in the glove compartment.

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It was in my car the entire time.

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Okay.

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Because I was driving back and forth so much, I ran out of gas.

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I pulled into a 76.

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I was about to pump the gas, I realized I didn't have my credit card, when I remembered it was on my desk at home because I used it to contribute to my friend's dumb Kickstarter campaign.

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Diane...

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Have you donated to Virginia's dumb Kickstarter yet?

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-Oh, shit. -Throw her 50 bucks. You can afford it.

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Yeah, but I don't like feeling like I have to, Roxy.

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Does the world need a stop-motion short film about a pig who goes to circus school?

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Think of it like you're doing a nice thing for your friend.

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Mmm... okay.

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I called a cab to take me home to get my credit card.

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Then back to the gas station, get my car, fill it up and come here.

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So that's why I'm late.

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-Why did you tell us that whole story? -I don't know.

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-Why did you tell me that whole story? -I don't know.

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Anyway, I had the ad agency whip up some options for the new Secretariat ads.

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Good news is the movie is killing out there. Everyone loves it.

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If everyone loves it, why do we need a new ad campaign?

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These are the "For Your Consideration" ads.

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They're a reminder to the Academy, "Have you considered this yet?"

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The Academy doesn't always consider everything.

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So they need constant consideration reminders.

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-That's very considerate. -This one tested the best.

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That's a good one. The rest of these suck.

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Dumb. Dumb. Stupid. Offensive.

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Ugly. Boring. Typical. Stupid.

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Bad. Hideous. Disgusting. Gross. Cliché.

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-I am really good at this. -Huh.

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-I kind of like this one. -How'd that piece of crap get in there?

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We ruled that one out.

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It's actually really powerful.

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[The Closer] What spoke to you about that particular ad?

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[BoJack] I don't know.

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All the pictures of me, they looked backwards.

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When I looked at the mirror ad, I was seeing me as I see myself

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and I thought there was something beautiful about that.

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Intimate, almost.

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Of course you like this ad. When you look at it you see Secretariat, I see an old turtle.

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"Hello, old turtle. Are you Secretariat? No? You're just some old turtle?

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-What the hell? You've aged terribly." -But you've got the heart of a champion.

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I got a team of cardiologists at Cedars who say different.

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Isn't that the point of the movie, that anybody could be Secretariat?

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The point of the movie is to make a lot of money and win awards.

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If anyone who looks at this ad is Secretariat, why should you win the Oscar?

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He's right, BoJack. Why don't you leave this to the experts, okay?

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-Yes. You're a star. -[moaning]

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[The Closer] So, you also had sex with your publicist?

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[BoJack] Yeah, couple times. We have a very complicated relationship.

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It's complicated.

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If our relationship was a Meryl Streep movie, it would be Doubt.

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Don't forget, you have Ellen tomorrow.

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Don't wear that sweater I hate.

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Yes. You're in charge.

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Okay, you know, I gotta say I don't feel like I'm in charge.

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If you're gonna throw a tantrum, forget the whole thing.

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I'm not throwing a tantrum-- Why are we having sex in my car?

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-Can we at least go back to your place? -No, BoJack.

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I don't know where you live.

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You control every part of my life, I don't know anything about you.

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[scoffs]

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-You don't want to know me, BoJack. -No, I do.

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-I want to be known and know others. -You don't.

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I know you and I know what you want. This is exactly what you want.

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[The Closer] What do you think she meant by that?

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Better question: Why am I still getting the L.A. Gazette?

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Do you think getting the paper every day is a reminder of Todd's papier-mâché head?

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The project he abandoned to make time for the old girlfriend

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you spent an intimate night with?

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Could that be why you want to cancel your subscription?

00:15:00

No. I want to cancel my subscription because newspapers are dumb.

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I feel I'm very clear on this point.

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Every morning, someone knocks on my door and says,

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"Throw away this garbage for me."

00:15:09

So you don't feel any guilt about your tryst with Emily?

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Well, I have had trouble sleeping.

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[Emily and Todd laughing]

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[Todd] You're silly. [Emily] No, you're silly.

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Oh, God.

00:15:19

-Okay, your turn, truth or dare. -Truth.

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What is the worst recent thing you did to someone who cared about you?

00:15:27

-The worst thing? Or the most recent? -Both.

00:15:30

Can you keep it down, please? Some people are trying to sleep.

00:15:33

-We are keeping it down. -We've been really quiet.

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-You're basically shouting. -Sorry.

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-Do you want me to whisper? Like this? -Yeah, we can be real whispery.

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No, because then I'll hear the "psst, psst, psst."

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And I'll be up all night wondering what you're talking about.

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-Uh, what would we be talking about? -Yeah, BoJack.

00:15:49

What would we be talking about?

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I don't know. Dumb stuff.

00:15:53

Forget it. Can't sleep here. I'm gonna go sleep in my boat.

00:16:06

[sighing]

00:16:11

-Freeze, candy ass. -[gasping]

00:16:13

-Character Actress Margo Mart--? -I said, "Freeze."

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[The Closer] Hold on. Are you telling me esteemed character actress

00:16:19

and fugitive from the law Margo Martindale has been living in your boat?

00:16:24

Is this one of those situations where everything we discuss is confidential, due to customer service rep-client privilege?

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Of course.

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Then yes, Margo Martindale is living in my boat.

00:16:33

-How long have you been in here? -Well, after the incident in Yorba Linda.

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[yelling]

00:16:43

-[moaning] -Eh...

00:16:45

Well, Margo, old gal, looks like you've bought yourself another day of freedom.

00:16:49

But at what cost?

00:16:51

I knew I had to lay low. Go off the grid, disappear.

00:16:54

I know what "lay low" means.

00:16:56

So, I disappeared for a little bit.

00:17:01

Mm-hmm.

00:17:02

Somewhere I knew I had no chance of being discovered--

00:17:05

regional theater.

00:17:08

I did a run at the La Jolla Playhouse in an obscure Tennessee Williams play.

00:17:12

I have ambition, sir.

00:17:14

Dreams that don't incorporate the concerns of cynics like you.

00:17:18

Cynic. Always laughing that terrible laugh.

00:17:22

-Ramona... -Well, go ahead and laugh.

00:17:24

Laugh your life away. I can laugh, too.

00:17:27

[laughing]

00:17:29

Ramona, I'm telling you...

00:17:32

[wailing]

00:17:43

She's dead.

00:17:47

[applause]

00:17:48

I was good. Too good.

00:17:51

The San Diego Union-Tribune called me, "A talent to watch."

00:17:54

I knew I had to get out of there.

00:17:56

And you've been living here ever since?

00:17:58

That's right. I also did an arc on The Good Wife.

00:18:01

-Other than that, laying low. -The Good Wife?

00:18:03

How did you go on a nationally broadcast TV show with no one catching you?

00:18:07

I disappeared into the role, BoJack. It's called acting. Try it sometime.

00:18:11

And you're the one who's been stealing our food.

00:18:13

You already know too much.

00:18:15

Smoke bomb. Hi-yah!

00:18:18

-Why did you throw a plum on the floor? -Thought it was a smoke bomb.

00:18:21

Where are my smoke bombs?

00:18:23

I'm gonna go sleep by the pool.

00:18:26

-Hey. BoJack's back. -Yup.

00:18:28

My two favorite people in a room together with me.

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-You bet. -Isn't this great, BoJack?

00:18:34

-The three of us under one roof? -Yeah.

00:18:36

It's like Three Men and a Baby.

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But there's only two men, and the baby's a lady.

00:18:41

-[laughing] -Uh-huh.

00:18:47

[yawning]

00:18:49

[chattering]

00:18:52

[sighing]

00:19:00

[The Closer] With all this turmoil and upheaval, sure would be nice to have something you can depend on.

00:19:05

Something that arrives every day at your doorstep, with a robust arts section.

00:19:09

Let me tell you something about the L.A. Gazette.

00:19:12

I don't think you finished the story about your publicist.

00:19:14

What happened when you told her you wanted to know her?

00:19:18

Oh, right. Well...

00:19:19

If we're gonna work together and also have weird kinky car sex,

00:19:22

I wanna know something about you.

00:19:24

What do you wanna know?

00:19:25

I was married once. I have a son I'm not allowed to see.

00:19:28

-My favorite fruit is honeydew. -Gross, is that true?

00:19:31

Does it matter?

00:19:32

Listen, I've been with guys like you before, and I know this thing works better if we keep a little distance.

00:19:37

And... [grunting]

00:19:38

-[groaning] Well, that worked. -Okay, we're done. I'll see you tomorrow.

00:19:43

[The Closer] So, that's how you left things?

00:19:44

[BoJack] That's how she left things. But then I followed her home.

00:19:47

[The Closer] You did what?

00:19:49

[BoJack] She lives in this tiny apartment in the Valley.

00:19:51

I could see her through the window and I just watched her being... normal.

00:19:56

Oh! [sighing]

00:19:58

[The Closer] There's something very intimate

00:19:59

about watching a person be herself.

00:20:02

[BoJack] But it wasn't good intimate, like when you see your mom cry.

00:20:05

It was bad intimate,

00:20:06

like when your dad writes a poem about Lena Horne's nipples,

00:20:08

makes you read it out loud so he can hear if it scans.

00:20:11

[The Closer] She warned you that you wouldn't want to know her.

00:20:13

[BoJack] Yeah. She was right.

00:20:14

It's so sad that when you see someone as they really are, it ruins them.

00:20:20

-Do you have someone you can talk to? -About what?

00:20:23

These feelings you have, your self-destructive behavior.

00:20:27

You know that old joke about how many psychiatrists does it take to screw in a light bulb? The answer is just one, but the light bulb has to want to change?

00:20:35

-I don't know that joke. -That's it. That's the whole joke.

00:20:39

The light bulb has to want to change.

00:20:41

[laughing] Yeah. Psychiatrists are idiots.

00:20:44

That's actually not the point of the joke.

00:20:46

-Hey. I need to talk to you. -What the... I'm on the phone.

00:20:49

I got nominated for the Craig Noel Award from the San Diego Theatre Critics Circle.

00:20:54

Oh, it's too much heat.

00:20:55

I'm taking your boat out to international waters.

00:20:57

You never saw me.

00:20:59

On the phone.

00:21:00

I don't want to talk to anybody.

00:21:02

What I want is to have control over my own life.

00:21:04

[engine starting]

00:21:10

Which is why I'm begging you to please cancel my delivery of the L.A. Gazette.

00:21:14

-I don't think you want to do that. -I promise you I do.

00:21:16

No, because that's just theater.

00:21:18

It allows you to think you're in control, but the whole idea of control is a myth.

00:21:23

The universe is a wild beast.

00:21:26

You can't tame it. All you can do is try to live inside it.

00:21:30

Live inside the beast? That's a mixed metaphor.

00:21:33

-But... you're right. -Great.

00:21:35

I'm going to sign you up for another six months.

00:21:38

Since you've been such a sport, I'm throwing in a tote bag.

00:21:42

Thanks. You've given me a lot to think about.

00:21:47

Okay, so I'm a passenger.

00:21:49

Remember the three D's: drive safely, drive efficiently, and don't harass the passenger.

00:21:55

-Todd, can I talk to you for a second? -Sure. Driver, pull over, please.

00:21:59

-[imitating car braking] -[imitating opening door]

00:22:03

-Can I talk to you alone? -Of course.

00:22:05

Driver, put up the partition, please.

00:22:07

[imitating partition whirring]

00:22:10

I've been thinking, and you should do this without me.

00:22:14

What? But the whole point is we're doing it together.

00:22:17

But you don't need me anymore.

00:22:18

You have a whole team of coders, and I don't think that I can work in this house.

00:22:23

-What's wrong with the house? -Todd, I just--

00:22:25

-I need to go. -[imitating opening door]

00:22:27

I don't understand.

00:22:29

Did I do something to make you feel uncomfortable?

00:22:31

No. You are great. It's me and... BoJack.

00:22:36

BoJack? [sighing] What did he do this time?

00:22:42

I don't think I've been a very good friend to you.

00:22:44

Things happened and...

00:22:47

I don't think BoJack's been a very good friend to you either.

00:22:52

-Oh, okay. -You should buy me out of the company.

00:22:56

No, no, no, keep your share.

00:22:58

Who knows? It might be worth something someday.

00:23:00

You're sweet, Todd.

00:23:01

You shouldn't waste that on people who don't deserve it.

00:23:04

Hey, you want this plum? I found it in the kitchen.

00:23:08

Sure.

00:23:09

-[smoke bomb fizzing] -[both] Whoa!

00:23:10

[coughing]

00:23:13

Weird plum.

00:23:16

[knocking on door]

00:23:18

How did you know where I live?

00:23:19

-Ana... -You need to leave.

00:23:21

No, I know that it's exciting to remain mysterious and in control, but control is a myth.

00:23:25

That's a conclusion I came to recently by myself.

00:23:27

I can't do this now.

00:23:28

I don't want to go home tonight. I want to sleep in your bed,

00:23:31

I wanna see what you look like waking up.

00:23:33

You are a beautiful, sexy, fascinating, terrifying woman.

00:23:37

And I want to know you. I'm not afraid of that.

00:23:40

And you don't have to be, either.

00:23:44

Okay.

00:23:45

And I want to go with the mirror ads for Secretariat.

00:23:49

-BoJack, no, listen. -Ana.

00:23:50

This is my campaign, I know what I'm doing.

00:23:52

Call up Turteltaub and tell him I won't be pushed around on this.

00:23:55

I'm the star and what I say goes.

00:23:58

Okay.

00:24:00

[cars honking]

00:24:03

[Ana] Hmm...

00:24:04

[Carolyn] It kind of just looks like a billboard for the sky.

00:24:07

-I didn't think this part through. -No kidding.

00:24:09

The sky is Secretariat? The sky wants you to nominate it for an Oscar?

00:24:12

It is eerily beautiful.

00:24:14

Like an art piece that resists interpretation.

00:24:17

Oh, good. Yeah. Wouldn't want the ad for my movie to be interpretable.

00:24:21

If you stand where I'm standing, you see a reflection of the KIIS-FM billboard.

00:24:25

Beautiful. So we spent half a million dollars on an Oscar campaign for KIIS-FM.

00:24:28

I'd hate to drive here at rush hour.

00:24:30

When the sun goes down and hits that billboard, that's gonna-- That's gonna be a real problem.

00:24:36

Well, the good news is BoJack got what he wanted.

00:24:40

-[sighing] -[bird screeching]

00:24:42

[all gasping]

00:24:44

Ugh.

00:24:45

♪ Back in the '90s I was in a very famous TV show ♪

00:24:54

- ♪ I'm BoJack the Horseman ♪ - ♪ BoJack ♪

00:24:56

♪ BoJack the Horseman Don't act like you don't know ♪

00:25:03

♪ And I'm trying to hold on to my past ♪

00:25:08

♪ It's been so long I don't think I'm gonna last ♪

00:25:12

♪ I guess I'll just try And make you understand ♪

00:25:16

♪ That I'm more horse than a man ♪

00:25:21

♪ Or I'm more man than a horse ♪

00:25:25

♪ BoJack ♪

00:25:29

Boxer vs. Raptor, ♪ Na-na na-na na-na na-na! ♪