Home > BoJack Horseman
The Light Bulb Scene
00:00:05[techno music playing]
00:00:14♪ In Los Ageless The winter never comes ♪
00:00:19♪ In Los Ageless The mothers milk their young ♪
00:00:25-[BoJack] Nothing's lonelier than a party. -[exhales]
00:00:28Good thing I don't need anyone or I might feel lonesome.
00:00:31-Watch your six. -I'd rather watch your six.
00:00:34[woman chuckles]
00:00:35[techno music playing]
00:00:37-[gunshot] -[gasping]
00:00:38-[grunts] -[Gina gasps]
00:00:41-Hmm. -[gun cocks]
00:00:44-What the hell? -[director] Cut!
00:00:46Come on, guys. Pay attention. The squib didn't fire.
00:00:49-What did I do? -Not you. Squib. Squib.
00:00:51-The squib. -I don't need any help. Thank you.
00:00:53-You're doing great, BoJack. -Yeah?
00:00:55And I did a great job watching you, which is most of what producing is.
00:00:59We're doing it, buddy! First day!
00:01:01Listen, I still have some questions about my character, and the script, and the show, and you asking me to do this show,
00:01:06-and me saying, "Yes". -Hey, can we get rid of Philbert's watch?
00:01:10The network doesn't want us to remind the audience about the existence of clocks.
00:01:13And why we're making a TV show for What-Time-Is-It-Right-Now-dot-com, which is a website for people who don't know their computers already have built-in clocks at the corner of the screen?
00:01:23All your questions will be answered.
00:01:25But in the meantime, would it kill you to smile?
00:01:28[remote clicking]
00:01:29[grunts]
00:01:32{\an8}[theme song playing]
00:02:28[gunshot]
00:02:29-[grunts] -[Gina gasps]
00:02:30Dierdre! I should have known!
00:02:32Just like a bitch to shoot me in the heart, bitch.
00:02:37Good thing I carry this flask full of my dead wife's blood around.
00:02:41[director] And, cut.
00:02:43Hey, Flip. Can I ask why I'm calling her a bitch twice?
00:02:45The first bitch is her. The second bitch is your heart.
00:02:48Okay, you know, I have some questions about my character.
00:02:51[sighs]
00:02:52[beeping]
00:02:56-I have two minutes. -Okay, well, my first question is--
00:02:59{\an8}-BoJack Horseman... -Oh, jeez. Here we go.
00:03:01{\an8}...and Mr. Peanutbutter on the same studio backlot?
00:03:04-One sec-- -What is this?
00:03:05-A mismatched buddy comedy... -No.
00:03:07...about two guys from different sides of the tracks who learn to respect each other because they have a common interest?
00:03:13-Who's this guy? -Ignore him. Why--
00:03:15And a grudging respect blossoms into real friendship
00:03:17{\an8}as they set aside their differences to achieve a shared goal...
00:03:20{\an8}-Stop it. -...each bringing their own strength to the table, and possibly there's a karaoke scene?
00:03:26Why does John Philbert's house look the same as my house?
00:03:29I've never been to your house.
00:03:30The set was designed to reflect Detective Philbert.
00:03:34Spare, lonely, precariously balanced on a hill of his own isolation.
00:03:39It kind of looks like David Boreanaz's house.
00:03:41{\an8}The set designer actually took a tour there.
00:03:43{\an8}Oh, that's very interesting.
00:03:45Why are you here?
00:03:46I'm playing Julius Caesar on the stage next door, in a movie!
00:03:50Well, it's a short film.
00:03:51-I gotta run. -Wait!
00:03:52I'll see you next time I'm Roman around the lot!
00:03:55{\an8}-Flip, when can we talk? -Tomorrow morning.
00:03:59{\an8}-Hi. -Hey.
00:04:01[drums playing]
00:04:03[grunts, groans]
00:04:06{\an8}-[pants] -Yikes, was that it? You done?
00:04:10{\an8}-[exhales] -Wow.
00:04:11{\an8}Sorry, I can't do you.
00:04:13{\an8}I'm too distracted, I'd just do a bad job.
00:04:15{\an8}You know your own body better than me anyway so just go to town.
00:04:18{\an8}Yeah, I'm gonna go.
00:04:19{\an8}Wait, Gina. Can I ask you a question, about you?
00:04:22{\an8}Uh-huh?
00:04:23{\an8}Do you think I'm right, and the Philbert character is poorly written, and Flip needs to write him better, so I don't look so bad?
00:04:29Look, I do one of these shows every year.
00:04:31And I keep getting hired because I show up, do the work, and keep my head down.
00:04:34But do you love this script? Do you love your character?
00:04:37{\an8}Do I love Internal Affairs Director Sassy Malone,
00:04:40{\an8}whose primary character traits are that she hates bras
00:04:43{\an8}and loves cold rooms?
00:04:44{\an8}Not especially. It feels gratuitous and male-gazey.
00:04:47{\an8}But it pays for my expensive habit of having a mortgage
00:04:49{\an8}-in Southern California. -You don't have to go.
00:04:52We could hang out.
00:04:53I'm sure you don't wanna be all alone in a house by yourself.
00:04:56{\an8}No, I love being alone. I wish I were alone right now.
00:04:58{\an8}-[door opens, closes] -[sighs]
00:05:13[inhales, exhales]
00:05:20Huh.
00:05:22-[phone beeps] -[line ringing]
00:05:24[Hollyhock grunts] BoJack? Why are you up?
00:05:28I could ask you the same question.
00:05:29Now you're in college you don't need to sleep anymore?
00:05:32No, I was sleeping.
00:05:33You called me and woke me up.
00:05:35Oh, right.
00:05:36I wanted you to know that I hearted your Instagram photo.
00:05:38Okay, cool.
00:05:40Well, there were 23 other hearts.
00:05:41But I don't know if you know who they're all from, but one was from me.
00:05:45Yeah, they let me know.
00:05:47Oh, cool, cool.
00:05:49Okay, I'm going back to sleep.
00:05:52Fine, but this phone call does not replace our weekly Sunday call. Okay?
00:05:55Yeah, I'll talk to you Sunday afternoon.
00:05:58Yes. Good. Because I miss you.
00:06:00Sorry, that sounded dumb. I don't miss you, I'm just bored.
00:06:04-That also sounded dumb. -I miss you too, BoJack.
00:06:07[phone beeps]
00:06:09[Todd panting]
00:06:12Good morning, lovebugs!
00:06:13Don't mind me, just passing through! Not sneaking a peek at the lovebugs!
00:06:17There's nothing to see that would embarrass any of us.
00:06:19-We are all fully clothed. -Ha-ha. If you say so!
00:06:23What are you gonna do while I'm at work all day?
00:06:25There's an old frog who lives down in the L.A. River.
00:06:28He owes me an egg salad sandwich, on account of a caper we once went on.
00:06:32-What? -I was gonna see if he wants to make instruments out of shoeboxes and rubber bands.
00:06:37And, uh, that will satisfy you?
00:06:39When your life is ends, and you're looking back at this day, you'll think that was a good day?
00:06:44Yeah?
00:06:49Well, from your preliminary paperwork you seem like a perfect candidate.
00:06:52Thanks, I just never thought it would be like this.
00:06:55I mean, my mom popped out kids by the dozen. And I can't even--
00:06:58Mnh-mnh. Princess Carolyn, is your name Cutie Cutie Cupcake?
00:07:01-No, that's-- -Were you born on August 12th, 1947?
00:07:04-I-- -Do you sleep with your hands stuffed
00:07:06-in lotion-filled socks? -No.
00:07:08Right, because you are not your mother.
00:07:11-How did you know-- -What you are is noble, honorable, and unimpeachable.
00:07:15Anyone can just have a baby. But to adopt one? That takes a hero.
00:07:20It takes a selfless, giving, kickass superwoman who's willing to take out her checkbook right now and write the adoption agency a check for $60,000.
00:07:30Well. [sighs] Okay.
00:07:31Fabulous.
00:07:32I'm just so glad that I'm on this journey with you.
00:07:35Princess Carolyn, I'm with you every step of the way, from you giving me this check all the way to me introducing you to your new caseworker, Tracy.
00:07:43-Hey. -Ah!
00:07:44You're in wonderful hands, bye!
00:07:46Uh, what--
00:07:47Congratulations. What are you, like, five months pregnant?
00:07:50No, I'm not a birth mother. I'm adopting.
00:07:53Oh, that makes sense. 'Cause you're so old.
00:07:55Is Mikhaela ever coming back?
00:07:57-[scoffs] Yeah, in your dreams. -[sighs]
00:08:03Yes. Yes. No. Yes. What?!
00:08:07Jeanine, the script calls for hot and haunted.
00:08:10Does this girl look hot and haunted to you?
00:08:12Yeah, I'm sure she was hot for Shakespeare in the Park, but I need TV hot.
00:08:17-Actually, she's starting to look haunted. -[door opens]
00:08:20-Hey! Uh, this a bad time? -It's fine.
00:08:23I can talk to you and also judge these women's bodies at the same time.
00:08:27What do you want?
00:08:28Okay, well, first of all, the script is great.
00:08:30Really top-notch stuff. I love the whole... thing of it.
00:08:34I just wanted to clarify some things about Philbert as a character.
00:08:38Mm-hmm.
00:08:39Yeah, okay, on page three, is it necessary that Philbert can only orgasm if he's listening
00:08:44-to a recording of his dead wife's voice? -Yes.
00:08:47Okay, well, what about this thing on page eight where he goes to a strip club and just sits in the back with a sketch-pad and draws the strippers, while a Leonard Cohen song plays?
00:08:56What about it?
00:08:57It's just that all of these half-naked women.
00:08:59I mean, I understand it.
00:09:01I'm just worried it might come across as gratuitous and, uh, male-gazey, which I know it isn't!
00:09:07Hmm. You know what? You girls can go home.
00:09:10The stripper scene's cut.
00:09:12-No. -Seriously?
00:09:13-Uh, oh. Uh... -How am I gonna feed my baby?
00:09:15I just got an idea for something better.
00:09:18So, instead of drawing strippers naked, you're just going to draw Gina naked.
00:09:23[BoJack] Uh...
00:09:24Gina, BoJack was concerned the old scene was gratuitous and male-gazey.
00:09:28Oh, he was? BoJack said that?
00:09:30[Flip] This is much more interesting and motivated by character.
00:09:33And since it's motivated by character, that means it's not gratuitous.
00:09:38Thank you for the note, BoJack, you really helped.
00:09:41Yeah. Thanks, BoJack, for helping.
00:09:43-Oh, um... -[Flip] Can we get some ice?
00:09:45Can we get some nipple ice for Gina?
00:09:51-So, you're the famous Yolanda. -I am not famous.
00:09:54You might have me confused with another more famous Yolanda.
00:09:56I know, I-I just meant because Todd talks about you so much,
00:10:00I feel like you're famous.
00:10:01Oh, well, that was not clear.
00:10:03Okay. Todd, why don't you say things now?
00:10:05Steve, you still fixing up your truck?
00:10:07You're thinking of Emily's old boyfriend, firefighter Steve D'Marco.
00:10:11Yeah, I'm firefighter Steve D'Mazio. We're very different.
00:10:14But I do have a truck, and I'm fixing it up.
00:10:16So, thanks for asking.
00:10:17I created a dating app for firefighters to meet me.
00:10:20-Looks like it worked. -[chuckles] Yeah.
00:10:22Hey! We should create a dating app for asexuals.
00:10:26Why would asexuals want a dating app?
00:10:28Well, not all asexuals are aromantic.
00:10:31-Uh... -Think of it this way.
00:10:33One could be: A, Romantic, or B, Aromantic, while also being A, Sexual, or B, Asexual.
00:10:41So you could be BB, or BA.
00:10:44As for me, see AB, see?
00:10:46Uh...
00:10:47So, even within the one percent of the population that's asexual, there's an even smaller percentage that is still looking for romantic companionship.
00:10:56Seems like a pretty thin user base for an app.
00:10:59But without it, asexual romantics might end up settling for just whatever other asexual romantics they might meet, even if they have nothing else in common.
00:11:07-Well, anyway-- -Yeah, but maybe it's good if they have nothing in common because then they can help each other grow and change, and become fuller, more well-rounded people.
00:11:17Yeah, that's true.
00:11:18So, Todd, are you still doing that rabid clown-dentist exercise thing?
00:11:22Oh, no, that whole thing kinda fell apart when the clowns got loose.
00:11:28[mystery music]
00:11:30Huh?
00:11:33I know you killed your wife, Philbert, and I'm gonna prove it.
00:11:35[Mr. Peanutbutter] Wow!
00:11:37Don't finger me for a murderer, Malone.
00:11:39I don't know where those fingers have been.
00:11:41[Mr. Peanutbutter] Ooh!
00:11:42Well, how about I show you?
00:11:44-[Mr. Peanutbutter] Wow! -[Flip] Cut!
00:11:47Someone keeps shouting "Wow" and "Ooh."
00:11:50You guys are doing a bang-up job over here.
00:11:52So sayeth Caesar! King of the apes!
00:11:55Look, man, I know what you're doing, okay?
00:11:57You're trying to punish me. Just don't punish Gina.
00:11:59I'm not trying to punish anyone.
00:12:01I'm just trying to make a good show that's brilliant and unprecedented.
00:12:05It sounds like you guys are basically on the same page.
00:12:07You're the only one with a problem here.
00:12:09-Gina is fine with it. -Gina is not fine with it.
00:12:11You guys, you're almost saying exactly the same thing.
00:12:14Except one of you is saying "not".
00:12:16Gina, do you have a problem with the nudity in this scene?
00:12:19It's great. It's brilliant, unprecedented. I'm gonna get some potatoes.
00:12:22You see? Everyone's fine with it but you.
00:12:24So, can we drop it?
00:12:26I know you're used to being the most important person on set.
00:12:28-This is not about me. -It's weird for you that I don't need to listen.
00:12:32-I'm not-- -Hey, hey--
00:12:33But if you actually have notes that are helpful,
00:12:35I would love to hear them when you're done swinging your dick around.
00:12:38-No, this is not about my dick. -Okay, fellas...
00:12:40-Well, maybe it should be about your dick. -What?
00:12:44Since you're so concerned about the male gaze, let's give the females something to gaze at.
00:12:49We'll do a full-frontal nude scene with you.
00:12:52This is compromise! This is working together.
00:12:54-Well, hold on. -Fully exposed, Philbert reaches up
00:12:57-with both hands to screw in a light bulb. -Yes!
00:12:59He totters in little circles on a tiny stool.
00:13:03-Wouldn't I just turn my wrist? -Full body rotation. We see everything.
00:13:07Now we're talking!
00:13:08-No, we're not! Princess-- -I'm on it.
00:13:10Flip, BoJack can only do this scene
00:13:12-if he can wear a T-shirt. -What?
00:13:13He's very self-conscious about his belly area.
00:13:16No, I'm self-conscious about my penis area.
00:13:19He can't wear a shirt.
00:13:20It's about being vulnerable.
00:13:22We see every fold and imperfection of his wrinkled, saggy body.
00:13:26-Hey! -So we like him.
00:13:28But he has to be fully erect so we respect him.
00:13:30-What? -We'll shoot it tomorrow.
00:13:31-Yeah. -Unless you don't like this idea, in which case, we can go back to what we were doing.
00:13:35-Right. -Well--
00:13:36So, you would be admitting that you don't actually care about the male gaze and you were only giving me notes to hear yourself talk.
00:13:43But that's not it, right?
00:13:45-Right. -Great.
00:13:46-Shooting is tomorrow afternoon. -Okay.
00:13:47-I'll send the waxing kit over tonight. -Philbert waxes?
00:13:50Not for cosmetic purposes. He just wants to feel something.
00:13:56-[chuckles] -Huh?
00:13:58I like your friend. It's impressive how she creates companies.
00:14:01And her boyfriend has an interesting career as well.
00:14:03Yeah! And you have an interesting career.
00:14:06Hey! The three of you all have interesting careers.
00:14:09That is so cool!
00:14:11Todd, do you ever feel weird that you have no discernible life direction?
00:14:15-No. -Let me rephrase that.
00:14:16I feel weird that you have no discernible life direction.
00:14:19-Oh. -I mean...
00:14:21-What am I supposed to tell people? -A story? A joke?
00:14:25Compliments are things people like being told sometimes.
00:14:29I'm sorry. How was your day? Did you end up meeting with that frog?
00:14:33No, I just stayed home and looked at stuff on the Internet.
00:14:36Oh.
00:14:41-[gasps] -Hello, Princess Carolyn.
00:14:43You're not Princess Carolyn. Why are you not Princess Carolyn?
00:14:46-She gets home pretty late. -I came all this way for nothing?
00:14:49I brought my spinny chair and everything!
00:14:50Well, if you want something to do, you could help me find a job.
00:14:54-You're looking for a job? -I spent all day looking!
00:14:56First, I thought I should get a newspaper to find one, but then I was, like, "Where do I find a newspaper?"
00:15:01-Uh. -So, I looked it up.
00:15:02And a map came up of my local area.
00:15:04So, then I thought about how I know this area pretty well, but there's all kinds of areas I don't know.
00:15:09-Like South Africa. -Okay.
00:15:11-And then I thought about Charlize Theron. -Uh, right.
00:15:13And then I thought about that movie Monster.
00:15:16And then I was, like, "What year did that come out?"
00:15:18-So I went to Monster.com... -[pc clacking]
00:15:20...to look up facts about the movie Monster, and it turns out they have job postings there!
00:15:25-[Bojack sups] -What a time to be alive!
00:15:27Hey! A posting for WhatTimeIsItRightNow.com!
00:15:29[Todd] Oh, a janitor job.
00:15:32I've always wanted to... Janet!
00:15:35I just got an amazing idea. Interview for that job!
00:15:37Uh... Was that your amazing idea?
00:15:40Because I feel, like, it kinda came out of the room.
00:15:42When you get in the building, say you need to use the WC.
00:15:44Then you'll sneak into the office of one of the network execs.
00:15:47Go into their email and send a message to Flip McVicker telling him he can't film any more nude scenes because they're derivative and unnecessary,
00:15:54-especially the nude scenes involving me. -You are throwing a lotta words at me.
00:15:58Todd, don't you get it? We're gonna save the show!
00:16:02You're on a show?
00:16:06This is a very impressive resume.
00:16:08Yep. Now, if you'll excuse me, I must adjourn to the restroom.
00:16:12You founded a ride-share app. You built and managed your own theme park.
00:16:16And you were, briefly, Governor of California!
00:16:19I was also the director of a Star Wars movie, but they fired me over "creative differences."
00:16:24Now about that restroom...
00:16:26Hold on. You are way overqualified to be a janitor.
00:16:28-Okay. But I do actually need to go. -Oh, you need to go, all right.
00:16:33-Straight to the top of this company! -[gasps]
00:16:38We're ready for you on set, Mr. Horseman.
00:16:40Just a minute.
00:16:41-[cell phone rings] -All right! Todd, did you do it?
00:16:43[woman on phone] Hold please for Mr. Chavez.
00:16:45-Already I don't like this development. -[Todd] Hey! Good news, bad news.
00:16:48Good news is I'm now President of Ad Sales and Streamable Content
00:16:52for WhatTimeIsItRightNow.com and...
00:16:55-WhatTimeIsItGo. -[BoJack] What?
00:16:57Bad news is I can't help you.
00:16:59Why not? You're their boss now. You can tell them what to do.
00:17:02I could, but I'm no leader at all if I can't delegate authority.
00:17:06-I need to focus on big picture stuff. -[grinding]
00:17:09Loving that picture. Can we get it even bigger?
00:17:11Ugh, Todd, your good-hearted naiveté has once again conspired with outrageous happenstance to completely dick me over!
00:17:19Have you tried just talking to the show runner?
00:17:21In my experience, I've found it's best to shoot straight, in the boardroom and on the driving range.
00:17:27-[grunts] - I gotta jet.
00:17:29It's Susie in HRs birthday and if I don't show up to these things, people talk, you know what I mean?
00:17:34-I never do! -[cell phone beeps]
00:17:37-Hey, Flip, we need to talk. -Okay.
00:17:39-I'm not doing the naked scene. -What?
00:17:40The only reason you wrote it is to embarrass me.
00:17:43BoJack, I'm not writing scenes for my television show and also directing them in order to teach you lessons or send you secret messages.
00:17:51I'm just trying to make a good show.
00:17:53-Why do you keep making it so difficult? -I'm making it difficult?
00:17:56I have done nothing, but be a friend to you.
00:17:59I actually called my mom last night and told her that I made a friend on set.
00:18:03Do you wanna make me a liar to my mother?
00:18:06-What? Ew. Weird. -Take off that robe and go to set.
00:18:09-No. -Take off that robe right now.
00:18:12Why can't you act like a professional and get naked?
00:18:15Because it's dumb! This whole show is duuuuuuumb!
00:18:19What?
00:18:20It's confusing, it's overwritten, and it's poorly lit.
00:18:22The darkness is a metaphor for darkness!
00:18:26And worst of all, it's boring!
00:18:27It has nothing to say, and it says that nothing badly!
00:18:32[inhales] Let me tell you how this is going to be.
00:18:35I am the show creator and if I want your character to get naked, he gets naked.
00:18:40If I want him to speak only in Korean, you're learning Korean.
00:18:44If I want your character to shit his pants and walk around with shit in his pants for the rest of the season,
00:18:49-you will do just that. -[mystery music]
00:18:51-Oh, come on. -You signed a contract.
00:18:53And that means I am your god.
00:18:55You will please your god, and if I don't see your ass on set then I will see your ass in court.
00:19:02Do you understand?
00:19:04[groans]
00:19:05That's a good note about the lighting. I'll take a look at that.
00:19:10Good news! We found a birth mother!
00:19:13Really? A-already?
00:19:14She came in yesterday.
00:19:16She's giving her baby to a sweet couple in Illinois.
00:19:18-What? -Oh...
00:19:20Did you think we found a birth mother for you?
00:19:23Conceited much?
00:19:24Tracy, I’m spending a lot of money to be here with you and I'm putting myself in a very vulnerable position.
00:19:29Is there any way you can be a little more thoughtful with the way you manage me as a client?
00:19:34It sounds like what you're looking for is an adoption manager.
00:19:37This is an adoption agency.
00:19:39-Do you not know the difference? -[sighs]
00:19:41-[cell phone buzzes] -What?
00:19:42Princess Carolyn, I overplayed my hand.
00:19:45BoJack and I got into a fight.
00:19:46-And he never showed up on set. -What?
00:19:49-[horn blaring] -What?
00:19:50[BoJack] Princess Carolyyyyyyyn, I need to talk to youuuuuu.
00:19:55[sighs]
00:19:56-BoJack. -Hold on, I got a thing with a chair.
00:19:59How did you even find me?
00:20:01Duh. Bought a burner phone, slipped it into your purse, and then used the Find My Phone app.
00:20:05How thoughtful.
00:20:06[deep voice] Hello, Princess Carolyn.
00:20:08Oh, God.
00:20:09I have a plan and I need your help.
00:20:11-I found out his mom has a fake leg. -Who's mom?
00:20:13Flip. I'm gonna seduce her, steal her leg, and then smack him across the face with it until he chokes on his own blood.
00:20:20It's subtle, but I think he'll get the message.
00:20:23BoJack, what are you trying to accomplish here?
00:20:25I-I don't want to do the show.
00:20:27So you're gonna run away like you always do?
00:20:28Yeah. I never wanted to do this show!
00:20:30-You faked my signature! -And I told you that, and you said, "Okay" because you wanted to be a good friend to me!
00:20:36So, you can't get points for that and then resent me for it now.
00:20:39-It's not about you! I don't like him! -Oh, Flip's not that bad.
00:20:42He's just insecure and is overcompensating a little.
00:20:45I know that must be a foreign concept for you.
00:20:47No, not Flip. Philbert.
00:20:49He-he's a drunk. He's an asshole. I don't want to be him.
00:20:53So, maybe don't be the drunk asshole.
00:20:55Maybe this time, you have a good attitude and you don't drink so much and you show up at your call time.
00:21:01And then you put on the Philbert costume and you pretend to be this other guy.
00:21:06And then when you're done shooting, you take off your costume and you're BoJack, the star of the show that everybody likes.
00:21:13-Yeah? -Yeah.
00:21:14Hey, why are we at an adoption agency? Are you adopting something?
00:21:18-I'm trying to. -Oh.
00:21:20So, can you keep it together for the next ten weeks so I don't need to come to set, every day, to put out fires?
00:21:26You think you could do that? For me?
00:21:32[inhales]
00:21:33[exhales]
00:21:36[Flip] Action.
00:21:38[Diane] Hey, stranger.
00:21:43It sounds like you had an amazing trip.
00:21:45I did. What have you been up to?
00:21:47Well, I did play Julius Caesar in a pizza commercial that they're going to... [chuckles] ...get this, show in movie theaters.
00:21:54Wow, look at you. Pizza.
00:21:56Et Cru-Dités?
00:21:58-What? -That was my line.
00:21:59I played Little Caesar's dad, Big Caesar, in the back story part of the commercial, which is funny because most commercials don't even have a back story part.
00:22:07Also, Little Caesar's doesn't sell crudités.
00:22:09Oh, man, my part's definitely going to get cut, huh?
00:22:12Just like the real Caesar!
00:22:14Hey, that's right!
00:22:18-Well, here's your place. -[horns honking]
00:22:20Yep. Here it is.
00:22:23Well, anyway, I signed the papers.
00:22:25Oh. Great!
00:22:27Yeah, so if it all looks good to you and your lawyer, you can sign it too and then it'll be official.
00:22:32Divorce completed.
00:22:34-Yay. -We did it.
00:22:36Take that, our marriage!
00:22:39-Well, I guess I'll see you around? -Yeah.
00:22:43-I was going to-- -Sorry.
00:22:44-[both laughing] -Sorry. Just go all the way.
00:22:47-Well, bye. -Cool.
00:22:50[grunts]
00:22:53[Flip] And, cut.
00:22:54-[buzzes] -[Flip] We got it.
00:22:56What's that for? We've all seen me naked.
00:22:59Can't put the genie back in the bottle now, baby.
00:23:01[crew laughing]
00:23:02Thanks anyway, Judy.
00:23:04This is great. Any other work environment
00:23:06{\an8}and this would be considered sexual harassment.
00:23:07{\an8}-[laughter] -Ooh, Cadbury Creme Eggs.
00:23:09{\an8}Yes, please! Whoops. Gonna need new yogurt.
00:23:12{\an8}-[groans] -I'll make it up to you,.
00:23:14Party at my house tonight!
00:23:16[crew cheering]
00:23:18♪ The last days of the sunset superstars ♪
00:23:22♪ Girls in cages playing their guitars ♪
00:23:25So, then Aaron Eckhart said, "If that's Ansel Elgort, then who's Alden Ehrenreich?"
00:23:30-And then I said, ''Gesundheit'' -[all laughing]
00:23:34-Flip! You made it. -Yeah.
00:23:36Jesus Christ, your house really does look like Philbert's.
00:23:39That's what I've been trying to tell you.
00:23:42Thanks for being so cool today about the naked stuff.
00:23:45Yeah. Sure.
00:23:46Those chicks always make such a big deal about their bodies.
00:23:49Maybe now that you've done it,
00:23:50Gina won't complain so much next time we make her do it.
00:23:53-Well, no, she didn't complain. -Whatever. Doesn't matter.
00:23:56-Everything worked out. -Yeah.
00:23:58Listen, I'm sorry I flew off the handle earlier and tried to remove your robe by force.
00:24:03This is my first show and I'm still figuring out how to strike the right tone.
00:24:07No, of course, I'm just trying to help you fulfill your vision.
00:24:10Yeah. The main thing you gotta know about me is just don't take things so personal, you know what I mean?
00:24:15Uh, yeah.
00:24:16Everything we're doing over these next ten weeks, the places I'm going to take you, it's not about you, you know?
00:24:23-It's Philbert. -Yeah. Right.
00:24:25Yeah, you get it.
00:24:26♪ Oh, my Lord Oh, we really did it now ♪
00:24:32I tell you, buddy, this is going to be a sensational season of television.
00:24:37♪ But I can keep running No, I can keep on running ♪
00:24:40[vocalizing]
00:24:46♪ How can anybody have you? How can anybody have you and lose you? ♪
00:24:50♪ How can anybody have you and lose you And not lose their mind too? ♪
00:24:55♪ How can anybody have you? How can anybody have you and lose you? ♪
00:25:00♪ How can anybody have you and lose you And not lose their mind? ♪
00:25:08♪ How can anybody have you? How can anybody have you and lose you? ♪
00:25:13♪ How can anybody have you and lose you And not lose their mind too? ♪
00:25:18♪ How can anybody have you? How can anybody have you and lose you? ♪
00:25:23♪ How can anybody have you and lose you And not lose their mind? ♪