Home > BoJack Horseman
A Quick One, While He's Away
00:00:05[monks chanting]
00:00:06-[waves crashing] -[bell tolling]
00:00:11A hummingbird smiled at me on my walk this morning.
00:00:15In small pleasures such as this, I'm reminded of the presence of the Lord.
00:00:19-As you ought. -And yet...
00:00:22-No. -Out with it, Sister Marguerite.
00:00:24To hesitate is to waste time, which is a sin when time could be elsewise spent in prayer, or handwashing Monsignor Toscani's 1962 Alfa Romeo, which is itself a form of prayer, is it not?
00:00:36Of course. Yet I find myself consumed by thoughts of my past.
00:00:41You have no past. You've confessed.
00:00:43Your sins have been washed clean.
00:00:45This is like day one stuff, what are we talking about here?
00:00:48The people I've hurt, the lives I've ruined, are they washed clean as well?
00:00:55Your regrets are of no benefit to the Lord.
00:00:57Ruminating so is a solipsism unbefitting a sister of the cloth.
00:01:01Is it solipsism to be concerned with the fates of others?
00:01:05Perhaps one could argue cloistering oneself from the world is itself a form of solipsism.
00:01:10[stammers] If one were being ungenerous.
00:01:12Remember when you first arrived here and you didn't talk for like two years?
00:01:17I will trouble you no further, Mother.
00:01:19Lord, how you challenge me with so vexing a pupil.
00:01:23-[car engine starts] -Hmm?
00:01:24[shouts] What dereliction is this?!
00:01:26When you get to Heaven, look up Margo Martindale!
00:01:30I won't be there, but my movies will!
00:01:33-[tires screech] -[Margo shouts]
00:01:35{\an8}[theme music playing]
00:02:30{\an8}I wanna know what's changed since the strike.
00:02:32Are assistants treated better or have things reverted to business as usual?
00:02:35{\an8}Yeah, give me ten inches. I also want a roast beef sub.
00:02:38{\an8}-Six inches. -[intercom beeps]
00:02:39-[woman] Paige Sinclair is on her way up. -Ah, shit.
00:02:42She's the best reporter this building's ever seen, but, goddamn, is that woman a pain in the ass.
00:02:46[Paige] Colleagues!
00:02:48Your eyes do not deceive!
00:02:49You may find my gown overly formal for the workplace, but that is because I am, as of today formerly a member of this vaulted institution.
00:02:55As I'm to be wed tonight and the newsroom is no room for a domesticated woman,
00:02:59-I bid you farewell. -[man screams]
00:03:01Okay, goodbye.
00:03:02Yes, mine was a storied run as the star reporter for "The Reporter."
00:03:05"Front Page Paige," they called me!
00:03:07-Well, we'll miss you, Paige. -Indeed.
00:03:09My shoes don't fill easy, my left foot striking a more robust silhouette than her starboard sister.
00:03:13{\an8}But I cannot prolong my engagement.
00:03:15{\an8}After all, time, as they say, is a river without banks.
00:03:18{\an8}Time may not have banks, but this periodical certainly does.
00:03:21Maximillian Banks, at my service!
00:03:23[scoffs] Maximilian Banks.
00:03:25{\an8}I may lack your nose for news, but I've got an eyeball for a highball!
00:03:29{\an8}Why, this man couldn't string together two clauses
00:03:31{\an8}without ending on a preposition.
00:03:33{\an8}I don't know what you're referring to.
00:03:34You could fill a library with all the things you don't know.
00:03:36In fact, they do. They call them libraries.
00:03:40Guys, we're trying to work here.
00:03:41No matter, I shan't be staying.
00:03:43My sweet betrothed, Baxter Bellamy, awaits with champagne to chauffeur me directly to my nuptials,
00:03:47{\an8}and I didn't think I'd visit long,
00:03:48{\an8}so I left him in the car with the windows up. [chuckles]
00:03:51Good, I've got business to attend to as well.
00:03:53{\an8}I'll have you know it's almost time for my mid-morning confabulation
00:03:57{\an8}with a former stage mother to the stars, Mrs. Carol Himmelfarb-Richardson.
00:04:01You've been taking those phone calls?!
00:04:03Yes, she is as loony as a Canadian dollar,
00:04:06{\an8}but she is a scintillating conversationalist.
00:04:09Oh? What about the conversation scintillates?
00:04:12She calls every day to see if we have any information on her dead daughter.
00:04:15-The answer's always no. -Sounds like a scoop.
00:04:17It's not. It's a pop star who overdosed. Open-and-shut case.
00:04:20-All the better for opening and shutting. -Why do you have that?
00:04:23{\an8}Baxter, my boy, my dear sweet beautiful bridegroom,
00:04:27{\an8}best put the champagne on ice.
00:04:28I've got a story that simply demands my attention and I just couldn't marry you before it's settled.
00:04:32{\an8}I'd only be distracted, which isn't fair to you or me.
00:04:35{\an8}Oh, darling, I've already committed to being your wife.
00:04:38What, you need to hear a few measly words?
00:04:40Well, "I do." Does that satisfy?
00:04:41I do, I do, I do,
00:04:43{\an8}and I do want you to wait for me to ring you again shortly.
00:04:46{\an8}[snorts] I knew you'd understand.
00:04:49Oh. Mm! [snorts]
00:04:51Now, as to the girl. I smell beans. Spill 'em.
00:04:54The girl's name was Sharon Lynn.
00:04:57{\an8}It's Sarah Lynn.
00:04:59{\an8}Hmm...
00:05:01♪ Don't you touch my prickly muffin ♪
00:05:06{\an8}Did you ever notice that this music video takes place in a planetarium,
00:05:10{\an8}-and Sarah Lynn died in a planetarium? -Huh.
00:05:13-Uh... Hey, Tawnie. -[music stops]
00:05:15Are we going to this party?
00:05:16I didn't come all the way down to Manhattan to just watch you watch your boyfriend be on the internet at his parents' fancy house.
00:05:22{\an8}Don't parent-shame him, Hollyhock.
00:05:24{\an8}It's not Trey's fault he grew up in an Upper Westside brownstone.
00:05:27{\an8}Also, I'm not her boyfriend. We're uncomplicated like that.
00:05:31Come on! We're missing the party.
00:05:33{\an8}What? No. If we show up before 2:00, everyone's gonna think we're losers.
00:05:37Fine. But can't we do something else while we wait? [gasps]
00:05:41Let's explore the city!
00:05:45-[sighs] -[siren wailing]
00:05:47The Big Apple.
00:05:50There she is.
00:05:52Apparently, there's a bar around here called Hartigan's.
00:05:55My cousin and his friends call it "They-Don't-Cardigan's." I don't get it.
00:05:59Wow, a real New York bar. That could be cool.
00:06:02Yeah, a bar! But how often are we in New York?
00:06:07Let's go to the top of the Empire State Building, like the big ape in that movie, Sleepless in Seattle!
00:06:12All right! Big building!
00:06:13[thunder rumbling]
00:06:19Lord, we thank You for this bounty-- Ella?
00:06:22That place you sent me didn't fix me.
00:06:24Because I am not a thing to be fixed, Daddy.
00:06:27Have a seat. We're havin' bacon-blasted chicken fingers from Chicken-4-Dayz.
00:06:31I'm not staying. I'm going to a place where the people accept me.
00:06:35You sit your ass in that chair, Ella, because that place is right here.
00:06:39Oh, Daddy!
00:06:41That's what I wish I'd said.
00:06:42I haven't seen Ella in four years, but every night I bring home dinner,
00:06:46I get an extra bucket of bacon-blasted chicken fingers just for her, so that if she ever comes home...
00:06:50she'll know that she's welcome at our table.
00:06:53Huh?
00:06:54Kelsey Jannings, our little indie film darling,
00:06:58I think I speak for both of us when I say gooba, gooba, hey, yah, yah!
00:07:02Tears. Feel my cheeks. Damp cheeks over here.
00:07:05I do notice it's not as Chicken-4-Dayz-focused as maybe it seemed in the outline stage?
00:07:10Talk us through your journey there.
00:07:11What do you want? You want a close-up of the bucket?
00:07:14Ooh, I think that would make it feel like a commercial, and what's so innovative about this content is that it's not a commercial.
00:07:20Right, I forgot about the innovative part of it. Excuse me.
00:07:23Our target demo responds poorly when they feel they're being advertised to, but they love stories that engage them on their level, utilizing themes of inclusivity, as well as dunking on the olds.
00:07:34Ah, yes, teens love dunking on olds, is there any way to get more of that in?
00:07:39-Well, we already shot the ad. -Not an ad.
00:07:41The immersive product placement journey.
00:07:43But maybe I can find takes that are in more of a dunking tone, as well as shots that highlight more prominently but do not feature the bucket of chicken-bacon finger-blasters.
00:07:52Thank you for letting us help you share your beautiful vision with the world.
00:07:56No. Thank you.
00:07:59[bicycle bell rings]
00:08:01[scoffs] I'm sorry, it's bullshit.
00:08:03A gig's a gig.
00:08:04And Vassar doesn't accept indie cred in lieu of my daughter's tuition.
00:08:07I just don't believe it. You're a way better director than I am.
00:08:10If you'd told me that one day you'd be doing chicken commercials--
00:08:14-Not a commercial. -That you'd be doing sponsored content pre-roll for Beverly Hillbillies reruns on Gronkle while I'm directing another action-adventure blockbuster, this one set in the world of competitive ballroom dancing, working title, "Balls to the Wall," if you'd told me that...
00:08:29You'd be super-stoked?
00:08:30Yeah, first, I'd be really stoked, but then eventually, I would get around to being outraged.
00:08:35-[coughing] -[groans]
00:08:38It is fun that we're both working on the same lot, though.
00:08:41-Right? -Yeah.
00:08:42-[cell phone buzzing] -Sorry.
00:08:44-What now? -[man speaking indistinctly]
00:08:47Again? Okay.
00:08:48-Yeah. I'll talk to her. -[phone beeps]
00:08:51What are these new pages? Why do I have new pages?
00:08:54You don't like the new pages?
00:08:55[groans] The content of the pages is not the issue, Justin.
00:08:58-Yeah. -I spent time preparing the other pages.
00:09:00You understand?
00:09:01I rehearsed them. I studied them. That's precious time I'll never get back!
00:09:04And then some person-- I don't know this person--
00:09:07And by the way, I don't like strange persons knocking on my door and then letting themselves in. The knock is so I can tell you to enter.
00:09:13If you just enter, what is the purpose of the knock?
00:09:15You're right, of course.
00:09:16My point is about the pages. Why are you throwing new things at me?
00:09:20The insurance guys are nixing the car chase.
00:09:22We had to think fast, so we put together a new hand-to-hand combat scene we're gonna throw on top of the meringue number.
00:09:27-So, it's a stunt? -I thought you'd be excited.
00:09:29I'm excited! It's more time spent on your face.
00:09:33Ever since I directed you in that episode of "FBI: Female Body Inspectors,"
00:09:36I thought... [chuckles] "I gotta give this woman her close-up."
00:09:39Don't produce me, Justin.
00:09:41[sighs] Is there choreography? When am I learning this stunt?
00:09:43April's gonna be on set. She'll make sure you understand the stunt.
00:09:47-And it's gonna be safe? -We are taking every precaution.
00:09:49And we are not gonna shoot until you are 100 percent comfortable.
00:09:53Thank you. I didn't mean to bite your head off.
00:09:55-I just don't like being surprised, okay? -Totally my fault.
00:09:57I should've warned you.
00:09:59Is there something else going on that I should know about?
00:10:03I'm fine. I'm actually being really cool here.
00:10:05I'm not some kind of monster just because I don't like surprises.
00:10:08I'm number one on the call sheet. I'm entitled to a little respect.
00:10:10No, you're right.
00:10:11I mean, I've worked on projects where the number one on the call sheet was like an actual crazy person, so I think I'm being really cool.
00:10:17-You are being so cool. -Yeah?
00:10:21Mm-hmm.
00:10:25[sighs]
00:10:26[Gina] Can you wait until you're out of earshot to make your exasperated sighs, please?
00:10:30Yes, sorry!
00:10:32[jazz music playing]
00:10:33[all] Huh? [dogs panting]
00:10:36[chuckles] Kelsey! You can't compare yourself to Justin Kenyon.
00:10:40-What's the difference? -The difference is he has a great agent.
00:10:44[chuckles] That was a joke, but I see you're in no mood.
00:10:46I'm a good director.
00:10:48Yes, but Justin's movies make actual money.
00:10:50The last big movie you were on, you got fired off of.
00:10:53Explain this to me.
00:10:55I didn't break into the Nixon Library alone and yet I'm the only one whose career has suffered.
00:11:00Why do you think that is?
00:11:01Kelse, I don't know by what fancy the fates push us about in their great cosmic dance.
00:11:07-I am but an agent. -What about these stories I keep hearing about how people wanna hire more female directors?
00:11:12Oh, they want to, they want to so bad. Just not for this particular project.
00:11:17Which particular project?
00:11:18Anyone. I mean, you name it. Whatever Paul Feig's doing.
00:11:21You need to get me out of director jail.
00:11:23Even Roman Polanski works more than I do, and he should be in actual jail.
00:11:27[laughs] Yeah, for his last couple of movies, at least, right? Woof!
00:11:31No. Not for his last couple of movies.
00:11:34Carol, be a doll and tell this dame what you told me.
00:11:37I just don't understand why my daughter would start using again.
00:11:40She was sober. She was going to AA meetings.
00:11:43You suspect foul play?
00:11:45Listen to this, the last voicemail I ever got from her,
00:11:48-a month before she died. -[beeps]
00:11:50[Sarah Lynn] Hey, Mommy.
00:11:51I got out of a meeting and we're making amends, so I just wanted to say I'm sorry I'm such a disappointment. [chuckles]
00:11:59I'm sorry my platinum records clashed with the chic minimalism of your new sun room.
00:12:05And I'm sorry I didn't introduce you as my older sister when we met David Hasselhoff at the Kids' Choice Awards.
00:12:11And I'm sorry I've never been enough for you, Mommy!
00:12:17What an angel. She just wanted me to be happy.
00:12:20What is the "we"?
00:12:21-What? -Yeah! At the beginning.
00:12:23She says, "We're making amends." Who's this "we"?
00:12:28[camera shutter clicking]
00:12:34You know, we don't have to go to this party if you don't want to.
00:12:37What? I'm the one who keeps saying, "Let's go to the party."
00:12:40The only reason I came down here was so we could go to this party and get drunk.
00:12:44Come on. I've gone to like a hundred parties with you.
00:12:47You always say you're gonna drink, and you never do, which is fine, by the way!
00:12:52No one's ever offered me a drink.
00:12:54I keep waiting for this famous peer pressure
00:12:56I've heard so much about and it never happens!
00:12:59You wanna go have a drink? Here I am, your peer, pressuring you.
00:13:03[chuckles]
00:13:06I'm nervous about losing control, you know?
00:13:10I think drinking alcohol might not be for you.
00:13:13But I don't wanna be scared of something that's supposed to be fun.
00:13:16That's why I wanna go to that party with a bunch of strangers.
00:13:20Because if I'm gonna lose control, I don't want it to be in front of people I know.
00:13:25-Okay, weirdo. -[chuckles] You're a weirdo.
00:13:30Because I am not a thing to be fixed, Daddy.
00:13:34Do you think we should ADR her saying "Daddy-o"? Is "Daddy-o" more of a dunk?
00:13:38-[groans] -[cell phone rings]
00:13:40-Hello? -Um, hello?
00:13:42Am I speaking to the future director of "Fireflame"?!
00:13:45-What's that? -"Fireflame"! It's a superhero movie!
00:13:49Ugh. Another one?
00:13:50Yes, but the difference is this one's about a lady superhero, which means this one you could actually get hired on!
00:13:57I don't want them to hire me just because I'm a woman.
00:13:59Ugh. You think Justin Kenyon says,
00:14:01"I don't want them to hire me just because I'm a man"?
00:14:04Of course not! He says, "Money, money, money. Nom, nom, nom."
00:14:06I have heard him say that.
00:14:08Besides, they don't want this to be just another superhero movie.
00:14:11They're looking for someone who can make a superhero movie with a twist!
00:14:15So, what, they want me to pitch the twist?
00:14:17-No, the twist is that it's a woman. -Oh.
00:14:20But they do wanna hear your take, by which I mean they want you, as a woman, to tell them their take.
00:14:26Hmm...
00:14:28[man] I've been saying for years as soon as we run out of popular male characters and we've given them each two sequels, we have to make a movie about Fireflame!
00:14:36I think that's really edgy and outside the box.
00:14:38Outside is exactly where we're trying to be, in relation to the box.
00:14:41We really think Fireflame can connect with today's Yas Queen culture.
00:14:45Yeah, I got a real Yas Queen vibe from her.
00:14:48She comes in, she saves the day, everyone loves her!
00:14:51-Wow. -Oh.
00:14:52Didn't I tell you this would make a great movie?
00:14:54Uh, pretty sure I told you, Nancy. I have always loved Fireflame.
00:14:58I'm sorry. I remember now, you did tell me that.
00:15:01Well, uh, thanks for coming in.
00:15:03We're obviously gonna hear a lot of takes, but it seems like you have a special connection to the material.
00:15:09I do.
00:15:11[elevator dings]
00:15:14[chuckles]
00:15:17[sighs]
00:15:19[Paige snorting] Aw. Aha!
00:15:22I'm famished. Let's find a place where I can get a glass with an olive in it.
00:15:25Try to stay on task, won't you, Maxy?
00:15:27If Sarah Lynn was going to meetings here, someone must have seen her, and if someone saw something, then I wanna know it, particularly as it pertains--
00:15:34What crime have I committed to deserve so long a sentence?
00:15:37I've got a point.
00:15:38Once you arrived at it, send me a postcard.
00:15:40The starlet was alone when she died, right?
00:15:42But there was someone else with her while she was blotto.
00:15:44Who was that person? What'd they see?
00:15:47And why weren't they mentioned in the police report?
00:15:49There's your who, what and why.
00:15:50Get a when and a where in there, and we've got ourselves a story.
00:15:53Bully for you, you're almost caught up to where I was an hour ago.
00:15:56Let's chat again in an hour when you've gotten to where I'm at now.
00:15:58Sounds good.
00:15:59In the meantime, someone in this building might just offer the key that opens the gate to the garden with the tree that bears the fruit that is our scoop.
00:16:06Get someone to squeal on an AA meeting?
00:16:07I do believe one "A" of the two stands for "anonymous."
00:16:11The other "A", I could not possibly fathom.
00:16:13I envy your faith in the honor and discretion of other people.
00:16:16Let's see how that honor stacks up against the desire to dish on celebrities so as to appear swank by association.
00:16:22Excuse me, kind stranger. I'm writing a story
00:16:25-on the efficacy of your program. -Uh-huh.
00:16:27I understand one of the pillars is anonymity, but if you could...
00:16:30I once saw Craig Ferguson here! I don't know why I said that.
00:16:32[gasps] Oh.
00:16:34I really shouldn't say. It's anonymous, but I have seen Robert Downey, Jr.
00:16:38Jamie Lee Curtis winked at me once.
00:16:41Colin Farrell, Russell Brand, the Ikea Monkey.
00:16:45-Sarah Lynn, I've seen. -Really?
00:16:47About a month before she died. It was pretty clear she was using.
00:16:50Well, how do you figure? Did she say something?
00:16:52She didn't, but her friend did.
00:16:55-Her friend? -Large fella.
00:16:56I think he was a horse or a bull maybe, it's hard to remember.
00:17:00Kind of like a rounder Brad Garrett type, but with a very forgettable face.
00:17:04He told a story, though, I remember that.
00:17:06It was about a trip he took to... New Mexico.
00:17:10-Oh? -Yeah, it was about a girl and a mother.
00:17:13Oh, this is so long ago now.
00:17:15I think he had sex with the girl, or maybe he had sex with the mother?
00:17:19Well, do get your story sorted, but I'd prefer it if it's sordid.
00:17:23And this man left with Sarah Lynn?
00:17:25Do you recall anything else about this man, his name, perhaps?
00:17:28No, but I remember the girl's name.
00:17:30Yes, Sarah Lynn, now we're all up to speed.
00:17:33No, the girl from his story. The one in New Mexico.
00:17:37He was weirdly proud of it, said her name was Penny Carson.
00:17:41Carson, eh?
00:17:43"Penny Carson," he said. "And that's her real name, you can look her up!"
00:17:47I remember thinking, "Why does he want us to look her up?"
00:17:52[both] Hmm.
00:17:55So she's sexy, but don't you call her sweetheart.
00:17:59-[laughs] Boy. -Oh, that is so Fireflame.
00:18:02-[yelps] -Oh, wow!
00:18:03-Stop! -What?
00:18:04-I'm sorry, I can't let you-- -Uh, excuse me.
00:18:07Are you already-- Sorry. I'm sure she's got a great pitch, but the movie you want, it's just not realistic.
00:18:11Sure it is. Wendy Wiggum ate fire as a baby and now she holds the power of the Fireflame. It's all very logical.
00:18:17No, I just mean you're doing this all wrong.
00:18:19She saves the day, and everybody loves her?
00:18:22I mean, yeah, that makes sense if she's a man.
00:18:24But it's never worked like that for me.
00:18:25Well, this isn't about you.
00:18:27That's right! It's about an exotic dancer who's also interdimensional.
00:18:31No. I mean the rules are different for women.
00:18:33If you're a woman and you save the day, nobody loves you.
00:18:36People take you for granted, or worse, they resent you.
00:18:39They punish you.
00:18:40The more powerful you are, the more they'll take your power away.
00:18:43And I just think if your movie is smart, you'll acknowledge that.
00:18:46-Ooh, yeah, sounds like a bummer. -Yeah, it's a bummer.
00:18:49Being a superhero is hard. Otherwise, everyone would do it.
00:18:52Okay, well, thank you for--
00:18:53Maybe that is a bad superhero movie. Not aspirational enough, I don't know.
00:18:57But it's real. And it's different.
00:19:01Also, in my version, she's gay. Okay, bye!
00:19:04[door closes]
00:19:05[elevator dings]
00:19:07[sighs]
00:19:11[chuckles]
00:19:14[tango music playing]
00:19:17You're not bad for a beginner.
00:19:20Wrong on both counts.
00:19:21I'm no beginner. And I'm very bad.
00:19:23[both humming]
00:19:27[groans]
00:19:29-[shouts] -Whoa!
00:19:30Ow! What the hell?
00:19:32-Cut! Is everyone okay? -I don't know. Do I have a concussion?
00:19:35-You fell like a foot. -[groans]
00:19:36-Why did you drop me? -Why'd you scream at me?
00:19:38-Hey, guys-- -I didn't know he was gonna dip me.
00:19:40-That's not what we rehearsed! -You said to have fun with it.
00:19:43I meant fun energy. I didn't mean change the choreography.
00:19:45I can't do this. I am number one on the call sheet...
00:19:47-[overlapping dialogue] -...and all I ask for is a modicum
00:19:50-Breaking news! She's number one! -of respect and professionalism.
00:19:52Okay, let's everybody cool down.
00:19:53Do not tell me to cool down like I'm the crazy person here.
00:19:56I'm just trying to have a safe workplace environ--
00:19:59I had you. What the fuck is wrong with you?
00:20:01-I'm... I'm going home. -Gina, we need to get this sequence,
00:20:04-and we are already behind. -Not my problem.
00:20:07I get that you're mad, and you're totally right, but everybody else here--
00:20:11Not my problem.
00:20:12-[Gina sighs] -[grunts]
00:20:15You got that dip, though, right?
00:20:17[dance music playing]
00:20:23Okay. Trey and I will be in the coatroom, doing hand stuff.
00:20:26-Otherwise, you don't know anybody here. -[chuckles]
00:20:29[indistinct chattering]
00:20:32-[grunts] Hey! -Sorry.
00:20:36-[gulping] -[laughing]
00:20:39[groans]
00:20:41[snoring]
00:20:42-[breathing heavily] -[muffled noise]
00:20:44[heart beating]
00:20:48-[man] Oh! What do you see? -What?
00:20:50You're having an anxiety attack, so look around the room and tell me what you see.
00:20:54I-I see people partying and passing out!
00:21:00What else do you see?
00:21:01Um, books. Pizza boxes. I see light fixtures.
00:21:06I see an odd amount of floor poofs.
00:21:10-Okay, now say your name. -Hollyhock.
00:21:12-Last name too. -No, we'll be here all night.
00:21:14-You feel any calmer? -Yeah, actually. A little bit.
00:21:18It's a trick my psychiatrist taught me. It's supposed to help you ground yourself.
00:21:23-Thanks. -Except for the saying your name part.
00:21:25That's not really part of it. I just wanted to know your name.
00:21:28Oh. Okay, cool.
00:21:31I-I'm Peter, by the way.
00:21:32Just so you don't have to wait for me to have an anxiety attack too. [chuckles]
00:21:36-Hollyhock. -Yeah, I know.
00:21:37Oh. [chuckles] Right.
00:21:39So, this party's kind of crowded. You wanna go get some air?
00:21:43Yeah. But it's pretty cold out.
00:21:46-Oh, yeah, that's true. -But we're wearing jackets!
00:21:50Also true.
00:21:53Darling, you must keep the cake cold and the flowers fresh for just a moment longer.
00:21:57This story has revealed itself to be thornier than a rose bush and just as sweet. [chuckles]
00:22:02When shall I return? Well, I haven't sorted that out yet.
00:22:05It seems I've gone to New Mexico for a spell.
00:22:07-[wind howls] -Whoa!
00:22:09Well, we're here.
00:22:15So I wanted to talk to you because I'm directing a new movie: "Fireflame"!
00:22:19"Fireflame"? Get that money. Nom, nom, nom, nom, nom, nom!
00:22:23Yeah. So I need an actress. Someone tough, but vulnerable.
00:22:28I know you're working with Gina Cazador. What do you think of her?
00:22:30[stammers] Look, if you've seen her work, you know what she can do.
00:22:34She's very versatile. Really talented.
00:22:37But personality-wise, what's she like? Is she good to work with?
00:22:40I can't risk any drama on set. There's too much riding on this for me.
00:22:43[sighs] If I'm being honest, I can't recommend her.
00:22:46-No? -Especially if you have a lot of stunts.
00:22:48I mean, don't get me wrong, she's great on camera. She just...
00:22:51-Uh... She can be a little difficult. -What do you mean?
00:22:55I don't know what happened.
00:22:56I worked with her a couple years ago, she was great, but, um...
00:22:58[inhales sharply]
00:23:00Oh, you know who'd be perfect? Courtney Portnoy!
00:23:03Oh! I love her.
00:23:04I've heard nothing but good things.
00:23:09[gulping]
00:23:11[coughs]
00:23:12It's fine. You're not even supposed to like it yet.
00:23:14It tastes okay-er over time.
00:23:16Yeah, I'm kind of aspiring to be okay-er over time myself.
00:23:20You know, I actually didn't even drink for like all of college.
00:23:23I had some shit go down in high school, and...
00:23:25You know, there was this girl in my town. Anyway, it's a long story.
00:23:29No, I wanna hear it.
00:23:30Okay. She had this man living in her house.
00:23:35You mean like more than one dad?
00:23:37No, no, she had just the one dad, but then there was this other guy.
00:23:42-Weird. -Totally weird, right?
00:23:43Okay. So this girl was best friends with my girlfriend.
00:23:46We all went to prom together: me, my girlfriend, the girl, and the man.
00:23:51Wait, the man went to prom with you? Yeesh.
00:23:54That's not even the yeesh-iest part.
00:23:56This guy bought us bourbon and practically forced us to drink it, and then when my girlfriend got alcohol poisoning, he just ditched us at the ER.
00:24:04Was your girlfriend okay?
00:24:06Yeah! Yeah, yeah, yeah. I mean, it was scary in the moment.
00:24:09We were there all night and they pumped her stomach.
00:24:11And I was pretty traumatized for a while. [stammers] But things are good now.
00:24:14Things are good. Because at some point, I realized it wasn't the alcohol's fault, or Maddy's fault, or my fault. It was just some shitty dude, you know?
00:24:24Totally.
00:24:26But you know the craziest part of all?
00:24:28The guy, he's actually kind of famous.
00:24:32-Really? -Yeah, I never heard of him, but it turns out he's kind of a movie star.
00:24:37Who is he?
00:24:39[exhales] Um...
00:24:45Who is he?
00:24:49♪ Back in the '90s I was in a very famous TV show ♪
00:24:58-♪ I'm BoJack the Horseman ♪ -♪ BoJack ♪
00:25:00♪ BoJack the Horseman Don't act like you don't know ♪
00:25:07♪ And I'm trying to hold on to my past ♪
00:25:12♪ It's been so long I don't think I'm gonna last ♪
00:25:17♪ I guess I'm just trying To make you understand ♪
00:25:20♪ That I'm more horse than a man ♪
00:25:25♪ Or I'm more man than a horse ♪ -♪ BoJack! ♪