Home > Derry Girls
Ms De Brún and the Child of Prague
00:00:17As you all know, at the beginning of term, the Bishop graciously bestowed a beautiful piece of religious art unto Our Lady Immaculate College: the enchanting Child of Prague.
00:00:31[hip hop music plays]
00:00:38There we are.
00:00:39Sure isn't he a great fella altogether?
00:00:41I still don't get what it's supposed to be.
00:00:43It's Jesus as a wain.
00:00:45[James] Why has he got a big red hat on?
00:00:47-Nobody knows. -It was the Bishop's wish that he be passed around all the schools in the Derry diocese.
00:00:52Therefore, we are joined this morning by Mr. Malone, headmaster of St. Benedict's, so the handover ceremony can take place.
00:00:58You are very welcome, Mr. Malone... though I fear you may have had a wasted journey.
00:01:03I've thought about it, and I'd much rather just hold onto him, actually.
00:01:09He brightens up my office.
00:01:12He doesn't answer back.
00:01:14I like the fella.
00:01:15And if the Bishop has a problem with that, he can take it up with me.
00:01:19Now, what else was there?
00:01:21Hmm.
00:01:22Ah, yes.
00:01:23Uh, sadly, Sister Patrick has decided to leave us.
00:01:28She's returning to her missionary work, educating the heathen inhabitants of a primitive and savage place.
00:01:35She's taking a teaching post in Belfast, Sister.
00:01:38Precisely.
00:01:39The Board of Governors promised me that her replacement would arrive today, but as usual, they were talking out of their--
00:01:45[door bangs]
00:01:51I believe you've been expecting me.
00:01:56Here we go. [sighs]
00:02:00{\an8}♪ Lying in my bed again ♪
00:02:03♪ And I cry 'cause you're not here ♪
00:02:08♪ Crying in my head again ♪
00:02:10[chalk clinks on hearth]
00:02:11♪ And I know that it's not clear... ♪
00:02:14[sighs]
00:02:21What is it we should be doing, Miss?
00:02:23[sighs] What should you be doing?
00:02:28Now, there's the question.
00:02:32Let me ask you a better one.
00:02:35What is it you want to do?
00:02:36-Get pissed. -Hmm.
00:02:38I'd quite like some feedback on the poetry assignment, actually.
00:02:41Dickhead.
00:02:42It counts towards our final grade, people.
00:02:45This is 12A, right?
00:02:46That is correct, Miss.
00:02:48-And you are? -Jenny. Jenny Joyce.
00:02:51Here we go.
00:02:52"The Flower" by Jenny Joyce.
00:02:55-You're not going to read it out, are you? -Of course.
00:02:58Poetry should always be read aloud.
00:03:01"Some flowers are tall, some flowers are small.
00:03:05Some flowers barely grow at all."
00:03:08OK.
00:03:09-That's not the end. -It should be.
00:03:11Here's a poem about a dog. Here's another one about a dog.
00:03:15This one has no name on it.
00:03:17"An English rose among thorns."
00:03:21Yeah, I can see why you might want to remain anonymous, all right.
00:03:26Dog poem. Poem about a tree.
00:03:28This one's called "Boys."
00:03:30"I think boys are really class, especially the ones who have a nice ass."
00:03:36It's called a haiku.
00:03:38That's not what I would call it.
00:03:39Dog poem, dog poem.
00:03:41Oh, here someone's just drawn a picture of a dog.
00:03:46That is not bad, actually.
00:03:47Thank you very much.
00:03:48This person has written about how much they love their English class, in an embarrassing attempt to suck up to the teacher.
00:03:55Dog poem.
00:03:57Dog poem. Cat poem.
00:04:00Yes?
00:04:01I think a lot of people in this class-- and I know no one will mind me saying this-- well, they have a very basic grasp of the creative process, whereas I've been writing for years, so, I'm really not afraid to put myself out there, to be bold, to take risks.
00:04:15And you are?
00:04:16That's my cousin.
00:04:18Erin Quinn.
00:04:19Erin Quinn.
00:04:21Here we go.
00:04:22"The bullets fired on the streets as I lie in my bed, are nothing to the bullets being fired... in my head."
00:04:32It's about The Troubles, in a political sense, but also about my own troubles, in a personal sense.
00:04:38No, I understand the weak analogy.
00:04:42This isn't bold, Erin.
00:04:44It's someone failing to be bold.
00:04:46I'm sorry if the subtleties of my work were lost on you, Ms. De Brún.
00:04:49Poetry is truth, and great poetry is raw, and real, and messy, and glorious and ugly.
00:04:56It is dragged from the depths of the soul.
00:04:58It helps us understand each other and ourselves.
00:05:02Do you get what I'm saying?
00:05:05Yes. Yes, I think I do, actually.
00:05:08Not a baldy's.
00:05:10It's not often in life you're allowed to tear up the page and start over. but I am going to give you that chance.
00:05:21Impress me.
00:05:31Och, this is lovely, Gerry.
00:05:32I thought it would be nice for us to do something together, just the two of us, you know?
00:05:36Mary, Gerry.
00:05:37You're not allowed to smoke in this place.
00:05:41Can you believe that?
00:05:42It's barbaric.
00:05:43Sarah, what are you doing here?
00:05:45Mary said you were having a wee night to yourselves, so I thought you might want some company.
00:05:49Why? W-w-why would you think that?
00:05:51-Sarah? -Ah, himself as well, is it? Great.
00:05:55-Sweet Jesus. -Hiya. How are you?
00:05:57They don't let you smoke in here, Ciaran. Can you credit it?
00:06:00This is a nice surprise.
00:06:02When Sarah asked me to the cinema,
00:06:04I thought, well, I thought she meant just the two of us.
00:06:07No, Ciaran, because that would be-- What's the word now? Normal.
00:06:11Double date it is then so.
00:06:13Wonder what's keeping Daddy?
00:06:16-Excuse me? -I've got the tickets.
00:06:18We haven't decided what we want to see yet, Da.
00:06:20Well, I like the look of that one with all the lads in the line-up.
00:06:23It's got your man in it, the farmer from Glenroe.
00:06:25What, Gabriel Byrne?
00:06:27He's done a fair bit since Glenroe now.
00:06:29Who are you, his agent?
00:06:31Da, I don't understand this. You hate the cinema.
00:06:34Not since I discovered it's the only way I can spend time with our Colm.
00:06:37It's the one place the boring bastard doesn't talk.
00:06:40But Colm's not here, is he, Da?
00:06:43Da?
00:06:44[Colm] And that's not to say now that in me younger years I didn't enjoy a boiled sweet, but then I heard tell of a fella from Ballynahinch--
00:06:53What was it his name was, now?
00:06:56I had it there a minute ago.
00:06:57Ah, it'll come to me. Anyway, this Ballynahinch lad, and as I say, his name escapes me, but he was mad keen on the boiled sweets.
00:07:06Sure he couldn't get enough of them.
00:07:08But in the end, well, didn't he choke to death on one?
00:07:12A pear drop, I think it was, or a clove rock, maybe, but either way, it's not how I'd want to go.
00:07:20I know, love. I know. Sorry.
00:07:27[movie music playing]
00:07:37Well, isn't this romantic?
00:07:39Blonde fella is nothing but a fly bastard.
00:07:41Don't you be trusting him.
00:07:42I just want to check, does your father think that they can hear him?
00:07:45Shh.
00:07:48Apologies, folks.
00:07:50We've just had a wee security alert there.
00:07:52[crowd grumbling]
00:07:54I'm afraid we're going to have to carry out a wee evacuation, so if you'll all follow me.
00:07:58Lovely.
00:08:00Great stuff.
00:08:01That's the last time I let you organize a night out.
00:08:04OK, then.
00:08:05What about this Keyser Söze fella?
00:08:07Who's Keyser Söze?
00:08:09Exactly.
00:08:10[upbeat electronic music playing]
00:08:17Oh, God. This whole writing from the soul carry-on is a nightmare.
00:08:20-I know. -What rhymes with "ride"?
00:08:22-"Bide." -Bide?
00:08:24What the fuck does bide mean? Bide? That's not a word.
00:08:26-It is a word, Michelle. -Bide?
00:08:28You've pure made that up.
00:08:29Can we all be quiet, please?
00:08:30What do you think, James?
00:08:32You've got red eyes 'cause I ran out of brown.
00:08:34My eyes are green.
00:08:35Now you tell me.
00:08:38OK, so I'm trying not to think too much, to just sort of let it flow through me.
00:08:41Ugh, that's minging, Erin.
00:08:43[Erin] Here's what I have so far.
00:08:44"You know we belong together, you and I forever and ever.
00:08:47No matter where you are, you're my guiding star."
00:08:49Isn't that the theme tune to Home and Away ?
00:08:52Is it?
00:08:53Oh, for God's sake!
00:08:55[door opens]
00:08:56Shit!
00:08:57[Gerry] My money is on Alec Baldwin's brother.
00:08:59[Mary] Gabriel Byrne, I'm telling you.
00:09:01The fella with the bad leg said it wasn't, Mary.
00:09:03The fella with the bad leg is covering for him, Da.
00:09:06Sweet Jesus.
00:09:09Mammy, we can explain.
00:09:10Not the Christmas cupboard.
00:09:12They've had the very Tunnock's, Mary.
00:09:14Animals, the lot of you.
00:09:15We needed energy for our poetry.
00:09:17I'll give you energy for your poetry.
00:09:19We were just going to take a handful of chocolate money, Mary, but then one thing led to another.
00:09:23What am I supposed to do?
00:09:24I'll have to start from scratch now, and December is only 'round the corner.
00:09:27It's eight months away, love.
00:09:29-This suits you, doesn't it? -Sorry?
00:09:31I've seen you eyeing up that Christmas cupboard.
00:09:33You hoked about in there long before the wains did.
00:09:36I'd stake my life on it.
00:09:37That is simply not true.
00:09:40Let's just salvage what we can.
00:09:42There's only a couple of snowballs left, Mary.
00:09:44It's been an absolute free-for-all.
00:09:47Your mothers will be hearing about this.
00:09:49-Oh, for f-- -What got into you, girls?
00:09:50You know you don't touch the Christmas cupboard.
00:09:54We're stressed.
00:09:55Our new English teacher made us rip up all our poems and redo them in one night.
00:09:58-Who is this blow-in? -Her name is Ms. De Brún.
00:10:01She's a bit of a bitch, but cracking eyeliner.
00:10:03-Winged or smudged? -Sort of both.
00:10:05Interesting.
00:10:06She ripped up your poems?
00:10:08She said we weren't writing from the soul.
00:10:10Well, why in under God weren't you writing from the soul?
00:10:13Seriously.
00:10:14[De Brún] It was difficult, so you've just given up.
00:10:17You might fail, so why bother trying?
00:10:19Exactly.
00:10:21Told you she'd understand.
00:10:23Have you ever stopped to look at these... these faces from the past?
00:10:31They're not so different from you, really.
00:10:33They had dreams like you do.
00:10:36They had ambitions, but now they're gone.
00:10:42Dead.
00:10:44Dust.
00:10:46That's my Auntie Ann, third from the left. She's not dead.
00:10:48-Shh. -But she's only 54.
00:10:50She runs the mobile library
00:10:51-in Ballymagroarty. -Quiet!
00:10:52But did they fulfill those dreams, those ambitions?
00:10:57One day, girls, you too will just be an old photograph in a hallway.
00:11:03You only get one life.
00:11:07Don't be afraid to live it.
00:11:10Find your voice.
00:11:13Make your mark.
00:11:16♪ Sometimes ♪
00:11:19♪ The river flows ♪
00:11:20♪ But nothing breathes ♪
00:11:23♪ A train arrives ♪
00:11:25♪ But never leaves... ♪
00:11:28Dig deep.
00:11:29Something you hate.
00:11:30Something you despise.
00:11:31No holding back.
00:11:33Come on! Get it out!
00:11:36Injustice!
00:11:37Yes!
00:11:38Prejudice!
00:11:40Good. This is good!
00:11:42♪ ...being rich or being poor ♪
00:11:45♪ Such a shame... ♪
00:11:47Mass!
00:11:48Come on!
00:11:50My own socks!
00:11:52OK.
00:11:54Being late for school!
00:11:55Piano lessons!
00:11:57The fact that people here use the word "wee" to describe things that aren't even actually that small!
00:12:03God but I love that accent, James!
00:12:06♪ ...yourself and you will shine ♪
00:12:09♪ You've go to search for the hero ♪
00:12:12♪ Inside yourself ♪
00:12:14♪ Search for the secrets you hide ♪
00:12:19♪ Search for the hero ♪
00:12:21♪ Inside yourself ♪
00:12:24♪ Until you find the key ♪
00:12:26♪ To your life ♪
00:12:33[Erin] Ms. De Brún is amazing.
00:12:35I've just never met anyone like her.
00:12:37She's an inspiration.
00:12:38Absolutely.
00:12:39She really knows how to grab things by the balls.
00:12:41Oh, yeah!
00:12:42She's changed my life, she really has.
00:12:44She likes my accent.
00:12:46I'd die for her.
00:12:47I think I would too, you know.
00:12:49Me too.
00:12:50Aye, fuck it, why not?
00:12:51Yeah. I mean, obviously I totally agree.
00:12:53I'd die for her as well, but I'm also conscious of the fact we've only known her, like, two days.
00:12:57And?
00:12:58Well, is it a bit weird she's invited us to her house at night?
00:13:00-What do you mean? -Well, she's a teacher.
00:13:02She's much more than a teacher.
00:13:03Yeah. No, obviously I get that.
00:13:05She's great, but it's just that I have a feeling it might be sort of frowned upon.
00:13:08God, Clare, you're so conditioned.
00:13:09What's that supposed to mean?
00:13:11It means you need to loosen the fuck up.
00:13:13I am loose, thank you very much.
00:13:15Face it, Clare, you're a craic killer.
00:13:16I'm not a craic killer.
00:13:20I am not a craic killer!
00:13:22[De Brún] Some wine?
00:13:23Oh no, actually, I don't...
00:13:26Cheers.
00:13:29[gulping]
00:13:31Hit me again.
00:13:33OK. [laughs]
00:13:34[wine glugging]
00:13:35You don't have much stuff.
00:13:36Everything I own can fit into a suitcase.
00:13:39I've never understood why people weigh themselves down with meaningless crap, you know?
00:13:44Yeah, God, I just hate possessions so much.
00:13:46Does that mean I can have your Sylvanian Family collection?
00:13:49Shut up, Orla.
00:13:50I don't like to feel tied down, you know?
00:13:53Life should be spontaneous.
00:13:56-Free. -Big time.
00:13:58Sláinte.
00:14:00This is actually nice.
00:14:01Mmm, tastes a bit like blood.
00:14:03"Life is no brief candle to me.
00:14:06It is a sort of splendid torch which I've got hold of for the moment, and I want to make it burn as brightly as possible."
00:14:15That's beautiful.
00:14:16Shaw.
00:14:18It's my favorite quote.
00:14:19Take it easy, Oliver Reed.
00:14:21What's yours?
00:14:22"Be careful, child, of the doll made of glass, for if you hold her too tightly, she will break and you will bleed."
00:14:30I don't think I'm familiar with that one. Who's it by?
00:14:32Me. It's by me.
00:14:33Wow.
00:14:35♪ Everybody Everybody... ♪
00:14:38I feel floaty.
00:14:40She's absolutely fucking flying.
00:14:42[Jenny] Well, well, well, what are you guys up to?
00:14:45Nothing much.
00:14:46We were just hanging out at Ms. De Brún's house.
00:14:49You were at her house? At night?
00:14:51Well, that is a bit inappropriate.
00:14:52Your ma is a bit inappropriate.
00:14:54-That doesn't even make sense. -Your ma doesn't even make sense.
00:14:57Is she drunk?
00:14:58Your ma's drunk.
00:14:59OK, Clare. Yeah, I think we get the idea.
00:15:00-Lovely seeing you, Jenny. -Take care, now.
00:15:03[reggae music playing]
00:15:06[distorted voice on walkie-talkie]
00:15:12I never slept a wink last night, you know.
00:15:14Me either.
00:15:15Keyser Söze?
00:15:16No. I went to bed with my rollers in, sure it's always a nightmare.
00:15:20Then why do you do it?
00:15:21I've no volume at the root, Mary. What choice do I have?
00:15:24I'm leaning toward Pete Postlethwaite now.
00:15:25It wasn't Pete Postlethwaite, Da.
00:15:27It's never Pete Postlethwaite.
00:15:28Look, this is driving me to distraction. We'll have to go back tonight.
00:15:31-It's not in the listings anymore, love. -What?
00:15:33The cinema has stopped showing it.
00:15:34-Oh, well done. -It's not my fault.
00:15:36Ah, sure, nothing ever is.
00:15:37-What are we gonna do? -Wait for them to release it on video.
00:15:40I can't, Gerry. I can't go on like this. I need to know.
00:15:43Well, that's us away.
00:15:45Where's your socks, love?
00:15:46They're just not for me, Mammy. I'm sorry.
00:15:49You'll be foundered.
00:15:50I know what I'm doing.
00:15:52Have a great day, everyone.
00:15:53What are you in such a good mood about?
00:15:55Just, you know, life.
00:15:57You're up to something, and I'll get to the bottom of it.
00:16:00Honest to God, Erin, between you and Keyser Söze, my head is turned.
00:16:04Who's Keyser Söze?
00:16:05God almighty.
00:16:07[electronic dance music playing]
00:16:11[Sister Michael] Take a seat, please, ladies.
00:16:14Where's Ms. De Brún?
00:16:16Gone, and she's not coming back.
00:16:18What?
00:16:19I knew it. When I woke up this morning,
00:16:20I had a feeling something terrible was going to happen, and also that essentially, deep down, I'm quite an evil person.
00:16:25It's called a hangover, Clare. You'll be grand.
00:16:27[Sister Michael] I will be taking this class for the rest of the term, which makes me want to pull off my own face,
00:16:32-but needs must. -This was you, wasn't it?
00:16:34What did you do? What did you say?
00:16:37I don't know what you're talking about.
00:16:38Aye, so you don't, super-grass.
00:16:40That's quite enough.
00:16:41You don't understand, Sister.
00:16:42Ms. De Brún, she touched us.
00:16:45What?
00:16:46She made us think, she made us feel.
00:16:48Oh, thank God. That would be all I need.
00:16:51You can't sack her. You just can't!
00:16:53Miss Quinn, you appear to be under the misapprehension that you can address me as though you are my equal.
00:17:01I suggest you rein it in and take a seat.
00:17:03[reggae music playing]
00:17:07[school bell ringing]
00:17:11-What if she's in there? -It's Friday. She's at judo.
00:17:14Relax your cacks, Clare. [clicks tongue]
00:17:23Creepy wee fucker, isn't he?
00:17:25I would just like to state, once again, for the record, that I think this might be the worst idea we've ever had.
00:17:31Look, do you want to help Ms. De Brún or not?
00:17:33Can we not find a way to help her that doesn't involve abducting a holy statue?
00:17:36We're not abducting him, Clare. We're kidnapping him.
00:17:38Is that different? I don't think that's different.
00:17:41We'll give him back on the condition that Ms. De Brún is rightfully reinstated.
00:17:44Oh, I'm sure Sister Michael will be fully on board with that.
00:17:46-Aye, me too. -OK, let's do the photograph.
00:17:48Great. I'll write the ransom note.
00:17:50-We need a copy of today's newspaper. -Why?
00:17:53It's just the done thing, kidnapping-wise.
00:17:56-I've got last week's parish bulletin. -That'll do.
00:17:59I'm gonna use my left hand, just in case she recognizes my handwriting.
00:18:02Oh, well, this is fool-proof.
00:18:04Should I start, "Dear Sister Michael," or, "To whom it may concern," do you think?
00:18:10I don't know about this one. I think he looks a bit fat in it.
00:18:12-Yeah, that's not flattering. -Aye.
00:18:14Right. Maybe if we just tilt him this way a bit.
00:18:17See, I think he needs to come forward a bit.
00:18:19It was fine where it was, dicko.
00:18:20No, I'm the one taking the photo.
00:18:21-Fuck off. -Just leave it, Michelle.
00:18:23-[shattering] -[all gasping]
00:18:25Good God!
00:18:29OK.
00:18:31So we've gone a bit off course here.
00:18:33-Let's glue him. -Brilliant.
00:18:35We'll just-- we'll just stick it back on.
00:18:37We'll just stick it back on. It'll be fine. It'll be fine.
00:18:44[girls arguing]
00:18:46[Sister Michael] Jesus, girls. What are you still doing here?
00:18:48I thought we had an intruder. And I tell you what, he'd have been a sorry boy, for I just nailed some serious moves.
00:18:57We were just working on our English project, Sister.
00:19:02Step aside.
00:19:05[snaps]
00:19:16What in God's name have you done?
00:19:20How could you have glued his head on upside down, Orla?
00:19:22He's wearing a hat, for Christ's sake.
00:19:24Quiet!
00:19:26All right, Mary, Sarah, Deidre.
00:19:28Your girls involved in this beheading too, then?
00:19:30-It wasn't me, Mammy. -Do not speak to me, Clare.
00:19:33In fact, don't even breathe.
00:19:35[sucks in air]
00:19:36[Sister Michael] Take a seat, Mrs. Devlin.
00:19:41The statue was stolen from this room, so I've asked Miss Mooney to photograph the scene.
00:19:47Either it is replaced, at your expense, or the school will sue.
00:19:51To be honest, Sister-- and I'm not just saying this--
00:19:56I think he looks better.
00:19:58He looks like his head's on upside-down.
00:20:00And I'll be suspending them for a week.
00:20:03Oh, please, God, no!
00:20:04A week? We're going to be stuck with them for a week?
00:20:07Be reasonable, Sister. We didn't behead the fella.
00:20:09-By Christ, you're in for it, Erin. -It was an accident, Mammy.
00:20:12So you accidentally wrote a ransom note, did you?
00:20:14OK, that bit wasn't an accident, but we were so upset by what happened to Ms. De Brún.
00:20:19It was wrong. She shouldn't have been sacked.
00:20:21-She wasn't. -What?
00:20:23-[knocks on door] -[door opens]
00:20:24Sorry to interrupt, Sister, but if I could just grab the old P45 and I will be out of your way.
00:20:30Excuse me?
00:20:31Ms. De Brún has decided to leave us.
00:20:33I got offered a post in St. Dominic's Girls.
00:20:36Better wages, holiday pay, great pension.
00:20:38The works. I couldn't say no, really.
00:20:41But what happened to living for the moment?
00:20:44What happened to life should be spontaneous?
00:20:46[De Brún] Yeah, I know, but,
00:20:47I'm buying a house and the mortgage rates are absolutely crippling at the minute.
00:20:51-[Mary] Tell me about it. -It's desperate.
00:20:52Part of the reason I became a nun.
00:20:54Free accommodation.
00:20:55[Erin] But Ms. De Brún, you inspired me to do my greatest work.
00:20:59I see. Which was...
00:21:01My poem. My glass doll poem. She's a doll made of glass.
00:21:04She's a glass doll. I read it to you last night.
00:21:06Yeah, I wasn't really listening, to be honest.
00:21:08[gasps]
00:21:10Cheers.
00:21:12[door opens]
00:21:13Carpe diem.
00:21:16Carpe dickhead. [laughs]
00:21:18Well, I guess we never knew who the real Ms. De Brún was.
00:21:22Bit like Keyser Söze.
00:21:23Fella with the bad leg.
00:21:25What?
00:21:26Keyser Söze.
00:21:28He was the fella with the bad leg.
00:21:30He was talking absolute shite the whole time.
00:21:32He was one of those-- Uh, what you call it?
00:21:34Unreliable narrators.
00:21:38Oh, that's very clever.
00:21:39Yeah. I thought so too.
00:21:44Look this way, girls.
00:21:47[camera shutter clicks]
00:21:48♪ Here we go again ♪
00:21:50♪ Here we go-go-go To the temple of consumption ♪
00:21:53♪ Get your gear and start to spend ♪
00:21:55♪ Here we go-go-go With a total dedication ♪
00:21:57♪ Here we go again ♪
00:22:00♪ Here we go-go-go To the temple of consumption ♪
00:22:02♪ Get your gear and start to spend ♪
00:22:04♪ Here we go, here we go, here we go ♪
00:22:11♪ As some sort of prototype I serve to be ♪
00:22:13♪ You see tomorrow's dream Has never been part of me ♪
00:22:16♪ Consume today And leave the rest behind you... ♪