Home > Monty Python's Flying Circus
Man's Crisis of Identity in the Latter Half of the Twentieth Century
00:00:01[BREATHING HEAVILY]
00:00:10It's...
00:00:11NARRATOR: Monty Python's Flying Circus.
00:00:15[THEME MUSIC]
00:00:46[WHOOSHING]
00:00:48[THUD]
00:00:50Oh, good. That'll be the vet, dear.
00:00:51I'd better go and let him in.
00:00:57It's the vet, dear.
00:00:58Oh. Very glad indeed you could come around, sir.
00:01:01Not at all. Now what seems to be the problem?
00:01:03You can tell me. I'm a vet, you know.
00:01:05See? Tell him, dear.
00:01:07Well--
00:01:08It's our cat. He doesn't do anything.
00:01:10He just sits out all day on the lawn.
00:01:13Is he... dead?
00:01:16-Oh. -Oh, no.
00:01:18Thank God for that.
00:01:19For one ghastly moment, I thought I was... too late.
00:01:23If only more people would call in the nick of time.
00:01:26He just sits there, all day and every day.
00:01:29-And at night. -Shh.
00:01:31Almost motionless.
00:01:32We have to take his food out to him.
00:01:35-And his milk. -Shh.
00:01:36He doesn't do anything. He just sits there.
00:01:39Are you at your wits' end?
00:01:41Definitely, shh, yes.
00:01:43Hmm. I see. Well, I think I may be able to help you.
00:01:47You see... your cat is suffering from what we vets haven't found a word for.
00:02:03His condition is typified by total physical inertia, absence of interest in its ambiance.
00:02:09What we vets call "environment."
00:02:12Oh.
00:02:14Failure to respond to the conventional external stimuli.
00:02:18A ball of string, a nice... juicy mouse, a bird.
00:02:22To be blunt, your cat is in a rut.
00:02:28It's the old stockbroker syndrome.
00:02:31The suburban fin-de-siècle ennui.
00:02:34Angst, Weltschmerz, call it what you will.
00:02:37Moping.
00:02:38In a way, in a way. Hmm.
00:02:40Moping, I must remember that.
00:02:42Now... what's to be done?
00:02:44Tell me, sir, have you confused your cat recently?
00:02:47-Well, we-- -Shh. No.
00:02:49Yes. Well, I think I can definitely say that your cat badly needs to be confused.
00:02:53-What? -Shh. What?
00:02:55Confused. To shake it out of its state of complacency.
00:02:58I'm afraid... I'm not personally qualified to confuse cats, but I can recommend an extremely good service.
00:03:06Here is their card.
00:03:08Oh. "Confuse-a-Cat, Limited."
00:03:10"Confuse-a-Cat, Limited."
00:03:12-Oh. -Mmm.
00:03:13[♪]
00:03:20[SHOUTING] Squad! Eyes front!
00:03:24Stand at ease!
00:03:28Cat-confusers, confusers-hut!
00:03:36[BRAKES SCREECH]
00:03:51Now, men, we've got a pretty difficult cat to confuse today so let's get straight onto it. Jolly good.
00:03:56-Thank you, sergeant. -Sir.
00:03:58Confusers, get into the van and fetch out--!
00:04:02Wait for it!
00:04:04Fetch out the funny things!
00:04:12Move, move, move, move.
00:04:16One, two, one, two, get those funny things off!
00:04:20[HAMMERING]
00:04:28[CLEARS THROAT]
00:04:31[SHOUTING INDISTINCTLY]
00:04:45Men, fall in!
00:04:54Stage ready for confusing, sir!
00:04:57Very good. Carry on, sergeant.
00:05:01Left turn! Double march!
00:05:05ALL: Tum-hum, tum-hum, tum-hum, tum-hum.
00:05:08Right, men. Confuse the... cat.
00:05:11[♪]
00:05:15[GROWLING]
00:05:19Arr!
00:05:20Ladies and gentlemen...
00:05:24[♪]
00:05:56[DRUMROLL]
00:06:00[JAZZ MUSIC PLAYING]
00:06:48[DRUMROLL]
00:06:57I hope to God it works.
00:07:01Anyway, we shall know any minute now.
00:07:14Oh! I can't believe it.
00:07:17Neither can I. It's just like the old days.
00:07:19He's cured. Oh, thank you, general.
00:07:22What can we ever do to repay you?
00:07:24No need to, sir.
00:07:26It's all in a day's work for:
00:07:30Confuse-a-Cat.
00:07:32[♪]
00:07:56[HUMMING]
00:08:03[MAN HUMMING]
00:08:16[CLEARS THROAT]
00:08:17-Have you read this, sir? -Nope.
00:08:19Oh, yes, yes. Yes.
00:08:22Anything to declare?
00:08:24Yes. No! No. No.
00:08:26No, nothing to declare, no.
00:08:28Nothing in my suitcase, no, no.
00:08:30No, uh, watches, cameras, radio sets?
00:08:33Oh, yes, four watches.
00:08:34No! No, no.
00:08:36No, one wa-- One watch.
00:08:38No, no! Not even one watch.
00:08:39No, no watches at all.
00:08:41No, no watches at all. No precision watches, no.
00:08:46Which, uh, country have you been visiting, sir?
00:08:48Switzerland. Ah, no! No. Not Switzerland. Ha.
00:08:51Uh, not Switzerland, began with an "S", but wasn't Switzerland. Oh, what could it be?
00:08:55Terribly bad memory for names. Oh. It was... Um...
00:08:57What's the name of that country where they don't make watches at all?
00:09:01-Spain? -Spain, that's it. Spain, yep. Mm-hm.
00:09:04Label says "Zurich", sir.
00:09:08Yes, well. It was Spain, then.
00:09:12Zurich's in Switzerland, sir.
00:09:14Switzerland, yeah. Hmm, hmm.
00:09:16-Switzerland. -Yeah.
00:09:19Where they make the watches.
00:09:20[CHUCKLES] Oh, yeah.
00:09:23[HUMMING] ♪ Da dum, da dee dee ♪
00:09:25Oh, nice shed you've got here. Hm.
00:09:28You, uh, got any Swiss currency, sir?
00:09:29No, just the watches.
00:09:30Ah! Just my watch. Just my watch.
00:09:33Uh, my watch on the currency.
00:09:35I've kept a watch on the currency. And I've watched it.
00:09:36And I haven't got any.
00:09:39That came out a bit glib, didn't it?
00:09:40-[CHUCKLES] -[LOUD RINGING]
00:09:48You got an alarm clock in there, sir?
00:09:50No, no, heavens no! No, no.
00:09:51Just vests. Heh.
00:09:56[BANGS BAG, RINGING STOPS]
00:09:58Sounded a bit like an alarm clock going off.
00:10:00Well, it can't have been. It must have been a vest.
00:10:02Uh...go-- Going off.
00:10:04Going off?
00:10:06[CHIMING]
00:10:15All right.
00:10:17I confess, I'm a smuggler.
00:10:19This whole case is crammed full of Swiss watches and clocks.
00:10:21I've been purposely trying to deceive Her Majesty's Customs and Excise.
00:10:24I've been a bloody fool.
00:10:27I don't believe you, sir.
00:10:31It's true. I'm, uh, guilty of smuggling.
00:10:33Don't give me that, sir.
00:10:35You couldn't smuggle a piece of grease-proof paper, let alone a case full of watches.
00:10:38What do you mean?
00:10:40I've smuggled watches before, you know.
00:10:42I've smuggled bombs, cameras, microfilms, aircraft components.
00:10:44You name it, I've smuggled it.
00:10:46You're wasting our time. Move along, please--
00:10:48No, no, look at this. Look at this.
00:10:53Look, for all I know, sir, you could've bought these in London before you ever went to Switzerland.
00:10:57What? I wouldn't buy 2000 clocks.
00:11:01People do. Now close your case. Move along please, go on.
00:11:04Don't waste our time. We're out to catch the real smugglers.
00:11:07I am a real smuggler! I'm a smuggler, everybody!
00:11:09-Eric, take him out. -Don't you understand?! I'm a smuggler!
00:11:11I'm a lawbreaker! I'm a smuggler!
00:11:13Poor fellow. I think he needs help.
00:11:16Right, cut the wisecracks, vicar.
00:11:17Get in the search room and strip.
00:11:20Well, to discuss the implications of that sketch, and to consider the moral problems raised by the law-enforcement methods involved, we have a duck, a cat and a lizard.
00:11:30Now, first of all,
00:11:32I'd like to put this question to you please, lizard.
00:11:34How effective do you consider the legal weapons employed by legal Customs officers nowadays?
00:11:45Oh, while you're thinking about that, heh,
00:11:47I'd like to bring the duck in here and ask her, if possible, to clarify the whole question of currency restrictions and Custom regulations in the world today.
00:11:58Heh. Perhaps the cat would rather answer that?
00:12:02No? Lizard?
00:12:06No. Ahem.
00:12:07Well, um...
00:12:10Let's ask the man in the street what he thinks.
00:12:13I am not a man, you silly-billy.
00:12:18I'm not in the street, you fairy.
00:12:22Well, uh, speaking as a man in the street--
00:12:24Whaa!
00:12:27What was the question again?
00:12:29NEWSCASTER: Just how relevant
00:12:30are contemporary Customs regulations
00:12:32and currency restrictions in a modern, expanding industrial economy?
00:12:44Oh, never mind.
00:12:46Well, I think Customs men should be armed so they can kill people carrying more than 200 cigarettes.
00:12:51Well, I-I think that, uh, nobody who has gone abroad should be allowed back in the country.
00:12:58I mean, uh, blimey!
00:13:01Blimey! If they're not keen enough to stay here when they're here, why should we allow 'em back, huh, at the taxpayers' expense?
00:13:10I mean, be fair.
00:13:12I mean, I don't eat squirrels, do I?
00:13:14I mean, well, perhaps I do, one or two, but there's no law against that, is there?
00:13:18It's a free country.
00:13:20I mean, if I want to eat a squirrel now and again, that's me own business, isn't it?
00:13:24I mean, I'm no racialist. I...
00:13:30Oh. Oh.
00:13:33[GROANING]
00:13:42I think it's silly to ask a lizard what it thinks, anyway.
00:13:44NEWSCASTER: Why?
00:13:46I mean, they should have asked...
00:13:49Margaret Drabble.
00:13:50Well, I think, uh, Customs people are quite necessary, and I think they're doing quite a good job, really.
00:13:56Check.
00:13:57[LOUD BANGING ON DOOR]
00:14:03-Door's open. -Oh, yes.
00:14:07All right, all right, all right, all right.
00:14:09My name's Police Constable Henry Thatcher, and this is a raid.
00:14:13I have reason to believe that there are certain substances on the premises.
00:14:17What sort of substances, officer?
00:14:19Uh, certain substances.
00:14:21Well, what sort of certain substances?
00:14:23Uh, certain substances of an illicit nature.
00:14:27Uh, could you be more specific?
00:14:29I beg your pardon?
00:14:30Uh, could you be clearer?
00:14:31Oh. Oh, yeah.
00:14:33Uh, certain substances on the premises to be removed for clinical tests.
00:14:38Have you got anything particular in mind?
00:14:39-Well, what have you got? -Nothing, officer.
00:14:41You are Sandy Camp, the actor?
00:14:43-Yes. -I must warn you, sir, that outside I have police dog Josephine, who is not only armed and trained to sniff out certain substances, but is also a junkie.
00:14:53What are you after?
00:14:54Oh! Oh, oh! Oh! Oh, oh, oh! Oh! Oh!
00:14:59I've--
00:15:00Here is a brown paper bag I have found on the premises.
00:15:04I must confiscate this, sir, and take it with me for clinical examination.
00:15:08Wait a minute. You just got that out of your pocket.
00:15:10-What? -Well, what's in it, anyway?
00:15:14Sandwiches?
00:15:15Sandwiches?
00:15:17Blimey. Whatever did I give the wife?
00:15:19WOMAN: "Dear BBC, East Grinstead, Friday.
00:15:22I feel I really must write and protest about that sketch.
00:15:25My husband, in common with a lot of people of his age, is 50.
00:15:29For how long are we to put up with these things?
00:15:31Yours sincerely, E.B. Debenham, Mrs."
00:15:34MAN: "Dear Freddy Grisewood, Bagshot, Surrey.
00:15:36As a prolific letter-writer,
00:15:38I feel I must protest about the previous letter.
00:15:40I am nearly 60 and am quite mad,
00:15:42but I do enjoy listening to the BBC Home Service.
00:15:45If this continues to go on unabated, Dunkirk,
00:15:47dark days of the war, backs to the wall,
00:15:50Alvar Liddell, Berlin airlift, moral upheaval of Profumo case,
00:15:53young hippies roaming the streets, raping, looting and killing.
00:15:56Yours etc., Brigadier Arthur Gormanstrop, Mrs."
00:16:02Well, I think they should attack things like that.
00:16:05With satire. I mean, Ned Sherrin.
00:16:08Fair's fair.
00:16:10I think people should be able to make up their own minds for me.
00:16:13Well, I think they should attack the fuddy-duddy attitudes of the lower middle classes, which permit the establishment to survive and keep the mores of the whole country back where they were in the 19th century, and the ghastly days of the pre-sexual revolution.
00:16:30Well, that's, uh, very interesting, because, uh, I am, in fact, made entirely of wood.
00:16:36Well, I think they should attack the lower classes, uh, first with bombs and rockets, destroying their homes, and then when they run helpless into the streets, uh, mowing them down with machine guns.
00:16:47Uh, and then, of course, uh, releasing the vultures.
00:16:52I know these views aren't popular, but I have never courted popularity.
00:16:57I think there should be more race prejudice.
00:17:00Less.
00:17:01Less race prejudice.
00:17:04...and several butchers' aprons.
00:17:07In Fulham this morning, a jeweler's shop was broken into, and jewelry to the value of £2000 stolen.
00:17:14Police have issued this picture of a man they wish to interview.
00:17:18The man is in his late 20s, wearing a grey suit, a white shirt and a floral tie.
00:17:24Would anyone who sees this man, or can give any information about his whereabouts, contact their nearest police station.
00:17:32Ah. Oh, we've just heard that police have detained the man they wished to interview in connection with the jewel robbery.
00:17:39Uh, but after questioning, police have ruled him out of their enquiries and released him.
00:17:45Sport.
00:17:48Uh, they say, however, that acting on his information, they now wish to interview a newsreader in the central London area.
00:17:55Uh, police are concentrating their enquiries on the British Broadcasting Assoc--
00:17:59Excuse me a minute.
00:18:03We understand a man is now helping police
00:18:06with their enquiries.
00:18:08And that is the end of the news.
00:18:12And now, Match of the Day.
00:18:20-[ENGINE REVS] -[MOANS]
00:18:23[KNOCKING]
00:18:25Uh, I'm-- I'm terribly sorry.
00:18:27It-- It's not, in fact, Match of the Day, it is, in fact, edited highlights of tonight's romantic movie.
00:18:33Uh...sorry.
00:18:36Oh, uh, I'm sorry. On BBC2, Joan Bakewell will be talking to Michael Dean about what makes exciting television.
00:18:44[MOANING]
00:18:46Uh, sorry about all that.
00:18:48And now, uh, back to the movie.
00:18:51-Oh. Oh, Bevis. -Oh, my darling.
00:18:54-Oh, oh. Should we? -Well, why not?
00:18:57Oh. Be gentle with me.
00:19:02[♪]
00:19:44Oh, Bevis. Are you going to do anything or are you just going to show me films all evening?
00:19:50-Just one more, dear. -Oh!
00:19:52[♪]
00:20:16Wow, Charles Atlas, with the world's most perfectly developed body.
00:20:22Tired of being pushed around?
00:20:24Would you like to do some pushing around instead?
00:20:27Would you like a body that can't fail to attract women?
00:20:30[SHRIEKING]
00:20:31ATLAS: A body that is the envy of other men?
00:20:34Oh, I must get one of those.
00:20:37Then let me have your skinny, scrawny, little body for just 15 minutes a day.
00:20:42Oh, I've heard that one before, ducky. Ugh.
00:20:46Let me slap 50 pounds of he-man muscles on you.
00:20:51ATLAS: Thick, Herculean arms, a deep, massive chest,
00:20:54atomic-powered legs, shoulders a yard wide,
00:20:57and right in the privacy of your own home.
00:21:03What's my secret?
00:21:05It's dynamo tension.
00:21:08Muscles pulling against muscles, the natural way.
00:21:12Agh!
00:21:13Here's living proof.
00:21:16And there's no need to stop there.
00:21:23So don't delay.
00:21:25Send today for my gigantic, free, 78-page muscle-building course.
00:21:31[KNOCKING]
00:21:32Postman.
00:21:36And start building a body you can be proud of.
00:21:39[FLAPPING]
00:21:42[♪]
00:21:48[GIGGLING]
00:21:52Hmm?
00:21:57[GIGGLING]
00:22:00You know, I really enjoy interviewing applicants for this management training course.
00:22:05[BANGING AT DOOR]
00:22:07Come in.
00:22:10Ah, come and sit down.
00:22:12Uh. Thank you.
00:22:13[CLEARS THROAT]
00:22:18Would you mind just standing up again for one moment?
00:22:24-Take a seat. -I'm sorry?
00:22:26Take a seat.
00:22:28Ahh.
00:22:32-Good morning. -Morning.
00:22:35Good morning.
00:22:37Morning.
00:22:43Tell me. Why do you say "good morning" when you know perfectly well that it's afternoon?
00:22:46Well-- Well-- Well, you said good morning.
00:22:48[CHUCKLES]
00:22:51Good afternoon.
00:22:53Oh. Good afternoon.
00:22:54Oh, dear.
00:22:58Good evening.
00:23:01Goodbye?
00:23:02[LAUGHING]
00:23:05No.
00:23:10[BELL RINGING]
00:23:16Aren't you going to ask me why I rang the bell?
00:23:18[STAMMERS] Why did you ring the bell?
00:23:20Why do you think I rang the bell?
00:23:22-Well-- -[SHOUTING] Five, four, three, two, one, zero!
00:23:26-Well, I-I-- -Too late.
00:23:32[RINGING]
00:23:34♪ Good night ♪
00:23:36♪ A-ding-ding-ding Ding-ding-ding-ding ♪
00:23:39♪ Ah, good night ♪
00:23:41♪ A-ding-ding-ding Ding-ding-ding-ding ♪
00:23:44Um-- Uh, this isn't--
00:23:46It is the interview for the management training course, is it?
00:23:48-Yes. Yes, it is. -Oh.
00:23:49♪ Good night ♪
00:23:51♪ A-ding-ding-ding Ding-ding-ding-ding ♪
00:23:54Oh, dear, I don't think I'm doing very well.
00:23:55-Why do you say that? -Uh, well, I don't know.
00:23:57Do you say it because you didn't know?
00:23:59Well, I-I-I-- I don't know.
00:24:01[SHOUTING] Five, four, three, two, one, zero!
00:24:09Right. Ahem.
00:24:11[WAILS]
00:24:15I'm sorry, I'm confused.
00:24:16Well, why do you think I did that, then?
00:24:18-Well, I don't know. -Aren't you curious?
00:24:20-Well, yes. -Why don't you ask me?
00:24:21-Well. I-- I'll-- -Name?
00:24:23-What? -Your name, please. Your name.
00:24:24-Um-- Uh, David. -David. Sure?
00:24:26-Oh, yes. -David Sure.
00:24:28No, no, Thomas.
00:24:29Thomas Sure.
00:24:30No, no, David Thomas.
00:24:36♪ Good night ♪
00:24:38♪ A-ding-ding-ding Ding-ding-ding-ding ♪
00:24:40Oh, dear, we're back to that again.
00:24:41♪ Good night ♪
00:24:43♪ A-ding-ding-ding Ding-ding-ding-ding ♪
00:24:46I don't know what to do when you do that.
00:24:47Well, do something.
00:24:48♪ Good night ♪
00:24:50♪ A-ding-ding-ding Ding-ding-ding ♪
00:24:51[SHOUTING] Five, four, three, two, one!
00:24:55[SHRIEKING]
00:24:58-Good! -Good?
00:25:00Very good. Do it again.
00:25:03[SHRIEKING]
00:25:06Very good indeed.
00:25:09Quite outstanding.
00:25:10Uh, right. Ready now.
00:25:16Right. Once more.
00:25:17♪ Good night ♪
00:25:19♪ A-ding-ding-ding Ding-ding-ding-ding ♪
00:25:22[SHRIEKING]
00:25:29What-- What's going on? What's going on?
00:25:33You got very good marks.
00:25:35Well, I don't care. I want to know what's going on.
00:25:37I think you're deliberately trying to humiliate people!
00:25:38I'm going out to tell the police exactly what you do to people.
00:25:41And I'm going to make bloody sure you never do this again.
00:25:44There, what do you think of that?! Huh?!
00:25:45What do you think of that?!
00:25:49-Very good marks. -Oh.
00:25:51Oh. Well... do I get the job?
00:25:54Uh, well, I'm afraid not.
00:25:55I'm afraid all the vacancies were filled several weeks ago.
00:25:58[ALL LAUGHING]
00:26:05Hmm. Well, that was all good fun, and we all had a jolly good laugh.
00:26:11But I would like to assure you that you'd never be treated like that if you had an interview here at the Careers Advisory Board.
00:26:17Perhaps I should introduce myself.
00:26:19I am the head of the Careers Advisory Board.
00:26:23I wanted to be a doctor, but there we are.
00:26:26I'm head of the Careers Advisory Board.
00:26:30Or a sculptor. Something artistic.
00:26:32Or an engineer, with all those dams, but there we are, it's no use crying over spilt milk.
00:26:37The facts are there, and that's that.
00:26:39I'm the head of this lousy board.
00:26:41[SOBBING]
00:26:44Never mind.
00:26:47Now, I wonder if you've ever considered what a very profitable line of work this man is in.
00:26:56Burglar.
00:27:00Burglar.
00:27:06-Yes? -Burglar, madam.
00:27:09What do you want?
00:27:10I want to come in and steal a few things, madam.
00:27:14Are you an encyclopedia salesman?
00:27:16No, madam, I'm a burglar. I burgle people.
00:27:18I think you're an encyclopedia salesman.
00:27:20Oh, I'm not. Open the door, let me in, please.
00:27:22If I let you in, you'll sell me encyclopedias.
00:27:25I won't, madam. I just want to come in, ransack the flat. Honestly.
00:27:28Promise? No encyclopedias?
00:27:30None at all.
00:27:33All right. You can come in, then.
00:27:37Mind you, I don't know whether you've ever really considered the advantages of owning a fine set of encyclopedias.
00:27:41You know, they can do you really wonders.
00:27:43That man was a successful encyclopedia salesman.
00:27:47But not all encyclopedia salesmen are successful.
00:27:50Here is an unsuccessful encyclopedia salesman.
00:27:58Now, here are two unsuccessful encyclopedia salesmen.
00:28:08I think there's a lesson there for all of us.
00:28:10[THEME MUSIC]