Home > Monty Python's Flying Circus
It's the Arts
00:00:01[RINGING]
00:00:03[PANTING]
00:00:07It's...
00:00:08ANNOUNCER: Monty Python's Flying Circus.
00:00:12[♪]
00:00:41[♪]
00:01:09I thought you did that so well, Mr. Figgis. Could I have your autograph?
00:01:12ARTHUR: Certainly, yes. Mm.
00:01:21[CHIRPING]
00:01:40[CLANKS]
00:01:45[♪]
00:01:51Beethoven, Mozart, Chopin,
00:01:54Liszt, Brahms, panties-- I'm sorry.
00:01:58Schumann, Schubert, Mendelssohn and Bach.
00:02:02Names that will live forever.
00:02:04But there is one composer whose name is never included with the greats.
00:02:08Why is it the world never remembered the name of Johann Gambolputty de von Ausfern Schplenden-Schlitter
00:02:15Crasscrenbon-Fried Digger-Dangle-Dungle
00:02:17Burstein von Knackerthrasher-Applebanger
00:02:19Horowitz Ticolensic Grander-Knotty Spelltinkle
00:02:22Grandlich Grumblemeyer Spelterwasser Kurstlich
00:02:24Himbleeisen-Bahnwagen Gutenabend-Bitte
00:02:26Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache
00:02:28Luber Hundsfut Gumberaber-Schonedanker
00:02:30Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm?
00:02:34To do-- To do justice to this man, thought by many to be the greatest name in German Baroque music, we present a profile of Johann Gambolputty de von Ausfern Schplenden-Schlitter
00:02:48Crasscrenbon-Fried Digger-Dangle-Dungle
00:02:49Burstein von Knackerthrasher-Applebanger
00:02:51Horowitz Ticolensic Grander-Knotty Spelltinkle
00:02:53Grandlich Grumblemeyer Spelterwasser Kurstlich
00:02:55Himbleeisen-Bahnwagen Gutenabend-Bitte
00:02:57Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache
00:03:00Luber Hundsfut Gumberaber-Schonedanker
00:03:02Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm.
00:03:04We start with an interview with his only surviving relative,
00:03:09Karl Gambolputty de von Ausfern--
00:03:12Yeah, I first met Johann Gambolputty de von Ausfern Schplenden-Schlitter
00:03:20Crasscrenbon-Fried Digger-Dangle-Dungle
00:03:24Burstein von Knackerthrasher-Applebanger
00:03:28Horowitz Ticolensic Grander-Knotty Spelltinkle
00:03:32Grandlich Grumblemeyer Spelterwasser Kurstlich
00:03:35Himbleeisen-Bahnwagen Gutenabend-Bitte
00:03:39Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache
00:03:43Luber Hundsfut
00:03:44[GURGLES] Gumberaber-Schonedanker
00:03:47Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm when he was with his wife,
00:03:55Sarah Gambolputty de von--
00:04:00Yes, if-- If I may just, uh, cut in on you there,
00:04:03Herr Gambolputty de von Ausfern Schplenden-Schlitter
00:04:05Crasscrenbon-Fried Digger-Dangle-Dungle
00:04:07Burstein von Knackerthrasher-Applebanger
00:04:09Ticolensic Grander-Knotty Spelltinkle
00:04:11Grandlich Grumblemeyer Spelterwasser Kurstlich
00:04:13Himbleeisen-Bahnwagen Gutenabend-Bitte
00:04:15Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache
00:04:18Luber Hundsfut Gumberaber-Schonedanker
00:04:20Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm, and ask you just quickly if there's any particular thing that you remember about, uh, Johann Gambolputty de von Ausfern Schplenden-Schlitter
00:04:34Crasscrenbon-Fried Digger-Dangle-Dungle
00:04:37Burstein von Knackerthrasher-Apple--
00:04:40[CROAKS]
00:04:42--banger Ticolensic Grander-Knotty Spelltinkle
00:04:44Grandlich Grumblemeyer Spelterwasser Kurstlich
00:04:47Himbleeisen-Bahnwagen Gutenabend-Bitte
00:04:49Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache
00:04:50Luber Hundsfut Gumberaber-Schonedanker
00:04:52Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm?
00:05:15[SIGHS]
00:05:35A tribute to Johann Gambolputty de von--
00:05:39-Ausfern Schplenden-Schlitter-- -Crasscrenbon-Fried Digger-Dangle-Dungle--
00:05:44Dungle Burstein von Knackerthrasher--
00:05:46Applebanger Horowitz Ticolensic--
00:05:47-Grander Spelltinkle-- -Grandlich--
00:05:49-Grumblemeyer-- -Spelterasser--
00:05:50-Kurstlich Himbleeisen-- -Bahnwagen Gutenabend--
00:05:53-Bitte-- -Nurnburger--
00:05:54-Bratwurstle-- -Gerspurten--
00:05:55-Mitz-- -Weimache Luber--
00:05:57-Gumberaber-Schonedanker-- -Kalbsfleisch--
00:05:59ALL: Mittler-Aucher von Hautkopf--
00:06:01Of Ulm.
00:06:03[♪]
00:06:11Ooh!
00:06:17Ooh!
00:06:26-[MUMBLING] -Ooh! Ooh! Ooh!
00:06:28-[PANTING] -[GRUNTING]
00:06:30That's it.
00:06:31We're not about to allow this sort of smut to be shown on-screen.
00:06:38I must agree with the censor.
00:06:40Smut and filth have no place on the street.
00:06:43Street-- On the street. No. Smut and filth should--
00:06:49[CASH REGISTER DINGS]
00:06:50[♪]
00:06:54All clear?
00:06:55All clear, boss.
00:06:56Right, this is the plan, then.
00:06:59At 10:45, you, Reg, collect me and Ken in the van and take us round to British jewelery center in the High Street.
00:07:05We arrive outside the British jewelery center at 10:50 a-of-m.
00:07:08I shall then get out of the car.
00:07:10You, Reg, take it and park it back here in Denver Street, right?
00:07:13At 10:51, I shall enter the British jewellery center, where you, Vic, disguised as a customer, will meet me and hand me £5.18 and 3 pence.
00:07:24At 10:52, I shall approach the counter and purchase a watch costing £5.18 and 3 pence.
00:07:31I shall then give the watch to you, Vic.
00:07:33You will go to Norman's Garage on East Street.
00:07:35You lads come and pick me back up here at 10:56 and we rendezvous in the back at the Cow and Sickle, at 11:15.
00:07:40All right, any questions?
00:07:41We don't seem to be doing anything illegal.
00:07:46-What do you mean? -Well, we're paying for the watch.
00:07:51Yeah.
00:07:52Well, why are we paying for the watch?
00:07:54[SCOFFS]
00:07:57They wouldn't give it to us if we didn't pay for it, would they?
00:08:00-I don't like this outfit. -Why not?
00:08:03Well, we never break the bloody law.
00:08:05What do you mean?
00:08:06Well, look at that bank job last week.
00:08:07What was wrong with that?
00:08:09Having to go in there with a mask on and ask for £15 out of my deposit account, that's what was wrong.
00:08:15What are you trying to say, Larry?
00:08:17Couldn't we just steal the watch, boss?
00:08:20Oh, you dumb cluck!
00:08:22We spent weeks organizing this job.
00:08:23Reg rented a room across the road and filmed people going in and out every day.
00:08:27Vic spent three weeks looking at watch catalogs till he knew the price of each one backwards.
00:08:31And I'm not going to risk the whole raid just for the sake of breaking the law.
00:08:35-Park on the double-yellow line? -No!
00:08:37-Couldn't we get a dog to--? -No!
00:08:38-Here, boss. -What's the matter with you?
00:08:41I just thought, uh-- I left the car on a meter and it's...
00:08:45Overdue?
00:08:46Yes, boss.
00:08:48How much?
00:08:50I don't know, boss. Maybe two-- Maybe five minutes.
00:08:53Five minutes overdue?!
00:08:55You fool!
00:08:58You fool!
00:09:00All right, no time to lose.
00:09:02Ken, shave all your hair, get your passport, and meet me at this address in Rio de Janeiro Tuesday.
00:09:06Vic, go to Africa, have plastic surgery and meet me there.
00:09:08Reg, go to Canada, work your way south to Nicaragua by July.
00:09:11Larry, you stay here. Give us 15 minutes, then blow the building up. All right? Make it fast!
00:09:15-I can't blow the building up. -Why not?
00:09:17Well, it's illegal.
00:09:19Oh, bloody hell.
00:09:21Well, we better give ourselves up, then.
00:09:23-We can't, boss. -Why not?
00:09:25We haven't done anything illegal.
00:09:26-[GUNSHOTS] -[ALARM RINGING]
00:09:30MAN: Excuse me.
00:09:33Uh, no, well,
00:09:34I think, uh, being illegal makes it more exciting.
00:09:37Yeah, I agree. I mean, uh, if you're gonna go straight, you might as well be a--
00:09:42A vicar or something.
00:09:43What? What?
00:09:46I agree. If there were fewer robbers, there wouldn't be so many of them, numerically speaking.
00:09:51I think sexual ecstasy is overrated.
00:09:53Well, how very interesting, because I'm now made entirely of tin.
00:09:58After a few more of these remarks,
00:10:00I shall be appearing in a sketch, so stay tuned.
00:10:04It's the uniform that puts 'em off.
00:10:06That and my bad breath.
00:10:12We like dressing up, yes.
00:10:16Hello again. I am, at present, still on film, but in a few seconds, I shall be appearing in the studio. Thank you.
00:10:24Hello.
00:10:28Mr. Milton, you are sole proprietor and owner
00:10:30-of the Whizzo Chocolate Company? -I am.
00:10:33Superintendent Parrot and I are from the Hygiene Squad.
00:10:36We want to have a word with you about your box of chocolates entitled the Whizzo Quality Assortment.
00:10:41Ah, yes. Heh.
00:10:42If I may begin at the beginning.
00:10:44First, there is the Cherry Fondue.
00:10:46[GAGS]
00:10:48This is extremely nasty, but we can't prosecute you for that.
00:10:51-Agreed. -Next, we have number four:
00:10:54-"Crunchy Frog." -Ah, yes.
00:10:56Am I right in thinking there's a real frog in here?
00:10:59-Yes, a little one. -What sort of frog?
00:11:01A dead frog.
00:11:04-Is it cooked? -No.
00:11:06What, a raw frog?
00:11:07We use only the finest baby frogs, dew-picked and flown from Iraq, cleansed in the finest quality spring water, lightly killed, and then sealed in a succulent Swiss, quintuple-smooth, treble-cream, milk-chocolate envelope and lovingly frosted with glucose.
00:11:23That's as may be, it's still a frog.
00:11:25-What else? -Don't you take the bones out?
00:11:28If we took the bones out it wouldn't be crunchy, would it?
00:11:34Superintendent Parrot ate one of those.
00:11:36[DRY HEAVING]
00:11:37Excuse me a moment. [GRUNTS]
00:11:39It says, "Crunchy Frog" quite clearly.
00:11:41Well, the superintendent thought it was an almond whirl.
00:11:45People won't expect there to be a frog in there.
00:11:47They're bound to think it's some form of mock frog.
00:11:49"Mock frog"? We use no artificial preservatives or additives of any kind.
00:11:54Nevertheless, I must warn you that in future, you should delete the words "Crunchy Frog" and replace them with the legend:
00:12:00"Crunchy, raw, unboned, real, dead frog" if you want to avoid prosecution.
00:12:05What about our sales?
00:12:06I'm not interested in your sales.
00:12:07I have to protect the general public.
00:12:11Now, how about this one?
00:12:12It was number five, wasn't it?
00:12:15Number five, "Ram's Bladder Cup."
00:12:17-[GAGS] -Yes.
00:12:18What kind of confection is this?
00:12:20We use choicest, juicy chunks of fresh Cornish ram's bladder, emptied, steamed, flavored with sesame seeds, whipped into a fondue and garnished with lark's vomit.
00:12:32"Lark's vomit"?
00:12:33Correct.
00:12:35Well, it don't say nothing about that here.
00:12:37Yes, it does, on the bottom of the box, after monosodium glutamate.
00:12:41Well, I hardly think this is good enough.
00:12:43I think it would be more appropriate if the box bore a large red label warning "lark's vomit."
00:12:49Our sales would plummet.
00:12:50Well, why don't you move into more conventional areas of confectionary like praline or lime cream, a very popular flavor, I'm led to understand.
00:12:58-I mean look at this one, "Cockroach Cluster." -[GAGS]
00:13:04"Anthrax Ripple."
00:13:06What's this one, "Spring Surprise"?
00:13:08Oh, now, that's our specialty.
00:13:09Covered in darkest creamy chocolate, when you pop it in your mouth steel bolts spring out and plunge straight through both cheeks.
00:13:17Well, where's the pleasure in that?
00:13:19If people place a nice choccy in their mouths, they don't want their cheeks pierced.
00:13:22In any case, this is an inadequate description of the sweetmeat.
00:13:26I shall have to ask you to accompany me to the station.
00:13:28-It's a fair cop. -Stop talking to the camera.
00:13:30I'm sorry.
00:13:35[COUGHS]
00:13:37If only the general public would take more care when buying its sweeties, it would reduce the number of man-hours lost to the nation, and they would spend less time having their stomachs pumped and sitting around in public lavatories.
00:13:49[GRUNTS]
00:13:51The BBC would like to apologize for the extremely poor quality of the next announcement, only he's not at all well.
00:13:58We present, "The Dull Life of a City Stockbroker." [GAGS]
00:14:01[♪]
00:14:21[BOTH PANTING]
00:14:29[GRUNTING]
00:15:01[SCREAMS]
00:15:08Agh!
00:15:23[EXPLOSIONS]
00:15:43[ALL SCREAMING]
00:15:45[GUNFIRE]
00:15:52[EXPLOSIONS]
00:15:53[♪]
00:16:47[♪]
00:17:13Yes, sir, coming right up, the theater sketch, so don't move.
00:17:17[♪]
00:17:21[ORCHESTRA PLAYING]
00:17:36Me heap want see play.
00:17:39Me want play start heap soon.
00:17:43Yes, well, I think it begins in a minute.
00:17:45Me heap-big fan Cicely Courtneidge.
00:17:49Yes, she's very good.
00:17:51She fine actress.
00:17:52She make interpretation heap subtle.
00:17:55She heap-good diction and timing.
00:17:57She make part really live for Indian brave.
00:18:00Yes. Yes, she's marvelous.
00:18:02My father, Chief Running Stag, leader of mighty Redfoot tribe, him heap keen on Michael Denison and Dulcie Gray.
00:18:11Um, do you go to the theater a lot?
00:18:14When moon high over prairie, when wolf howl over mountain, when mighty wind roar through Yellow Valley, we go Leatherhead rep, block-booking, upper circle.
00:18:26Whole tribe get in on three and six each.
00:18:29That's very good.
00:18:30Stage manager, Stan Wilson, heap-good friend Redfoot tribe.
00:18:35After show we go powwow.
00:18:37Speakum with director, Sandy Camp, in snug bar of Bell and Compasses.
00:18:42Him mighty fine director.
00:18:44Him heap famous.
00:18:46Yes, well, I-I don't know him myself.
00:18:48Him say Leatherhead rep like do play with Redfoot tribe.
00:18:52Oh, that's good.
00:18:53We do Dial M for Murder.
00:18:55Chief Running Elk, him kill buffalo with bare hands, run thousand paces when the sun is high.
00:19:02Him play Chief Inspector Hardy.
00:19:04Heap-good fine actor.
00:19:06You, uh-- You do a lot of acting, do you?
00:19:08Yes, Redfoot tribe live by acting and hunting.
00:19:11-You don't fight anymore? -Yes!
00:19:13Redfoot make war.
00:19:15When Chief Yellow Snake was leader and Mighty Eagle was in land of forefather, we fight Pawnee at Oxbow Crossing.
00:19:24When Pawnee steal our rehearsal copies of Reluctant Debutante, we kill 50 Pawnee.
00:19:30Houses heap full every night. Heap good publicity.
00:19:34I think he's about to start now. Thank God for that.
00:19:37Paleface like eat chocolate?
00:19:39No, thank you very much.
00:19:41Mm.
00:19:42Crunchy Frog. Heap good.
00:19:47Ladies and gentlemen, before the play starts,
00:19:49I would like to apologize to you all.
00:19:51But unfortunately, Miss Cicely Courtneidge is unable to appear, owing to-- [GASPS]
00:19:57[♪]
00:20:01Oh, did you read that, Edgar?
00:20:03What's that, dear?
00:20:04There's been another Indian massacre at Dorking Civic Theatre.
00:20:08About time, too, dear.
00:20:09"Those who were left alive at the end got their money back."
00:20:13Well, that's what live theater needs, a few more massacres.
00:20:16"The police are anxious to speak to anyone who saw the crime, ladies with large breasts, or just anyone who likes policemen."
00:20:30Yes, policemen make wonderful friends.
00:20:32So if you are over six-feet tall and would like a friend, a pen friend in the police force, here is the address to write to:
00:20:38Mrs. Ena Frog, 8 Masonic Apron Street, Cowdenbeath.
00:20:42Remember, policemen make wonderful friends.
00:20:44So write today and take advantage of our free officer.
00:20:48Thank you.
00:20:49And now for the next sketch.
00:20:55[GIGGLES] Oh. Oh, thank you.
00:20:59Ooh! "A Scotsman on a Horse."
00:21:02For Mrs. Emma Hamilton of Nelson, "A Scotsman on a Horse."
00:21:06[bagpipes playing]
00:21:16[HORSE WHINNIES]
00:21:24[HARPSICHORD PLAYING]
00:21:33[HARPSICHORD PLAYING]
00:22:24Oh, I liked that.
00:22:25I want to get one of those for myself too, peachy-face.
00:22:29[ENGINE HUMMING]
00:22:35[YELPS]
00:22:38[GRUNTS]
00:22:41[YELLS]
00:22:43MAN [ON MEGAPHONE]: It's the police, Percy.
00:22:45We know you're in there, so come out with your hands up high and there'll be no trouble.
00:22:49[SISSY VOICE] You'll never take me alive, copper.
00:22:52[MAN] Oh. All right.
00:22:55[♪]
00:23:22[SQUEAKS]
00:23:28Morning, boys.
00:23:30ALL: Good morning, Mr. Saltzberg.
00:23:31Sit down, sit down, sit down, sit down.
00:23:33Well, boys, I want you to know that I think you're the best six writers in movies today.
00:23:39And I want you to know that I've had an idea for the next movie I'm gonna produce and I want you boys to write it.
00:23:46[EXCITED CHATTER]
00:23:47[CHUCKLES]
00:23:48Oh, sit down, sit down, sit down, sit down!
00:23:51There'll be plenty of time for that later on.
00:23:55-Now, here's my idea-- -It's great!
00:23:59You like it, huh?
00:24:00-Yeah, yeah, great! -Terrific.
00:24:01Great. Terrific.
00:24:03Do you like it?
00:24:04Oh, yeah! Yeah, yeah, yeah.
00:24:06What do you like best about it?
00:24:08[CHUCKLES] Oh... Well, you haven't told us what it is yet.
00:24:12What?
00:24:13Um... I like what he likes.
00:24:15-What do you like? -I like what he likes.
00:24:16BOTH: I like what he likes.
00:24:18I'm just crazy about what he likes.
00:24:19What do you like about it?
00:24:21-I agree with them. -Good.
00:24:22Now we're getting somewhere.
00:24:24Now, here's the start of the movie:
00:24:27I see snow.
00:24:31-White snow. -Think of the colors!
00:24:33And in the snow, I see a tree.
00:24:36ALL: Yes! Yes!
00:24:37Wait, wait. I haven't finished yet.
00:24:39-There's more? -By this tree, gentlemen, I see a dog.
00:24:43ALL: Okay!
00:24:45And gentlemen, this dog goes up to the tree, and he piddles on it.
00:24:51ALL: Hallelujah!
00:24:53Have we got a movie!
00:24:55He tells it the way it is!
00:24:56-It's where it's at! -This is something else!
00:24:58It's out of sight!
00:25:00I like it! I like it!
00:25:02-Oh, yeah? -Yeah, yeah, yeah!
00:25:04I promise I like it.
00:25:05Sir, I don't know how to say this, but I've got to be perfectly frank.
00:25:10I really and truly believe this story of yours is the greatest story in motion-picture history.
00:25:17Get out! If there's one thing I can't stand, it's a yes man! Get out!
00:25:21-[SOBBING] -I'll see you never work again!
00:25:24-What do you think? -Well, I, uh--
00:25:26Just because I have an idea it doesn't mean it's great.
00:25:28It could be lousy.
00:25:29It could?
00:25:31Yeah! What do you think?
00:25:34-It's lousy. -There you are. He spoke his mind.
00:25:36He said my idea was lousy.
00:25:38It just so happens my idea isn't lousy, so get out you goddamn pinko subversive, get out!
00:25:43[SOBBING]
00:25:44You!
00:25:48Well, I think it's an excellent idea.
00:25:50Are you a yes man?
00:25:52No, no, no! I-I mean, there may be things against it.
00:25:54You think it's lousy, huh?
00:25:55No, no. I-I mean, i-it takes time.
00:25:58Are you being indecisive?
00:25:59[STAMMERING] Yo!
00:26:00Nes! Perhaps.
00:26:05Now, I hope you three gentlemen aren't gonna be indecis--
00:26:08What the hell are you doing under that table?
00:26:09-We dropped our pencils. -Yeah.
00:26:11Pencil droppers, eh?
00:26:12ALL: No, no, no!
00:26:14Right.
00:26:15Now, I want your opinion of my idea.
00:26:20-You! -[MOANS]
00:26:23-Has he had a heart attack? -[BOTH STAMMERING]
00:26:25If there's one thing I can't stand, it's people who have heart attacks!
00:26:28I feel fine now.
00:26:29Well, what do you think?
00:26:31Uh, what? You didn't ask me, you asked him.
00:26:34-Oh, you didn't ask me, you asked him. -Uh, him.
00:26:36-ALL: Him! -I've changed my mind.
00:26:38-I'm asking you, the one in the middle. -[GASPING]
00:26:40The one in the middle?
00:26:42-Yes, the one in the middle. -[PHONE RINGS]
00:26:45Hello? Yes, Dimitri.
00:26:47No, no. Sorry. It doesn't matter. Okay, just a second. Go on. All right.
00:26:49-What the hell are you doing? -Uh, thinking.
00:26:52Get back in those seats immediately.
00:26:54-Yeah, sure, sure, sure. Right, you! -[ALL GRUNTING]
00:26:57The one in the middle, what do you think?
00:26:59[WHIMPERING]
00:27:02-Come on! -Splunge!
00:27:04Did he say "splunge"?
00:27:07-Yep. -Yep.
00:27:08What does "splunge" mean?
00:27:10[STAMMERING] It means, it's a great idea, but-- But possibly not.
00:27:13-And I'm not being indecisive! -Good. Right.
00:27:16-What do you think? -Uh, splunge?
00:27:19-Okay. -Yeah, splunge for me too.
00:27:23So all three of you think splunge?
00:27:25-ALL: Yeah. -Now we're getting somewhere.
00:27:27No, wait! A new angle.
00:27:29In the snow, instead of the tree,
00:27:32I see... Rock Hudson.
00:27:34Oh, yeah! Yeah.
00:27:35And instead of the dog, I see... Doris Day.
00:27:38-Oh, yes! -And, gentlemen,
00:27:40Doris Day goes up to Rock Hudson, and she kisses on him.
00:27:46-I love it. -It's a love story.
00:27:48Intercourse Italian-style.
00:27:49David Hemmings as a hippie Gestapo officer.
00:27:52Frontal nudity. A family picture. A comedy.
00:27:54And then, when Doris Day's kissed Rock Hudson, she says something funny... Like...?
00:28:01[STAMMERS] "Good evening"?
00:28:04Doris Day's a comedienne, not a newsreader. Get out!
00:28:08She says something funny like?
00:28:10[WHIMPERS, STAMMERS]
00:28:12"Splunge."
00:28:13That's the stupidest idea I ever heard! Get out!
00:28:17Doris Dog kisses Rock Tree and she says?
00:28:21I can't take it anymore!
00:28:23I like that! I like that, "I can't take it anymore."
00:28:26And then Rock Hudson says: "I'm a very rich film producer and I need a lobotomy."
00:28:30And then Doris Dog says: "I think you're very handsome and I'm gonna take all my clothes off."
00:28:34And then Doris Dog turns into a yak and goes to the bathroom on David Lemming.
00:28:38No, wait, wait!
00:28:40Hello? Hello?
00:28:42[RINGING]
00:28:46SALTZBERG: Hello, who are you?
00:28:48You're an out-of-work writer? Well, you're fired!
00:28:51Roll the credits!
00:28:55Produced by Irving C. Saltzberg, Junior,
00:28:58in an Irving C. Saltzberg Production, Ltd.
00:29:00And Saltzberg Art Films, Oil, Real Estate,
00:29:03Banking and Prostitution, Inc.
00:29:05[♪]