Home > Monty Python's Flying Circus

It's the Arts

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[RINGING]

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[PANTING]

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It's...

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ANNOUNCER: Monty Python's Flying Circus.

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[♪]

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[♪]

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I thought you did that so well, Mr. Figgis. Could I have your autograph?

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ARTHUR: Certainly, yes. Mm.

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[CHIRPING]

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[CLANKS]

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[♪]

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Beethoven, Mozart, Chopin,

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Liszt, Brahms, panties-- I'm sorry.

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Schumann, Schubert, Mendelssohn and Bach.

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Names that will live forever.

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But there is one composer whose name is never included with the greats.

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Why is it the world never remembered the name of Johann Gambolputty de von Ausfern Schplenden-Schlitter

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Crasscrenbon-Fried Digger-Dangle-Dungle

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Burstein von Knackerthrasher-Applebanger

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Horowitz Ticolensic Grander-Knotty Spelltinkle

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Grandlich Grumblemeyer Spelterwasser Kurstlich

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Himbleeisen-Bahnwagen Gutenabend-Bitte

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Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache

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Luber Hundsfut Gumberaber-Schonedanker

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Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm?

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To do-- To do justice to this man, thought by many to be the greatest name in German Baroque music, we present a profile of Johann Gambolputty de von Ausfern Schplenden-Schlitter

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Crasscrenbon-Fried Digger-Dangle-Dungle

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Burstein von Knackerthrasher-Applebanger

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Horowitz Ticolensic Grander-Knotty Spelltinkle

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Grandlich Grumblemeyer Spelterwasser Kurstlich

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Himbleeisen-Bahnwagen Gutenabend-Bitte

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Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache

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Luber Hundsfut Gumberaber-Schonedanker

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Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm.

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We start with an interview with his only surviving relative,

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Karl Gambolputty de von Ausfern--

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Yeah, I first met Johann Gambolputty de von Ausfern Schplenden-Schlitter

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Crasscrenbon-Fried Digger-Dangle-Dungle

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Burstein von Knackerthrasher-Applebanger

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Horowitz Ticolensic Grander-Knotty Spelltinkle

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Grandlich Grumblemeyer Spelterwasser Kurstlich

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Himbleeisen-Bahnwagen Gutenabend-Bitte

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Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache

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Luber Hundsfut

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[GURGLES] Gumberaber-Schonedanker

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Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm when he was with his wife,

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Sarah Gambolputty de von--

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Yes, if-- If I may just, uh, cut in on you there,

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Herr Gambolputty de von Ausfern Schplenden-Schlitter

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Crasscrenbon-Fried Digger-Dangle-Dungle

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Burstein von Knackerthrasher-Applebanger

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Ticolensic Grander-Knotty Spelltinkle

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Grandlich Grumblemeyer Spelterwasser Kurstlich

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Himbleeisen-Bahnwagen Gutenabend-Bitte

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Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache

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Luber Hundsfut Gumberaber-Schonedanker

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Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm, and ask you just quickly if there's any particular thing that you remember about, uh, Johann Gambolputty de von Ausfern Schplenden-Schlitter

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Crasscrenbon-Fried Digger-Dangle-Dungle

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Burstein von Knackerthrasher-Apple--

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[CROAKS]

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--banger Ticolensic Grander-Knotty Spelltinkle

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Grandlich Grumblemeyer Spelterwasser Kurstlich

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Himbleeisen-Bahnwagen Gutenabend-Bitte

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Ein Nurnburger-Bratwurstle Gerspurten Mitz Weimache

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Luber Hundsfut Gumberaber-Schonedanker

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Kalbsfleisch Mittler-Aucher von Hautkopf of Ulm?

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[SIGHS]

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A tribute to Johann Gambolputty de von--

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-Ausfern Schplenden-Schlitter-- -Crasscrenbon-Fried Digger-Dangle-Dungle--

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Dungle Burstein von Knackerthrasher--

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Applebanger Horowitz Ticolensic--

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-Grander Spelltinkle-- -Grandlich--

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-Grumblemeyer-- -Spelterasser--

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-Kurstlich Himbleeisen-- -Bahnwagen Gutenabend--

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-Bitte-- -Nurnburger--

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-Bratwurstle-- -Gerspurten--

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-Mitz-- -Weimache Luber--

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-Gumberaber-Schonedanker-- -Kalbsfleisch--

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ALL: Mittler-Aucher von Hautkopf--

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Of Ulm.

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[♪]

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Ooh!

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Ooh!

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-[MUMBLING] -Ooh! Ooh! Ooh!

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-[PANTING] -[GRUNTING]

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That's it.

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We're not about to allow this sort of smut to be shown on-screen.

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I must agree with the censor.

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Smut and filth have no place on the street.

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Street-- On the street. No. Smut and filth should--

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[CASH REGISTER DINGS]

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[♪]

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All clear?

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All clear, boss.

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Right, this is the plan, then.

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At 10:45, you, Reg, collect me and Ken in the van and take us round to British jewelery center in the High Street.

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We arrive outside the British jewelery center at 10:50 a-of-m.

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I shall then get out of the car.

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You, Reg, take it and park it back here in Denver Street, right?

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At 10:51, I shall enter the British jewellery center, where you, Vic, disguised as a customer, will meet me and hand me £5.18 and 3 pence.

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At 10:52, I shall approach the counter and purchase a watch costing £5.18 and 3 pence.

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I shall then give the watch to you, Vic.

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You will go to Norman's Garage on East Street.

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You lads come and pick me back up here at 10:56 and we rendezvous in the back at the Cow and Sickle, at 11:15.

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All right, any questions?

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We don't seem to be doing anything illegal.

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-What do you mean? -Well, we're paying for the watch.

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Yeah.

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Well, why are we paying for the watch?

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[SCOFFS]

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They wouldn't give it to us if we didn't pay for it, would they?

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-I don't like this outfit. -Why not?

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Well, we never break the bloody law.

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What do you mean?

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Well, look at that bank job last week.

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What was wrong with that?

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Having to go in there with a mask on and ask for £15 out of my deposit account, that's what was wrong.

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What are you trying to say, Larry?

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Couldn't we just steal the watch, boss?

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Oh, you dumb cluck!

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We spent weeks organizing this job.

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Reg rented a room across the road and filmed people going in and out every day.

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Vic spent three weeks looking at watch catalogs till he knew the price of each one backwards.

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And I'm not going to risk the whole raid just for the sake of breaking the law.

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-Park on the double-yellow line? -No!

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-Couldn't we get a dog to--? -No!

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-Here, boss. -What's the matter with you?

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I just thought, uh-- I left the car on a meter and it's...

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Overdue?

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Yes, boss.

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How much?

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I don't know, boss. Maybe two-- Maybe five minutes.

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Five minutes overdue?!

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You fool!

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You fool!

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All right, no time to lose.

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Ken, shave all your hair, get your passport, and meet me at this address in Rio de Janeiro Tuesday.

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Vic, go to Africa, have plastic surgery and meet me there.

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Reg, go to Canada, work your way south to Nicaragua by July.

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Larry, you stay here. Give us 15 minutes, then blow the building up. All right? Make it fast!

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-I can't blow the building up. -Why not?

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Well, it's illegal.

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Oh, bloody hell.

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Well, we better give ourselves up, then.

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-We can't, boss. -Why not?

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We haven't done anything illegal.

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-[GUNSHOTS] -[ALARM RINGING]

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MAN: Excuse me.

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Uh, no, well,

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I think, uh, being illegal makes it more exciting.

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Yeah, I agree. I mean, uh, if you're gonna go straight, you might as well be a--

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A vicar or something.

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What? What?

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I agree. If there were fewer robbers, there wouldn't be so many of them, numerically speaking.

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I think sexual ecstasy is overrated.

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Well, how very interesting, because I'm now made entirely of tin.

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After a few more of these remarks,

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I shall be appearing in a sketch, so stay tuned.

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It's the uniform that puts 'em off.

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That and my bad breath.

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We like dressing up, yes.

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Hello again. I am, at present, still on film, but in a few seconds, I shall be appearing in the studio. Thank you.

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Hello.

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Mr. Milton, you are sole proprietor and owner

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-of the Whizzo Chocolate Company? -I am.

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Superintendent Parrot and I are from the Hygiene Squad.

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We want to have a word with you about your box of chocolates entitled the Whizzo Quality Assortment.

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Ah, yes. Heh.

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If I may begin at the beginning.

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First, there is the Cherry Fondue.

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[GAGS]

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This is extremely nasty, but we can't prosecute you for that.

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-Agreed. -Next, we have number four:

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-"Crunchy Frog." -Ah, yes.

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Am I right in thinking there's a real frog in here?

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-Yes, a little one. -What sort of frog?

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A dead frog.

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-Is it cooked? -No.

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What, a raw frog?

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We use only the finest baby frogs, dew-picked and flown from Iraq, cleansed in the finest quality spring water, lightly killed, and then sealed in a succulent Swiss, quintuple-smooth, treble-cream, milk-chocolate envelope and lovingly frosted with glucose.

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That's as may be, it's still a frog.

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-What else? -Don't you take the bones out?

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If we took the bones out it wouldn't be crunchy, would it?

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Superintendent Parrot ate one of those.

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[DRY HEAVING]

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Excuse me a moment. [GRUNTS]

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It says, "Crunchy Frog" quite clearly.

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Well, the superintendent thought it was an almond whirl.

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People won't expect there to be a frog in there.

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They're bound to think it's some form of mock frog.

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"Mock frog"? We use no artificial preservatives or additives of any kind.

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Nevertheless, I must warn you that in future, you should delete the words "Crunchy Frog" and replace them with the legend:

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"Crunchy, raw, unboned, real, dead frog" if you want to avoid prosecution.

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What about our sales?

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I'm not interested in your sales.

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I have to protect the general public.

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Now, how about this one?

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It was number five, wasn't it?

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Number five, "Ram's Bladder Cup."

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-[GAGS] -Yes.

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What kind of confection is this?

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We use choicest, juicy chunks of fresh Cornish ram's bladder, emptied, steamed, flavored with sesame seeds, whipped into a fondue and garnished with lark's vomit.

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"Lark's vomit"?

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Correct.

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Well, it don't say nothing about that here.

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Yes, it does, on the bottom of the box, after monosodium glutamate.

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Well, I hardly think this is good enough.

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I think it would be more appropriate if the box bore a large red label warning "lark's vomit."

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Our sales would plummet.

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Well, why don't you move into more conventional areas of confectionary like praline or lime cream, a very popular flavor, I'm led to understand.

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-I mean look at this one, "Cockroach Cluster." -[GAGS]

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"Anthrax Ripple."

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What's this one, "Spring Surprise"?

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Oh, now, that's our specialty.

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Covered in darkest creamy chocolate, when you pop it in your mouth steel bolts spring out and plunge straight through both cheeks.

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Well, where's the pleasure in that?

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If people place a nice choccy in their mouths, they don't want their cheeks pierced.

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In any case, this is an inadequate description of the sweetmeat.

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I shall have to ask you to accompany me to the station.

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-It's a fair cop. -Stop talking to the camera.

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I'm sorry.

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[COUGHS]

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If only the general public would take more care when buying its sweeties, it would reduce the number of man-hours lost to the nation, and they would spend less time having their stomachs pumped and sitting around in public lavatories.

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[GRUNTS]

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The BBC would like to apologize for the extremely poor quality of the next announcement, only he's not at all well.

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We present, "The Dull Life of a City Stockbroker." [GAGS]

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[♪]

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[BOTH PANTING]

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[GRUNTING]

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[SCREAMS]

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Agh!

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[EXPLOSIONS]

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[ALL SCREAMING]

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[GUNFIRE]

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[EXPLOSIONS]

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[♪]

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[♪]

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Yes, sir, coming right up, the theater sketch, so don't move.

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[♪]

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[ORCHESTRA PLAYING]

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Me heap want see play.

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Me want play start heap soon.

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Yes, well, I think it begins in a minute.

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Me heap-big fan Cicely Courtneidge.

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Yes, she's very good.

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She fine actress.

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She make interpretation heap subtle.

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She heap-good diction and timing.

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She make part really live for Indian brave.

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Yes. Yes, she's marvelous.

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My father, Chief Running Stag, leader of mighty Redfoot tribe, him heap keen on Michael Denison and Dulcie Gray.

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Um, do you go to the theater a lot?

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When moon high over prairie, when wolf howl over mountain, when mighty wind roar through Yellow Valley, we go Leatherhead rep, block-booking, upper circle.

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Whole tribe get in on three and six each.

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That's very good.

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Stage manager, Stan Wilson, heap-good friend Redfoot tribe.

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After show we go powwow.

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Speakum with director, Sandy Camp, in snug bar of Bell and Compasses.

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Him mighty fine director.

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Him heap famous.

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Yes, well, I-I don't know him myself.

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Him say Leatherhead rep like do play with Redfoot tribe.

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Oh, that's good.

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We do Dial M for Murder.

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Chief Running Elk, him kill buffalo with bare hands, run thousand paces when the sun is high.

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Him play Chief Inspector Hardy.

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Heap-good fine actor.

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You, uh-- You do a lot of acting, do you?

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Yes, Redfoot tribe live by acting and hunting.

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-You don't fight anymore? -Yes!

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Redfoot make war.

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When Chief Yellow Snake was leader and Mighty Eagle was in land of forefather, we fight Pawnee at Oxbow Crossing.

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When Pawnee steal our rehearsal copies of Reluctant Debutante, we kill 50 Pawnee.

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Houses heap full every night. Heap good publicity.

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I think he's about to start now. Thank God for that.

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Paleface like eat chocolate?

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No, thank you very much.

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Mm.

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Crunchy Frog. Heap good.

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Ladies and gentlemen, before the play starts,

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I would like to apologize to you all.

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But unfortunately, Miss Cicely Courtneidge is unable to appear, owing to-- [GASPS]

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[♪]

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Oh, did you read that, Edgar?

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What's that, dear?

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There's been another Indian massacre at Dorking Civic Theatre.

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About time, too, dear.

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"Those who were left alive at the end got their money back."

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Well, that's what live theater needs, a few more massacres.

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"The police are anxious to speak to anyone who saw the crime, ladies with large breasts, or just anyone who likes policemen."

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Yes, policemen make wonderful friends.

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So if you are over six-feet tall and would like a friend, a pen friend in the police force, here is the address to write to:

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Mrs. Ena Frog, 8 Masonic Apron Street, Cowdenbeath.

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Remember, policemen make wonderful friends.

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So write today and take advantage of our free officer.

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Thank you.

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And now for the next sketch.

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[GIGGLES] Oh. Oh, thank you.

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Ooh! "A Scotsman on a Horse."

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For Mrs. Emma Hamilton of Nelson, "A Scotsman on a Horse."

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[bagpipes playing]

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[HORSE WHINNIES]

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[HARPSICHORD PLAYING]

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[HARPSICHORD PLAYING]

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Oh, I liked that.

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I want to get one of those for myself too, peachy-face.

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[ENGINE HUMMING]

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[YELPS]

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[GRUNTS]

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[YELLS]

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MAN [ON MEGAPHONE]: It's the police, Percy.

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We know you're in there, so come out with your hands up high and there'll be no trouble.

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[SISSY VOICE] You'll never take me alive, copper.

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[MAN] Oh. All right.

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[♪]

00:23:22

[SQUEAKS]

00:23:28

Morning, boys.

00:23:30

ALL: Good morning, Mr. Saltzberg.

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Sit down, sit down, sit down, sit down.

00:23:33

Well, boys, I want you to know that I think you're the best six writers in movies today.

00:23:39

And I want you to know that I've had an idea for the next movie I'm gonna produce and I want you boys to write it.

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[EXCITED CHATTER]

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[CHUCKLES]

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Oh, sit down, sit down, sit down, sit down!

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There'll be plenty of time for that later on.

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-Now, here's my idea-- -It's great!

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You like it, huh?

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-Yeah, yeah, great! -Terrific.

00:24:01

Great. Terrific.

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Do you like it?

00:24:04

Oh, yeah! Yeah, yeah, yeah.

00:24:06

What do you like best about it?

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[CHUCKLES] Oh... Well, you haven't told us what it is yet.

00:24:12

What?

00:24:13

Um... I like what he likes.

00:24:15

-What do you like? -I like what he likes.

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BOTH: I like what he likes.

00:24:18

I'm just crazy about what he likes.

00:24:19

What do you like about it?

00:24:21

-I agree with them. -Good.

00:24:22

Now we're getting somewhere.

00:24:24

Now, here's the start of the movie:

00:24:27

I see snow.

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-White snow. -Think of the colors!

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And in the snow, I see a tree.

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ALL: Yes! Yes!

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Wait, wait. I haven't finished yet.

00:24:39

-There's more? -By this tree, gentlemen, I see a dog.

00:24:43

ALL: Okay!

00:24:45

And gentlemen, this dog goes up to the tree, and he piddles on it.

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ALL: Hallelujah!

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Have we got a movie!

00:24:55

He tells it the way it is!

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-It's where it's at! -This is something else!

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It's out of sight!

00:25:00

I like it! I like it!

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-Oh, yeah? -Yeah, yeah, yeah!

00:25:04

I promise I like it.

00:25:05

Sir, I don't know how to say this, but I've got to be perfectly frank.

00:25:10

I really and truly believe this story of yours is the greatest story in motion-picture history.

00:25:17

Get out! If there's one thing I can't stand, it's a yes man! Get out!

00:25:21

-[SOBBING] -I'll see you never work again!

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-What do you think? -Well, I, uh--

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Just because I have an idea it doesn't mean it's great.

00:25:28

It could be lousy.

00:25:29

It could?

00:25:31

Yeah! What do you think?

00:25:34

-It's lousy. -There you are. He spoke his mind.

00:25:36

He said my idea was lousy.

00:25:38

It just so happens my idea isn't lousy, so get out you goddamn pinko subversive, get out!

00:25:43

[SOBBING]

00:25:44

You!

00:25:48

Well, I think it's an excellent idea.

00:25:50

Are you a yes man?

00:25:52

No, no, no! I-I mean, there may be things against it.

00:25:54

You think it's lousy, huh?

00:25:55

No, no. I-I mean, i-it takes time.

00:25:58

Are you being indecisive?

00:25:59

[STAMMERING] Yo!

00:26:00

Nes! Perhaps.

00:26:05

Now, I hope you three gentlemen aren't gonna be indecis--

00:26:08

What the hell are you doing under that table?

00:26:09

-We dropped our pencils. -Yeah.

00:26:11

Pencil droppers, eh?

00:26:12

ALL: No, no, no!

00:26:14

Right.

00:26:15

Now, I want your opinion of my idea.

00:26:20

-You! -[MOANS]

00:26:23

-Has he had a heart attack? -[BOTH STAMMERING]

00:26:25

If there's one thing I can't stand, it's people who have heart attacks!

00:26:28

I feel fine now.

00:26:29

Well, what do you think?

00:26:31

Uh, what? You didn't ask me, you asked him.

00:26:34

-Oh, you didn't ask me, you asked him. -Uh, him.

00:26:36

-ALL: Him! -I've changed my mind.

00:26:38

-I'm asking you, the one in the middle. -[GASPING]

00:26:40

The one in the middle?

00:26:42

-Yes, the one in the middle. -[PHONE RINGS]

00:26:45

Hello? Yes, Dimitri.

00:26:47

No, no. Sorry. It doesn't matter. Okay, just a second. Go on. All right.

00:26:49

-What the hell are you doing? -Uh, thinking.

00:26:52

Get back in those seats immediately.

00:26:54

-Yeah, sure, sure, sure. Right, you! -[ALL GRUNTING]

00:26:57

The one in the middle, what do you think?

00:26:59

[WHIMPERING]

00:27:02

-Come on! -Splunge!

00:27:04

Did he say "splunge"?

00:27:07

-Yep. -Yep.

00:27:08

What does "splunge" mean?

00:27:10

[STAMMERING] It means, it's a great idea, but-- But possibly not.

00:27:13

-And I'm not being indecisive! -Good. Right.

00:27:16

-What do you think? -Uh, splunge?

00:27:19

-Okay. -Yeah, splunge for me too.

00:27:23

So all three of you think splunge?

00:27:25

-ALL: Yeah. -Now we're getting somewhere.

00:27:27

No, wait! A new angle.

00:27:29

In the snow, instead of the tree,

00:27:32

I see... Rock Hudson.

00:27:34

Oh, yeah! Yeah.

00:27:35

And instead of the dog, I see... Doris Day.

00:27:38

-Oh, yes! -And, gentlemen,

00:27:40

Doris Day goes up to Rock Hudson, and she kisses on him.

00:27:46

-I love it. -It's a love story.

00:27:48

Intercourse Italian-style.

00:27:49

David Hemmings as a hippie Gestapo officer.

00:27:52

Frontal nudity. A family picture. A comedy.

00:27:54

And then, when Doris Day's kissed Rock Hudson, she says something funny... Like...?

00:28:01

[STAMMERS] "Good evening"?

00:28:04

Doris Day's a comedienne, not a newsreader. Get out!

00:28:08

She says something funny like?

00:28:10

[WHIMPERS, STAMMERS]

00:28:12

"Splunge."

00:28:13

That's the stupidest idea I ever heard! Get out!

00:28:17

Doris Dog kisses Rock Tree and she says?

00:28:21

I can't take it anymore!

00:28:23

I like that! I like that, "I can't take it anymore."

00:28:26

And then Rock Hudson says: "I'm a very rich film producer and I need a lobotomy."

00:28:30

And then Doris Dog says: "I think you're very handsome and I'm gonna take all my clothes off."

00:28:34

And then Doris Dog turns into a yak and goes to the bathroom on David Lemming.

00:28:38

No, wait, wait!

00:28:40

Hello? Hello?

00:28:42

[RINGING]

00:28:46

SALTZBERG: Hello, who are you?

00:28:48

You're an out-of-work writer? Well, you're fired!

00:28:51

Roll the credits!

00:28:55

Produced by Irving C. Saltzberg, Junior,

00:28:58

in an Irving C. Saltzberg Production, Ltd.

00:29:00

And Saltzberg Art Films, Oil, Real Estate,

00:29:03

Banking and Prostitution, Inc.

00:29:05

[♪]