Home > Star Trek: The Next Generation

Masks

00:00:01

That's very good.

00:00:08

Well, that's very nice.

00:00:09

No, it isn't.

00:00:11

I just can't get it right.

00:00:13

You think the wings are too big?

00:00:15

TROI: Oh, no, not at all.

00:00:17

Birds have wings of all sizes, Eric.

00:00:20

And you shouldn't worry about making it look perfect.

00:00:23

But Mrs. Narsu said we should try to make our sculptures as realistic as possible.

00:00:28

Well, she's right.

00:00:30

It is important that you be able to make the clay take the shape you want it to have.

00:00:35

But you're not supposed to be concentrating on technique today. I'm here to help you focus on the feelings you want to convey with your sculpture.

00:00:44

For instance, what do you think about when you see a bird?

00:00:49

Flying?

00:00:50

Fine. So, make your sculpture make me think of flying, too.

00:01:03

How's it going, Data?

00:01:05

I have finished.

00:01:06

The dimensions are accurate to within 1.3%

00:01:10

I'm sure they are.

00:01:13

Data, you obviously don't have a problem with realism, but you're here to work on your imagination.

00:01:19

Maybe you should try something a little more... abstract.

00:01:25

Here...

00:01:27

I want you to start a new piece.

00:01:31

I'd like you to sculpt... music.

00:01:36

Counselor, music is a collection of acoustic vibrations.

00:01:40

How can I reproduce a sound with clay?

00:01:43

Well, think of the effects that sounds have on people.

00:01:47

The images that music brings to your mind.

00:01:51

And then, give it a form.

00:02:11

It's a start.

00:02:15

Riker to Data, please report to the Bridge.

00:02:18

Acknowledged, sir. On my way.

00:02:20

Captain's Log, Stardate 47615.2.

00:02:25

We have encountered a rogue comet in sector 1156.

00:02:29

It is not native to this region of space

00:02:32

and there is no previous record of this object

00:02:34

on any Federation charts.

00:02:36

Based on its present trajectory, the comet appears to have originated in the D'Arsay system.

00:02:42

That's over two sectors away.

00:02:43

That is correct, sir.

00:02:45

This object has been en route for 87 million years.

00:02:48

That's a long time alone in the dark.

00:02:50

Mmm.

00:02:52

Begin a full sensor analysis, Mr. Data, and log the findings with the Federation Astrophysical Survey.

00:02:59

Aye, sir.

00:03:00

( console beeping )

00:03:02

The comet's outer shell is composed primarily of gaseous hydrogen and helium surrounding an icy mantle.

00:03:09

The inner core consists of heavier elements.

00:03:16

What was that?

00:03:18

There is a distortion within the comet's inner core.

00:03:21

I believe we experienced an intense sensor echo.

00:03:24

Can you correct for it?

00:03:26

I am attempting to do so now, sir.

00:03:29

I have compensated for the effect.

00:03:32

Sensors are reconfigured for a low intensity sweep.

00:03:34

We are still picking up some interference, but the distortion is manageable.

00:03:39

At these settings, the scan will be complete in 39 hours.

00:03:49

Worf says he's gonna teach us some mok'bara throwing techniques today.

00:03:53

TROI: More like falling techniques.

00:03:55

Last time we did that, I was sore for a week.

00:03:58

What's this?

00:03:59

I have no idea. I've never seen it before.

00:04:03

Maybe Will left it for you-- a little present.

00:04:06

It's not quite his style.

00:04:08

Then maybe it's a secret admirer.

00:04:10

Ooh-- that's an interesting thought.

00:04:13

Well, you'll figure it out later.

00:04:15

Come on, we're gonna be late.

00:04:53

Space, the final frontier.

00:04:58

These are the voyages of the Starship Enterprise.

00:05:02

Its continuing mission--

00:05:04

to explore strange new worlds,

00:05:07

to seek out new life and new civilizations,

00:05:12

to boldly go where no one has gone before.

00:06:20

That's nice.

00:06:25

Data...

00:06:28

This is amazing. How did you come up with this?

00:06:30

DATA: I followed your advice, Counselor.

00:06:32

I used my imagination.

00:06:35

That's an understatement.

00:06:37

For some reason, as I was shaping the clay, the image of the mask was exceptionally clear in my mind.

00:06:44

The design seemed to flow quite naturally.

00:06:47

Data, have you been in my quarters?

00:06:51

No, Counselor.

00:06:52

Someone left an object in my room.

00:06:55

Some kind of artifact. And it has something very similar to this.

00:07:00

And you don't know anything about it?

00:07:02

I do not.

00:07:04

ERIC: Excuse me, Counselor.

00:07:08

Can you help me with my terminal?

00:07:11

It's not working right.

00:07:15

Perhaps we should investigate this matter further.

00:07:19

RIKER: These symbols don't match anything in the Federation linguistics banks.

00:07:23

Some kind of alien information has been downloaded into our computer core.

00:07:27

I don't know how it's working, but it's reconfiguring our systems.

00:07:30

How did it get in?

00:07:32

I was able to trace its path from the replicators to the sensor array.

00:07:36

The sensors?

00:07:38

They've been scanning that comet for the past 18 hours.

00:07:40

Those energy readings from the comet's core-- that sensor echo-- we still don't know what's inside that thing.

00:07:45

Maybe it's about time we find out.

00:07:48

Could we use the phasers to melt down the shell of the comet?

00:07:51

Yeah. A dispersed wide-field beam might do the trick.

00:07:55

And it wouldn't take long to come up with the firing parameters.

00:07:57

What do you think, Data?

00:08:01

Data... what's wrong?

00:08:04

I believe I recognize these symbols.

00:08:06

How?

00:08:08

I do not know.

00:08:10

You think maybe your systems have been affected?

00:08:13

It is a possibility.

00:08:15

I do not believe my systems are currently impaired, but I will run a full diagnostic to make certain.

00:08:23

What do you think they mean?

00:08:25

Boundary.

00:08:28

Border.

00:08:30

Road.

00:08:33

Companion.

00:08:35

Message.

00:08:36

Messenger.

00:08:39

LA FORGE: What's that one?

00:08:42

Death.

00:08:48

Captain, phasers are set for wide dispersal.

00:08:51

10% maximum power.

00:08:53

The beam will automatically terminate once the comet's core is reached.

00:08:56

Very well, Mr. Worf.

00:08:58

Fire.

00:09:10

Phasers have terminated.

00:09:32

Mr. Data, what are we looking at?

00:09:35

Is it a ship?

00:09:37

I do not know, sir.

00:09:39

The object is nearly solid. It is composed primarily of fortanium and several unknown materials.

00:09:46

It is over 87 million years old.

00:09:49

That's older than the comet itself.

00:09:51

Could someone from the D'Arsay system have built it?

00:09:53

There are no technologically advanced cultures in that system now.

00:10:00

But perhaps...

00:10:01

87 million years ago, there were.

00:10:04

Why would they want to hide something like that inside a comet?

00:10:07

Possibly... it accumulated those frozen gasses over time as it traveled through space.

00:10:14

In any case, it's definitely responsible for the system anomalies we've been experiencing.

00:10:19

They're using our sensor beam as a carrier wave to transmit information into our computers and replicators.

00:10:24

But the question remains, why? What is its purpose?

00:10:28

Captain, I believe this object is an informational archive.

00:10:33

Why do you say that, Mr. Data?

00:10:35

I do not know.

00:10:37

However, I seem to have an intuitive understanding of its function.

00:10:41

LA FORGE: Data, the internal structure of that thing is pretty complex.

00:10:44

And it's got a repetitive node configuration, which might suggest a database of some kind, but it could be practically anything.

00:10:50

I don't see how you can know for sure what it is.

00:10:53

Data, do you believe that you're in communication with that object?

00:10:57

It is a possibility, sir.

00:11:00

I recommend we run a level-1 diagnostic of my positronic net to determine if that is the case.

00:11:05

Very well. Mr. La Forge, give him a hand.

00:11:08

Aye, sir.

00:11:10

You think it's just trying to make contact with us?

00:11:12

Yes, it's possible, but if that is an archive from some ancient civilization, we should allow it to do so.

00:11:19

But we must be careful.

00:11:20

Mr. Worf, will you keep an eye on the sensors?

00:11:22

If the ship is in any danger, I want you to sever the connection immediately.

00:11:26

WORF: Aye, sir.

00:11:33

( door chimes )

00:11:34

Come.

00:11:36

Captain?

00:11:37

Yes, come in, Number One.

00:11:40

We've confined the system corruption.

00:11:41

It won't be spreading any further.

00:11:44

But we still have alien symbols floating around in our computer.

00:11:49

This is quite a collection you've assembled.

00:11:51

I've seen these things all over the ship.

00:11:53

They all look the same-- primitive and nonfunctional.

00:11:57

Ah, ceremonial, and deceptively primitive.

00:12:01

Only an advanced technological society could have built that object out there.

00:12:06

These artifacts played a ritualistic role in that society, I think.

00:12:11

Do you think Data could be right?

00:12:14

Could we have stumbled across some sort of alien library?

00:12:16

Oh, yes, it's possible, and if so, this is a find of the most enormous significance.

00:12:22

That library seems designed to do so much more than simply store information.

00:12:26

Who knows what we might not learn from this?

00:12:28

I keep seeing this design.

00:12:30

Yes, this symbol seems to be of particular significance.

00:12:33

What do you think it means? Well, the concept of the four cardinal compass directions are quite common in many different cultures.

00:12:39

The words that Data recognized in the computer-- boundary, border, road-- they were all arranged in this design.

00:12:46

Well, perhaps the artifacts that all have this compass symbol belong to the same theme-- movement-- finding a direction, traveling a path, crossing a boundary.

00:12:56

And death?

00:12:57

One of the symbols was death.

00:13:00

Well, the ultimate boundary.

00:13:02

Mm-hmm.

00:13:04

I've seen this symbol everywhere too, but much less prominently displayed.

00:13:09

It's always in the background-- much smaller than the others.

00:13:13

RIKER: What do you think it represents?

00:13:15

I have no idea. Hmm.

00:13:18

Lower synaptic functions are completely normal.

00:13:22

Autonomous systems all check out.

00:13:25

I suggest we examine my memory subsystem next.

00:13:27

All right.

00:13:30

( gasps )

00:13:31

Data, what's wrong?

00:13:34

I am not certain.

00:13:37

I am experiencing a... curious sensation.

00:13:41

Well, what is it?

00:13:44

An impulse.

00:13:45

Impulse? What kind of impulse?

00:13:48

I... do not know.

00:13:52

I'm gonna check out your higher functions.

00:13:56

Geordi.

00:14:00

What does it feel like when a person is losing his mind?

00:14:08

Data, come on, you're scaring me.

00:14:09

Now, what's going on?

00:14:12

I do not know.

00:14:16

I... am different.

00:14:20

Well, you're gonna be all right.

00:14:23

You're with me, okay?

00:14:25

Okay.

00:14:27

Listen, I'm gonna disconnect you.

00:14:37

( crackling electronic whir )

00:14:40

What's going on?

00:14:47

Data...

00:14:51

( in high, nasal voice ) Masaka is waking.

00:15:01

Captain, he-- Captain!

00:15:03

I've been waiting for you.

00:15:05

You should feel honored.

00:15:07

I don't usually wait for anyone.

00:15:10

What is it you want?

00:15:11

Masaka is waking.

00:15:14

Are you Masaka?

00:15:16

I am not Masaka!

00:15:18

I am Ihat.

00:15:22

What have you done to Commander Data?

00:15:24

Commander Data?

00:15:26

You mean the one who was here.

00:15:28

Yes.

00:15:29

He's gone.

00:15:31

Who can say where?

00:15:36

Picard to Counselor Troi.

00:15:37

Report to Main Engineering immediately.

00:15:39

Picard to Counselor Troi.

00:15:41

Report to Main Engineering immediately.

00:15:43

Ihat, this place you come from, is it a cultural archive of your species?

00:15:50

I come from Masaka City.

00:15:53

Are there others like you there?

00:15:57

( laughing )

00:16:06

There are no others like me.

00:16:09

( cackling )

00:16:14

Who is Masaka?

00:16:18

You will find out.

00:16:20

I would like to know Masaka, speak with her.

00:16:24

Do you understand pain?

00:16:27

Death?

00:16:29

That is all you need to know of Masaka.

00:16:31

It is what she is.

00:16:35

Go.

00:16:36

Leave this place before she finds you.

00:16:40

It can be done.

00:16:43

I did it.

00:16:49

Masaka.

00:17:04

( raspy voice ) I am yours.

00:17:08

Every part of me is yours.

00:17:12

We should confine him to quarters.

00:17:27

This is a micrograph of what's happened to Data's positronic net.

00:17:31

Now, as near as I can tell, these are behavioral nodes.

00:17:36

I've counted 14 so far.

00:17:38

I think the archive is using Data to create different people within its culture, much in the same way it used our replicators to create artifacts.

00:17:46

As a result, Data's real personality has been completely buried.

00:17:49

In a sense, Data has the android equivalent of multiple personalities.

00:17:54

And the archive hasn't stopped yet.

00:17:58

Data's positronic net is still being transformed.

00:18:00

There's no telling how many more personalities might emerge.

00:18:04

Geordi, I want you to continue to scan the archive and see if you can find some way to access it.

00:18:10

And in the meantime,

00:18:12

I'll see what I can learn from these... people inside Data.

00:18:26

I'm not going to hurt you.

00:18:28

( raspy voice ) Only Masaka can hurt me.

00:18:33

I am for her... alone.

00:18:38

I need to speak with Ihat.

00:18:41

Do you understand?

00:18:43

Ihat.

00:18:45

( gasps )

00:18:50

( as Ihat ) Captain.

00:18:54

That was a cruel joke you played on me.

00:18:57

For a moment-- a brief moment--

00:19:02

I actually thought that woman was Masaka.

00:19:05

Whoever took your place wasn't afraid of Masaka.

00:19:08

He seemed eager for his fate.

00:19:10

Pitiful, isn't it?

00:19:12

You won't catch me humiliating myself for a woman, even if she were a queen.

00:19:19

Then Masaka is your queen.

00:19:21

She's a lazy creature.

00:19:24

She spends most of her time sleeping.

00:19:28

Problem is what she does when she's awake.

00:19:32

Then we should try to keep her asleep?

00:19:34

( laughing )

00:19:39

Try to stop the sun from climbing the sky, hmm?

00:19:42

Mm-mm.

00:19:43

Only Korgano can do that, and he's not here.

00:19:47

Where is he?

00:19:51

( gasps )

00:19:59

( faint voice ) Help me. Please.

00:20:05

What's wrong?

00:20:07

I'm afraid.

00:20:08

Of what?

00:20:10

Her. Masaka?

00:20:12

Her!

00:20:17

Picard to Bridge. Report.

00:20:19

The archive just activated some sort of tractor beam, sir.

00:20:21

We're not able to disengage it.

00:20:22

Has there been any damage to the ship?

00:20:24

There was an emergency reported in Ten Forward-- Mr. Worf's on his way.

00:20:27

Captain, there's some kind of energy pulse coming through the tractor beam.

00:20:31

It's overriding our control systems.

00:20:32

I'll be right there.

00:20:33

Don't leave me.

00:20:35

( whispering ) I won't leave.

00:20:37

Please... let go of me.

00:20:40

Does it hurt?

00:20:42

Yes.

00:20:44

She's gonna hurt us all.

00:20:52

( as Ihat ) Now, you've done it, Captain.

00:20:56

Masaka is awake.

00:21:07

( alarm wailing )

00:21:34

Who's this?

00:21:44

I'd say that that is Masaka.

00:21:46

He had referred to her as "queen", and it's not unusual in ceremonial cultures to find royalty symbolized by a sun.

00:21:53

TROI: You said the personalities inside Data were in awe of her, even terrified?

00:21:58

Well, according to Data, the sun image is also a symbol for death.

00:22:06

See, there it is again-- the same U-shaped symbol.

00:22:10

Small and insignificant, almost as if it's an afterthought.

00:22:13

Captain, this is incredible.

00:22:16

These artifacts weren't beamed here from the archives.

00:22:19

The matter here in Ten Forward has been transformed.

00:22:22

Into living plants? How is that possible?

00:22:24

I'm not sure, but bit by bit, this ship is being transformed.

00:22:28

WORF: We have been receiving reports from the rest of the ship.

00:22:32

Part of deck 12 is now an aqueduct.

00:22:35

What are we being transformed into?

00:22:37

I'm not sure I wanna find out.

00:22:40

I don't think we have any choice.

00:22:41

We must destroy that archive, Mr. Worf.

00:22:44

Sir, our weapons control systems are inoperative.

00:22:48

However, we could reconfigure a photon torpedo for manual launch.

00:22:52

Make it so.

00:22:59

( sighs )

00:23:00

There's so much more here that we could have learned.

00:23:03

I really regret losing that opportunity.

00:23:07

Okay, I've locked in the targeting parameters.

00:23:09

What's the phase alignment now?

00:23:11

Less than .7%.

00:23:14

Good, that'll do it.

00:23:15

I'm setting the yield at maximum--

00:23:17

Sir... the onboard power systems are not functioning.

00:23:27

Let's see what's going on here.

00:23:42

( gasps ) Whoa!

00:24:07

Something tells me we'd better get out of here.

00:24:21

Engineering to Bridge.

00:24:22

Emergency transport. Two to beam out.

00:24:35

Maybe we'd better talk out here.

00:24:36

The observation lounge has turned into a swamp.

00:24:40

So... what's our status?

00:24:44

Well, so far, the archive has transformed about 20% of the ship. We've lost main propulsion and the weapons systems in the process.

00:24:51

What about communication? Sensors? Life-support?

00:24:53

We have communications and limited sensor control.

00:24:56

Life-support seems to be unaffected.

00:24:58

I've analyzed the alien plant forms.

00:25:00

They've developed from biological matter we have on the ship.

00:25:04

The stone, the artifacts are made in much the same way-- extrapolating from the ship's own alloys.

00:25:09

CRUSHER: Apparently, the archive can reorder and transform molecular structure-- including DNA-- into anything it wants.

00:25:15

So, it's using our ship, our alloys, our DNA to create elements of its own culture. But why is this happening?

00:25:22

What does the archive hope to accomplish?

00:25:24

PICARD: Well, whatever the intent that lies behind its process,

00:25:29

I'm not gonna permit this ship to be turned into an alien city.

00:25:32

Mr. La Forge, do you have any ideas?

00:25:34

Well, we still haven't been able to cut off that beam, but I have managed to access the archive by sending an energy pulse back along their signal path.

00:25:41

If I could locate the transformation program,

00:25:43

I might be able to control it.

00:25:45

That's a good idea.

00:25:47

But I feel that the answer lies there... with Masaka.

00:25:53

We must find her, access her.

00:25:57

Talk to her.

00:26:16

Hello.

00:26:19

( as old man ) Difficult... to stay warm.

00:26:25

It's not warm enough-- not for an old man.

00:26:30

Tell me about Masaka.

00:26:35

My... daughter.

00:26:40

Tell me, how can I talk to her?

00:26:44

Children... grow... forget their parents.

00:26:53

No...

00:26:56

Only Korgano can talk to Masaka.

00:27:01

Korgano. Who is that?

00:27:12

( as Ihat ) Well... aren't we the persistent one?

00:27:16

Ihat?

00:27:17

Is anyone else so charming?

00:27:19

Masaka is taking over my ship.

00:27:22

I told you she would.

00:27:24

I want to talk with her, but I understand that Korgano is the only one who can do that.

00:27:33

Who told you that?

00:27:34

An old man. Masaka's father.

00:27:38

Oh, yes. Yes.

00:27:41

Legend has it she chopped him up and used his bones to make the world.

00:27:46

Any wonder he doesn't like to talk about her?

00:27:48

How can I find Korgano?

00:27:50

I don't know.

00:27:52

He's not chasing her anymore.

00:27:54

Where has he gone?

00:27:56

Stop asking me these questions.

00:27:58

I was fast enough to get away from her once.

00:28:00

I don't want her to find me again.

00:28:02

I'll wind up on her sacrificial slab.

00:28:05

Ihat, if she's looking for a sacrifice... she can take me.

00:28:12

Perhaps then, she'll stop looking for you.

00:28:14

( chuckling )

00:28:16

Well, there's an idea.

00:28:19

Better you than me.

00:28:21

Very well.

00:28:24

What do we do?

00:28:29

You must build Masaka's temple.

00:28:32

The queen's temple.

00:28:35

That will get her attention.

00:28:37

Very well. How do I do that?

00:28:39

You need the sign.

00:28:41

I could give it to you. So could the old man.

00:28:44

But just try getting it out of him.

00:28:47

Give me the sign.

00:28:49

If she finds out... you can't imagine her rage.

00:28:57

She lets people... die of thirst.

00:29:03

A terrible death.

00:29:06

Sometimes... she burns them alive.

00:29:13

She is glorious.

00:29:16

Ihat, the sign. Give it to me.

00:29:20

If she comes, you will take my place?

00:29:23

Yes.

00:29:25

All right.

00:29:26

Quickly, give me your hand.

00:29:30

A line, as the unending horizon.

00:29:34

A curve as...

00:29:39

She has found me.

00:29:41

Masaka, show yourself.

00:29:45

I will go with you.

00:29:47

It seems... I was not fast enough.

00:29:56

( as old man ) So hard... to stay warm.

00:30:01

( groans )

00:30:03

Are you one of my children?

00:30:06

I can't remember anymore.

00:30:09

I need your help.

00:30:10

I need the sign for the temple.

00:30:12

For Masaka's temple.

00:30:15

It won't help you.

00:30:17

Korgano no longer pursues her.

00:30:22

Only he can stop her.

00:30:33

A line, as the unending horizon.

00:30:38

A curve as...

00:30:45

A line, as the unending horizon.

00:30:48

A curve...

00:30:51

As... the rolling hillside.

00:30:55

A point... as a distant bird.

00:31:01

A ray... as the rising sun.

00:31:08

Thank you.

00:31:11

Now... come sit with me.

00:31:17

Tend the fire.

00:31:27

( faint voice ) I'm alone.

00:31:30

No one left to help me.

00:31:33

She's coming.

00:31:35

Are all the others dead?

00:31:37

Did Masaka kill them?

00:31:39

No.

00:31:41

She sent them away.

00:31:43

It will take them days to die.

00:32:19

PICARD: Any progress, Mr. La Forge?

00:32:22

I think I've found the archive's transformation program.

00:32:25

Will it accept the symbol for Masaka's temple?

00:32:28

I think so.

00:32:29

I've isolated the program's input pathways-- their key to accept symbols.

00:32:33

If I input this one, it should initiate the transformation program.

00:32:38

And create the temple?

00:32:39

Well, I hope so.

00:32:40

If this is the wrong symbol, it might turn the Enterprise into a big chunk of rock.

00:32:45

No way to know for sure.

00:32:46

The question is, can we trust a personality from an alien archive that seems bent on taking us over?

00:32:53

Ihat risked his life to show me that symbol.

00:32:56

And Masaka killed him for doing it.

00:32:59

I think we have to risk it.

00:33:08

Captain, the entire deck has been cleared of personnel.

00:33:10

We may proceed.

00:33:12

Commander Riker, we're ready.

00:33:13

RIKER: Understood.

00:33:15

Initiate transformation.

00:33:18

Inputting the symbol now.

00:33:28

It would seem that this is Masaka's temple.

00:33:31

There is no one else here.

00:33:33

PICARD: Ihat said that if we created the temple, then it would get her attention.

00:33:40

It may be some time before she shows herself.

00:33:43

WORF: How will she do that?

00:33:45

PICARD: I don't know.

00:33:50

Captain?

00:33:52

Take a look at this.

00:34:05

This is the first time

00:34:06

I've seen these two symbols paired.

00:34:08

That could be significant.

00:34:12

Look, there it is again.

00:34:15

And again.

00:34:17

And there, again.

00:34:21

This is obviously an important pairing.

00:34:28

He isn't chasing her anymore.

00:34:31

Sir?

00:34:33

Ihat said that someone called Korgano isn't chasing Masaka anymore.

00:34:38

And the old man said, "He pursues her no longer."

00:34:43

In a sense, the small symbol might be seen to be chasing Masaka.

00:34:51

The symbol suggests antlers of some kind-- uh, horns.

00:34:56

Maybe it is meant to represent an animal?

00:35:00

Animals are worshipped in many cultures.

00:35:03

That smaller symbol could represent Korgano.

00:35:07

Ihat and the old man said that Korgano was the only one who could control Masaka.

00:35:12

Many ritualistic cultures incorporate the idea of balance into their belief systems.

00:35:20

Now, Masaka is a... queen, a powerful godlike figure.

00:35:29

It's not unrealistic to believe that she might have a counterpart-- a consort.

00:35:37

Look around, see if you can see that horn-like symbol anywhere else.

00:36:36

TROI: This is the most prominent instance of the horn symbol we've seen yet.

00:36:40

WORF: But now, it appears as though

00:36:41

Masaka's sun is chasing it.

00:36:43

TROI: The sun chasing an animal?

00:36:46

Maybe it's simpler than that.

00:36:47

Maybe their relationship is more like... the sun and the moon.

00:36:52

I see.

00:36:54

Masaka and Korgano switching positions.

00:36:58

The sun setting, and the moon rising.

00:37:00

Exactly, like two powerful rulers changing places in a continual cycle.

00:37:06

And like the sun and the moon, only one of them can be in ascendance at any given time.

00:37:11

( sighs ) If we can find Korgano in the archive and bring him out, then perhaps he could force Masaka to leave.

00:37:21

But would we be better off with him?

00:37:24

Hmm. Ihat and the others didn't seem to be frightened of Korgano.

00:37:33

Sir?

00:37:36

Masaka.

00:37:44

Masaka...

00:37:46

I'm Captain Jean-Luc Picard of the Federation Starship--

00:37:49

Go away!

00:37:52

Please, hear us.

00:37:56

Your archive is destroying--

00:37:58

I do not hear you!

00:38:01

She will not even listen to us.

00:38:04

Then we will have to find someone to whom she will listen.

00:38:13

I found it, Captain.

00:38:15

This is the only place in the archive where Korgano's moon symbol appears by itself, not linked with Masaka's.

00:38:22

All right, Mr. La Forge, I want you to access the transformation program, and when you're ready, input the symbol.

00:38:27

Isn't that a little risky?

00:38:29

TROI: We have no idea what the result would be.

00:38:31

The symbol might generate anything from Korgano's temple to Korgano himself.

00:38:35

In one sense, Korgano is Masaka's nemesis.

00:38:39

And whatever this symbol represents, it could be, for us, a means to control her.

00:38:44

Now, if anyone has a better idea,

00:38:46

I'm very happy to entertain it.

00:38:48

I've accessed the program, Captain.

00:38:50

Initiate the transformation.

00:39:02

Another mask.

00:39:09

You know, we could be going about this all the wrong way.

00:39:13

This is a very ritualistic culture-- one based on symbol and myth.

00:39:19

Perhaps we should try to confront them on those terms.

00:39:22

If I could somehow incorporate myself in their ritual... then perhaps Masaka would listen to me.

00:39:30

You're going to try to pose as Korgano?

00:39:33

Captain, we know so little about this culture, and even less about Korgano.

00:39:38

How would you convince Masaka that you're him?

00:39:41

Well, I'm really not certain.

00:39:43

But there are similarities between this culture and others that I've studied.

00:39:47

I would imagine I'm just going to improvise.

00:39:49

Mr. Worf, what's our status?

00:39:51

I estimate we have less than two hours before there is nothing left of the ship-- at least nothing we can recognize.

00:40:14

Masaka?

00:40:30

Korgano.

00:40:31

Are you surprised to see me?

00:40:33

I thought I had escaped you.

00:40:35

You should know that is impossible.

00:40:39

You are a fine hunter... but I am a powerful prey.

00:40:44

You will never catch me.

00:40:46

Do you want to be the prey forever?

00:40:55

I thought I was alone.

00:41:00

I thought I would not have to share the sky with you.

00:41:03

But without me, you are not complete.

00:41:09

I know you so well.

00:41:11

You live for the chase, as do I.

00:41:15

Will you not miss being the hunter?

00:41:19

Pursuing me?

00:41:20

Forcing me from the sky so that you can rise again?

00:41:25

You know me well, Korgano.

00:41:28

I think... that you are beginning to tire.

00:41:33

It is difficult brightening the sky forever.

00:41:37

Mmm.

00:41:40

I am getting sleepy.

00:41:45

You always do that to me.

00:41:48

So that you can wake with the dawn.

00:41:54

And begin the hunt again.

00:41:57

Let the hunt begin again.

00:42:03

I am eager for that.

00:42:20

As am I.

00:42:25

Riker to Picard. I don't know what you did, sir, but it looks like everything's back to normal.

00:42:29

Acknowledged.

00:42:34

Mr. Data, you all right?

00:42:36

I believe so, sir.

00:42:38

I am not entirely certain what has happened.

00:42:40

Have I been dreaming again?

00:42:42

I'm afraid that will take some time to explain.

00:42:47

Captain's Log, Stardate 47618.4.

00:42:51

Commander La Forge has managed to disable

00:42:53

the alien transformation program.

00:42:55

Starfleet has dispatched an archeological team

00:42:58

to study the archive further.

00:43:01

PICARD: But I don't understand.

00:43:02

I thought all of the alien artifacts had disappeared from the Enterprise.

00:43:05

That one was not created by the archive, sir.

00:43:08

That is the clay mask I originally made.

00:43:11

I have since painted it.

00:43:12

A memento? Yes, sir.

00:43:14

Although I am... relieved to be rid of those alien personalities, in a sense, I am now... empty.

00:43:23

Hmm. I can imagine.

00:43:26

Dr. Crusher told me that there were possibly dozens of personalities inside you.

00:43:31

I suspect the number was much greater.

00:43:33

My impression is that there were thousands, of all ages and walks of life.

00:43:39

It was a remarkable experience.

00:43:41

Well, Data, you never may become fully human, but you've had an experience that transcends the human condition.

00:43:49

You've been an entire civilization.